Part 16

“But, my father,” persisted the gentle-hearted girl, “spear and banner are not lions’ jaws. And surely you may not in honor permit the wilful murder of a hostage.”

“Nay, madam, have no fear,” the Lord of Arkell said, bending in courteous recognition of her interest; “that which I do of mine own free will is no murder, even should it fail.”

And he hastened from the hall.

A raised gallery looked down into the spacious inclosure in which Count William kept the living specimens of his own princely badge of the lion. And here the company gathered to see the sport.

With the gray gabardine drawn but loosely over his silken suit, so that he might, if need be, easily slip from it, Otto von Arkell boldly entered the inclosure.

“Soho, Juno! up, Hercules; hollo, up, Ajax!” cried Count William, from the balcony. “Here cometh a right royal playfellow--up, up, my beauties!” and the great brutes, roused by the voice of their master, pulled themselves up, shook themselves awake, and stared at the intruder.

Boldly and without hesitation, while all the watchers had eyes but for him alone, the young Lord of Arkell walked straight up to Hercules, the largest of the three, and laid his hand caressingly upon the shaggy mane. Close to his side pressed Juno, the lioness, and, so says the record of the old Dutch chronicler, von Hildegaersberch, “the lions did him no harm; he played with them as if they had been dogs.”

But Ajax, fiercest of the three, took no notice of the lad. Straight across his comrades he looked to where, scarce a rod behind the daring lad, came another figure, a light and graceful form in clinging robes of blue and undergown of cloth of gold--the Princess Jacqueline herself!

The watchers in the gallery followed the lion’s stare, and saw, with horror, the advancing figure of this fair young girl. A cry of terror broke from every lip. The Dauphin John turned pale with fright, and Count William of Holland, calling out, “Down, Ajax! back, girl, back!” sprang to his feet as if he would have vaulted over the gallery rail.

But before he could act, Ajax himself had acted. With a bound he cleared the intervening space and crouched at the feet of the fair young Princess Jacqueline!

The lions must have been in remarkably good humor on that day, for, as the records tell us, they did no harm to their visitors. Ajax slowly rose and looked up into the girl’s calm face. Then the voice of Jacqueline rang out fresh and clear as, standing with her hand buried in the lion’s tawny mane, she raised her face to the startled galleries.

“You who could dare and yet dared not to do!” she cried, “it shall not be said that in all Count William’s court none save the rebel Lord of Arkell dared to face Count William’s lions!”

The Lord of Arkell sprang to his comrade’s side. With a hurried word of praise he flung the gabardine about her, grasped her arm, and bade her keep her eyes firmly fixed upon the lions; then, step by step, those two foolhardy young persons backed slowly out of the danger into which they had so thoughtlessly and unnecessarily forced themselves.

The lions’ gate closed behind them with a clang; the shouts of approval and of welcome sounded from the thronging gallery, and over all they heard the voice of the Lord of Holland mingling commendation and praise with censure for the rashness of their action.

And it WAS a rash and foolish act. But we must remember that those were days when such feats were esteemed as brave and valorous. For the Princess Jaqueline of Holland was reared in the school of so-called chivalry and romance, which in her time was fast approaching its end. She was, indeed, as one historian declares, the last heroine of knighthood. Her very titles suggest the days of chivalry. She was Daughter of Holland, Countess of Ponthieu, Duchess of Berry, Lady of Crevecoeur, of Montague and Arloeux. Brought up in the midst of tilts and tournaments, of banquets and feasting, and all the lavish display of the rich Bavarian court, she was, as we learn from her chroniclers, the leader of adoring knights and vassals, the idol of her parents, the ruler of her soft-hearted boy husband, an expert falconer, a daring horsewoman, and a fearless descendant of those woman warriors of her race, Margaret the Empress, and Philippa the Queen, and of a house that traced its descent through the warlike Hohenstaufens back to Charlemagne himself.

