Part 3

The Tower of Silence, on the heights of the Malabar Hill, is the last abode of all the sons of Zoroaster. It is, in fact, a Parsee cemetery. Here their dead, rich and poor, men, women and children, are all laid in a row, and in a few minutes nothing remains of them but bare skeletons. A dismal impression is made upon a foreigner by these towers, where absolute silence has reigned for centuries. This kind of building is very common in every place were Parsees live and die. In Bombay, of six towers, the largest was built 250 years ago, and the least but a short time since. With few exceptions, they are round or square in shape, from twenty to forty feet high, without roof, window, or door, but with a single iron gate opening towards the East, and so small that it is quite covered by a few bushes. The first corpse brought to a new tower--"dakhma"--must be the body of the innocent child of a mobed or priest. No one, not even the chief watcher, is allowed to approach within a distance of thirty paces of these towers. Of all living human beings "nassesalars"--corpse-carriers--alone enter and leave the "Tower of Silence." The life these men lead is simply wretched. No European executioner's position is worse. They live quite apart from the rest of the world, in whose eyes they are the most abject of beings. Being forbidden to enter the markets, they must get their food as they can. They are born, marry, and die, perfect strangers to all except their own class, passing through the streets only to fetch the dead and carry them to the tower. Even to be near one of them is a degradation. Entering the tower with a corpse, covered, whatever may have been its rank or position, with old white rags, they undress it and place it, in silence, on one of the three rows presently to be described. Then, still preserving the same silence, they come out, shut the gate, and burn the rags.

Amongst the fire-worshippers, Death is divested of all his majesty and is a mere object of disgust. As soon as the last hour of a sick person seems to approach, everyone leaves the chamber of death, as much to avoid impeding the departure of the soul from the body, as to shun the risk of polluting the living by contact with the dead. The mobed alone stays with the dying man for a while, and having whispered into his ear the Zend-Avesta precepts, "ashem-vohu" and "Yato-Ahuvarie," leaves the room while the patient is still alive. Then a dog is brought and made to look straight into his face. This ceremony is called "sas-did," the "dog's-stare." A dog is the only living creature that the "Drux-nassu"--the evil one--fears, and that is able to prevent him from taking possession of the body. It must be strictly observed that no one's shadow lies between the dying man and the dog, otherwise the whole strength of the dog's gaze will be lost, and the demon will profit by the occasion. The body remains on the spot where life left it, until the nassesalars appear, their arms hidden to the shoulders under old bags, to take it away. Having deposited it in an iron coffin--the same for everyone--they carry it to the dakhma. If any one, who has once been carried thither, should happen to regain consciousness, the nassesalars are bound to kill him; for such a person, who has been polluted by one touch of the dead bodies in the dakhma, has thereby lost all right to return to the living, by doing so he would contaminate the whole community. As some such cases have occurred, the Parsees are trying to get a new law passed, that would allow the miserable ex-corpses to live again amongst their friends, and that would compel the nassesalars to leave the only gate of the dakhma unlocked, so that they might find a way of retreat open to them. It is very curious, but it is said that the vultures, which devour without hesitation the corpses, will never touch those who are only apparently dead, but fly away uttering loud shrieks. After a last prayer at the gate of the dakhma, pronounced from afar by the mobed, and re-peated in chorus by the nassesalars, the dog ceremony is repeated. In Bombay there is a dog, trained for this purpose, at the entrance to the tower. Finally, the body is taken inside and placed on one or other of the rows, according to its sex and age.

