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Part 20

In Pastures Green · Peter McArthur — chapter 20 of 38 · ~1,017 words · public domain

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On the day of the raising a gang of men working under the directions of the framers put together the bents and sills. The latter are usually laid on cement foundations, as most modern barns have a basement stable for horses and cows. The bents, usually four in number, consist of the posts, beams, girths, and braces. They are put together, with all joints strongly pinned and laid overlapping one another on the foundation, with the tenons on the foot of each post ready to be entered into the mortises in the sills. Early in the afternoon the crowd begins to gather. When all who are expected have put in an appearance, captains are selected, who proceed to choose sides. Then is the anxious moment for the county beau who can feel holes burning in the back of his duck shirt because of

"A pair Of blue eyes sot upun it."

To be chosen first or to be among the first half-dozen is an honour you could appreciate more fully if in your youth you had been chosen second man. I admit it was only second, but, like the Emperor William in the patriotic but blasphemous German story, I was young then, and I left the country before I reached my growth. As each man is chosen, he leaves the crowd and joins the growing group about his captain. Not even "Casey" of baseball fame could make that short walk with more "ease and pride" than some of the county boys, and not a few of them prepare their hands for the coming fray, as he did when

"Ten thousand eyes admired him As he rubbed his hands with dirt; Five thousand throats applauded As he wiped them on his shirt."

When every one has been chosen down to such riffraff as visiting journalists and politicians, who can only be expected to help with the grunting when the lifting is being done, the real work of the raising begins. Although the rivals take opposite sides of the barn, they work together in putting up the main framework. "Ye-ho! Hee-eeve! All together now! Ye-ho! Hee-eeve!"

Slowly the first bent is lifted and shored up until the pike-poles can be brought into play.

"Ye-ho! Hee-eeve!"

Men with handspikes hold back the foot of each post so that the tenons may not slip past the mortises as the huge beams are being pushed up into the air.

"Ye-ho! Hee-eeve!"

At last the tenons slip home and the first bent is stay-lathed in place. The girths that connect with the next bent are put in place, braced, and stayed. Then another bent is heaved up and the extending girths fitted, braced, and pinned. So to the last bent. As it swings up the excitement becomes furious. While the bent is still at a dangerous angle, men clamber up to the collar beams and begin tugging at ropes attached to the heavy plates that are being hoisted against the frame. By the time the last posts have snapped into place the ends of the plates are already on the collar beams.

"Ye-ho! Hee-eeve! Ye-ho! Hee-eeve! Ye-ho! Hee-eeve!" The race is on!

The slanting plates are rapidly pushed high above the building. Sometimes they are liberally soaped to make them slip over the beams more easily. Now comes the spectacular act of the exciting performance. While the end of the plate is high in the air venturesome young men, anxious to make a reputation for reckless daring, shin up to the top so that they may "break" it more quickly. No sooner has it been brought down to the collar beams than it is pushed along the full length of the building. Now it must be lifted into place on the tenons at the tops of the posts.

"Ye-ho! Hee-eeve!"

The cheering suddenly changes to sharp calls and commands.

"Where's that brace?"

"Throw me a commander!"

"Throw me a pin!"

Bang! Bang! Bang! The pins are driven home.

The main plates are pinned into place and the lighter purlines are already lying on the beams with posts fitted in and braced. Now they must be hoisted.

"Ye-ho! Hee-eeve!"

"Where's that strut?"

Now for the rafters! They are already leaning against the main plates, with one end on the ground. Hand over hand they are pulled up, fitted into their places in the plate and laid across the rising purlines. This is the breathless end of the race. The purline is up! The rafters in place!

"All down!"

The winners spill down from the building as if they would break their necks.

"Hurrah! Hurrah! Hurrah!"

The race is over; the winners rush for the tables that are spread on the lawn, and the laughter of girls and women takes the place of the hoarse yelling and cheering of the men. Under a shower of compliments the winners wash up and range around the tables, where they are waited on by the girls. The losers, who may have been only a few rafters behind, are forced to wait for "the second tables." Under the influence of the feasting the excitement soon dies down and both winners and losers share in the general good humour.

Sometimes the contending sides indulge in a game of baseball if there is still time and they feel like exerting themselves after their full meal. Not infrequently the day ends with a dance--not old-fashioned square dances, but up-to-date waltzes with music provided by a graduate of some ladies' college presiding at one of those grand pianos that appear like mushrooms after a season of good crops. The old fiddler rasping out "The Irish Washerwoman" has gone "glimmering down the dust of days that were," with so many other country institutions.

Then comes the drive home through the moonlight, along the country roads and past the sweet-smelling clover fields. As the young men are always heroic and the girls bewitching on these occasions, there is no telling how many romances take definite form at barn-raisings. What have the cities to offer in comparison with this for excitement, fun, and sentiment? Nothing--absolutely nothing!

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