Part 8

Schopenhauer somewhere observes that the word heathen, no longer in reputable use elsewhere, had found a last asylum in Oxford, the paradise of dead philosophies. Even Oxford, I believe, has now abandoned it; yet it is a good word. It conveys, as no other word can, the sense of vast multitudes tossing in darkness, harassed by demons of their own choice. No doubt it implies also a certain sanctimony in the superior person who uses it, as if he at least were not chattering in the general Babel. What justified Jews, Christians, and Moslems (as Mohammed in particular insisted) in feeling this superiority was the possession of a Book, a chart of life, as it were, in which the most important features of history and morals were mapped out for the guidance of teachable men. The heathen, on the contrary, were abandoned to their own devices, and even prided themselves on following only their spontaneous will, their habit, presumption, or caprice.

Most unprejudiced people would now agree that the value of those sacred histories and rules of life did not depend on their alleged miraculous origin, [Pg 145] but rather on that solidity and perspicacity in their authors which enabled them to perceive the laws of sweet and profitable conduct in this world. It was not religion merely that was concerned, at least not that outlying, private, and almost negligible sphere to which we often apply this name; it was the whole fund of experience mankind had gathered by living; it was wisdom. Now, to record these lessons of experience, the Greeks and Romans also had their Books; their history, poetry, science, and civil law. So that while the theologically heathen may be those who have no Bible, the morally and essentially heathen are those who possess no authoritative wisdom, or reject the authority of what wisdom they have; the untaught or unteachable who disdain not only revelation but what revelation stood for among early peoples, namely, funded experience.

In this sense the Greeks were the least heathen of men. They were singularly docile to political experiment, to law, to methodical art, to the proved limitations and resources of mortal life. This life they found closely hedged about by sky, earth, and sea, by war, madness, and conscience with their in-dwelling deities, by oracles and local genii with their accustomed cults, by a pervasive fate, and the jealousy of invisible gods. Yet they saw that these divine forces were constant, and that they exercised [Pg 146] their pressure and bounty with so much method that a prudent art and religion could be built up in their midst. All this was simply a poetic prologue to science and the arts; it largely passed into them, and would have passed into them altogether if the naturalistic genius of Greece had not been crossed in Socrates by a premature discouragement, and diverted into other channels.

Early Hebraism itself had hardly been so wise. It had regarded its tribal and moral interests as absolute, and the Creator as the champion and omnipotent agent of Israel. But this arrogance and inexperience were heathen. Soon the ascendency of Israel over nature and history was proclaimed to be conditional on their fidelity to the Law; and as the spirit of the nation under chastisement became more and more penitential, it was absorbed increasingly in the praise of wisdom. Salvation was to come only by repentance, by being born again with a will wholly transformed and broken; so that the later Jewish religion went almost as far as Platonism or Christianity in the direction opposite to heathenism.

This movement in the direction of an orthodox wisdom was regarded as a progress in those latter days of antiquity when it occurred, and it continued to be so regarded in Christendom until the rise of romanticism. The most radical reformers simply [Pg 147] urged that the current orthodoxy, religious or scientific, was itself imperfectly orthodox, being corrupt, overloaded, too vague, or too narrow. As every actual orthodoxy is avowedly incomplete and partly ambiguous, a sympathetic reform of it is always in order. Yet very often the reformers are deceived. What really offends them may not be what is false in the received orthodoxy, but what though true is uncongenial to them. In that case heathenism, under the guise of a search for a purer wisdom, is working in their souls against wisdom of any sort. Such is the suspicion that Catholics would throw on Protestantism, naturalists on idealism, and conservatives generally on all revolutions.

But if ever heathenism needed to pose as constructive reform, it is now quite willing and able to throw off the mask. Desire for any orthodox wisdom at all may be repudiated; it may be set down to low vitality and failure of nerve. In various directions at once we see to-day an intense hatred and disbelief gathering head against the very notion of a cosmos to be discovered, or a stable human nature to be respected. Nature, we are told, is an artificial symbol employed by life; truth is a temporary convention; art is an expression of personality; war is better than peace, effort than achievement, and feeling than intelligence; change is deeper than [Pg 148] form; will is above morality. Expressions of this kind are sometimes wanton and only half thought out; but they go very deep in the subjective direction. Behind them all is a sincere revulsion against the difficult and confused undertakings of reason; against science, institutions, and moral compulsions. They mark an honest retreat into immediate experience and animal faith. Man used to be called a rational animal, but his rationality is something eventual and ideal, whereas his animality is actual and profound. Heathenism, if we consider life at large, is the primal and universal religion.

It has never been my good fortune to see wild beasts in the jungle, but I have sometimes watched a wild bull in the ring, and I can imagine no more striking, simple, and heroic example of animal faith; especially when the bull is what is technically called noble, that is, when he follows the lure again and again with eternal singleness of thought, eternal courage, and no suspicion of a hidden agency that is mocking him. What the red rag is to this brave creature, their passions, inclinations, and chance notions are to the heathen. What they will they will; and they would deem it weakness and disloyalty to ask whether it is worth willing or whether it is attainable. The bull, magnificently sniffing the air, surveys the arena with the cool contempt and [Pg 149] disbelief of the idealist, as if he said: "You seem, you are a seeming; I do not quarrel with you, I do not fear you. I am real, you are nothing." Then suddenly, when his eye is caught by some bright cloak displayed before him, his whole soul changes. His will awakes and he seems to say: "You are my destiny; I want you, I hate you, you shall be mine, you shall not stand in my path. I will gore you. I will disprove you. I will pass beyond you. I shall be, you shall not have been." Later, when sorely wounded and near his end, he grows blind to all these excitements. He smells the moist earth, and turns to the dungeon where an hour ago he was at peace. He remembers the herd, the pasture beyond, and he dreams: "I shall not die, for I love life. I shall be young again, young always, for I love youth. All this outcry is nought to me, this strange suffering is nought. I will go to the fields again, to graze, to roam, to love."

