Part 22

While thus asking, her voice had gradually become clear and strong,—as if the intensity of the wish had given her new force: then she suddenly burst into tears. Yukiko knelt motionless, not knowing what to do; but the lord nodded assent.

“It is her last wish in this world,” he said. “She always loved cherry-flowers; and I know that she wanted very much to see that Yamato-tree in blossom. Come, my dear Yukiko, let her have her will.”

As a nurse turns her back to a child, that the child may cling to it, Yukiko offered her shoulders to the wife, and said:—

“Lady, I am ready: please tell me how I best can help you.”

“Why, this way!”—responded the dying woman, lifting herself with an almost superhuman effort by clinging to Yukiko’s shoulders. But as she stood erect, she quickly slipped her thin hands down over the shoulders, under the robe, and clutched the breasts of the girl,, and burst into a wicked laugh.

“I have my wish!” she cried—“I have my wish for the cherry-bloom,—but not the cherry-bloom of the garden!… I could not die before I got my wish. Now I have it!—oh, what a delight!”

In Japanese poetry and proverbial phraseology, the physical beauty of a woman is compared to the cherry-flower; while feminine moral beauty is compared to the plum-flower.

And with these words she fell forward upon the crouching girl, and died.

The attendants at once attempted to lift the body from Yukiko’s shoulders, and to lay it upon the bed. But—strange to say!—this seemingly easy thing could not be done. The cold hands had attached themselves in some unaccountable way to the breasts of the girl,—appeared to have grown into the quick flesh. Yukiko became senseless with fear and pain.

Physicians were called. They could not understand what had taken place. By no ordinary methods could the hands of the dead woman be unfastened from the body of her victim;—they so clung that any effort to remove them brought blood. This was not because the fingers held: it was because the flesh of the palms had united itself in some inexplicable manner to the flesh of the breasts!

At that time the most skilful physician in Yedo was a foreigner,—a Dutch surgeon. It was decided to summon him. After a careful examination he said that he could not understand the case, and that for the immediate relief of Yukiko there was nothing to be done except to cut the hands from the corpse. He declared that it would be dangerous to attempt to detach them from the breasts. His advice was accepted; and the hands’ were amputated at the wrists. But they remained clinging to the breasts; and there they soon darkened and dried up,—like the hands of a person long dead.

Yet this was only the beginning of the horror.

Withered and bloodless though they seemed, those hands were not dead. At intervals they would stir—stealthily, like great grey spiders. And nightly thereafter,—beginning always at the Hour of the Ox,—they would clutch and compress and torture. Only at the Hour of the Tiger the pain would cease.

In ancient Japanese time, the Hour of the Ox was the special hour of ghosts. It began at 2 A.M., and lasted until 4 A.M.—for the old Japanese hour was double the length of the modern hour. The Hour of the Tiger began at 4 A.M.

Yukiko cut off her hair, and became a mendicant-nun,—taking the religious name of Dassetsu. She had an ihai (mortuary tablet) made, bearing the kaimyō of her dead mistress,—“Myō-Kō-In-Den Chizan-Ryō-Fu Daishi”;—and this she carried about with her in all her wanderings; and every day before it she humbly besought the dead for pardon, and performed a Buddhist service in order that the jealous spirit might find rest. But the evil karma that had rendered such an affliction possible could not soon be exhausted. Every night at the Hour of the Ox, the hands never failed to torture her, during more than seventeen years,—according to the testimony of those persons to whom she last told her story, when she stopped for one evening at the house of Noguchi Dengozayémon, in the village of Tanaka in the district of Kawachi in the province of Shimotsuké. This was in the third year of Kōkwa (1846). Thereafter nothing more was ever heard of her.

Story of a Tengu

This story may be found in the curious old Japanese book called Jikkun-Shō. The same legend has furnished the subject of an interesting Nō-play, called Dai-É (“The Great Assembly”). In Japanese popular art, the Tengu are commonly represented either as winged men with beak-shaped noses, or as birds of prey. There are different kinds of Tengu; but all are supposed to be mountain-haunting spirits, capable of assuming many forms, and occasionally appearing as crows, vultures, or eagles. Buddhism appears to class the Tengu among the Mârakâyikas.

In the days of the Emperor Go-Reizei, there was a holy priest living in the temple of Saito, on the mountain called Hiyei-Zan, near Kyōto. One summer day this good priest, after a visit to the city, was returning to his temple by way of Kita-no-Ōji, when he saw some boys ill-treating a kite. They had caught the bird in a snare, and were beating it with sticks. “Oh, the, poor creature!” compassionately exclaimed the priest;—“why do you torment it so, children?” One of the boys made answer:—“We want to kill it to get the feathers.” Moved by pity, the priest persuaded the boys to let him have the kite in exchange for a fan that he was carrying; and he set the bird free. It had not been seriously hurt, and was able to fly away.

