If thou would'st know the mystic song Chaunted when the sphere was young, Aloft, abroad, the paean swells, O wise man, hear'st thou half it tells? To the open ear it sings The early genesis of things; Of tendency through endless ages Of star-dust and star-pilgrimages, Of rounded worlds, of space and time, Of the old floods' subsiding slime, Of chemic matter, force and form, Of poles and powers, cold, wet, and warm. The rushing metamorphosis Dissolving all that fixture is, Melts things that be to things that seem, And solid nature to a dream.'
EMERSON.
Was waer' ein Gott der nur von aussen stiesse, Im Kreis das All am Finger laufen liesse Ihm ziemt's, die Welt im Innern zu bewegen, Natur in Sich, Sich in Natur zu hegen.'
GOETHE.
*****
VIII. SCIENTIFIC USE OF THE IMAGINATION.
'Lastly, physical investigation, more than anything besides, helps to teach us the actual value and right use of the Imagination--of that wondrous faculty, which, left to ramble uncontrolled, leads us astray into a wilderness of perplexities and errors, a land of mists and shadows; but which, properly controlled by experience and reflection, becomes the noblest attribute of man; the source of poetic genius, the instrument of discovery in Science, without the aid of which Newton would never have invented fluxions, nor Davy have decomposed the earths and alkalies, nor would Columbus have found another Continent.'--Address to the Royal Society by its President Sir Benjamin Brodie, November 30, 1859.
I carried with me to the Alps this year the burden of this evening's work. Save from memory I had no direct aid upon the mountains; but to spur up the emotions, on which so much depends, as well as to nourish indirectly the intellect and will, I took with me four works, comprising two volumes of poetry, Goethe's 'Farbenlehre,' and the work on 'Logic' recently published by Mr. Alexander Bain. In Goethe, so noble otherwise, I chiefly noticed the self-inflicted hurts of genius, as it broke itself in vain against the philosophy of Newton. Mr. Bain I found, for the most part, learned and practical, shining generally with a dry light, but exhibiting at times a flush of emotional strength, which proved that even logicians share the common fire of humanity. He interested me most when he became the mirror of my own condition. Neither intellectually nor socially is it good for man to be alone, and the sorrows of thought are more patiently borne when we find that they have been experienced by another. From certain passages in his book I could infer that Mr. Bain was no stranger to such sorrows. Speaking for example of the ebb of intellectual force, which we all from time to time experience, Mr. Bain says: 'The uncertainty where to look for the next opening of discovery brings the pain of conflict and the debility of indecision.' These words have in them the true ring of personal experience. The action of the investigator is periodic. He grapples with a subject of enquiry, wrestles with it, and exhausts, it may be, both himself and it for the time being. He breathes a space, and then renews the struggle in another field. Now this period of halting between two investigations is not always one of pure repose. It is often a period of doubt and discomfort--of gloom and ennui. 'The uncertainty where to look for the next opening of discovery brings the pain of conflict and the debility of indecision.' It was under such conditions that I had to equip myself for the hour and the ordeal that are now come.
*****
The disciplines of common life are, in great part, exercises in the relations of space, or in the mental grouping of bodies in space; and, by such exercises, the public mind is, to some extent, prepared for the reception of physical conceptions. Assuming this preparation on your part, the wish gradually grew within me to trace, and to enable you to trace, some of the more occult features and operations of Light and Colour. I wished, if possible, to take you beyond the boundary of mere observation, into a region where things are intellectually discerned, and to show you there the hidden mechanism of optical action.
