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Part 23

Half Hours With Modern Scientists: Lectures and Essays · Thomas Henry Huxley — chapter 23 of 25 · ~4,632 words · public domain

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I should like to illustrate by a few simple instances the use that scientific men have already made of this power of imagination, and to indicate afterwards some of the further uses that they are likely to make of it. Let us begin with the rudimentary experiences. Observe the falling of heavy rain drops into a tranquil pond. Each drop as it strikes the water becomes a center of disturbance, from which a series of ring ripples expands outwards. Gravity and inertia are the agents by which this wave motion is produced, and a rough experiment will suffice to show that the rate of propagation does not amount to a foot a second.

A series of slight mechanical shocks is experienced by a body plunged in the water as the wavelets reach it in succession. But a finer motion is at the same time set up and propagated. If the head and ears be immersed in the water, as in an experiment of Franklin’s, the shock of the drop is communicated to the auditory nerve—the tick of the drop is heard. Now this sonorous impulse is propagated, not at the rate of a foot a second, but at the rate of 4,700 feet a second. In this case it is not the gravity but the elasticity of the water that is the urging force. Every liquid particle pushed against its neighbor delivers up its motion with extreme rapidity, and the pulse is propagated as a thrill. The incompressibility of water, as illustrated by the famous Florentine experiment, is a measure of its elasticity, and to the possession of this property in so high a degree the rapid transmission of a sound-pulse through water is to be ascribed.

But water, as you know, is not necessary to the conduction of sound; air is its most common vehicle. And you know that when the air possesses the particular density and elasticity corresponding to the temperature of freezing water, the velocity of sound in it is 1,090 feet a second. It is almost exactly one-fourth of the velocity in water; the reason being that though the greater weight of the water tends to diminish the velocity, the enormous molecular elasticity of the liquid far more than atones for the disadvantage due to weight. By various contrivances we can compel the vibrations of the air to declare themselves; we know the length and frequency of sonorous waves, and we have also obtained great mastery over the various methods by which the air is thrown into vibration. We know the phenomena and laws of vibrating rods, of organ pipes, strings, membranes, plates, and bells. We can abolish one sound by another. We know the physical meaning of music and noise, of harmony and discord. In short, as regards sound we have a very clear notion of the external physical processes which correspond to our sensations.

In these phenomena of sound we travel a very little way from downright sensible experience. Still the imagination is to some extent exercised. The bodily eye, for example, cannot see the condensations and rarefactions of the waves of sound. We construct them in thought, and we believe as firmly in their existence as in that of the air itself. But now our experience has to be carried into a new region, where a new use is to be made of it.

Having mastered the cause and mechanism of sound, we desire to know the cause and mechanism of light. We wish to extend our inquiries from the auditory nerve to the optic nerve. Now there is in the human intellect a power of expansion—I might almost call it a power of creation—which is brought into play by the simple brooding upon facts. The legend of the Spirit brooding over chaos may have originated in a knowledge of this power. In the case now before us it has manifested itself by transplanting into space, for the purposes of light, an adequately modified form of the mechanism of sound. We know intimately whereon the velocity of sound depends. When we lessen the density of a medium and preserve its elasticity constant, we augment the velocity. When we highten the elasticity and keep the density constant, we also augment the velocity. A small density, therefore, and a great elasticity are the two things necessary to rapid propagation.

Now light is known to move with the astounding velocity of 185,000 miles a second. How is such a velocity to be obtained? By boldly diffusing in space a medium of the requisite tenuity and elasticity. Let us make such a medium our starting point, endowing it with one or two other necessary qualities; let us handle it in accordance with strict mechanical laws; give to every step of your deduction the surety of the syllogism; carry it thus forth from the world of imagination to the world of sense, and see whether the final outcrop of the deduction be not the very phenomena of light which ordinary knowledge and skilled experiment reveal. If in all the multiplied varieties of these phenomena, including those of the most remote and entangled description, this fundamental conception always brings us face to face with the truth; if no contradiction to our deductions from it be found in external nature; if, moreover, it has actually forced upon our attention phenomena which no eye had previously seen, and which no mind had previously imagined; if by it we are gifted with a power of prescience which has never failed when brought to an experimental test; such a conception, which never disappoints us, but always lands us on the solid shores of fact, must, we think, be something more than a mere figment of the scientific fancy. In forming it that composite and creative unity in which reason and imagination are together blent, has, we believe, led us into a world not less real than that of the senses, and of which the world of sense itself is the suggestion and justification.

