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Experiments and Considerations Touching Colours (1664) · Robert Boyle — chapter 3 of 23 · ~686 words · public domain

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Part the Third.

Concerning Promiscuous Experiments about Colours.

Experiment the First.

IN confirmation of a former Conjecture about the Generation of Colours from diversity of Reflections are set down several Observations made in a Darkned room (186, 187.)

Experiment the second, That white Linnen seem'd Ting'd with the Red of Silk plac'd near it in a light Room (188,189.)

Experiment the third, Of the Trajection of Light through Colour'd Papers (189, 190.)

Experiment the fourth, Observations of a Prism in a dark Room (191, 192.)

Experiment the fifth, Of the Refracting and Reflecting Prismatical Colours in a light Room (193.)

Experiment the sixth, On the Vanishing of the Iris of the Prism, upon the access of a greater adventitious Light (194.)

Experiment the seventh, Of the appearances of the same Colour'd Papers by Candle-light (195, 196).

Experiment the eighth, Of the Yellowness of the Flame of a Candle (197).

Experiment the ninth, Of the Greenish Blew transparency of Leaf Gold (198).

Experiment the tenth, Of the curious Tinctures afforded by Lignum Nephriticum (from 199 to 203). Several trials for the Investigation of the Nature of it (from 204 to 206.) Kircher's relation of this Wood set down, and examin'd (from 206 to 212). A Corollary on this tenth Experiment, shewing how it may be applicable for the Discovering, whether any Salt be of an Acid, or a Sulphureous, and Alcalizate Nature (from 213 to 216).

The eleventh Experiment, Of certain pieces of Glass that afforded this Variety of Colours; And of the way of so Tinging any Plate of Glass with Silver (from 216 to 219).

The twelfth Experiment, Of the Mixing and Tempering of Painters Pigments (219, 220, 221).

The thirteenth Experiment, Of compounding several Colours by Trajecting the Sun-beams through Ting'd Glasses (from 221 to 224).

The fourteenth Experiment, Of the Compounding of Real and Phantastical Colours, and the Results (224, 225, 226.) as also the same of Phantastical Colours (226, 227.)

The fifteenth Experiment, Of Varying the Trajected Iris by a Colour'd Prism (228, 229.)

The sixteenth Experiment, Of the Red fumes of Spirit of Nitre, and, the resembling Redness of the Horizontal Sun-beams (230, 231.)

The seventeenth Experiment, Of making a Green by nine Kinds of Compositions (from 231 to 236.) And some Deductions from them against the necessity of recurring to Substantial forms and Hypostatical principles for the production of Colours (from 237 to 240.)

The eighteenth Experiment, Of several Compositions of Blew and Yellow which produce not a Green, and of the production of a Green by other Colours (241, 242.)

The nineteenth Experiment, contains several instances of producing Colours, without the alteration of any Hypostatical principle, by the Prism, Bubbles, and Feathers ( from 242 to 245.)

The twentieth Experiment Of turning the Blew of Violets into a Red by Acid Salts, and to a Green by Alcalizate (245, 246.) and the use of it for Investigating the Nature of Salts (247, 248.)

The one and twentieth Experiment, of the same Changes effected by the same means on the Blew Tinctures of Corn-flowers (249, 250.) And some Restrictions to shew it not to be so general a propriety as one might imagine (251.)

The twenty second Experiment, of turning a Solution of Verdigrease into a Blew, with Alcalizate and Urinous Salts (252, 253, 254.)

The twenty third Experiment, of taking away the Colour of Roses with the Steams of Sulphur, and heightning them with the Steams Condens'd into Oyl of Sulphur per Campanam (254, 255.)

The twenty fourth Experiment, of Tinging a great quantity of Liquor with a very little Ting'd Substance, Instanced in Cochineel (from 255 to 257.)

The twenty fifth Experiment, of the more general use of Alcalizate and Sulphureous Salts in the Tinctures of Vegetables, further Instanced in the Tincture of Privet Berries, and of the Flowers of Mesereon and Pease (from 257 to 259.) An Annotation, shewing that of the three Hypostatical principles, Salt according to Paracelsus is the most active about Colours (from 259 to 261.) Some things Precursory premis'd to three several Instances next following, against the fore-mention'd Operations of Salts (261, 262.)

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