But how are those hidden things to be revealed? Philosophers may be right in affirming that we cannot transcend experience: we can, at all events, carry it a long way from its origin. We can magnify, diminish, qualify, and combine experiences, so as to render them fit for purposes entirely new. In explaining sensible phenomena, we habitually form mental images of the ultra-sensible. There are Tories even in science who regard Imagination as a faculty to be feared and avoided rather than employed. They have observed its action in weak vessels, and are unduly impressed by its disasters. But they might with equal justice point to exploded boilers as an argument against the use of steam. With accurate experiment and observation to work upon, Imagination becomes the architect of physical theory. Newton's passage from a falling apple to a falling moon was an act of the prepared imagination, without which the 'laws of Kepler' could never have been traced to their foundations. Out of the facts of chemistry the constructive imagination of Dalton formed the atomic theory. Davy was richly endowed with the imaginative faculty, while with Faraday its exercise was incessant, preceding, accompanying and guiding all his experiments. His strength and fertility as a discoverer is to be referred in great part to the stimulus of his imagination. Scientific men fight shy of the word because of its ultra-scientific connotations; but the fact is that without the exercise of this power, our knowledge of nature would be a mere tabulation of co-existences and sequences. We should still believe in the succession of day and night, of summer and winter; but the conception of Force would vanish from our universe; causal relations would disappear, and with them that science which is now binding the parts of nature to an organic whole.
I should like to illustrate by a few simple instances the use that scientific men have already made of this power of imagination, and to indicate afterwards some of the further uses that they are likely to make of it. Let us begin with the rudimentary experiences. Observe the falling of heavy rain-drops into a tranquil pond. Each drop as it strikes the water becomes a centre of disturbance, from which a series of ring-ripples expand outwards. Gravity and inertia are the agents by which this wave-motion is produced, and a rough experiment will suffice to show that the rate of propagation does not amount to a foot a second. A series of slight mechanical shocks is experienced by a body plunged in the water, as the wavelets reach it in succession. But a finer motion is at the same time set up and propagated. If the head and ears be immersed in the water, as in an experiment of Franklin's, the tick of the drop is heard. Now, this sonorous impulse is propagated, not at the rate of a foot, but at the rate of 4,700 feet a second. In this case it is not the gravity but the elasticity of the water that comes into play. Every liquid particle pushed against its neighbour delivers up its motion with extreme rapidity, and the pulse is propagated as a thrill. The incompressibility of water, as illustrated by the famous Florentine experiment, is a measure of its elasticity; and to the possession of this property, in so high a degree, the rapid transmission of a sound-pulse through water is to be ascribed.
But water, as you know, is not necessary to the conduction of sound; air is its most common vehicle. And you know that when the air possesses the particular density and elasticity corresponding to the temperature of freezing water, the velocity of sound in it is 1,090 feet a second. It is almost exactly one-fourth of the velocity in water; the reason being that though the greater weight of the water tends to diminish the velocity, the enormous molecular elasticity of the liquid far more than atones for the disadvantage due to weight. By various contrivances we can compel the vibrations of the air to declare themselves we know the length and frequency of the sonorous waves, and we have also obtained great mastery over the various methods by which the air is thrown into vibration. We know the phenomena and laws of vibrating rods, of organ-pipes, strings, membranes, plates, and bells. We can abolish one sound by another. We know the physical meaning of music and noise, of harmony and discord. In short, as regards sound in general, we have a very clear notion of the external physical processes which correspond to our sensations.
In the phenomena of sound, we travel a very little way from downright sensible experience. Still the imagination is to some extent exercised. The bodily eye, for example, cannot see the condensations and rarefactions of the waves of sound. We construct them in thought, and we believe as firmly in their existence as in that of the air itself. But now our experience is to be carried into a new region, where a new use is to be made of it. Having mastered the cause and mechanism of sound, we desire to know the cause and mechanism of light. We wish to extend our enquiries from the auditory to the optic nerve. There is in the human intellect a power of expansion--I might almost call it a power of creation--which is brought into play by the simple brooding upon facts. The legend of the spirit brooding over chaos may have originated in experience of this power. In the case now before us it has manifested itself by transplanting into space, for the purposes of light, an adequately modified form of the mechanism of sound. We know intimately whereon the velocity of sound depends. When we lessen the density of the aerial medium, and preserve its elasticity constant, we augment the velocity. When we heighten the elasticity, and keep the density constant, we also augment the velocity. A small density, therefore, and a great elasticity, are the two things necessary to rapid propagation. Now light is known to move with the astounding velocity of 186,000 miles a second. How is such a velocity to be obtained? By boldly diffusing in space a medium of the requisite tenuity and elasticity.