Far be it from me, however, to wish to fix you immovably in this or in any other theoretic conception. With all our belief of it, it will be well to keep the theory plastic and capable of change. You may, moreover, urge that although the phenomena occur as if the medium existed, the absolute demonstration of its existence is still wanting. Far be it from me to deny to this reasoning such validity as it may fairly claim. Let us endeavor by means of analogy to form a fair estimate of its force.

You believe that in society you are surrounded by reasonable beings like yourself. You are, perhaps, as firmly convinced of this as of anything. What is your warrant for this conviction? Simply and solely this, your fellow-creatures behave as if they were reasonable; the hypothesis, for it is nothing more, accounts for the facts. To take an eminent example, you believe that our president is a reasonable being. Why? There is no known method of superposition by which any one of us can apply himself intellectually to another so as to demonstrate coincidence as regards the possession of reason. If, therefore, you hold our president to be reasonable, it is because he behaves as if he were reasonable. As in the case of the ether, beyond the “as if” you cannot go. Nay, I should not wonder if a close comparison of the data on which both inferences rest caused many respectable persons to conclude that the ether had the best of it.

This universal medium, this light-ether as it is called, is a vehicle, not an origin of wave motion. It receives and transmits, but it does not create. Whence does it derive the motions it conveys? For the most part from luminous bodies. By this motion of a luminous body I do not mean its sensible motion, such as the flicker of a candle, or the shooting out of red prominences from the limb of the sun. I mean an intestine motion of the atoms or molecules of the luminous body. But here a certain reserve is necessary. Many chemists of the present day refuse to speak of atoms and molecules as real things. Their caution leads them to stop short of the clear, sharp, mechanically intelligible atomic theory enunciated by Dalton, or any form of that theory, and to make the doctrine of multiple proportions their intellectual bourne. I respect the caution, though I think it is here misplaced. The chemists who recoil from these notions of atoms and molecules accept without hesitation the undulatory theory of light. Like you and me they one and all believe in an ether and its light-producing waves. Let us consider what this belief involves.

Bring your imaginations once more into play and figure a series of sound waves passing through air. Follow them up to their origin, and what do you there find? A definite, tangible, vibrating body. It may be the vocal chords of a human being, it may be an organ pipe, or it may be a stretched string. Follow in the same manner a train of ether waves to their source, remembering at the same time that your ether is matter, dense, elastic, and capable of motions subject to and determined by mechanical laws. What then do you expect to find as the source of a series of ether waves? Ask your imagination if it will accept a vibrating multiple proportion—a numerical ratio in a state of oscillation? I do not think it will. You cannot crown the edifice by this abstraction. The scientific imagination, which is here authoritative, demands as the origin and cause of a series of ether waves a particle of vibrating matter quite as definite, though it may be excessively minute, as that which gives origin to a musical sound. Such a particle we name an atom or a molecule. I think the imagination when focused so as to give definition without penumbral haze is sure to realize this image at last.

To preserve thought continuous throughout this discourse, to prevent either lack of knowledge or failure of memory from producing any rent in our picture, I here propose to run rapidly over a bit of ground which is probably familiar to most of you, but which I am anxious to make familiar to you all.

The waves generated in the ether by the swinging atoms of luminous bodies are of different lengths and amplitudes. The amplitude is the width of swing of the individual particles of the wave. In water waves it is the hight of the crest above the trough, while the length of the wave is the distance between two consecutive crests. The aggregate of waves emitted by the sun may be broadly divided into two classes, the one class competent, the other incompetent, to excite vision.

