FIELD WORDS AND WAYS.
The robin, 'jolly Robin!' is an unlucky bird in some places. When the horse-chestnut leaves turn scarlet the redbreast sings in a peculiarly plaintive way, as if in tone with the dropping leaves and the chill air that follows the early morning frost. You may tell how much moisture there is in the air in a given place by the colours of the autumn leaves; the horse-chestnut, scarlet near a stream, is merely yellowish in drier soils. Cock robin sings the louder for the silence of other birds, and if he comes to the farmstead and pipes away day by day on a bare cherry tree or any bough that is near the door, after his custom, the farmer thinks it an evil omen. For a robin to sing persistently near the house winter or summer is a sign that something is about to go wrong. Yet the farmer will not shoot him. The roughest poaching fellows who would torture a dog will not kill a robin; it is bad luck to have anything to do with it. Most people like to see fir boughs and holly brought into the house to brighten the dark days with their green, but the cottage children tell you that they must not bring a green fir branch indoors, because as it withers their parents will be taken ill and fade away. Indeed the labouring people seem in all their ways and speech to be different, survivals perhaps of a time when their words and superstitions were the ways of a ruder England. The lanes and the gateways in the fields, as they say, are 'slubby' enough in November, and those who try to go through get 'slubbed' up to their knees. This expresses a soft, plastic, and adhesive condition of the mud which comes on after it has been 'raining hop-poles' for a week. The labourer has little else to do but to chop up disused hop-poles into long fagots with a hand-bill--in other counties a bill-hook. All his class bitterly resent the lowering of wages which takes place in winter; it is a shame, they say, and they evidently think that the farmers ought to be forced to pay them more--they are starvation wages. On the other hand, the farmer, racked in every direction, and unable to sell his produce, finds the labour bill the most difficult to meet, because it comes with unfailing regularity every Saturday. A middle-aged couple of cottagers left their home, and the wife told us how they had walked and walked day after day, but the farmers said they were too poor to give them a job. So at last the man, as they went grumbling on the highway, lost his temper, and hit her a 'clod' in the head, 'and I never spoke to him for an hour afterwards; no, that I didn't; not for an hour.' A clod is a heavy, lumping blow. Their home was 'broad' of Hurst--that is, in the Hurst district, but at some little distance.
'There a' sets' is a constant expression for there it lies. A dish on the table, a cat on the hearth, a plough in the field, 'there a' sets,' there it is. 'No bounds' is another. It may rain all day long, 'there's no bounds;' that is, no knowing. 'I may go to fair, no bounds,' it is uncertain, I have not made up my mind. A folk so vague in their ideas are very fond of this 'no bounds;' it is like the 'Quien sabe?' of the Mexicans, who knows? and accompanies every remark. An avaricious person is very 'having;' wants to have everything. What are usually called dog-irons on the hearth are called brand-irons, having to support the brand or burning log. Where every one keeps fowls the servant girls are commonly asked if they can cram a chicken, if they understand how to fatten it by filling its crop artificially. 'Sure,' pronounced with great emphasis on the 'su,' like the 'shure' of the Irish, comes out at every sentence. 'I shan't do it all, sure;' and if any one is giving a narration, the polite listener has to throw in a deep 'sure' of assent at every pause. 'Cluttered up' means in a litter, surrounded with too many things to do at once. Of a little girl they said she was pretty, but she had 'bolted' eyes; a portrait was a good one, but 'his eyes bolt so, meaning thereby full, staring eyes, that seem to start out of the head. A drunken man, says the poor wife, is not worth a hatful of crab apples. The boys go hoop-driving, never bowling. If in any difficulty they say, 'I hope to match it out to the end of the week,' to make the provisions last, or fit the work in. Most difficult of all to express is the way they say yes and no. It is neither yes nor no, nor yea nor nay, but a cross between it somehow. To say yes they shut their lips and then open them as if gasping for breath and emit a sort of 'yath' without the 'th,' more like 'yeah,' and better still if to get the closing of the lips you say 'em' first--'em-yeah.' The no is 'nah' with a sort of jerk on the h; 'na-h,' This yeah and nah is most irritating to fresh ears; you do not seem to know if your servant has taken any notice of what you said, or is making a mouth at you in derision.