All girls admire bravery, even though not themselves personally courageous. It is not, therefore, surprising that this intrepid and romance-reared young princess, the wife of a lad for whom she never especially cared, and whose society had for political reasons been forced upon her, should have placed as the hero of her admiration, next to her own fearless father, not the Dauphin John of France, but this brave young rebel lad, Otto, the Lord of Arkell.

But the joyous days of fete and pleasure at Quesnoy, at Paris, and The Hague were fast drawing to a close. On the fourth of April, 1417, the Dauphin John died by poisoning, in his father’s castle at Compiegne--the victim of those terrible and relentless feuds that were then disgracing and endangering the feeble throne of France.

The dream of future power and greatness as Queen of France, in which the girl wife of the Dauphin had often indulged, was thus rudely dispelled, and Jacqueline returned to her father’s court in Holland, no longer crown princess and heiress to a throne, but simply “Lady of Holland.”

But in Holland, too, sorrow was in store for her. Swiftly following the loss of her husband, the Dauphin, came the still heavier blow of her father’s death. On the thirtieth of May, 1417, Count William died in his castle of Bouchain, in Hainault, and his sorrowing daughter Jacqueline, now a beautiful girl of sixteen, succeeded to his titles and lordship as Countess and Lady Supreme of Hainault, of Holland, and of Zealand.

For years, however, there had been throughout the Low Countries a strong objection to the rule of a woman. The death of Count William showed the Cods a way toward greater liberty. Rebellion followed rebellion, and the rule of the Countess Jacqueline was by no means a restful one.

And chief among the rebellious spirits, as leader and counsellor among the Cods, appeared the brave lad who had once been the companion of the princess in danger, the young Lord of Arkell.

It was he who lifted the standard of revolt against her regency. Placing the welfare of Holland above personal friendship, and sinking, in his desire for glory, even the chivalry of that day, which should have prompted him to aid rather than annoy this beautiful girl, he raised a considerable army among the knights of the Cods, or liberal party, and the warlike merchants of the cities, took possession of many strong positions in Holland, and occupied, among other places, the important town of Gorkum on the Maas. The stout citadel of the town, was, however, garrisoned with loyal troops. This the Lord of Arkell beseiged, and, demanding its surrender, sent also a haughty challenge to the young countess, who was hastening to the relief of her beleaguered town.

Jacqueline’s answer was swift and unmistakable. With three hundred ships and six thousand knights and men-at-arms, she sailed from the old harbor of Rotterdam, and the lion-flag of her house soon floated above the loyal citadel of Gorkum.

Her doughty Dutch general, von Brederode, counselled immediate attack, but the girl countess, though full of enthusiasm and determination, hesitated.

From her station in the citadel she looked over the scene before her. Here, along the low bank of the river Maas, stretched the camp of her own followers, and the little gayly colored boats that had brought her army up the river from the red roofs of Rotterdam. There, stretching out into the flat country beyond the straggling streets of Gorkum, lay the tents of the rebels. And yet they were all her countrymen--rebels and retainers alike. Hollanders all, they were ever ready to combine for the defence of their homeland when threatened by foreign foes or by the destroying ocean floods.

Jacqueline’s eye caught the flutter of the broad banner of the house of Arkell that waved over the rebel camp.

Again she saw the brave lad who alone of all her father’s court, save she, had dared to face Count William’s lions; again the remembrance of how his daring had made him one of her heroes, filled her heart, and a dream of what might be possessed her. Her boy husband, the French Dauphin, was dead, and she was pledged by her dying father’s command to marry her cousin, whom she detested, Duke John of Brabant. But how much better, so she reasoned, that the name and might of her house as rulers of Holland should be upheld by a brave and fearless knight. On the impulse of this thought she summoned a loyal and trusted vassal to her aid.

“Von Leyenburg,” she said, “go you in haste and in secret to the Lord of Arkell, and bear from me this message for his ear alone. Thus says the Lady of Holland: ‘Were it not better, Otto of Arkell, that we join hands in marriage before the altar, than that we spill the blood of faithful followers and vassals in a cruel fight?’”