But the light-producing waves differ markedly among themselves in size, form, and force. The length of the largest of these waves is about twice that of the smallest, but the amplitude of the largest is probably a hundred times that of the smallest. Now the force or energy of the wave, which, expressed with reference to sensation, means the intensity of the light, is proportional to the square of the amplitude. Hence the amplitude being one hundred-fold, the energy of the largest light-giving waves would be ten thousand-fold that of the smallest. This is not improbable. I use these figures, not with a view to numerical accuracy, but to give you definite ideas of the differences that probably exist among the light-giving waves. And if we take the whole range of solar radiation into account—its non-visual as well as its visual waves—I think it probable that the force or energy of the largest wave is a million times that of the smallest.

Turned into their equivalents of sensation, the different light waves produce different colors. Red, for example, is produced by the largest waves, violet by the smallest, while green is produced by a wave of intermediate length and amplitude. On entering from air into more highly refracting substances, such as glass or water or the sulphide of carbon, all the waves are retarded, but the smallest ones most. This furnishes a means of separating the different classes of waves from each other—in other words, of analyzing the light. Sent through a refracting prism, the waves of the sun are turned aside in different degrees from their direct course, the red least, the violet most. They are virtually pulled asunder, and they paint upon a white screen placed to receive them “the solar spectrum.”

Strictly speaking, the spectrum embraces an infinity of colors, but the limits of language and of our powers of distinction cause it to be divided into seven segments: Red, orange, yellow, green, blue, indigo, violet. These are the seven primary or prismatic colors. Separately, or mixed in various proportions, the solar waves yield all the colors observed in nature and employed in art. Collectively they give us the impression of whiteness. Pure unsifted solar light is white; and if all the wave constituents of such light be reduced in the same proportion, the light, though diminished in intensity, will still be white. The whiteness of Alpine snow with the sun shining upon it is barely tolerable to the eye. The same snow under an overcast firmament is still white. Such a firmament enfeebles the light by reflection, and when we lift ourselves above a cloud-field—to an Alpine summit, for instance, or to the top of Snowdon—and see, in the proper direction, the sun shining on the clouds, they appear dazzlingly white. Ordinary clouds, in fact, divide the solar light impinging on them into two parts—a reflected part and a transmitted part, in each of which the proportions of wave motion which produce the impression of whiteness are sensibly preserved.

It will be understood that the conditions of whiteness would fail if all the waves were diminished equally, or by the same absolute quantity. They must be reduced proportionately instead of equally. If by the act of reflection the waves of red light are split into exact halves, then, to preserve the light white, the waves of yellow, orange, green, and blue must also be split into exact halves. In short, the reduction must take place, not by absolutely equal quantities, but by equal fractional parts. In white light the preponderance as regards energy of the larger over the smaller waves must always be immense. Were the case otherwise, the physiological correlative, blue, of the smaller waves would have the upper hand in our sensations.

My wish to render our mental images complete, causes me to dwell briefly upon these known points, and the same wish will cause me to linger a little longer among others. But here I am disturbed by my reflections. When I consider the effect of dinner upon the nervous system, and the relation of that system to the intellectual powers I am now invoking; when I remember that the universal experience of mankind has fixed upon certain definite elements of perfection in an after-dinner speech, and when I think how conspicuous by their absence these elements are on the present occasion, the thought is not comforting to a man who wishes to stand well with his fellow-creatures in general, and with the members of the British Association in particular. My condition might well resemble that of the ether, which is scientifically defined as an assemblage of vibrations. And the worst of it is that, unless you reverse the general verdict regarding the effect of dinner, and prove in your own persons that a uniform experience need not continue uniform—which will be a great point gained for some people—these tremors of mine are likely to become more and more painful. But I call to mind the comforting words of an inspired, though uncanonical writer, who admonishes us in the Apocrypha that fear is a bad counsellor. Let me then cast him out, and let me trustfully assume that you will one and all postpone that balmy sleep, of which dinner might, under the circumstances, be regarded as the indissoluble antecedent, and that you will manfully and womanfully prolong your investigations of the ether and its waves into regions which have been hitherto crossed by the pioneers of science alone.