We have twice been present at the ceremonies of dying, and once of burial, if I may be permitted to use such an incongruous term. In this respect the Parsees are much more tolerant than the Hindus, who are offended by the mere presence at their religious rites of an European. N. Bayranji, a chief official of the tower, invited us to his house to be present at the burial of some rich woman. So we witnessed all that was going on at a distance of about forty paces, sitting quietly on our obliging host's verandah. While the dog was staring into the dead woman's face, we were gazing, as intently, but with much more disgust, at the huge flock of vultures above the dakhma, that kept entering the tower, and flying out again with pieces of human flesh in their beaks. These birds, that build their nests in thousands round the Tower of Silence, have been purposely imported from Persia. Indian vultures proved to be too weak, and not sufficiently bloodthirsty, to perform the process of stripping the bones with the despatch prescribed by Zoroaster. We were told that the entire operation of denuding the bones occupies no more than a few minutes. As soon as the ceremony was over, we were led into another building, where a model of the dakhma was to be seen. We could now very easily imagine what was to take place presently inside the tower. In the centre there is a deep waterless well, covered with a grating like the opening into a drain. Around it are three broad circles, gradually sloping downwards. In each of them are coffin-like receptacles for the bodies. There are three hundred and sixty-five such places. The first and smallest row is destined for children, the second for women, and the third for men. This threefold circle is symbolical of three cardinal Zoroastrian virtues--pure thoughts, kind words, and good actions. Thanks to the vultures, the bones are laid bare in less than an hour, and, in two or three weeks, the tropical sun scorches them into such a state of fragility, that the slightest breath of wind is enough to reduce them to powder and to carry them down into the pit. No smell is left behind, no source of plagues and epidemics. I do not know that this way may not be preferable to cremation, which leaves in the air about the Ghat a faint but disagreeable odour. The Ghat is a place by the sea, or river shore, where Hindus burn their dead. Instead of feeding the old Slavonic deity "Mother Wet Earth" with carrion, Parsees give to Armasti pure dust. Armasti means, literally, "fostering cow," and Zoroaster teaches that the cultivation of land is the noblest of all occupations in the eyes of God. Accordingly, the worship of Earth is so sacred among the Parsees, that they take all possible precautions against polluting the "fostering cow" that gives them "a hundred golden grains for every single grain." In the season of the Monsoon, when, during four months, the rain pours incessantly down and washes into the well everything that is left by the vultures, the water absorbed by the earth is filtered, for the bottom of the well, the walls of which are built of granite, is, to this end, covered with sand and charcoal.

The sight of the Pinjarapala is less lugubrious and much more amusing. The Pinjarapala is the Bombay Hospital for decrepit animals, but a similar institution exists in every town where Jainas dwell. Being one of the most ancient, this is also one of the most interesting, of the sects of India. It is much older than Buddhism, which took its rise about 543 to 477 B.C. Jainas boast that Buddhism is nothing more than a mere heresy of Jainism, Gautama, the founder of Buddhism, having been a disciple and follower of one of the Jaina Gurus. The customs, rites, and philosophical conceptions of Jainas place them midway between the Brahmanists and the Buddhists. In view of their social arrangements, they more closely resemble the former, but in their religion they incline towards the latter. Their caste divisions, their total abstinence from flesh, and their non-worship of the relics of the saints, are as strictly observed as the similar tenets of the Brahmans, but, like Buddhists, they deny the Hindu gods and the authority of the Vedas, and adore their own twenty-four Tirthankaras, or Jinas, who belong to the Host of the Blissful. Their priests, like the Buddhists', never marry, they live in isolated viharas and choose their successors from amongst the members of any social class. According to them, Prakrit is the only sacred language, and is used in their sacred literature, as well as in Ceylon. Jainas and Buddhists have the same traditional chronology. They do not eat after sunset, and carefully dust any place before sitting down upon it, that they may not crush even the tiniest of insects. Both systems, or rather both schools of philosophy, teach the theory of eternal indestructible atoms, following the ancient atomistic school of Kanada. They assert that the universe never had a beginning and never will have an end. "The world and everything in it is but an illusion, a Maya," say the Vedantists, the Buddhists, and the Jainas; but, whereas the followers of Sankaracharya preach Parabrahm (a deity devoid of will, understanding, and action, because "It is absolute understanding, mind and will"), and Ishwara emanating from It, the Jainas and the Buddhists believe in no Creator of the Universe, but teach only the existence of Swabhawati, a plastic, infinite, self-created principle in Nature. Still they firmly believe, as do all Indian sects, in the transmigration of souls. Their fear, lest, by killing an animal or an insect, they may, perchance, destroy the life of an ancestor, develops their love and care for every living creature to an almost incredible extent. Not only is there a hospital for invalid animals in every town and village, but their priests always wear a muslin muzzle, (I trust they will pardon the disrespectful expression!) in order to avoid destroying even the smallest animalcule, by inadvertence in the act of breathing. The same fear impels them to drink only filtered water. There are a few millions of Jainas in Gujerat, Bombay, Konkan, and some other places.

