Part 19

Page 4: Charity Commissoners changed to Charity Commissioners

Page 21: stuccoed bnilding changed to stuccoed building

Page 43: to build almhouses changed to to build almshouses

Index: Page number for entry "Ekins, Dr." added.

The inconsistent hyphenation of "needle work" and "needle-work" and "Bulwer Lytton" and "Bulwer-Lytton" has been left as per the original.

The use of "Moulinere House" in the main text and "Mouliniere House" in the index has also been left unchanged.

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THE FASCINATION OF LONDON SERIES.

Cloth, price 1/6 net; leather, price 2/- net each.

VOLUMES ALREADY PUBLISHED:

THE STRAND. By SIR WALTER BESANT and G. E. MITTON.

WESTMINSTER. By SIR WALTER BESANT and G. E. MITTON.

HAMPSTEAD AND MARYLEBONE. By G. E. MITTON. Edited by SIR WALTER BESANT.

CHELSEA. By G. E. MITTON. Edited by SIR WALTER BESANT.

KENSINGTON. By G. E. MITTON. Edited by SIR WALTER BESANT.

HOLBORN AND BLOOMSBURY. By SIR WALTER BESANT and G. E. MITTON.

HAMMERSMITH, FULHAM AND PUTNEY. By G. E. MITTON and J. C. GEIKIE. Edited by SIR WALTER BESANT.

Each containing Frontispiece and Map of District.

MAYFAIR AND BAYSWATER. [In the press.

A. AND C. BLACK 4 SOHO SQUARE LONDON W.

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Demy 4to., cloth. Price 30/- net. Gilt top.

LONDON IN THE EIGHTEENTH CENTURY.

By SIR WALTER BESANT.

With many Illustrations from Contemporary Prints and a Map.

Some Press Opinions.

"To praise this book were superfluous. Sir Walter was ideally suited for the task which he set himself. He was an antiquarian, but not a Dryasdust; he had the topographical sense, but he spared us measurements; he was pleasantly discursive; if he moralized he was never tedious; he had the novelist's eye for the romantic. Above all, he loved and reverenced London. Though only a Londoner by adoption, he bestowed upon the capital a more than filial regard. Besant is the nineteenth-century Stow and something more.... This remarkable volume."--Daily Telegraph.

"Turn where you will in his pages you get some interesting glimpse which opens up the past and illumines the present."--Contemporary Review.