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Part 8

How to Become an Inventor · Aaron A. Warford — chapter 8 of 16 · ~1,144 words · public domain

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TO CONSTRUCT A FIGURE, WHICH BEING PLACED UPON A CURVED SURFACE, AND INCLINED IN ANY POSITION, SHALL, WHEN LEFT TO ITSELF, RETURN TO ITS FORMER POSITION.

The feet of the figure rest on a curved pivot, which is sustained by two loaded balls below; for the weight of these balls being much greater than that of the figure, their effect is to bring the center of gravity of the whole beneath the point on which it rests; consequently the equilibrium will resist any slight force to disturb it.

TO MAKE A CARRIAGE RUN IN AN INVERTED POSITION WITHOUT FALLING.

It is pretty well known to most boys, that if a tumbler of water be placed within a broad wooden hoop, the whole may be whirled round without falling, owing to the centrifugal force. On the same principle, if a small carriage be placed on an iron band or rail, it will ascend the curve, become inverted, and descend again, without falling.

TO CAUSE A CYLINDER TO ROLL BY ITS OWN WEIGHT UP-HILL.

Procure a coffee-canister, and loading it with a piece of lead, which may be fixed in with solder, the position of the center of gravity is thus altered. If a cylinder so constructed be placed on an inclined plane, and the loaded part above, it will roll up-hill without assistance.

THE BALANCED STICK.

Procure a piece of wood, about nine inches in length, and about half an inch in thickness, and thrust into its upper end the blades of two pen-knives, on either side one. Place the other end upon the tip of the fore-finger, and it will keep its place without falling.

THE CHINESE MANDARIN.

Construct out of the pith of the elder a little mandarin; then provide a base for it to sit in, like a kettle drum. Into this put some heavy substance, such as half a leaden bullet; fasten the figure to this, and in whatever position it may be placed, it will, when left to itself, immediately return to its upright position.

TO MAKE A SHILLING TURN ON ITS EDGE ON THE POINT OF A NEEDLE.

Take a bottle, with a cork in its neck, and place in it, in a perpendicular position, a middle-sized needle. Fix a shilling into another cork, by cutting a nick in it; and stick into the same cork two small table-forks, opposite each other, with the handles inclining outwards and downwards. If the rim of the shilling be now poised on the point of the needle, it may easily be made to spin round without falling, as the center of gravity is below the center of suspension.

THE DANCING PEA.

If you stick through a pea, or small ball of pith, two pins at right angles and defend the points with pieces of sealing-wax, it may be kept in equilibrio at a short distance from the end of a straight tube, by means of a current of breath from the mouth, which imparts a rotary motion to the pea.

OBLIQUITY OF MOTION.

Cut a piece of pasteboard into a circular shape, and describe on it a spiral line; cut this out with a pen-knife, and then suspend it on a large skewer or pin. If the whole be now placed on a warm stove, or over the flame of a candle or lamp, it will revolve with considerable velocity. The card, after being cut into the spiral, may be made to represent a snake or dragon, and when in motion will produce a very pleasing effect.

PNEUMATICS.

The branch of the physical sciences which relates to the air and its various phenomena is called Pneumatics. By it we learn many curious particulars. By it we find that the air has weight and pressure, color, density, elasticity, compressibility, and some other properties with which we shall endeavor to make the young reader acquainted by many pleasing experiments, earnestly impressing upon him to lose no opportunity of making physical science his study.

The common leather sucker by which boys raise stones will show the pressure of the atmosphere. It consists of a piece of soft but firm leather having a piece of string drawn through its center. The leather is made quite wet and pliable, and then its under part is placed on the stone and stamped down by the foot. This pressing excludes the air from between the leather and the stone, and by pulling the string a vacuum is left underneath its center; consequently the leather is firmly attached to the stone, which enables you to lift it.

WEIGHT OF THE AIR PROVED BY A PAIR OF BELLOWS.

Shut the nozzle and valve-hole of a pair of bellows, and after having squeezed the air out of them, if they are perfectly air-tight, we shall find that a very great force, even some hundreds of pounds, is necessary for separating the boards. They are kept together by the weight of the air which surrounds them in the same manner as if they were surrounded by water.

THE PRESSURE OF THE AIR SHOWN BY A WINE-GLASS.

Place a card on a wine-glass filled with water, then invert the glass; the water will not escape, the pressure of the atmosphere on the outside of the card being sufficient to support the water.

ANOTHER.

Invert a tall glass jar in a dish of water, and place a lighted taper under it; as the taper consumes the air in the jar, the water, from the pressure without, rises up to supply the place of the oxygen removed by the combustion. In the operation of cupping the operator holds the flame of a lamp under a bell-shaped glass. The air within this being rarefied and expanded, a considerable portion is given off. In this state the glass is placed upon the flesh, and as the air within it cools it contracts, and the glass adheres to the flesh by the difference of the pressure of the internal and external air.

ELASTICITY OF THE AIR.

This can be shown by a beautiful philosophical toy, which may easily be constructed. Procure a glass jar and put water into it. Then mold three or four little figures in wax, and make them hollow within, and having each a minute opening at the heel, by which water may pass in and out. Place them in the jar, and adjust them by the quantity of water admitted to them, so that in specific gravity they differ a little from each other. The mouth of the jar should now be covered with a piece of skin or india-rubber, and then, if the hand be pressed upon the top or mouth of the jar, the figures will be seen to rise or descend as the pressure is gentle or heavy; rising and falling or standing still, according to the pressure made.

REASON FOR THIS.

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