The Bombay Pinjarapala occupies a whole quarter of the town, and is separated into yards, meadows and gardens, with ponds, cages for beasts of prey, and enclosures for tame animals. This institution would have served very well for a model of Noah's Ark. In the first yard, however, we saw no animals, but, instead, a few hundred human skeletons--old men, women and children. They were the remaining natives of the, so-called, famine districts, who had crowded into Bombay to beg their bread. Thus, while, a few yards off, the official "Vets." were busily bandaging the broken legs of jackals, pouring ointments on the backs of mangy dogs, and fitting crutches to lame storks, human beings were dying, at their very elbows, of starvation. Happily for the famine-stricken, there were at that time fewer hungry animals than usual, and so they were fed on what remained from the meals of the brute pensioners. No doubt many of these wretched sufferers would have consented to transmigrate instantly into the bodies of any of the animals who were ending so snugly their earthly careers.

But even the Pinjarajala roses are not without thorns. The graminivorous "subjects," of course, could mot wish for anything better; but I doubt very much whether the beasts of prey, such as tigers, hyenas, and wolves, are content with the rules and the forcibly prescribed diet. Jainas themselves turn with disgust even from eggs and fish, and, in consequence, all the animals of which they have the care must turn vegetarians. We were present when an old tiger, wounded by an English bullet, was fed. Having sniffed at a kind of rice soup which was offered to him, he lashed his tail, snarled, showing his yellow teeth, and with a weak roar turned away from the food. What a look he cast askance upon his keeper, who was meekly trying to persuade him to taste his nice dinner! Only the strong bars of the cage saved the Jaina from a vigorous protest on the part of this veteran of the forest. A hyena, with a bleeding head and an ear half torn off, began by sitting in the trough filled with this Spartan sauce, and then, without any further ceremony, upset it, as if to show its utter contempt for the mess. The wolves and the dogs raised such disconsolate howls that they attracted the attention of two inseparable friends, an old elephant with a wooden leg and a sore-eyed ox, the veritable Castor and Pollux of this institution. In accordance with his noble nature, the first thought of the elephant concerned his friend. He wound his trunk round the neck of the ox, in token of protection, and both moaned dismally. Parrots, storks, pigeons, flamingoes--the whole feathered tribe--revelled in their breakfast. Monkeys were the first to answer the keeper's invitation and greatly enjoyed themselves. Further on we were shown a holy man, who was feeding insects with his own blood. He lay with his eyes shut, and the scorching rays of the sun striking full upon his naked body. He was literally covered with flies, mosquitoes, ants and bugs.

"All these are our brothers," mildly observed the keeper, pointing to the hundreds of animals and insects. "How can you Europeans kill and even devour them?"

"What would you do," I asked, "if this snake were about to bite you? Is it possible you would not kill it, if you had time?"

"Not for all the world. I should cautiously catch it, and then I should carry it to some deserted place outside the town, and there set it free."

"Nevertheless; suppose it bit you?"

"Then I should recite a mantram, and, if that produced no good result, I should be fair to consider it as the finger of Fate, and quietly leave this body for another."

These were the words of a man who was educated to a certain extent, and very well read. When we pointed out that no gift of Nature is aimless, and that the human teeth are all devouring, he answered by quoting whole chapters of Darwin's Theory of Natural Selection and Origin of Species. "It is not true," argued he, "that the first men were born with canine teeth. It was only in course of time, with the degradation of humanity,--only when the appetite for flesh food began to develop--that the jaws changed their first shape under the influence of new necessities."

I could not help asking myself, "Ou la science va-t'elle se fourrer?"

The same evening, in Elphinstone's Theatre, there was given a special performance in honour of "the American Mission," as we are styled here. Native actors represented in Gujerati the ancient fairy drama Sita-Rama, that has been adapted from the Ramayana, the celebrated epic by Vilmiki. This drama is composed of fourteen acts and no end of tableaux, in addition to transformation scenes. All the female parts, as usual, were acted by young boys, and the actors, accord-ing to the historical and national customs, were bare-footed and half-naked. Still, the richness of the costumes, the stage adornments and transformations, were truly wonderful. For instance, even on the stages of large metropolitan theatres, it would have been difficult to give a better representation of the army of Rama's allies, who are nothing more than troops of monkeys under the leadership of Hanuman--the soldier, statesman, dramatist, poet, god, who is so celebrated in history (that of India s.v.p.). The oldest and best of all Sanskrit dramas, Hanuman-Natak, is ascribed to this talented forefather of ours.

