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Part 17

From the Caves and Jungles of Hindostan · H. P. Blavatsky — chapter 17 of 32 · ~2,058 words · public domain

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"They are simply under the influence of toddy and opium!" retorted the irreverent Babu.

The lookers-on moved as in a dream, as if they all were only half-awakened somnambulists; but the actors were simply victims of St. Vitus's dance. One of them, a tall old man, a mere skeleton with a long white beard, left the ring and begun whirling vertiginously, with his arms spread like wings, and loudly grinding his long, wolf-like teeth. He was painful and disgusting to look at. He soon fell down, and was carelessly, almost mechanically, pushed aside by the feet of the others still engaged in their demoniac performance.

All this was frightful enough, but many more horrors were in store for us.

Waiting for the appearance of the prima donna of this forest opera company, we sat down on the trunk of a fallen tree, ready to ask innumerable questions of our condescending host. But I was hardly seated, when a feeling of indescribable astonishment and horror made me shrink back.

I beheld the skull of a monstrous animal, the like of which I could not find in my zoological reminiscences. This head was much larger than the head of an elephant skeleton. And still it could not be anything but an elephant, judging by the skillfully restored trunk, which wound down to my feet like a gigantic black leech. But an elephant has no horns, whereas this one had four of them! The front pair stuck from the flat forehead slightly bending forward and then spreading out; and the others had a wide base, like the root of a deer's horn, that gradually decreased almost up to the middle, and bore long branches enough to decorate a dozen ordinary elks. Pieces of the transparent amber-yellow rhinoceros skin were strained over the empty eye-holes of the skull, and small lamps burning behind them only added to the horror, the devilish appearance of this head.

"What can this be?" was our unanimous question. None of us had ever met anything like it, and even the colonel looked aghast.

"It is a Sivatherium," said Narayan. "Is it possible you never came across these fossils in European museums? Their remains are common enough in the Himalayas, though, of course, in fragments. They were called after Shiva."

"If the collector of this district ever hears that this antediluvian relic adorns the den of your--ahem!--witch," remarked the Babu, "it won't adorn it many days longer."

All round the skull, and on the floor of the portico there were heaps of white flowers, which, though not quite antediluvian, were totally unknown to us. They were as large as a big rose; and their white petals were covered with a red powder, the inevitable concomitant of every Indian religious ceremony. Further on, there were groups of cocoa-nuts, and large brass dishes filled with rice; and each adorned with a red or green taper. In the centre of the portico there stood a queer-shaped censer, surrounded with chandeliers. A little boy, dressed from head to foot in white, threw into it handfuls of aromatic powders.

"These people, who assemble here to worship Kangalim," said Sham Rao, "do not actually belong either to her sect or to any other. They are devil-worshippers. They do not believe in Hindu gods, but live in small communities; they belong to one of the many Indian races, which usually are called the hill-tribes. Unlike the Shanars of Southern Travancore, they do not use the blood of sacrificial animals; they do not build separate temples to their bhutas. But they are possessed by the strange fancy that the goddess Kali, the wife of Shiva, from time immemorial has had a grudge against them, and sends her favorite evil spirits to torture them. Save this little difference, they have the same beliefs as the Shanars. God does not exist for them; and even Shiva is considered by them as an ordinary spirit. Their chief worship is offered to the souls of the dead. These souls, however righteous and kind they may be in their lifetime, become after death as wicked as can be; they are happy only when they are torturing living men and cattle. As the opportunities of doing so are the only reward for the virtues they possessed when incarnated, a very wicked man is punished by becoming after his death a very soft-hearted ghost; he loathes his loss of daring, and is altogether miserable. The results of this strange logic are not bad, nevertheless. These savages and devil-worshippers are the kindest and the most truth-loving of all the hill-tribes. They do whatever they can to be worthy of their ultimate reward; because, don't you see, they all long to become the wickedest of devils!...."

And put in good humor by his own wittiness, Sham Rao laughed till his hilarity became offensive, considering the sacredness of the place.

"A year ago some business matters sent me to Tinevelli," continued he. "Staying with a friend of mine, who is a Shanar, I was allowed to be present at one of the ceremonies in the honor of devils. No European has as yet witnessed this worship--whatever the missionaries may say; but there are many converts amongst the Shanars, who willingly describe them to the padres. My friend is a wealthy man, which is probably the reason why the devils are especially vicious to him. They poison his cattle, spoil his crops and his coffee plants, and persecute his numerous relations, sending them sunstrokes, madness and epilepsy, over which illnesses they especially preside. These wicked demons have settled in every corner of his spacious landed property--in the woods, the ruins, and even in his stables. To avert all this, my friend covered his land with stucco pyramids, and prayed humbly, asking the demons to draw their portraits on each of them, so that he may recognize them and worship each of them separately, as the rightful owner of this, or that, particular pyramid. And what do you think?.... Next morning all the pyramids were found covered with drawings. Each of them bore an incredibly good likeness of the dead of the neighborhood. My friend had known personally almost all of them. He found also a portrait of his own late father amongst the lot....."

