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Part 111

Imaginary Conversations and Poems · Walter Savage Landor — chapter 111 of 114 · ~1,817 words · public domain

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Petrarca. When I was younger I was fond of wandering in solitary places, and never was afraid of slumbering in woods and grottoes. Among the chief pleasures of my life, and among the commonest of my occupations, was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and the unfortunate, as most interested me by their courage, their wisdom, their eloquence, or their adventures. Engaging them in the conversation best suited to their characters, I knew perfectly their manners, their steps, their voices: and often did I moisten with my tears the models I had been forming of the less happy.

Boccaccio. Great is the privilege of entering into the studies of the intellectual; great is that of conversing with the guides of nations, the movers of the mass, the regulators of the unruly will, stiff, in its impurity and rust, against the finger of the Almighty Power that formed it: but give me, Francesco, give me rather the creature to sympathize with; apportion me the sufferings to assuage. Ah, gentle soul! thou wilt never send them over to another; they have better hopes from thee.

Petrarca. We both alike feel the sorrows of those around us. He who suppresses or allays them in another, breaks many thorns off his own; and future years will never harden fresh ones.

My occupation was not always in making the politician talk politics, the orator toss his torch among the populace, the philosopher run down from philosophy to cover the retreat or the advances of his sect; but sometimes in devising how such characters must act and discourse, on subjects far remote from the beaten track of their career. In like manner the philologist, and again the dialectician, were not indulged in the review and parade of their trained bands, but, at times, brought forward to show in what manner and in what degree external habits had influenced the conformation of the internal man. It was far from unprofitable to set passing events before past actors, and to record the decisions of those whose interests and passions are unconcerned in them.

Boccaccio. This is surely no easy matter. The thoughts are in fact your own, however you distribute them.

Petrarca. All cannot be my own; if you mean by thoughts the opinions and principles I should be the most desirous to inculcate. Some favourite ones perhaps may obtrude too prominently, but otherwise no misbehaviour is permitted them: reprehension and rebuke are always ready, and the offence is punished on the spot.

Boccaccio. Certainly you thus throw open, to its full extent, the range of poetry and invention; which cannot but be very limited and sterile, unless where we find displayed much diversity of character as disseminated by nature, much peculiarity of sentiment as arising from position, marked with unerring skill through every shade and gradation; and finally and chiefly, much intertexture and intensity of passion. You thus convey to us more largely and expeditiously the stores of your understanding and imagination, than you ever could by sonnets or canzonets, or sinewless and sapless allegories.

But weightier works are less captivating. If you had published any such as you mention, you must have waited for their acceptance. Not only the fame of Marcellus, but every other,

Crescit occulto velut arbor aevo;

and that which makes the greatest vernal shoot is apt to make the least autumnal. Authors in general who have met celebrity at starting, have already had their reward; always their utmost due, and often much beyond it. We cannot hope for both celebrity and fame: supremely fortunate are the few who are allowed the liberty of choice between them. We two prefer the strength that springs from exercise and toil, acquiring it gradually and slowly: we leave to others the earlier blessing of that sleep which follows enjoyment. How many at first sight are enthusiastic in their favour! Of these how large a portion come away empty-handed and discontented! like idlers who visit the seacoast, fill their pockets with pebbles bright from the passing wave, and carry them off with rapture. After a short examination at home, every streak seems faint and dull, and the whole contexture coarse, uneven, and gritty: first one is thrown away, then another; and before the week's end the store is gone, of things so shining and wonderful.

Petrarca. Allegory, which you named with sonnets and canzonets, had few attractions for me, believing it to be the delight in general of idle, frivolous, inexcursive minds, in whose mansions there is neither hall nor portal to receive the loftier of the Passions. A stranger to the Affections, she holds a low station among the handmaidens of Poetry, being fit for little but an apparition in a mask. I had reflected for some time on this subject, when, wearied with the length of my walk over the mountains, and finding a soft old molehill, covered with grey grass, by the wayside, I laid my head upon it and slept. I cannot tell how long it was before a species of dream or vision came over me.

Two beautiful youths appeared beside me; each was winged; but the wings were hanging down, and seemed ill adapted to flight. One of them, whose voice was the softest I ever heard, looking at me frequently, said to the other:

'He is under my guardianship for the present: do not awaken him with that feather.'