Let us make such a medium our starting-point, and, endowing it with one or two other necessary qualities, let us handle it in accordance with strict mechanical laws. Let us then carry our results from the world of theory into the world of sense, and see whether our deductions do not issue in the very phenomena of light which ordinary knowledge and skilled experiment reveal. If in all the multiplied varieties of these phenomena, including those of the most remote and entangled description, this fundamental conception always brings us face to face with the truth; if no contradiction to our deductions from it be found in external nature, but on all sides agreement and verification; if, moreover, as in the case of Conical Refraction and in other cases, it actually forces upon our attention phenomena which no eye had previously seen, and which no mind had previously imagined--such a conception, must, we think, be something more than a mere figment of the scientific fancy. In forming it, that composite and creative power, in which reason and imagination are united, has, we believe, led us into a world not less real than that of the senses, and of which the world of sense itself is the suggestion and, to a great extent, the outcome.
Far be it from me, however, to wish to fix you immovably in this or in any other theoretic conception. With all our belief of it, it will be well to keep the theory of a luminiferous aether plastic and capable of change. You may, moreover, urge that, although the phenomena occur as if the medium existed, the absolute demonstration of its existence is still wanting. Far be it from me to deny to this reasoning such validity as it may fairly claim. Let us endeavour by means of analogy to form a fair estimate of its force. You believe that in society you are surrounded by reasonable beings like yourself. You are, perhaps, as firmly convinced of this as of anything. What is your warrant for this conviction? Simply and solely this: your fellow-creatures behave as if they were reasonable; the hypothesis, for it is nothing more, accounts for the facts. To take an eminent example: you believe that our President is a reasonable being. Why? There is no known method of superposition by which any one of us can apply himself intellectually to any other, so as to demonstrate coincidence as regards the possession of reason. If, therefore, you hold our President to be reasonable, it is because he behaves as if he were reasonable. As in the case of the aether, beyond the 'as if' you cannot go. Nay, I should not wonder if a close comparison of the data on which both inferences rest, caused many respectable persons to conclude that the aether had the best of it.
This universal medium, this light-aether as it is called, is the vehicle, not the origin, of wave-motion. It receives and transmits, but it does not create. Whence does it derive the motions it conveys? For the most part from luminous bodies. By the motion of a luminous body I do not mean its sensible motion, such as the flicker of a candle, or the shooting out of red prominences from the limb of the sun. I mean an intestine motion of the atoms or molecules of the luminous body. But here a certain reserve is necessary. Many chemists of the present day refuse to speak of atoms and molecules as real things. Their caution leads them to stop short of the clear, sharp, mechanically intelligible atomic theory enunciated by Dalton, or any form of that theory, and to make the doctrine of 'multiple proportions' their intellectual bourne. I respect the caution, though I think it is here misplaced. The chemists who recoil from these notions of atoms and molecules accept, without hesitation, the Undulatory Theory of Light. Like you and me they one and all believe in an aether and its light-producing waves. Let us consider what this belief involves. Bring your imaginations once more into play, and figure a series of sound-waves passing through air. Follow them up to their origin, and what do you there find? A definite, tangible, vibrating body. It may be the vocal chords of a human being, it may be an organ-pipe, or it may be a stretched string. Follow in the same manner a train of aether-waves to their source; remembering at the same time that your aether is matter, dense, elastic, and capable of motions subject to, and determined by, mechanical laws. What then do you expect to find as the source of a series of aether-waves? Ask your imagination if it will accept a vibrating multiple proportion--a numerical ratio in a state of oscillation? I do not think it will. You cannot crown the edifice with this abstraction. The scientific imagination, which is here authoritative, demands, as the origin and cause of a series of aether-waves, a particle of vibrating matter quite as definite, though it may be excessively minute, as that which gives origin to a musical sound. Such a particle we name an atom or a molecule. I think the intellect, when focussed so as to give definition without penumbral haze, is sure to realise this image at the last.
