Part 61

In 1824, Hood, after having contributed to some periodicals at Dundee in 1821, obtained the situation of sub-editor of the London Magazine. "My vanity," says he, "did not rashly plunge me into authorship, but no sooner was there a legitimate opening than I jumped at it, à la Grimaldi, head foremost, and was speedily behind the scenes."

Mr. Hood's first work was anonymous--his Odes and Addresses to Great People--a little, thin, mean-looking foolscap sub-octavo of poems with nothing but wit and humour (could it want more?) to recommend it. Coleridge was delighted with the work, and taxed Charles Lamb by letter with the authorship.

His next work was A Plea for the Midsummer Fairies, a serious poem of infinite beauty, full of fine passages and of promise; it obtained praise from the critics, but little favour from the public; and Hood's experience of the unpleasant truth that

"Those who live to please must please to live,"

induced him to have recourse again to his lively vein. He published a second and third series of Whims and Oddities, and in 1829 commenced the Comic Annual, and it was continued nine years. It proved very profitable; it was a small, widely-printed volume, with rough woodcuts drawn by Hood, who had been some time on probation with Sands and Le Keux, the engravers. Several thousand copies were sold annually, as the publishers' ledgers show. Then came out the comic poem of The Epping Hunt, which, Hood tells us, "was penned by an underling at the Wells, a person more accustomed to riding than writing," as shown in this epistle:--"Sir,--Abouut the Hunt. In anser to your Innqueries, their as been a great falling off latterally, so much so this year that there was nobody allmost. We did a mear nothing provisionally, hardly a Bottle extra, which is as proof in Pint. In short our Hunt may be sad to be in the last Stag of a Decline. Bartholomew Rutt." Next appeared The Dream of Eugene Aram, with this note: "The late Admiral Burney went to school at an establishment where the unhappy Eugene Aram was usher subsequent to his crime. The Admiral stated that Aram was generally liked by the boys; and that he used to discourse to them about murder in somewhat of the spirit which is attributed to him in this poem." The poem is exquisitely written throughout, and is sometimes little less than sublime.

In the spring of 1831, Hood became the occupier of Lake House, near Wanstead; and while residing here, he wrote his novel of Tylney Hall, in which the characters are exuberant with wit and humour, but the plot is defective. Hood next published Hood's Own; or, Laughter from Year to Year, a volume of comic lucubrations, reprinted, "with an infusion of New Blood for General Circulation." He next went to the Continent for the benefit of his health. When in Belgium, he published his Up the Rhine, constructed on the groundwork of Humphrey Clinker. The work consists of a series of imaginary letters from a hypochondriacal old bachelor, his widowed sister, his nephew, and a servant-maid, who form the imaginary travelling party. Each individual writes to a friend in England, and describes the scenes, manners, and circumstances, in a manner suitable to the assumed character. The nephew's remarks seem to embody the opinions and observations of Hood himself. The book is illustrated with whimsical cuts in Hood's rough but effective style, and abounds in good sense as well as humour. Here is a specimen:--

"An English lady resident at Coblentz, one day wishing to order of her German servant (who did not understand English) a boiled fowl for dinner, Grettel was summoned, and that experiment began. It was one of the lady's fancies, that the less her words resembled her native tongue, the more they must be like German. So her first attempt was to tell the maid that she wanted a cheeking, or keeking. The maid opened her eyes and mouth, and shook her head. 'It's to cook,' said the mistress, 'to cook, to put in an iron thing, in a pit--pat--pot.' 'Ish understand risht,' said the maid, in her Coblentz patois. 'It's a thing to eat,' said her mistress, for dinner--for deener--with sauce, soace--sowose.' No answer. 'What on earth am I to do?' exclaimed the lady, in despair, but still made another attempt. 'It's a little creature--a bird--a bard--a beard--a hen--a hone--a fowl--a fool; it's all covered with feathers--fathers--feeders!' 'Ha, ha,' cried the delighted German, at last getting hold of a catchword, 'Ja, ja! fedders--ja woh!' and away went Grettel, and in half-an-hour returned triumphantly, with a bundle of stationers' quills."

Hood afterwards became editor of the New Monthly Magazine, from which he retired in 1843. In the course of this year, public feeling had been much excited by cases of distress and destitution, which came before the London police-magistrates, arising from the excessively low rate of wages paid by dealers in ready-made linen to their workwomen. Taking advantage of a market overstocked with labourers, these tradesmen got their work done for a rate of payment so small that fourteen or fifteen hours' labour were frequently required in order to obtain sixpence! Hood's sympathy was excited, and "The Song of the Shirt" was the result--"a burst of poetry and indignant passion by which he produced tears almost as irrepressibly as in other cases he produced laughter." "The Song of the Shirt" was sent to a comic periodical, but was refused insertion; it has, however, been sung through the whole length and breadth of the three kingdoms.