"Well? And was he satisfied?"

"Oh, he was very glad, very satisfied. It enabled him to choose the right thing to gratify the personal tastes of each demon, don't you see? He was not vexed at finding his father's portrait. His father was somewhat irascible; once he nearly broke both his son's legs, administering to him fatherly punishment with an iron bar, so that he could not possibly be very dangerous after his death. But another portrait, found on the best and the prettiest of the pyramids, amazed my friend a good deal, and put him in a blue funk. The whole district recognized an English officer, a certain Captain Pole, who in his lifetime was as kind a gentleman as ever lived."

"Indeed? But do you mean to say that this strange people worshipped Captain Pole also?"

"Of course they did! Captain Pole was such a worthy man, such an honest officer, that, after his death, he could not help being promoted to the highest rank of Shanar devils. The Pe-Kovil, demon's house, sacred to his memory, stands side by side with the Pe-Kovil Bhadrakali, which was recently conferred on the wife of a certain German missionary, who also was a most charitable lady and so is very dangerous now."

"But what are their ceremonies? Tell us something about their rites."

"Their rites consist chiefly of dancing, singing, and killing sacrificial animals. The Shanars have no castes, and eat all kinds of meat. The crowd assembles about the Pe-Kovil, previously designated by the priest; there is a general beating of drums, and slaughtering of fowls, sheep and goats. When Captain Pole's turn came an ox was killed, as a thoughtful attention to the peculiar tastes of his nation. The priest appeared, covered with bangles, and holding a wand on which tinkled numberless little bells, and wearing garlands of red and white flowers round his neck, and a black mantle, on which were embroidered the ugliest fiends you can imagine. Horns were blown and drums rolled incessantly. And oh, I forgot to tell you there was also a kind of fiddle, the secret of which is known only to the Shanar priesthood. Its bow is ordinary enough, made of bamboo; but it is whispered that the strings are human veins.... When Captain Pole took possession of the priest's body, the priest leapt high in the air, and then rushed on the ox and killed him. He drank off the hot blood, and then began his dance. But what a fright he was when dancing! You know, I am not superstitious.... Am I?..."

Sham Rao looked at us inquiringly, and I, for one, was glad, at this moment, that Miss X---- was half a mile off, asleep in the howdah.

"He turned, and turned, as if possessed by all the demons of Naraka. The enraged crowd hooted and howled when the priest begun to inflict deep wounds all over his body with the bloody sacrificial knife. To see him, with his hair waving in the wind and his mouth covered with foam; to see him bathing in the blood of the sacrificed animal, mixing it with his own, was more than I could bear. I felt as if hallucinated, I fancied I also was spinning round...."

Sham Rao stopped abruptly, struck dumb. Kangalim stood before us!

Her appearance was so unexpected that we all felt embarrassed. Carried away by Sham Rao's description, we had noticed neither how nor whence she came. Had she appeared from beneath the earth we could not have been more astonished. Narayan stared at her, opening wide his big jet-black eyes; the Babu clicked his tongue in utter confusion. Imagine a skeleton seven feet high, covered with brown leather, with a dead child's tiny head stuck on its bony shoulders; the eyes set so deep and at the same time flashing such fiendish flames all through your body that you begin to feel your brain stop working, your thoughts become entangled and your blood freeze in your veins.

I describe my personal impressions, and no words of mine can do them justice. My description is too weak.

Mr. Y---- and the colonel both grew pale under her stare, and Mr. Y----made a movement as if about to rise.

Needless to say that such an impression could not last. As soon as the witch had turned her gleaming eyes to the kneeling crowd, it vanished as swiftly as it had come. But still all our attention was fixed on this remarkable creature.

Three hundred years old! Who can tell? Judging by her appearance, we might as well conjecture her to be a thousand. We beheld a genuine living mummy, or rather a mummy endowed with motion. She seemed to have been withering since the creation. Neither time, nor the ills of life, nor the elements could ever affect this living statue of death. The all-destroying hand of time had touched her and stopped short. Time could do no more, and so had left her. And with all this, not a single grey hair. Her long black locks shone with a greenish sheen, and fell in heavy masses down to her knees.

To my great shame, I must confess that a disgusting reminiscence flashed into my memory. I thought about the hair and the nails of corpses growing in the graves, and tried to examine the nails of the old woman.

Meanwhile, she stood motionless as if suddenly transformed into an ugly idol. In one hand she held a dish with a piece of burning camphor, in the other a handful of rice, and she never removed her burning eyes from the crowd. The pale yellow flame of the camphor flickered in the wind, and lit up her deathlike head, almost touching her chin; but she paid no heed to it. Her neck, as wrinkled as a mushroom, as thin as a stick, was surrounded by three rows of golden medallions. Her head was adorned with a golden snake. Her grotesque, hardly human body was covered by a piece of saffron-yellow muslin.

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