The farmers are always complaining that the men crawl through their work and put no energy into anything, just as if they were afraid to use their hands. More particularly, if there is any little extra thing to be done, they could not possibly do it. A wheat rick was threshed one day, and when it was finished in the afternoon there were the sacks in a great heap about twenty or thirty yards from the barn. So soon as the rick was finished, the men asked for their money as usual, when the farmer said he wanted them to carry the sacks into the barn before they left. Oh no, they couldn't do that. 'Well, then,' said he, 'I can't pay you till you have done it.' No, they couldn't do it, couldn't be expected to carry sacks of wheat across the rickyard and into the barn like that, it was too much for any man to do; why couldn't he send for the cart? The farmer replied that the cart was two miles away, engaged in other labour; the night was coming on, and if it rained in the night the wheat would be damaged. No, they couldn't do it. The farmer would not pay them, and so the dispute continued for a long time. At length the farmer said, 'Well, if you won't do it, perhaps you will at least help me as far as this: will you lift up a sack and place it on another high enough for me to get it on my back, and I will myself carry them to the barn?' So small a favour they could not refuse, and having raised up a sack for him in this manner, he took it on his back and made off with it to the barn. He was anything but a strong man--far less able to carry a sack of wheat than the labourers--but determined not to be beaten. He carried one sack, then another and another, till he had got eight safely housed, when on coming back for the ninth he met a labourer with a sack on his back, shamed into giving assistance. After him a second man took a sack, and one by one they all followed, till in about half an hour all the wheat was in the barn. This is the spirit in which they work if the least little difficulty occurs, or they are asked to do anything that varies from what they did yesterday or the day before, they cannot possibly accomplish it.
Since, however, the farmers have been unable to sell their produce and winter wages have gone down, and work is scarce, the position of the labourer is a very dull one, and it is feared the present winter will be a hard time for many homes. Numbers talk of emigrating, and some have taken the first step, and will sell their furniture and leave a land where neither farmer nor labourer has any hope. One middle-aged cottage woman, married, kept harping upon the holiday they should have during the voyage to America. That seemed to her the great beauty of emigration, the great temptation. For ten days, while the voyage lasted, she would have nothing to do, but could rest! She had never had such a holiday in all her life. How hard must be the life which makes such a trifling circumstance as a week's rest appear so heavenly!
COTTAGE IDEAS.
Passing by the kitchen door, I heard Louisa, the maid, chanting to a child on her knee:
Feyther stole th' Paason's sheep; A merry Christmas we shall keep; We shall have both mutton and beef-- But we won't say nothing about it.
To rightly understand this rhyme you must sing it with long-drawn emphasis on each word, lengthening it into at least two syllables; the first a sort of hexameter, the second a pentameter of sound:
Fey-ther sto-ole th' Paa-son's sheep.
The last line is to come off more trippingly, like an 'aside.' This old sing-song had doubtless been handed down from the times when the labourers really did steal sheep, a crime happily extinct with cheap bread. Louisa was one of the rare old sort--hard-working, and always ready; never complaining, but satisfied with any food there chanced to be; sensible and sturdy; a woman who could be thoroughly depended on. Her boxes were full of good dresses, of a solid, unassuming kind, such as would wear well--a perfect wardrobe. Her purse was always well supplied with money; she had money saved up, and she sent money to her parents: yet her wages, until late years, had been small. In doing her duty to others she did good to herself. A duchess would have been glad to have her in her household. She had been in farmhouse service from girlhood, and had doubtless learned much from good housewives; farmers' wives are the best of all teachers: and the girls, for their own sakes, had much better be under them than wasting so much time learning useless knowledge at compulsory schools.
Freckles said, when he came in, He never would enter a tawny skin,
was another of her rhymes. Freckles come in with summer, but never appear on a dark skin, so that the freckled should rejoice in these signs of fairness.
Your father, the elderberry, Was not such a gooseberry As to send in his bilberry Before it was dewberry.
Some children are liable to an unpleasant complaint at night; for this there is a certain remedy. A mouse is baked in the oven to a 'scrump,' then pounded to powder, and this powder administered. Many ladies still have faith in this curious medicine; it reminds one of the powdered mummy, once the great cure of human ills. Country places have not always got romantic names--Wapse's Farm, for instance, and Hog's Pudding Farm. Wapse is the provincial for wasp.