Not only are the waves of ether reflected by clouds, by solids, and by liquids, but when they pass from light air to dense, or from dense air to light, a portion of the wave motion is always reflected. Now our atmosphere changes continually in density from top to bottom. It will help our conceptions if we regard it as made up of a series of thin concentric layers or shells of air, each shell being of the same density throughout, and a small and sudden change of density occurring in passing from shell to shell. Light would be reflected at the limiting surfaces of all these shells, and their action would be practically the same as that of the real atmosphere.

And now I would ask your imagination to picture this act of reflection. What must become of the reflected light? The atmospheric layers turn their convex surfaces towards the sun; they are so many convex mirrors of feeble power, and you will immediately perceive that the light regularly reflected from these surfaces cannot reach the earth at all, but is dispersed in space.

But though the sun’s light is not reflected in this fashion from the ærial layers to the earth, there is indubitable evidence to show that the light of our firmament is reflected light. Proofs of the most cogent description could be here adduced; but we need only consider that we receive light at the same time from all parts of the hemisphere of heaven. The light of the firmament comes to us across the direction of the solar rays, and even against the direction of the solar rays; and this lateral and opposing rush of wave motion can only be due to the rebound of the waves from the air itself, or from something suspended in the air. It is also evident that, unlike the action of clouds, the solar light is not reflected by the sky in the proportions which produce white. The sky is blue, which indicates a deficiency on the part of the larger waves. In accounting for the color of the sky, the first question suggested by analogy would undoubtedly be, is not the air blue? The blueness of the air has, in fact, been given as a solution of the blueness of the sky. But reason basing itself on observation asks in reply, How, if the air be blue, can the light of sunrise and sunset, which travels through vast distances of air, be yellow, orange, or even red? The passage of the white solar light through a blue medium could by no possibility redden the light. The hypothesis of a blue air is therefore untenable. In fact, the agent, whatever it is, which sends us the light of the sky, exercises in so doing a dichroitic action. The light reflected is blue, the light transmitted is orange or red. A marked distinction is thus exhibited between the matter of the sky and that of an ordinary cloud, which latter exercises no such dichroitic action.

By the force of imagination and reason combined we may penetrate this mystery also. The cloud takes no note of size on the part of the waves of ether, but reflects them all alike. It exercises no selective action. Now the cause of this may be that the cloud particles are so large in comparison with the size of the waves of ether as to reflect them all indifferently. A broad cliff reflects an Atlantic roller as easily as a ripple produced by a sea bird’s wing; and in the presence of large reflecting surfaces the existing differences of magnitude among the waves of ether may disappear. But supposing the reflecting particles, instead of being very large, to be very small, in comparison with the size of the waves. In this case, instead of the whole wave being fronted and in great part thrown back, a small portion only is shivered off. The great mass of the wave passes over such a particle without reflection. Scatter then, a handful of such minute foreign particles in our atmosphere, and set imagination to watch their action upon the solar waves. Waves of all sizes impinge upon the particles, and you see at every collision a portion of the impinging wave struck off by reflection. All the waves of the spectrum, from the extreme red to the extreme violet, are thus acted upon. But in what proportions will the waves be scattered? A clear picture will enable us to anticipate the experimental answer. Remembering that the red waves are to the blue much in the relation of billows to ripples, let us consider whether those extremely small particles are competent to scatter all the waves in the same proportion. If they be not—and a little reflection will make it clear to you that they are not—the production of color must be an incident of the scattering. Largeness is a thing of relation; and the smaller the wave the greater is the relative size of any particle on which the wave impinges, and the greater also the ratio of the reflected portion to the total wave.

A pebble placed in the way of the ring-ripples produced by our heavy rain-drops on a tranquil pond will throw back a large fraction of the ripple incident upon it, while the fractional part of a larger wave thrown back by the same pebble might be infinitesimal. Now we have already made it clear to our minds that to preserve the solar light white, its constituent proportions must not be altered; but in the act of division performed by these very small particles we see that the proportions are altered; an undue fraction of the smaller waves is scattered by the particles, and, as a consequence, in the scattered light blue will be the predominant color. The other colors of the spectrum must, to some extent, be associated with the blue. They are not absent, but deficient. We ought, in fact, to have them all, but in diminishing proportions, from the violet to the red.