Our author's last periodical was Hood's Magazine, which he continued to supply with the best of its contributions till within a month before his death. It contained a novel, which was interrupted by his last illness and death; the last chapters were, in fact, written by him when he was propped up by pillows in bed. He had the consolation, a short time before his death, of having a Government pension of 100l. a-year, which was offered him by Sir Robert Peel, in the following noble and touching letter, Sir Robert knowing of his illness, but not of his imminent danger--"I am more than repaid," writes Peel, "by the personal satisfaction which I have had in doing that for which you return me warm and characteristic acknowledgments. You perhaps think that you are known to one with such multifarious occupations as myself merely by general reputation as an author; but I assure you that there can be little which you have written and acknowledged which I have not read, and that there are few who can appreciate and admire more than myself the good sense and good feeling which have taught you to infuse so much fun and merriment into writings correcting folly and exposing absurdities, and yet never trespassing beyond those limits within which wit and facetiousness are not very often confined. You may write on with the consciousness of independence as free and unfettered as if no communication had ever passed between us. I am not conferring a private obligation upon you, but am fulfilling the intentions of the Legislature, which has placed at the disposal of the Crown a certain sum (miserable, indeed, in amount) to be applied to the recognition of public claims on the bounty of the Crown. If you will review the names of those whose claims have been admitted on account of their literary or scientific eminence, you will find an ample confirmation of the truth of my statement. One return, indeed, I shall ask you--that you will give me the opportunity of making your personal acquaintance."

To this statement in the Cornhill Magazine are appended the following reflections:--"O sad, marvellous picture of courage, of honesty, of patient endurance, of duty struggling against pain! How noble Peel's figure is standing by that sick-bed, how generous his words, how dignified and sincere his compassion! And the poor dying man, with a heart full of natural gratitude towards his noble benefactor, must turn to him and say--'If it be well to be remembered by a Minister, it is better still not to be forgotten by him in a 'hurly Burleigh!' Can you laugh? Is not the joke horribly pathetic from the poor dying lips? As dying Robin Hood must fire a last shot with his bow--as one reads of Catholics on their death-bed putting on a Capuchin dress to go out of the world--here is poor Hood at his last hour putting on his ghastly motley, and uttering one joke more. He dies, however, in dearest love and peace with his children, wife, friends: to the former especially his whole life had been devoted, and every day showed his fidelity, simplicity, and affection. In going through the record of his most pure, modest, honourable life, and living along with him, you come to trust him thoroughly, and feel that here is a most loyal, affectionate, and upright soul, with whom you have been brought into communion. Can we say as much of all lives of all men of letters? Here is one at least without guile, without pretension, without scheming, of pure life, to his family and little modest circle of friends tenderly devoted."

After a lethargy, which continued four days, Hood died May 3rd, 1845. He was buried in Kensal Green Cemetery, where a poetical monument has been erected to his memory. He left a son, who inherits much of his father's genius.

"Hood," says one of his biographers, "was undoubtedly a man of genius. His mind was stored with a vast collection of materials drawn from a great variety of sources, but especially his own observations; and he possessed the power of working up those materials into combinations of wit and humour and pathos of the most original and varied kinds. He has wit of the highest quality, as original and as abundant as Butler's or Cowley's, drawn from as extensive an observation of nature and life, if not from so wide a reach of learning, and combined with a richness of humour of which Butler had little and Cowley none. His humour is frequently as extravagantly broad as that of Rabelais, but he has sometimes the delicate touches of that of Addison. As a punster he stands alone. His puns do not consist merely of double meanings of words--a low kind of punning, of which minds of a low order are capable, and with which his imitators have deluged English comedy and comic literature--but of double meanings of words combined with double meanings of sense in such a manner as to produce the most extraordinary effects of surprise and admiration. His power of exciting laughter is wonderful, his drollery indescribable, inimitable. His pathetic power is not equal to his comic, but it is very great. The moral tendency of Hood's works is excellent. In the indulgence of his spirit of fun, he is anything but strait-laced as regards the introduction of images and phrases which a fastidious person might call vulgar or coarse; but an indecent description or even allusion will not easily be found. He is liberal-minded, a warm eulogist as well as a glowing depicter of the good feelings of our nature and the generous actions which those feelings prompt, and he is an unsparing satirist of vice, pretension, and cant in all their forms.