Alas! gone is the glorious time when, proud of our white skin (which after all may be nothing more than the result of a fading, under the influences of our northern sky), we looked down upon Hindus and other "niggers" with a feeling of contempt well suited to our own magnificence. No doubt Sir William Jones's soft heart ached, when translating from the Sanskrit such humiliating sentences as the following: "Hanuman is said to be the forefather of the Europeans." Rama, being a hero and a demi-god, was well entitled to unite all the bachelors of his useful monkey army to the daughters of the Lanka (Ceylon) giants, the Rakshasas, and to present these Dravidian beauties with the dowry of all Western lands. After the most pompous marriage ceremonies, the monkey soldiers made a bridge, with the help of their own tails, and safely landed with their spouses in Europe, where they lived very happily and had a numerous progeny. This progeny are we, Europeans. Dravidian words found in some European languages, in Basque for instance, greatly rejoice the hearts of the Brahmans, who would gladly promote the philologists to the rank of demi-gods for this important discovery, which confirms so gloriously their ancient legend. But it was Darwin who crowned the edifice of proof with the authority of Western education and Western scientific literature. The Indians became still more convinced that we are the veritable descendants of Hanuman, and that, if one only took the trouble to examine carefully, our tails might easily be discovered. Our narrow breeches and long skirts only add to the evidence, however uncomplimentary the idea may be to us.

Still, if you consider seriously, what are we to say when Science, in the person of Darwin, concedes this hypothesis to the wisdom of ancient Aryas. We must perforce submit. And, really, it is better to have for a forefather Hanu-man, the poet, the hero, the god, than any other monkey, even though it be a tailless one. Sita-Rama belongs to the category of mythological dramas, something like the tragedies of Aeschylus. Listening to this production of the remotest antiquity, the spectators are carried back to the times when the gods, descending upon earth, took an active part in the everyday life of mortals. Nothing reminds one of a modern drama, though the exterior arrangement is the same. "From the sublime to the ridiculous there is but a step," and vice versa. The goat, chosen for a sacrifice to Bacchus, presented the world tragedy (greek script here). The death bleatings and buttings of the quadrupedal offering of antiquity have been polished by the hands of time and of civilization, and, as a result of this process, we get the dying whisper of Rachel in the part of Adrienne Lecouvreur, and the fearfully realistic "kicking" of the modern Croisette in the poisoning scene of The Sphinx. But, whereas the descendants of Themistocles gladly receive, whether captive or free, all the changes and improvements considered as such by modern taste, thinking them to be a corrected and enlarged edition of the genius of Aeschylus; Hindus, happily for archaeologists and lovers of antiquity, have never moved a step since the times of our much honoured forefather Hanuman.

We awaited the performance of Sita-Rama with the liveliest curiosity. Except ourselves and the building of the theatre, everything was strictly indigenous and nothing reminded us of the West. There was not the trace of an orchestra. Music was only to be heard from the stage, or from behind it. At last the curtain rose. The silence, which had been very remarkable before the performance, considering the huge crowd of spectators of both sexes, now became absolute. Rama is one of the incarnations of Vishnu and, as most of the audience were worshippers of Vishnu, for them the spectacle was not a mere theatrical performance, but a religious mystery, representing the life and achievements of their favourite and most venerated gods.