Happy at having performed this Buddhist act of merit, the priest then resumed his walk. He had not proceeded very far when he saw a strange monk come out of a bamboo-grove by the road-side, and hasten towards him. The monk respectfully saluted him, and said:—“Sir, through your compassionate kindness my life has been saved; and I now desire to express my gratitude in a fitting manner.” Astonished at hearing himself thus addressed, the priest replied:—“Really, I cannot remember to have ever seen you before: please tell me who you are.” “It is not wonderful that you cannot recognize me in this form,” returned the monk: “I am the kite that those cruel boys were tormenting at Kita-no-Ōji. You saved my life; and there is nothing in this world more precious than life. So I now wish to return your kindness in some way or other. If there be anything that you would like to have, or to know, or to see,—anything that I can do for you, in short,—please to tell me; for as I happen to possess, in a small degree, the Six Supernatural Powers, I am able to gratify almost any wish that you can express.” On hearing these words, the priest knew that he was speaking with a Tengu; and he frankly made answer:—“My friend, I have long ceased to care for the things of this world: I am now seventy years of age; neither fame nor pleasure has any attraction for me. I feel anxious only about my future birth; but as that is a matter in which no one can help me, it were useless to ask about it. Really, I can think of but one thing worth wishing for. It has been my life-long regret that I was not in India in the time of the Lord Buddha, and could not attend the great assembly on the holy mountain Gridhrakûta. Never a day passes in which this regret does not come to me, in the hour of morning or of evening prayer. Ah, my friend! if it were possible to conquer Time and Space, like the Bodhisattvas, so that I could look upon that marvellous assembly, how happy should I be!”

“Why,” the Tengu exclaimed, “that pious wish of yours can easily be satisfied. I perfectly well remember the assembly on the Vulture Peak; and I can cause everything that happened there to reappear before you, exactly as it occurred. It is our greatest delight to represent such holy matters…. Come this way with me!”

And the priest suffered himself to be led to a place among pines, on the slope of a hill. “Now,” said the Tengu, “you have only to wait here for awhile, with your eyes shut. Do not open them until you hear the voice of the Buddha preaching the Law. Then you can look. But when you see the appearance of the Buddha, you must not allow your devout feelings to influence you in any way;—you must not bow down, nor pray, nor utter any such exclamation as, ‘Even so, Lord!’ or ‘O thou Blessed One!’ You must not speak at all. Should you make even the least sign of reverence, something very unfortunate might happen to me.” The priest gladly promised to follow these injunctions; and the Tengu hurried away as if to prepare the spectacle.

The day waned and passed, and the darkness came; but the old priest waited patiently beneath a tree, keeping his eyes closed. At last a voice suddenly resounded above him,—a wonderful voice, deep and clear like the pealing of a mighty bell,—the voice of the Buddha Sâkyamuni proclaiming the Perfect Way. Then the priest, opening his eyes in a great radiance, perceived that all things had been changed: the place was indeed the Vulture Peak,—the holy Indian mountain Gridhrakûta; and the time was the time of the Sûtra of the Lotos of the Good Law. Now there were no pines about him, but strange shining trees made of the Seven Precious Substances, with foliage and fruit of gems;—and the ground was covered with Mandârava and Manjûshaka flowers showered from heaven;—and the night was filled with fragrance and splendour and the sweetness of the great Voice. And in mid-air, shining as a moon above the world, the priest beheld the Blessed One seated upon the Lion-throne, with Samantabhadra at his right hand, and Manjusri at his left,—and before them assembled—immeasurably spreading into Space, like a flood Of stars—the hosts of the Mahâsattvas and the Bodhisattvas with their countless following: “gods, demons, Nâgas, goblins, men, and beings not human.” Sâriputra he saw, and Kâsyapa, and Ânanda, with all the disciples of the Tathâgata,—and the Kings of the Devas,—and the Kings of the Four Directions, like pillars of fire,—and the great Dragon-Kings,—and the Gandharvas and Garudas,—and the Gods of the Sun and the Moon and the Wind,—and the shining myriads of Brahmâ’s heaven. And incomparably further than even the measureless circling of the glory of these, he saw—made visible by a single ray of light that shot from the forehead of the Blessed One to pierce beyond uttermost Time—the eighteen hundred thousand Buddha-fields of the Eastern Quarter with all their habitants,—and the beings in each of the Six States of Existence,—and even the shapes of the Buddhas extinct, that had entered into Nirvâna. These, and all the gods, and all the demons, he saw bow down before the Lion-throne; and he heard that multitude incalculable of beings praising the Sûtra of the Lotos of the Good Law,—like the roar of a sea before the Lord. Then forgetting utterly his pledge,—foolishly dreaming that he stood in the very presence of the very Buddha,—he cast himself down in worship with tears of love and thanksgiving; crying out with a loud voice, “O thou Blessed One!”…

Instantly with a shock as of earthquake the stupendous spectacle disappeared; and the priest found himself alone in the dark, kneeling upon the grass of the mountain-side. Then a sadness unspeakable fell upon him, because of the loss of the vision, and because of the thoughtlessness that had caused him to break his word. As he sorrowfully turned his steps homeward, the goblin-monk once more appeared before him, and said to him in tones of reproach and pain:—“Because you did not keep the promise which you made to me, and heedlessly allowed your feelings to overcome you, the Gohotendó, who is the Guardian of the Doctrine, swooped down suddenly from heaven upon us, and smote us in great anger, crying out, ‘How do ye dare thus to deceive a pious person?’ Then the other monks, whom I had assembled, all fled in fear. As for myself, one of my wings has been broken,—so that now I cannot fly.” And with these words the Tengu vanished forever.