"Hood, in his person, was thin, pale, and delicate; in his temper he was kind and cheerful; he seems to have imbibed the social and benevolent feeling of his friend Lamb, and he was no less than Lamb a favourite among his friends. His long-continued sufferings only stimulated him to amuse himself and others by the exercise of his extraordinary imagination; and when at last he could no longer bear up under his bodily pains, his complaint was simple, but it indicated a terrible degree of suffering--'I cannot die, I cannot die.'"

A Witty Archbishop.

An industrious student, a deep thinker, an acute reasoner, a learned mind, a correct and at times elegant writer--these are titles of honour which the mere out-side-world, travelling in its flying railway-carriage, will gladly award to the late Archbishop of Dublin (Dr. Whately). Not so familiar are certain minor and more curious gifts, which he kept by him for his own and his friends' entertainment, which broke out at times on more public occasions. He delighted in the oddities of thought, in queer quaint distinctions; and if an object had by any possibility some strange distorted side or corner, or even point, which was undermost, he would gladly stoop down his mind to get that precise view of it, nay, would draw it in that odd light for the amusement of the company.

Thus he struck Guizot, who described him as "startling and ingenious, strangely absent, familiar, confused, eccentric, amiable, and engaging, no matter what unpoliteness he might commit, or what propriety he might forget." In short, a mind with a little of the Sydney Smith's leaven, whose brilliancy lay in precisely these odd analogies. It was his recreation to take up some intellectual hobby, and make a toy of it. Just as, years ago, he was said to have taken up that strange instrument the boomerang, and was to be seen on the sands casting it from him, and watching it return. It was said, too, that at the dull intervals of a visitation, when ecclesiastical business languished, he would cut out little miniature boomerangs of card, and amuse himself by illustrating the principle of the larger toy by shooting them from his finger.

The even, and sometimes drowsy, current of Dublin society was almost always enlivened by some little witty boomerang of his, fluttering from mouth to mouth, and from club to club. The Archbishop's last was eagerly looked for. Some were indifferent, some were trifling; but it was conceded that all had an odd extravagance, which marked them as original, quaint, queer. In this respect he was the Sydney Smith of the Irish capital, with this difference--that Sydney Smith's king announced that he would never make the lively Canon of St. Paul's a Bishop.

Homœopathy was a medical paradox, and was therefore welcome. Yet in this he travelled out of the realms of mere fanciful speculation, and clung to it with a stern and consistent earnestness faithfully adhered to through his last illness. Mesmerism, too, he delighted to play with. He had, in fact, innumerable dadas, as the French call them, or hobby-horses, upon which he was continually astride.

This led him into a pleasant affection of being able to discourse de omnibus rebus, &c., and the more recondite or less known the subject, the more eager was he to speak. It has been supposed that the figure of the "Dean," in Mr. Lever's pleasant novel of Roland Cashel, was sketched from him. Indeed, there can be no question but that it is an unacknowledged portrait.

"What is the difference," he asked of a young clergyman he was examining, "between a form and a ceremony? The meaning seems nearly the same; yet there is a very nice distinction." Various answers were given. "Well," he said, "it lies in this: you sit upon a form, but you stand upon ceremony."

"Morrow's Library" is the Mudie of Dublin; and the Rev. Mr. Day, a popular preacher. "How inconsistent," said the archbishop, "is the piety of certain ladies here. They go to Day for a sermon, and to Morrow for a novel!"

At a dinner-party he called out suddenly to the host, "Mr. ----!" There was silence. "Mr. ----, what is the proper female companion of this John Dory?" After the usual number of guesses an answer came, "Anne Chovy." [This has been attributed to Quin, the actor and epicure.]

Another Riddle.--"The laziest letter in the alphabet? The letther G!" (lethargy).

The Wicklow Line.--The most unmusical in the world--having a Dun-Drum, Still-Organ, and a Bray for stations.

Doctor Gregg.--The new bishop and he at dinner. Archbishop: "Come, though you are John Cork, you musn't stop the bottle here." The answer was not inapt: "I see your lordship is determined to draw me out."

On Dr. K----x's promotion to the bishopric of Down, an appointment in some quarters unpopular: "The Irish government will not be able to stand many more such Knocks Down as this!"

The merits of the same bishop being canvassed before him, and it being mentioned that he had compiled a most useful Ecclesiastical Directory, with the Values of Livings, &c., "If that be so," said the archbishop, "I hope the next time the claims of our friend Thom will not be overlooked." (Thom, the author of the well known Almanack.)

A clergyman, who had to preach before him, begged to be let off, saying, "I hope your grace will excuse my preaching next Sunday." "Certainly," said the other indulgently. Sunday came, and the archbishop said to him, "Well! Mr. ----, what became of you! we expected you to preach to-day." "Oh, your grace said you would excuse my preaching to-day." "Exactly; but I did not say I would excuse you from preaching."