“At evening and until quite late into the night these birds echo themselves and each other. It is not a song to hear amid laughter and talking, but for the heart that is alone, even if not lonely. To at least one of our poets, he who best interprets the song-life of birds, it rivals the famous English Nightingale.
“Aside from its musical value, the Veery, feeding as it does almost altogether on insects, has a practical side as a neighbour. It also has a most penetrating call-note, a ‘Whew! Whew!’ heard after the song is over, that is at once resentful, critical, and challenging, as if questioning your right to be in its woodland retreat in the nesting time, and condemning your persistence. Many people, who do not know the bird by sight, know both its echo song and its note of alarm and challenge.
THE INCREDULOUS VEERY
Two hunters chanced one day to meet Near by a thicket wood; They paused each other there to greet, Both in a playful mood. Said one, “I had to wade a stream, Now, this you must not doubt, And when I reached the other shore My boots were full of trout.”
Whew! cried a Veery perched in view To hear if what they said were true. Whew!
The other’s wit was now well whet. Said he, “Let me narrate: I bought three hundred traps and set For fur both small and great; Now, when next morning came, behold, Each trap contained a skin; And other disappointed game Stood waiting to get in.”
The astonished Veery whistled, Whew! I hardly think that story true. Whew!!!
—Florence A. Van Sant, in Bird-Lore.
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THE BROWN THRASHER
“Also called Brown Thrush, Red Mavis, Planting Bird. Brown of back, with his white throat and belly speckled with black arrow marks, a long, curved bill, and long, restless tail, whose thrashing gives the bird his name, this bird combines the markings of the Thrush with the general build of a true Mockingbird, while in varied and rich song it rivals the Catbird, its shorter song season, however, leaving its gray-backed neighbour in the lead.
“This spring Brown Thrasher came to the bushy end of the orchard the last of April, and scratched about in the leaves like a Grouse. In a few days I saw him in the back of the garden, where Jacob had a great pile of pea-brush. This the bird looked at favourably. Birds know how to get in and out of pea-brush, but cats are afraid of the sharp twigs.
“For a couple of weeks or more I heard him singing every day in the tree-tops, and I wondered where he would locate.
“Jacob, one morning, told me that he wished to use the pea-brush, but that a ‘pair of great brown birds that beat their tails and “sassed” him when he came near’ had built a nest of twigs in the back of the heap. ‘My friends, the Thrashers,’ said I, ‘will need that brush for a couple of months. Have you no more in the lot?’ Jacob had plenty with only the trouble of carting.
“Now hardy vines have grown over the brush and tangled into what Goldilocks calls a lovely ‘Thrashery’ that will last for several years.”
“I know them,” said Jack Todd; “they are mockers and jeerers for certain; when Dad and I plant the big south field with corn every spring, they come in the berry-bushes by the fence and tell us how to do it, and that if we’re smart and take their advice, we won’t cut the fence brush until they are done with nesting.
“But can’t they pick cherries to beat the band? Last summer I was up in the ox-heart tree and they came in the top and picked ’em off, just as they grew in pairs, and flew away with them as pleased and satisfied as if they were picking them for market and were a week ahead of the season. Dad was awfully down on them once, but one morning about two years ago he got up at daylight to try and get the cutworms that were spoiling his early cauliflowers, and there were Thrashers and Catbirds doing the work for him, watching out for the worms to move ground just as clever as a man could.
“As for the Catbird or New England Mockingbird, trim of shape, and shrewd of eye, what should we do without him? He is a graphophone in feathers, that gives us selections from all the popular bird songs of the day, with this addition—there is no mechanical twang to mar the melody, and when the repertoire is ended he improvises by the hour.
“Ah, the merry, mischievous Mocker, all dressed in a parson’s suit of gray, with a solemn black cap on his head that is as full of tricks as his throat is of music.
“You say, ‘Yes, I know that he is a jolly musician, but my father says that he bites the best strawberries and cherries, and always on the ripest cheek!’
“Well, so he does sometimes; but his ancestors lived on that spot where your garden stands before yours did, and you have more ways of earning a living than he has. Give him something else to eat. Plant a little wild fruit along your fences.
“Some people think that he likes to live in seclusion, but he doesn’t; he likes to be near people and perch on a clothes-pole to plume and sing. Yes, indeed, and he shall nest in the syringa nearest my garden, where he gets his fresh fruit for breakfast, and be the only thing with anything catlike about it on my premises!”
THE CATBIRD
He sits on a branch of yon blossoming bush, This madcap cousin of Robin and Thrush, And sings without ceasing the whole morning long Now wild, now tender, the wayward song That flows from his soft, gray, fluttering throat. But often he stops in his sweetest note, And, shaking a flower from the blossoming bough, Drawls out, “Mi-ew, mi-ou!”
XXV BIRD AND ARBOUR DAY AT FOXES CORNERS
It was the first Friday of May, the day that was set apart for Arbour and Bird Day in the schools. Gray Lady and Miss Wilde had thought of having the celebration in Birdland, but for a good reason decided to hold it in the schoolhouse.
The reason was this: One day after the schoolhouse had been put in order,—for Gray Lady had persuaded the town fathers to have the walls painted, and had then given a band of soft green burlap that covered the wall just above the chair board, and made a fine background against which pictures might be pinned and then changed at will,—little Clary said with a sigh, “I wish we could have a bird party here in school some day, so’s mother could see how we learn about the birds; it would be much realer than my telling her about it.”
So a very simple programme was arranged for the forenoon, and the parents invited. It is a great mistake to hold celebrations that are too long when it is spring, and the weather is so bright and the bird music so fine that people can learn much more by being out-of-doors than in poring over books.
Gray Lady and the Birds: Stories of the Bird Year for Home and School · The Wunder Library — complete classics, free to read, with narration.