Tasso. At this moment I almost think I am one among them.
Cornelia. Be quite persuaded of it. Come, brother, come with me. You shall bathe your heated brow and weary limbs in the chamber of your childhood. It is there we are always the most certain of repose. The boy shall sing to you those sweet verses; and we will reward him with a slice of his own fruit.
Tasso. He deserves it; cut it thick.
Cornelia. Come then, my truant! Come along, my sweet smiling Torquato!
Tasso. The passage is darker than ever. Is this the way to the little court? Surely those are not the steps that lead down toward the bath? Oh yes! we are right; I smell the lemon-blossoms. Beware of the old wilding that bears them; it may catch your veil; it may scratch your fingers! Pray, take care: it has many thorns about it. And now, Leonora! you shall hear my last verses! Lean your ear a little toward me; for I must repeat them softly under this low archway, else others may hear them too. Ah! you press my hand once more. Drop it, drop it! or the verses will sink into my breast again, and lie there silent! Good girl!
Many, well I know, there are Ready in your joys to share, And (I never blame it) you Are almost as ready too. But when comes the darker day, And those friends have dropt away, Which is there among them all You should, if you could, recall? One who wisely loves and well Hears and shares the griefs you tell; Him you ever call apart When the springs o'erflow the heart; For you know that he alone Wishes they were but his own. Give, while these he may divide, Smiles to all the world beside.
Cornelia. We are now in the full light of the chamber; cannot you remember it, having looked so intently all around?
Tasso. O sister! I could have slept another hour. You thought I wanted rest: why did you waken me so early? I could have slept another hour or longer. What a dream! But I am calm and happy.
Cornelia. May you never more be otherwise! Indeed, he cannot be whose last verses are such as those.
Tasso. Have you written any since that morning?
Cornelia. What morning?
Tasso. When you caught the swallow in my curtains, and trod upon my knees in catching it, luckily with naked feet. The little girl of thirteen laughed at the outcry of her brother Torquatino, and sang without a blush her earliest lay.
Cornelia. I do not recollect it.
Tasso. I do.
Rondinello! rondinello! Tu sei nero, ma sei bello. Cosa fa se tu sei nero? Rondinello! sei il primiero De' volanti, palpitanti, (E vi sono quanti quanti!) Mai tenuto a questo petto, E percio sei il mio diletto.
Cornelia. Here is the cocomero; it cannot be more insipid. Try it.
Tasso. Where is the boy who brought it? where is the boy who sang my Aminta? Serve him first; give him largely. Cut deeper; the knife is too short: deeper; mia brava Corneliolina! quite through all the red, and into the middle of the seeds. Well done!
FOOTNOTES:
The miseries of Tasso arose not only from the imagination and the heart. In the metropolis of the Christian world, with many admirers and many patrons, bishops, cardinals, princes, he was left destitute, and almost famished. These are his own words: 'Appena in questo stato ho comprato due meloni: e benche io sia stato quasi sempre infermo, molte volte mi sono contentato del manzo: e la ministra di latte o di zucca, quando ho potuto averne, mi e stata in vece di delizie.' In another part he says that he was unable to pay the carriage of a parcel. No wonder; if he had not wherewithal to buy enough of zucca for a meal. Even had he been in health and appetite, he might have satisfied his hunger with it for about five farthings, and have left half for supper. And now a word on his insanity. Having been so imprudent not only as to make it too evident in his poetry that he was the lover of Leonora, but also to signify (not very obscurely) that his love was returned, he much perplexed the Duke of Ferrara, who, with great discretion, suggested to him the necessity of feigning madness. The lady's honour required it from a brother; and a true lover, to convince the world, would embrace the project with alacrity. But there was no reason why the seclusion should be in a dungeon, or why exercise and air should be interdicted. This cruelty, and perhaps his uncertainty of Leonora's compassion, may well be imagined to have produced at last the malady he had feigned. But did Leonora love Tasso as a man would be loved? If we wish to do her honour, let us hope it: for what greater glory can there be, than to have estimated at the full value so exalted a genius, so affectionate and so generous a heart!
The author wrote the verses first in English, but he found it easy to write them better in Italian: they stood in the text as below: they only do for a girl of thirteen:
'Swallow! swallow! though so jetty Are your pinions, you are pretty: And what matter were it though You were blacker than a crow? Of the many birds that fly (And how many pass me by!) You 're the first I ever prest, Of the many, to my breast: Therefore it is very right You should be my own delight.'
LA FONTAINE AND DE LA ROCHEFOUCAULT
La Fontaine. I am truly sensible of the honour I receive, M. de la Rochefoucault, in a visit from a personage so distinguished by his birth and by his genius. Pardon my ambition, if I confess to you that I have long and ardently wished for the good fortune, which I never could promise myself, of knowing you personally.
Rochefoucault. My dear M. de la Fontaine!
La Fontaine. Not 'de la', not 'de la'. I am La Fontaine, purely and simply.
Rochefoucault. The whole; not derivative. You appear, in the midst of your purity, to have been educated at court, in the lap of the ladies. What was the last day (pardon!) I had the misfortune to miss you there?
La Fontaine. I never go to court. They say one cannot go without silk stockings; and I have only thread: plenty of them indeed, thank God! Yet, would you believe it? Nanon, in putting a solette to the bottom of one, last week, sewed it so carelessly, she made a kind of cord across: and I verily believe it will lame me for life; for I walked the whole morning upon it.
Rochefoucault. She ought to be whipped.
Imaginary Conversations and Poems · The Wunder Library — complete classics, free to read, with narration.