At Yaidzu

Under a bright sun the old fishing-town of Yaidzu has a particular charm of neutral color. Lizard-like it takes the grey tints of the rude grey coast on which it rests,—curving along a little bay. It is sheltered from heavy seas by an extraordinary rampart of boulders. This rampart, on the water-side, is built in the form of terrace-steps;—the rounded stones of which it is composed being kept in position by a sort of basket-work woven between rows of stakes driven deeply into the ground,—a separate row of stakes sustaining each of the grades. Looking landward from the top of the structure, your gaze ranges over the whole town,—a broad space of grey-tiled roofs and weather-worn grey timbers, with here and there a pine-grove marking the place of a temple-court. Seaward, over leagues of water, there is a grand view,—a jagged blue range of peaks crowding sharply into the horizon, like prodigious amethysts,—and beyond them, to the left, the glorious spectre of Fuji, towering enormously above everything. Between sea-wall and sea there is no sand,—only a grey slope of stones, chiefly boulders; and these roll with the surf so that it is ugly work trying to pass the breakers on a rough day. If you once get struck by a stone-wave,—as I did several times,—you will not soon forget the experience.

At certain hours the greater part of this rough slope is occupied by ranks of strange-looking craft,—fishing-boats of a form peculiar to the locality. They are very large,—capable of carrying forty or fifty men each;—and they have queer high prows, to which Buddhist or Shintō charms (mamori or shugo) are usually attached. A common form of Shintō written charm (shugo) is furnished for this purpose from the temple of the Goddess of Fuji: the text reads:—Fuji-san chōjō Sengen-gu dai-gyō manzoku,—meaning that the owner of the boat pledges himself, in case of good-fortune at fishing, to perform great austerities in honor of the divinity whose shrine is upon the summit of Fuji.

In every coast-province of Japan,—and even at different fishing-settlements of the same province,—the forms of boats and fishing-implements are peculiar to the district or settlement. Indeed it will sometimes be found that settlements, within a few miles of each other, respectively manufacture nets or boats as dissimilar in type as might be the inventions of races living thousands of miles apart. This amazing variety may be in some degree due to respect for local tradition,—to the pious conservatism that preserves ancestral teaching and custom unchanged through hundreds of years: but it is better explained by the fact that different communities practise different kinds of fishing; and the shapes of the nets or the boats made, at any one place, are likely to prove, on investigation, the inventions of a special experience. The big Yaidzu boats illustrate this fact. They were devised according to the particular requirements of the Yaidzu-fishing-industry, which supplies dried katsuo (bonito) to all parts of the Empire; and it was necessary that they should be able to ride a very rough sea. To get them in or out of the water is a heavy job; but the whole village helps. A kind of slipway is improvised in a moment by laying flat wooden frames on the slope in a line; and over these frames the flat-bottomed vessels are hauled up or down by means of long ropes. You will see a hundred or more persons thus engaged in moving a single boat,—men, women, and children pulling together, in time to a curious melancholy chant. At the coming of a typhoon, the boats are moved far back into the streets. There is plenty of fun in helping at such work; and if you are a stranger, the fisher-folk will perhaps reward your pains by showing you the wonders of their sea: crabs with legs of astonishing length, balloon-fish that blow themselves up in the most absurd manner, and various other creatures of shapes so extraordinary that you can scarcely believe them natural without touching them.

The big boats with holy texts at their prows are not the strangest objects on the beach. Even more remarkable are the bait-baskets of split bamboo,—baskets six feet high and eighteen feet round, with one small hole in the dome-shaped top. Ranged along the sea-wall to dry, they might at some distance be mistaken for habitations or huts of some sort. Then you see great wooden anchors, shaped like ploughshares, and shod with metal; iron anchors, with four flukes; prodigious wooden mallets, used for driving stakes; and various other implements, still more unfamiliar, of which you cannot even imagine the purpose. The indescribable antique queerness of everything gives you that weird sensation of remoteness,—of the far away in time and place,—which makes one doubt the reality of the visible. And the life of Yaidzu is certainly the life of many centuries ago. The people, too, are the people of Old Japan: frank and kindly as children—good children,—honest to a fault, innocent of the further world, loyal to the ancient traditions and the ancient gods.