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Part 24

In Ghostly Japan · Lafcadio Hearn — chapter 24 of 24 · ~252 words · public domain

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Pleasure and pain: they commingle always in great music; and therefore it is that music can move us more profoundly than the voice of ocean or than any other voice can do. But in music’s larger utterance it is ever the sorrow that makes the undertone,—the surf-mutter of the Sea of Soul…. Strange to think how vast the sum of joy and woe that must have been experienced before the sense of music could evolve in the brain of man!

Somewhere it is said that human life is the music of the Gods,—that its sobs and laughter, its songs and shrieks and orisons, its outcries of delight and of despair, rise never to the hearing of the Immortals but as a perfect harmony…. Wherefore they could not desire to hush the tones of pain: it would spoil their music! The combination, without the agony-tones, would prove a discord unendurable to ears divine.

And in one way we ourselves are as Gods,—since it is only the sum of the pains and the joys of past lives innumerable that makes for us, through memory organic, the ecstasy of music. All the gladness and the grief of dead generations come back to haunt us in countless forms of harmony and of melody. Even so,—a million years after we shall have ceased to view the sun,—will the gladness and the grief of our own lives pass with richer music into other hearts—there to bestir, for one mysterious moment, some deep and exquisite thrilling of voluptuous pain.

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