We have here presented a case to the imagination, and assuming the undulatory theory to be a reality, we have, I think, fairly reasoned our way to the conclusion that, were particles, small in comparison to the size of the ether waves, sown in our atmosphere, the light scattered by those particles would be exactly such as we observe in our azure skies. When this light is analyzed all the colors of the spectrum are found; but they are found in the proportions indicated by our conclusion.

Let us now turn our attention to the light which passes unscattered among the particles. How must it be finally affected? By its successive collisions with the particles, the white light is more and more robbed of its shorter waves; it therefore loses more and more of its due proportion of blue. The result may be anticipated. The transmitted light, where short distances are involved, will appear yellowish. But as the sun sinks towards the horizon, the atmospheric distances increase, and consequently the number of the scattering particles. They abstract, in succession, the violet, the indigo, the blue, and even disturb the proportions of green. The transmitted light under such circumstances must pass from yellow through orange to red. This also is exactly what we find in nature. Thus, while the reflected light gives us at noon the deep azure of the Alpine skies, the transmitted light gives us at sunset the warm crimson of the Alpine snows. The phenomena certainly occur as if our atmosphere were a medium rendered slightly turbid by the mechanical suspension of exceedingly small foreign particles.

Here, as before, we encounter our skeptical “as if.” It is one of the parasites of science, ever at hand, and ready to plant itself and sprout, if it can, on the weak points of our philosophy. But a strong constitution defies the parasite, and in our case, as we question the phenomena, probability grows like growing health, until in the end the malady of doubt is completely extirpated.

The first question that naturally arises is, Can small particles be really proved to act in the manner indicated? No doubt of it. Each one of you can submit the question to an experimental test. Water will not dissolve resin, but spirit will, and when spirit which holds resin in solution is dropped into water the resin immediately separates in solid particles, which render the water milky. The coarseness of this precipitate depends on the quantity of the dissolved resin. You can cause it to separate in thick clots or in exceedingly fine particles. Professor Brücke has given us the proportions which produce particles particularly suited to our present purpose. One gramme of clean mastic is dissolved in eighty-seven grammes of absolute alcohol, and the transparent solution is allowed to drop into a beaker containing clear water kept briskly stirred. An exceedingly fine precipitate is thus formed, which declares its presence by its action upon light. Placing a dark surface behind the beaker, and permitting the light to fall into it from the top or front, the medium is seen to be distinctly blue. It is not, perhaps, so perfect a blue as I have seen on exceptional days, this year, among the Alps, but it is a very fair sky blue. A trace of soap in water gives a tint of blue. London, and I fear Liverpool milk, makes an approximation to the same color through the operation of the same cause; and Helmholtz has irreverently disclosed the fact that a blue eye is simply a turbid medium.

Numerous instances of the kind might be cited. The action of turbid media upon light was fully and beautifully illustrated by Goethe, who, though unacquainted with the undulatory theory, was led by his experiments to regard the blue of the firmament as caused by an illuminated turbid medium with the darkness of space behind it. He describes glasses showing a bright yellow by transmitted, and a beautiful blue by reflected light. Professor Stokes, who was probably the first to discern the real nature of the action of small particles on the waves of ether, describes a glass of a similar kind. What artists call “chill” is no doubt an effect of this description. Through the action of minute particles, the browns of a picture often present the appearance of the bloom of a plum. By rubbing the varnish with a silk handkerchief optical continuity is established and the chill disappears.

Some years ago I witnessed Mr. Hirst experimenting at Zermatt on the turbid water of the Visp, which was charged with the finely divided matter ground down by the glaciers. When kept still for a day or so the grosser matter sank, but the finer matter remained suspended, and gave a distinctly blue tinge to the water. No doubt the blueness of certain Alpine lakes is in part due to this cause. Professor Roscoe has noticed several striking cases of a similar kind. In a very remarkable paper the late Principal Forbes showed that steam issuing from the safety valve of a locomotive, when favorably observed, exhibits at a certain stage of its condensation the colors of the sky. It is blue by reflected light, and orange or red by transmitted light. The effect, as pointed out by Goethe, is to some extent exhibited by peat smoke.

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