Leontion. You will grieve more, I suspect, my Ternissa, when he possesses that authority.
Ternissa. What will he do?
Leontion. Why turn pale? I am not about to answer that he will forget or leave you. No; but the voice comes deepest from the sepulchre, and a great name hath its root in the dead body. If you invited a company to a feast, you might as well place round the table live sheep and oxen and vases of fish and cages of quails, as you would invite a company of friendly hearers to the philosopher who is yet living. One would imagine that the iris of our intellectual eye were lessened by the glory of his presence, and that, like eastern kings, he could be looked at near only when his limbs are stiff, by waxlight, in close curtains.
Epicurus. One of whom we know little leaves us a ring or other token of remembrance, and we express a sense of pleasure and of gratitude; one of whom we know nothing writes a book, the contents of which might (if we would let them) have done us more good and might have given us more pleasure, and we revile him for it. The book may do what the legacy cannot; it may be pleasurable and serviceable to others as well as ourselves: we would hinder this too. In fact, all other love is extinguished by self-love: beneficence, humanity, justice, philosophy, sink under it. While we insist that we are looking for Truth, we commit a falsehood. It never was the first object with any one, and with few the second.
Feed unto replenishment your quieter fancies, my sweetest little Ternissa! and let the gods, both youthful and aged, both gentle and boisterous, administer to them hourly on these sunny downs: what can they do better?
Leontion. But those feathers, Ternissa, what god's may they be? since you will not pick them up, nor restore them to Calaeis nor to Zethes.
Ternissa. I do not think they belong to any god whatever; and shall never be persuaded of it unless Epicurus says it is so.
Leontion. O unbelieving creature! do you reason against the immortals?
Ternissa. It was yourself who doubted, or appeared to doubt, the flight of Oreithyia. By admitting too much we endanger our religion. Beside, I think I discern some upright stakes at equal distances, and am pretty sure the feathers are tied to them by long strings.
Epicurus. You have guessed the truth.
Ternissa. Of what use are they there?
Epicurus. If you have ever seen the foot of a statue broken off just below the ankle, you have then, Leontion and Ternissa, seen the form of the ground about us. The lower extremities of it are divided into small ridges, as you will perceive if you look around; and these are covered with corn, olives, and vines. At the upper part, where cultivation ceases, and where those sheep and goats are grazing, begins my purchase. The ground rises gradually unto near the summit, where it grows somewhat steep, and terminates in a precipice. Across the middle I have traced a line, denoted by those feathers, from one dingle to the other; the two terminations of my intended garden. The distance is nearly a thousand paces, and the path, perfectly on a level, will be two paces broad, so that I may walk between you; but another could not join us conveniently. From this there will be several circuitous and spiral, leading by the easiest ascent to the summit; and several more, to the road along the cultivation underneath: here will, however, be but one entrance. Among the projecting fragments and the massive stones yet standing of the boundary-wall, which old pomegranates imperfectly defend, and which my neighbour has guarded more effectively against invasion, there are hillocks of crumbling mould, covered in some places with a variety of moss; in others are elevated tufts, or dim labyrinths of eglantine.
Ternissa. Where will you place the statues? for undoubtedly you must have some.
Epicurus. I will have some models for statues. Pygmalion prayed the gods to give life to the image he adored: I will not pray them to give marble to mine. Never may I lay my wet cheek upon the foot under which is inscribed the name of Leontion or Ternissa!
Leontion. Do not make us melancholy; never let us think that the time can come when we shall lose our friends. Glory, literature, philosophy have this advantage over friendship: remove one object from them, and others fill the void; remove one from friendship, one only, and not the earth nor the universality of worlds, no, nor the intellect that soars above and comprehends them, can replace it!
Epicurus. Dear Leontion! always amiable, always graceful! How lovely do you now appear to me! what beauteous action accompanied your words!
Leontion. I used none whatever.
Epicurus. That white arm was then, as it is now, over the shoulder of Ternissa; and her breath imparted a fresh bloom to your cheek, a new music to your voice. No friendship is so cordial or so delicious as that of girl for girl; no hatred so intense and immovable as that of woman for woman. In youth you love one above the others of your sex; in riper age you hate all, more or less, in proportion to similarity of accomplishments and pursuits--which sometimes (I wish it were oftener) are bonds of union to man. In us you more easily pardon faults than excellences in each other. Your tempers are such, my beloved scholars, that even this truth does not ruffle them; and such is your affection, that I look with confidence to its unabated ardour at twenty.
Leontion. Oh, then I am to love Ternissa almost fifteen months!
Ternissa. And I am destined to survive the loss of it three months above four years!
Epicurus. Incomparable creatures! may it be eternal! In loving ye shall follow no example; ye shall step securely over the iron rule laid down for others by the Destinies, and you for ever be Leontion, and you Ternissa.
Leontion. Then indeed we should not want statues.
Ternissa. But men, who are vainer creatures, would be good for nothing without them: they must be flattered even by the stones.
Epicurus. Very true. Neither the higher arts nor the civic virtues can flourish extensively without the statues of illustrious men. But gardens are not the places for them. Sparrows, wooing on the general's truncheon (unless he be such a general as one of ours in the last war), and snails besliming the emblems of the poet, do not remind us worthily of their characters. Porticos are their proper situations, and those the most frequented. Even there they may lose all honour and distinction, whether from the thoughtlessness of magistrates or from the malignity of rivals. Our own city, the least exposed of any to the effects of either, presents us a disheartening example. When the Thebans in their jealousy condemned Pindar to the payment of a fine for having praised the Athenians too highly, our citizens erected a statue of bronze to him.
Leontion. Jealousy of Athens made the Thebans fine him; and jealousy of Thebes made the Athenians thus record it.
Epicurus. And jealousy of Pindar, I suspect, made some poet persuade the archons to render the distinction a vile and worthless one, by placing his effigy near a king's--one Evagoras of Cyprus.
Ternissa. Evagoras, I think I remember to have read in the inscription, was rewarded in this manner for his reception of Conon, defeated by the Lacedemonians.
Epicurus. Gratitude was due to him, and some such memorial to record it. External reverence should be paid unsparingly to the higher magistrates of every country who perform their offices exemplarily; yet they are not on this account to be placed in the same degree with men of primary genius. They never exalt the human race, and rarely benefit it; and their benefits are local and transitory, while those of a great writer are universal and eternal.
Imaginary Conversations and Poems · The Wunder Library — complete classics, free to read, with narration.