Methought, hearing the whisper, I saw something like the feather on an arrow; and then the arrow itself; the whole of it, even to the point; although he carried it in such a manner that it was difficult at first to discover more than a palm's length of it: the rest of the shaft, and the whole of the barb, was behind his ankles.

'This feather never awakens any one,' replied he, rather petulantly; 'but it brings more of confident security, and more of cherished dreams, than you without me are capable of imparting.'

'Be it so!' answered the gentler ... 'none is less inclined to quarrel or dispute than I am. Many whom you have wounded grievously, call upon me for succour. But so little am I disposed to thwart you, it is seldom I venture to do more for them than to whisper a few words of comfort in passing. How many reproaches on these occasions have been cast upon me for indifference and infidelity! Nearly as many, and nearly in the same terms, as upon you!'

'Odd enough that we, O Sleep! should be thought so alike,' said Love, contemptuously. 'Yonder is he who bears a nearer resemblance to you: the dullest have observed it.' I fancied I turned my eyes to where he was pointing, and saw at a distance the figure he designated. Meanwhile the contention went on uninterruptedly. Sleep was slow in asserting his power or his benefits. Love recapitulated them; but only that he might assert his own above them. Suddenly he called on me to decide, and to choose my patron. Under the influence, first of the one, then of the other, I sprang from repose to rapture, I alighted from rapture on repose ... and knew not which was sweetest. Love was very angry with me, and declared he would cross me throughout the whole of my existence. Whatever I might on other occasions have thought of his veracity, I now felt too surely the conviction that he would keep his word. At last, before the close of the altercation, the third Genius had advanced, and stood near us. I cannot tell how I knew him, but I knew him to be the Genius of Death. Breathless as I was at beholding him, I soon became familiar with his features. First they seemed only calm; presently they grew contemplative; and lastly beautiful: those of the Graces themselves are less regular, less harmonious, less composed. Love glanced at him unsteadily, with a countenance in which there was somewhat of anxiety, somewhat of disdain; and cried: 'Go away! go away! nothing that thou touchest, lives.'

'Say rather, child!' replied the advancing form, and advancing grew loftier and statelier, 'say rather that nothing of beautiful or of glorious lives its own true life until my wing hath passed over it.'

Love pouted, and rumpled and bent down with his forefinger the stiff short feathers on his arrow-head; but replied not. Although he frowned worse than ever, and at me, I dreaded him less and less, and scarcely looked toward him. The milder and calmer Genius, the third, in proportion as I took courage to contemplate him, regarded me with more and more complacency. He held neither flower nor arrow, as the others did; but, throwing back the clusters of dark curls that overshadowed his countenance, he presented to me his hand, openly and benignly. I shrank on looking at him so near, and yet I sighed to love him. He smiled, not without an expression of pity, at perceiving my diffidence, my timidity: for I remembered how soft was the hand of Sleep, how warm and entrancing was Love's. By degrees, I became ashamed of my ingratitude; and turning my face away, I held out my arms, and felt my neck within his. Composure strewed and allayed all the throbbings of my bosom; the coolness of freshest morning breathed around: the heavens seemed to open above me; while the beautiful cheek of my deliverer rested on my head. I would now have looked for those others; but knowing my intention by my gesture, he said, consolatorily:

'Sleep is on his way to the Earth, where many are calling him; but it is not to these he hastens; for every call only makes him fly farther off. Sedately and gravely as he looks, he is nearly as capricious and volatile as the more arrogant and ferocious one.'

'And Love!' said I, 'whither is he departed? If not too late, I would propitiate and appease him.'

'He who cannot follow me, he who cannot overtake and pass me,' said the Genius, 'is unworthy of the name, the most glorious in earth or heaven. Look up! Love is yonder, and ready to receive thee.'

I looked: the earth was under me: I saw only the clear blue sky, and something brighter above it.

POEMS

She I love (alas in vain!) Floats before my slumbering eyes: When she comes she lulls my pain, When she goes what pangs arise! Thou whom love, whom memory flies, Gentle Sleep! prolong thy reign! If even thus she soothe my sighs, Never let me wake again!

Pleasure! why thus desert the heart In its spring-tide? I could have seen her, I could part, And but have sigh'd!

O'er every youthful charm to stray, To gaze, to touch.... Pleasure! why take so much away, Or give so much?

III

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