The prologue was laid in the epoch before creation began (it may safely be said that no dramatist would dare to choose an earlier one)--or, rather, before the last manifestation of the universe. All the philosophical sects of India, except Mussulmans, agree that the universe has always existed. But the Hindus divide the periodical appearances and vanishings into days and nights of Brahma. The nights, or withdrawals of the objective universe, are called Pralayas, and the days, or epochs of new awakening into life and light, are called Manvantaras, Yugas, or "centuries of the gods." These periods are also called, respectively, the inbreathings and outbreathings of Brahma. When Pralaya comes to an end Brahma awakens, and, with this awakening, the universe that rested in deity, in other words, that was reabsorbed in its subjective essence, emanates from the divine principle and becomes visible. The gods, who died at the same time as the universe, begin slowly to return to life. The "Invisible" alone, the "Infinite," the "Lifeless," the One who is the unconditioned original "Life" itself, soars, surrounded by shoreless chaos. Its holy presence is not visible. It shows itself only in the periodical pulsation of chaos, represented by a dark mass of waters filling the stage. These waters are not, as yet, separated from the dry land, because Brahma, the creative spirit of Narayana, has not yet separated from the "Ever Unchanging." Then comes a heavy shock of the whole mass and the waters begin to acquire transparency. Rays, proceeding from a golden egg at the bottom, spread through the chaotic waters. Receiving life from the spirit of Narayana, the egg bursts and the awakened Brahma rises to the surface of the water in the shape of a huge lotus. Light clouds appear, at first transparent and web-like. They gradually become condensed, and transform themselves into Prajapatis, the ten personified creative powers of Brahma, the god of everything living, and sing a hymn of praise to the creator. Something naively poetical, to our unaccustomed ears, breathed in this uniform melody unaccompanied by any orchestra.

The hour of general revival has struck. Pralaya comes to an end. Everything rejoices, returning to life. The sky is separated from the waters and on it appear the Asuras and Gandharvas, the heavenly singers and musicians. Then Indra, Yama, Varuna, and Kuvera, the spirits presiding over the four cardinal points, or the four elements, water, fire, earth, and air, pour forth atoms, whence springs the serpent "Ananta." The monster swims to the surface of the waves and, bending its swanlike neck, forms a couch on which Vishnu reclines with the Goddess of Beauty, his wife Lakshmi, at his feet. "Swatha! Swatha! Swatha!" cries the choir of heavenly musicians, hailing the deity. In the Russian church service this is pronounced Swiat! Swiat! Swiat! and means holy! holy! holy!

In one of his future avatars Vishnu will incarnate in Rama, the son of a great king, and Lakshmi will become Sita. The motive of the whole poem of Ramayana is sung in a few words by the celestial musicians. Kama, the God of Love, shelters the divine couple and, that very moment, a flame is lit in their hearts and the whole world is created.

Later there are performed the fourteen acts of the drama, which is well known to everybody, and in which several hundred personages take part. At the end of the prologue the whole assembly of gods come forward, one after another, and acquaint the audience with the contents and the epilogue of their performance, asking the public not to be too exacting. It is as though all these familiar deities, made of painted granite and marble, left the temples and came down to remind mortals of events long past and forgotten.

The hall was full of natives. We four alone were representatives of Europe. Like a huge flower bed, the women displayed the bright colors of their garments. Here and there, among handsome, bronze-like heads, were the pretty, dull white faces of Parsee women, whose beauty reminded me of the Georgians. The front rows were occupied by women only. In India it is quite easy to learn a person's religion, sect, and caste, and even whether a woman is married or single, from the marks painted in bright colors on everyone's forehead.

Since the time when Alexander the Great destroyed the sacred books of the Gebars, they have constantly been oppressed by the idol worshippers. King Ardeshir-Babechan restored fire worship in the years 229-243 A.C. Since then they have again been persecuted during the reign of one of the Shakpurs, either II., IX., or XI., of the Sassanids, but which of them is not known. It is, however, reported that one of them was a great protector of the Zartushta doctrines. After the fall of Yesdejird, the fire-worshippers emigrated to the island of Ormasd, and, some time later, having found a book of Zoroastrian prophecies, in obedience to one of them they set out for Hindustan. After many wanderings, they appeared, about 1,000 or 1,200 years ago, in the territory of Maharana-Jayadeva, a vassal of the Rajput King Champanir, who allowed them to colonize his land, but only on condition that they laid down their weapons, that they abandoned the Persian language for Hindi, and that their women put off their national dress and clothed themselves after the manner of Hindu women. He, however, allowed them to wear shoes, since this is strictly prescribed by Zoroaster. Since then very few changes have been made. It follows that the Parsee women could only be distinguished from their Hindu sisters by very slight differences. The almost white faces of the former were separated by a strip of smooth black hair from a sort of white cap, and the whole was covered with a bright veil. The latter wore no covering on their rich, shining hair, twisted into a kind of Greek chignon. Their foreheads were brightly painted, and their nostrils adorned with golden rings. Both are fond of bright, but uniform, colors, both cover their arms up to the elbow with bangles, and both wear saris.