*****
With the view of preserving thought continuous throughout this discourse, and of preventing either failure of knowledge or of memory, from causing any rent in our picture, I here propose to run rapidly over a bit of ground which is probably familiar to most of you, but which I am anxious to make familiar to you all. The waves generated in the aether by the swinging atoms of luminous bodies are of different lengths and amplitudes. The amplitude is the width of swing of the individual particles of the waves. In water-waves it is the vertical height of the crest above the trough, while the length of the wave is the horizontal distance between two consecutive crests. The aggregate of waves emitted by the sun may be broadly divided into two classes: the one class competent, the other incompetent, to excite vision. But the light-producing waves differ markedly among themselves in size, form, and force. The length of the largest of these waves is about twice that of the smallest, but the amplitude of the largest is probably a hundred times that of the smallest. Now the force or energy of the wave, which, expressed with reference to sensation, means the intensity of the light, is proportional to the square of the amplitude. Hence the amplitude being one-hundredfold, the energy of the largest light-giving waves would be ten-thousandfold that of the smallest. This is not improbable. I use these figures not with a view to numerical accuracy, but to give you definite ideas of the differences that probably exist among the light-giving waves. And if we take the whole range of solar radiation into account--its non-visual as well as its visual waves--I think it probable that the force, or energy, of the largest wave is more than a million times that of the smallest.
Turned into their equivalents of sensation, the different light-waves produce different colours. Red, for example, is produced by the largest waves, violet by the smallest, while green is produced by a wave of intermediate length and amplitude. On entering from air into a more highly refracting substance, such as glass or water, or the sulphide of carbon, all the waves are retarded, but the smallest ones most. This furnishes a means of separating the different classes of waves from each other; in other words, of analysing the light.
Sent through a refracting prism, the waves of the sun are turned aside in different degrees from their direct course, the red least, the violet most. They are virtually pulled asunder, and they paint upon a white screen placed to receive them 'the solar spectrum.' Strictly speaking, the spectrum embraces an infinity of colours; but the limits of language, and of our powers of distinction, cause it to be divided into seven segments: red, orange, yellow, green, blue, indigo, violet. These are the seven primary or prismatic colours.
Separately, or mixed in various proportions, the solar waves yield all the colours observed in nature and employed in art. Collectively, they give us the impression of whiteness. Pure unsifted solar light is white; and, if all the wave-constituents of such light be reduced in the same proportion, the light, though diminished in intensity, will still be white. The whiteness of snow with the sun shining upon it, is barely tolerable to the eye. The same snow under an overcast firmament is still white. Such a firmament enfeebles the light by reflecting it upwards; and when we stand above a cloud-field--on an Alpine summit, for instance, or on the top of Snowdon--and see, in the proper direction, the sun shining on the clouds below us, they appear dazzlingly white. Ordinary clouds, in fact, divide the solar light impinging on them into two parts--a reflected part and a transmitted part, in each of which the proportions of wave-motion which produce the impression of whiteness are sensibly preserved.
It will be understood that the condition of whiteness would fail if all the waves were diminished equally, or by the same absolute quantity. They must be reduced proportionately, instead of equally. If by the act of reflection the waves of red light are split into exact halves, then, to preserve the light white, the waves of yellow, orange, green, and blue, must also be split into exact halves. In short, the reduction must take place, not by absolutely equal quantities, but by equal fractional parts. In white light the preponderance, as regards energy, of the larger over the smaller waves must always be immense. Were the case otherwise, the visual correlative, blue, of the smaller waves would have the upper hand in our sensations.