Country girls are not all so shrewd as Louisa: we heard of two--this was some time since--who, being in service in London, paid ten shillings each to Madame Rachel for a bath to be made beautiful for ever. Half a sovereign out of their few coins! On the other hand, town servants are well dressed and have plenty of finery, but seldom have any reserve of good clothing, such as Louisa possessed. All who know the country regret the change that has been gradually coming over the servants and the class from which they are supplied. 'Gawd help the pore missis as gets hold of you!' exclaimed a cottage woman to her daughter, whose goings on had not been as they should be: 'God help the poor mistress who has to put up with you!' A remark that would be most emphatically echoed by many a farmer's wife and country resident. 'Doan't you stop if her hollers at 'ee,' said another cottage mother to her girl, just departing for service--that is, don't stop if you don't like it; don't stop if your mistress finds the least fault. 'Come along home if you don't like it.' Home to what? In this instance it was a most wretched hovel, literally built in a ditch; no convenience, no sanitation; and the father a drunkard, who scarcely brought enough money indoors to supply bread.
You would imagine that a mother in such a position would impress upon her children the necessity of endeavouring to do something. For the sake of that spirit of independence in which they seem to take so much pride, one would suppose they would desire to see their children able to support themselves. But it is just the reverse; the poorer folk are, the less they seem to care to try to do something. 'You come home if you don't like it;' and stay about the hovel in slatternly idleness, tails bedraggled and torn, thin boots out at the toes and down at the heels, half starved on potatoes and weak tea--stay till you fall into disgrace, and lose the only thing you possess in the world--your birthright, your character. Strange advice it was for a mother to give.
Nor is the feeling confined to the slatternly section, but often exhibited by very respectable cottagers indeed.
'My mother never would go out to service--she wouldn't go,' said a servant to her mistress, one day talking confidentially.
'Then what did she do?' asked the mistress, knowing they were very poor people.
'Oh, she stopped at home.'
'But how did she live?'
'Oh, her father had to keep her. If she wouldn't go out, of course he had to somehow.'
This mother would not let her daughter go to one place because there was a draw-well on the premises; and her father objected to her going to another because the way to the house lay down a long and lonely lane. The girl herself, however, had sense enough to keep in a situation; but it was distinctly against the feeling at her home; yet they were almost the poorest family in the place. They were very respectable, and thought well of in every way, belonging to the best class of cottagers.
Unprofitable sentiments! injurious sentiments--self-destroying; but I always maintain that sentiment is stronger than fact, and even than self-interest. I see clearly how foolish these feelings are, and how they operate to the disadvantage of those whom they influence. Yet I confess that were I in the same position I should be just as foolish. If I lived in a cottage of three rooms, and earned my bread by dint of arm and hand under the sun of summer and the frost of winter; if I lived on hard fare, and, most powerful of all, if I had no hope for the future, no improvement to look forward to, I should feel just the same. I would rather my children shared my crust than fed on roast beef in a stranger's hall. Perhaps the sentiment in my case might have a different origin, but in effect it would be similar. I should prefer to see my family about me--the one only pleasure I should have--the poorer and the more unhappy, the less I should care to part with them. This may be foolish, but I expect it is human nature.
English folk don't 'cotton' to their poverty at all; they don't cat humble-pie with a relish; they resent being poor and despised. Foreign folk seem to take to it quite naturally; an Englishman, somehow or other, always feels that he is wronged. He is injured; he has not got his rights. To me it seems the most curious thing possible that well-to-do people should expect the poor to be delighted with their condition. I hope they never will be; an evil day that--if it ever came--for the Anglo-Saxon race.
One girl prided herself very much upon belonging to a sort of club or insurance-if she died, her mother would receive ten pounds. Ten pounds, ten golden sovereigns was to her such a magnificent sum, that she really appeared to wish herself dead, in order that it might be received. She harped and talked and brooded on it constantly. If she caught cold it didn't matter, she would say, her mother would have ten pounds. It seemed a curious reversal of ideas, but it is a fact that poor folk in course of time come to think less of death than money. Another girl was describing to her mistress how she met the carter's ghost in the rickyard; the waggon-wheel went over him; but he continued to haunt the old scene, and they met him as commonly as the sparrows.
'Did you ever speak to him?'
Field and Hedgerow: Being the Last Essays of Richard Jefferies · The Wunder Library — complete classics, free to read, with narration.