Behind the women a whole sea of most wonderful turbans was waving in the pit. There were long-haired Rajputs with regular Grecian features and long beards parted in the middle, their heads covered with "pagris" consisting of, at least, twenty yards of finest white muslin, and their persons adorned with earrings and necklaces; there were Mahrata Brahmans, who shave their heads, leaving only one long central lock, and wear turbans of blinding red, decorated in front with a sort of golden horn of plenty; Bangas, wearing three-cornered helmets with a kind of cockscomb on the top; Kachhis, with Roman helmets; Bhillis, from the borders of Rajastan, whose chins are wrapped three times in the ends of their pyramidal turbans, so that the innocent tourist never fails to think that they constantly suffer from toothache; Bengalis and Calcutta Babus, bare-headed all the year round, their hair cut after an Athenian fashion, and their bodies clothed in the proud folds of a white toga-virilis, in no way different from those once worn by Roman senators; Parsees, in their black, oilcloth mitres; Sikhs, the followers of Nanaka, strictly monotheist and mystic, whose turbans are very like the Bhillis', but who wear long hair down to their waists; and hundreds of other tribes.

Proposing to count how many different headgears are to be seen in Bombay alone, we had to abandon the task as impracticable after a fortnight. Every caste, every trade, guild, and sect, every one of the thousand sub-divisions of the social hierarchy, has its own bright turban, often sparkling with gold lace and precious stones, which is laid aside only in case of mourning. But, as if to compensate for this luxury, even the mem-bers of the municipality, rich merchants, and Rai-Bahadurs, who have been created baronets by the Government, never wear any stockings, and leave their legs bare up to the knees. As for their dress, it chiefly consists of a kind of shapeless white shirt.

In Baroda some Gaikwars (a title of all the Baroda princes) still keep in their stables elephants and the less common giraffes, though the former are strictly forbidden in the streets of Bombay. We had an opportunity of seeing ministers, and even Rajas, mounted on these noble animals, their mouths full of pansupari (betel leaves), their heads drooping under the weight of the precious stones on their turbans, and each of their fingers and toes adorned with rich golden rings. While the evening I am describing lasted, however, we saw no elephants, no giraffes, though we enjoyed the company of Rajas and ministers. We had in our box the hand-some ambassador and late tutor of the Mahararana of Oodeypore. Our companion was a Raja and a pandit. His name was a Mohunlal-Vishnulal-Pandia. He wore a small pink turban sparkling with diamonds, a pair of pink barege trousers, and a white gauze coat. His raven black hair half covered his amber-colored neck, which was surrounded by a necklace that might have driven any Parisian belle frantic with envy. The poor Raiput was awfully sleepy, but he stuck heroically to his duties, and, thoughtfully pulling his beard, led us all through the endless labyrinth of metaphysical entanglements of the Ramayana. During the entr'actes we were offered coffee, sherbets, and cigarettes, which we smoked even during the performance, sitting in front of the stage in the first row. We were covered, like idols, with garlands of flowers, and the manager, a stout Hindu clad in transparent muslins, sprinkled us several times with rose-water.

The performance began at eight p.m. and, at half-past two, had only reached the ninth act. In spite of each of us having a punkah-wallah at our backs, the heat was unbearable. We had reached the limits of our endurance, and tried to excuse ourselves. This led to general disturbance, on the stage as well as in the auditorium. The airy chariot, on which the wicked king Ravana was carrying Sita away, paused in the air. The king of the Nagas (serpents) ceased breathing flames, the monkey soldiers hung motionless on the trees, and Rama himself, clad in light blue and crowned with a diminutive pagoda, came to the front of the stage and pronounced in pure English speech, in which he thanked us for the honour of our presence. Then new bouquets, pansu-paris, and rose-water, and, finally, we reached home about four a.m. Next morning we learned that the performance had ended at half-past six.

On The Way To Karli