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Famous Affinities of History: the Romance of Devotion. Volume 3 · Lyndon Orr — chapter 13 of 18 · ~1,654 words · public domain

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In answer to his father's questions, the younger Marx replied:

"I have something to tell you that will explain all; but first you must give me your word that you will tell no one."

"I trust you wholly," said the father. "I will not reveal what you may say to me."

"Well," returned the son, "I am engaged to marry Jenny von Westphalen. She wishes it kept a secret from her father, but I am at liberty to tell you of it."

The elder Marx was at once shocked and seriously disturbed. Baron von Westphalen was his old and intimate friend. No thought of romance between their children had ever come into his mind. It seemed disloyal to keep the verlobung of Karl and Jenny a secret; for should it be revealed, what would the baron think of Marx? Their disparity of rank and fortune would make the whole affair stand out as something wrong and underhand.

The father endeavored to make his son see all this. He begged him to go and tell the baron, but young Marx was not to be persuaded.

"Send me to Berlin," he said, "and we shall again be separated; but I shall work and make a name for myself, so that when I return neither Jenny nor her father will have occasion to be disturbed by our engagement."

With these words he half satisfied his father, and before long he was sent to Berlin, where he fell manfully upon his studies. His father had insisted that he should study law; but his own tastes were for philosophy and history. He attended lectures in jurisprudence "as a necessary evil," but he read omnivorously in subjects that were nearer to his heart. The result was that his official record was not much better than it had been at Bonn.

The same sort of restlessness, too, took possession of him when he found that Jenny would not answer his letters. No matter how eagerly and tenderly he wrote to her, there came no reply. Even the most passionate pleadings left her silent and unresponsive. Karl could not complain, for she had warned him that she would not write to him. She felt that their engagement, being secret, was anomalous, and that until her family knew of it she was not free to act as she might wish.

Here again was seen the wisdom of her maturer years; but Karl could not be equally reasonable. He showered her with letters, which still she would not answer. He wrote to his father in words of fire. At last, driven to despair, he said that he was going to write to the Baron von Westphalen, reveal the secret, and ask for the baron's fatherly consent.

It seemed a reckless thing to do, and yet it turned out to be the wisest. The baron knew that such an engagement meant a social sacrifice, and that, apart from the matter of rank, young Marx was without any fortune to give the girl the luxuries to which she had been accustomed. Other and more eligible suitors were always within view. But here Jenny herself spoke out more strongly than she had ever done to Karl. She was willing to accept him with what he was able to give her. She cared nothing for any other man, and she begged her father to make both of them completely happy.

Thus it seemed that all was well, yet for some reason or other Jenny would not write to Karl, and once more he was almost driven to distraction. He wrote bitter letters to his father, who tried to comfort him. The baron himself sent messages of friendly advice, but what young man in his teens was ever reasonable? So violent was Karl that at last his father wrote to him:

I am disgusted with your letters. Their unreasonable tone is loathsome to me. I should never had expected it of you. Haven't you been lucky from your cradle up?

Finally Karl received one letter from his betrothed--a letter that transfused him with ecstatic joy for about a day, and then sent him back to his old unrest. This, however, may be taken as a part of Marx's curious nature, which was never satisfied, but was always reaching after something which could not be had.

He fell to writing poetry, of which he sent three volumes to Jenny--which must have been rather trying to her, since the verse was very poor. He studied the higher mathematics, English and Italian, some Latin, and a miscellaneous collection of works on history and literature. But poetry almost turned his mind. In later years he wrote:

Everything was centered on poetry, as if I were bewitched by some uncanny power.

Luckily, he was wise enough, after a time, to recognize how halting were his poems when compared with those of the great masters; and so he resumed his restless, desultory work. He still sent his father letters that were like wild cries. They evoked, in reply, a very natural burst of anger:

Complete disorder, silly wandering through all branches of science, silly brooding at the burning oil-lamp! In your wildness you see with four eyes--a horrible setback and disregard for everything decent. And in the pursuit of this senseless and purposeless learning you think to raise the fruits which are to unite you with your beloved one! What harvest do you expect to gather from them which will enable you to fulfil your duty toward her?

Writing to him again, his father speaks of something that Karl had written as "a mad composition, which denotes clearly how you waste your ability and spend nights in order to create such monstrosities." The young man was even forbidden to return home for the Easter holidays. This meant giving up the sight of Jenny, whom he had not seen for a whole year. But fortune arranged it otherwise; for not many weeks later death removed the parent who had loved him and whom he had loved, though neither of them could understand the other. The father represented the old order of things; the son was born to discontent and to look forward to a new heaven and a new earth.

Returning to Berlin, Karl resumed his studies; but as before, they were very desultory in their character, and began to run upon social questions, which were indeed setting Germany into a ferment. He took his degree, and thought of becoming an instructor at the university of Jena; but his radicalism prevented this, and he became the editor of a liberal newspaper, which soon, however, became so very radical as to lead to his withdrawal.

It now seemed best that Marx should seek other fields of activity. To remain in Germany was dangerous to himself and discreditable to Jenny's relatives, with their status as Prussian officials. In the summer of 1843, he went forth into the world--at last an "international." Jenny, who had grown to believe in him as against her own family, asked for nothing better than to wander with him, if only they might be married. And they were married in this same summer, and spent a short honeymoon at Bingen on the Rhine--made famous by Mrs. Norton's poem. It was the brief glimpse of sunshine that was to precede year after year of anxiety and want.

Leaving Germany, Marx and Jenny went to Paris, where he became known to some of the intellectual lights of the French capital, such as Bakunin, the great Russian anarchist, Proudhon, Cabet, and Saint-Simon. Most important of all was his intimacy with the poet Heine, that marvelous creature whose fascination took on a thousand forms, and whom no one could approach without feeling his strange allurement.

Since Goethe's death, down to the present time, there has been no figure in German literature comparable to Heine. His prose was exquisite. His poetry ran through the whole gamut of humanity and of the sensations that come to us from the outer world. In his poems are sweet melodies and passionate cries of revolt, stirring ballads of the sea and tender love-songs--strange as these last seem when coming from this cynic.

For cynic he was, deep down in his heart, though his face, when in repose, was like the conventional pictures of Christ. His fascinations destroyed the peace of many a woman; and it was only after many years of self-indulgence that he married the faithful Mathilde Mirat in what he termed a "conscience marriage." Soon after he went to his "mattress-grave," as he called it, a hopeless paralytic.

To Heine came Marx and his beautiful bride. One may speculate as to Jenny's estimate of her husband. Since his boyhood, she had not seen him very much. At that time he was a merry, light-hearted youth, a jovial comrade, and one of whom any girl would be proud. But since his long stay in Berlin, and his absorption in the theories of men like Engels and Bauer, he had become a very different sort of man, at least to her.

Groping, lost in brown studies, dreamy, at times morose, he was by no means a sympathetic and congenial husband for a high-bred, spirited girl, such as Jenny von Westphalen. His natural drift was toward a beer-garden, a group of frowsy followers, the reek of vile tobacco, and the smell of sour beer. One cannot but think that his beautiful wife must have been repelled by this, though with her constant nature she still loved him.

In Heinrich Heine she found a spirit that seemed akin to hers. Mr. Spargo says--and in what he says one must read a great deal between the lines:

The admiration of Jenny Marx for the poet was even more ardent than that of her husband. He fascinated her because, as she said, he was "so modern," while Heine was drawn to her because she was "so sympathetic."

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