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Part 31

Frank of Freedom Hill · Samuel A. (Samuel Arthur) Derieux — chapter 31 of 60 · ~1,414 words · public domain

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According to the rules the man handling the dog has to shoot as the birds rise. This is done in order to test the dog's steadiness when a gun is fired over him. No specification is made as to the size of the shotgun to be used. Usually, however, small-gauge guns are carried. The one in Larsen's hands was a twelve-gauge, and consequently large.

All morning he had been using it over his own dog. Nobody had paid any attention to it, because he shot smokeless powder. But now, as he advanced, he reached into the left-hand pocket of his hunting coat, where six shells rattled as he hurried along. Two of these he took out and rammed into the barrels.

As for Comet, still standing rigid, statuesque, he heard, as has been said, the brush of steps through the straw, glimpsed a face, and trembled. But only for a moment. Then he steadied, head high, tail straight out. The birds rose with a whirr--and then was repeated that horror of his youth. Above his ears, ears that would always be tender, broke a great roar. Either because of his excitement, or because of a sudden wave of revenge, or of a determination to make sure of the dog's flight, Larsen had pulled both triggers at once. The combined report shattered through the dog's ear drums, it shivered through his nerves, he sank in agony into the straw.

Then the old impulse to flee was upon him, and he sprang to his feet, and looked about wildly. But from somewhere in that crowd behind him came to his tingling ears a voice--clear, ringing, deep, the voice of a woman--a woman he knew--pleading as his master used to plead, calling on him not to run but to stand.

"Steady," it said. "Steady, Comet!"

It called him to himself, it soothed him, it calmed him, and he turned and looked toward the crowd. With the roar of the shotgun the usual order observed in field trials was broken up. All rules seemed to have been suspended. Ordinarily, no one belonging to "the field" is allowed to speak to a dog. Yet the girl had spoken to him. Ordinarily, the spectators must remain in the rear of the judges. Yet one of the judges had himself wheeled his horse about and was galloping off, and Marian Devant had pushed through the crowd and was riding toward the bewildered dog.

He stood staunch where he was, though in his ears was still a throbbing pain, and though all about him was this growing confusion he could not understand. The man he feared was running across the field yonder, in the direction taken by the judge. He was blowing his whistle as he ran. Through the crowd, his face terrible to see, his own master was coming. Both the old man and the girl had dismounted now and were running toward him.

"I heard," old Swygert was saying to her. "I heard it! I might 'a' known! I might 'a' known!"

"He stood," she panted, "like a rock--oh, the brave, beautiful thing!"

"Where is that----" Swygert suddenly checked himself and looked around.

A man in the crowd (they had all gathered about now) laughed.

"He's gone after his dog," he said. "Peerless has run away!"

VII

THE CRISIS IN 25

He prayeth best who loveth best All things, both great and small; For the dear God who loveth us He made and loveth all.

Something was wrong with little Tommy Earle. Consequently, something was wrong with the whole Earle plantation. Frank, the Earle dog--a stately Irish setter, rich in the wisdom and devotion of the nobly bred bird dog--Frank had sensed it yesterday afternoon. The boy had not come out of the house until long after dinner. Then he had strolled off forlornly and in silence toward the garage. His frowsy head had been bowed as if he were studying his own little shadow at his feet. His wide blue eyes--they were exactly on a level with the dog's anxiously inquiring ones--had had in them a suggestion of pain and helplessness, of dependence on things bigger than himself.

He had made no outcry; Tommy was something of a stoic. In fact, he had said nothing at all. But that look had gone straight to the dog's heart. Since hunting season was over he had been self-appointed guardian of this boy. The two had come to understand one another as boys and dogs understand. There was no need of words now. Frank understood; something hurt the boy inside.

The young mother had run out, her face anxious, and had taken Tommy in out of the sun. He had not seemed to mind going in, and that would have been enough of itself. Frank had followed them up on the porch; the screen door had slammed in his face. He had strolled off, tail depressed; he had lain down in the shade of the front-walk hedge, his ears pricked toward the big white house with the columned porch. It had remained ominously silent inside. The boy had not come out again. The long June afternoon had passed brooding and vacant, as if it were Sunday and all the people on the plantation had gone to church.

Now another morning was here. But instead of the boy running out to greet it a man in a car was driving up the heavy shaded avenue of oaks that led from the big road. Frank met him as he got out of his car, looked up anxiously into his spectacled face, whiffed the strange-smelling satchel he carried, escorted him gravely up the steps. Steve Earle, the boy's father, the dog's master, shook hands with the man and led him into the house. Again the screen door banged in the dog's face.

Nose pressed against it, he watched the two men go down the wide cool hall and turn into the bedroom. He heard the spectacled man talking in there, then Steve Earle, then Marian Earle, the boy's mother, but not the boy, prick his ears as he would. He sat down on his haunches, panting and whining softly to himself. He lay down, head between his paws, agate-brown eyes deep with worry. Still no sound of the boy. He got up and fumbled at the screen door with his paw, fumbled sternly, all concentration on his task.

It was not the first time he had turned the trick. He managed to catch the lower frame with his claw, and, before the door sprang shut, to insert his nose. The rest was easy and he went silently down the hall. He stopped in the bedroom doorway. The boy was the centre of attention: he was sitting on his mother's lap; the spectacled man, satchel at his feet, was leaning forward toward him; Steve Earle stood above them, looking down.

The dog's ears drooped. Usually where the boy was, there was also noise. But this room was very quiet. The shades had been partly pulled; in contrast with the brilliant out of doors it looked dim in here, like late afternoon. The mother was smoothing the boy's hair back from his forehead. There was something helpless in the head leaned against the mother's breast and in the dangling, listless feet.

Frank took a tentative step forward. In winter he was welcomed always to the fire, but in summer they said he brought in flies. Now no one seemed to notice him, though he was a big fellow and red. He took another step into the room, his eyes fastened longingly on the boy's flushed face. Suddenly his long tail began to beat an eager tattoo against the bureau. The boy's eyes had looked straight into his.

"F'ank?"

The mother glanced round. "I told Frank he mustn't come into the house, dear."

"Why can't he stay wif me, Mama?"

The voice was complaining, as if Tommy were about to cry, and Tommy seldom cried. Then he seemed to forget, and usually when he wanted anything he kept on till he got it. The dog watched closely while Steve Earle lifted him out of the mother's lap and placed him on the bed. Then he made his way to the foot of the bed and lay down firmly and with an air of quiet finality. He would stay here until this strangeness passed away.

But Earle, following the spectacled man out of the room, stopped in the doorway.

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