Not only are the waves of aether reflected by clouds, by solids, and by liquids, but when they pass from light air to dense, or from dense air to light, a portion of the wave-motion is always reflected. Now our atmosphere changes continually in density from top to bottom. It will help our conceptions if we regard it as made up of a series of thin concentric layers, or shells of air, each shell being of the same density throughout, a small and sudden change of density occurring in passing from shell to shell. Light would be reflected at the limiting surfaces of all these shells, and their action would be practically the same as that of the real atmosphere. And now I would ask your imagination to picture this act of reflection. What must become of the reflected light? The atmospheric layers turn their convex surfaces towards the sun; they are so many convex mirrors of feeble power; and you will immediately perceive that the light regularly reflected from these surfaces cannot reach the earth at all, but is dispersed in space. Light thus reflected cannot, therefore, be the light of the sky.
But, though the sun's light is not reflected in this fashion from the aerial layers to the earth, there is indubitable evidence to show that the light of our firmament is scattered light. Proofs of the most cogent description could be here adduced; but we need only consider that we receive light at the same time from all parts of the hemisphere of heaven. The light of the firmament comes to us across the direction of the solar rays, and even against the direction of the solar rays; and this lateral and opposing rush of wave-motion can only be due to the rebound of the waves from the air itself, or from something suspended in the air. It is also evident that, unlike the action of clouds, the solar light is not reflected by the sky in the proportions which produce white. The sky is blue, which indicates an excess of the shorter waves. In accounting for the colour of the sky, the first question suggested by analogy would undoubtedly be, Is not the air blue? The blueness of the air has, in fact, been given as a solution of the blueness of the sky. But how, if the air be blue, can the light of sunrise and sunset, which travels through vast distances of air, be yellow, orange, or even red? The passage of white solar light through a blue medium could by no possibility redden the light.
The hypothesis of a blue air is therefore untenable. In fact the agent, whatever it is, which sends us the light of the sky, exercises in so doing a dichroitic action. The light reflected is blue, the light transmitted is orange or red. A marked distinction is thus exhibited between the matter of the sky, and that of an ordinary cloud, which exercises no such dichroitic action.
By the scientific use of the imagination we may hope to penetrate this mystery. The cloud takes no note of size on the part of the waves of aether, but reflects them all alike. It exercises no selective action. Now the cause of this may be that the cloud particles are so large, in comparison with the waves of aether, as to reflect them all indifferently. A broad cliff reflects an Atlantic roller as easily as a ripple produced by a seabird's wing; and in the presence of large reflecting surfaces, the existing differences of magnitude among the waves of aether may disappear. But supposing the reflecting particles, instead of being very large, to be very small in comparison with the size of the waves. In this case, instead of the whole wave being fronted and thrown back, a small portion only is shivered off. The great mass of the wave passes over such a particle without reflection. Scatter, then, a handful of such minute foreign particles in our atmosphere, and set imagination to watch their action upon the solar waves. Waves of all sizes impinge upon the particles, and you see at every collision a portion of the impinging wave struck off; all the waves of the spectrum, from the extreme red to the extreme violet, being thus acted upon.
Remembering that the red waves stand to the blue much in the relation of billows to ripples, we have to consider whether those extremely small particles are competent to scatter all the waves in the same proportion. If they be not--and a little reflection will make it clear that they are not--the production of colour must be an incident of the scattering. Largeness is a thing of relation; and the smaller the wave, the greater is the relative size of any particle on which the wave impinges, and the greater also the ratio of the portion scattered to the total wave A pebble, placed in the way of the ring-ripples produced by heavy raindrops on a tranquil pond, will scatter a large fraction of each ripple, while the fractional part of a larger wave thrown back by the same pebble might be infinitesimal. Now we have already made it clear to our minds that to preserve the solar light white, its constituent proportions must not be altered; but in the act of division performed by these very small particles the proportions are altered; an undue fraction of the smaller waves is scattered by the particles, and, as a consequence, in the scattered light, blue will be the predominant colour. The other colours of the spectrum must, to some extent, be associated with the blue. They are not absent, but deficient. We ought, in fact, to have them all, but in diminishing proportions, from the violet to the red.
Fragments of Science: a Series of Detached Essays, Addresses, and Reviews. V. 1-2 · The Wunder Library — complete classics, free to read, with narration.