So exactly, with not one least concession to the unsuspected reality, the heathen soul stands bravely before a painted world, covets some bauble, and defies death. Heathenism is the religion of will, the faith which life has in itself because it is life, and in its aims because it is pursuing them.

In their tentative, many-sided, indomitable way, the Germans have been groping for four hundred [Pg 150] years towards a restoration of their primitive heathenism. Germany under the long tutelage of Rome had been like a spirited and poetic child brought up by very old and very worldly foster-parents. For many years the elfin creature may drink in their gossip and their maxims with simple wonder; but at last he will begin to be restive under them, ask himself ominous questions, protest, suffer, and finally break into open rebellion. Naturally he will not find at first theories and precepts of his own to take the place of his whole education; he will do what he can with his traditions, revising, interpreting, and patching them with new ideas; and only if he has great earnestness and speculative power will he ever reach an unalloyed expression of his oppressed soul.

Now in Germany speculative power and earnestness existed in a high degree, not, of course, in most people, but in the best and most representative; and it was this élite that made the Reformation, and carried it on into historical criticism and transcendental philosophy, until in the nineteenth century, in Schopenhauer, Wagner, and Nietzsche, the last remnants of Christian education were discarded and the spontaneous heathen morality of the race reasserted itself in its purity. That this assertion was not consistent, that it was thrown into the language and images of some alien system, is not to be [Pg 151] wondered at; but the Christianity of Parsifal, like the Buddhism of the denial of the will, is a pure piece of romanticism, an exotic setting for those vacillations and sinkings which absolute Will may very well be subject to in its absolute chaos.

The rebellion of the heathen soul is unmistakable in the Reformation, but it is not recognised in this simple form, because those who feel that it was justified do not dream that it was heathen, and those who see that it was heathen will not admit that it was justified. Externally, of course, it was an effort to recover the original essence of Christianity; but why should a free and absolute being care for that original essence when he has discovered it, unless his own mind demanded that very thing? And if his mind demanded it, what need has he to read that demand into an ancient revelation which, as a matter of fact, turned on quite other matters? It was simply the inertia of established prejudice that made people use tradition to correct tradition; until the whole substance of tradition, worn away by that internal friction, should be dissolved, and impulse and native genius should assert themselves unimpeded.

Judaism and Christianity, like Greek philosophy, were singly inspired by the pursuit of happiness, in whatever form it might be really attainable: now [Pg 152] on earth if possible, or in the millennium, or in some abstracted and inward life, like that of the Stoics, or in the last resort, in a different life altogether beyond the grave. But heathenism ignores happiness, despises it, or thinks it impossible. The regimen and philosophy of Germany are inspired by this contempt for happiness, for one's own happiness as well as for other people's. Happiness seems to the German moralists something unheroic, an abdication before external things, a victory of the senses over the will. They think the pursuit of happiness low, materialistic, and selfish. They wish everybody to sacrifice or rather to forget happiness, and to do "deeds."

It is in the nature of things that those who are incapable of happiness should have no idea of it. Happiness is not for wild animals, who can only oscillate between apathy and passion. To be happy, even to conceive happiness, you must be reasonable or (if Nietzsche prefers the word) you must be tamed. You must have taken the measure of your powers, tasted the fruits of your passions and learned your place in the world and what things in it can really serve you. To be happy you must be wise. This happiness is sometimes found instinctively, and then the rudest fanatic can hardly fail to see how lovely it is; but sometimes it comes of having learned something by experience (which empirical people never [Pg 153] do) and involves some chastening and renunciation; but it is not less sweet for having this touch of holiness about it, and the spirit of it is healthy and beneficent. The nature of happiness, therefore, dawns upon philosophers when their wisdom begins to report the lessons of experience: an a priori philosophy can have no inkling of it.

Happiness is the union of vitality with art, and in so far as vitality is a spiritual thing and not mere restlessness and vehemence, art increases vitality. It obviates friction, waste, and despair. Without art, vitality is painful and big with monsters. It is hurried easily into folly and crime; it ignores the external forces and interests which it touches. German philosophy does this theoretically, by dethroning the natural world and calling it an idea created by the ego for its own purposes; and it does this practically also by obeying the categorical imperative--no longer the fabled imperatives of Sinai or of Königsberg, but the inward and vital imperative which the bull obeys, when trusting absolutely in his own strength, rage, and courage, he follows a little red rag and his destiny this way and that way.

GERMAN GENIUS

It is customary to judge religions and philosophies by their truth, which is seldom their strong point; yet the application of that unsympathetic criterion is not unjust, since they aspire to be true, maintain that they are so, and forbid any opposed view, no matter how obvious and inevitable, to be called true in their stead. But when religions and philosophies are dead, or when we are so removed from them by time or training that the question of their truth is not a living question for us, they do not on that account lose all their interest; then, in fact, for the first time they manifest their virtues to the unbeliever. He sees that they are expressions of human genius; that however false to their subject-matter they may be, like the conventions of art they are true to the eye and to the spirit that fashioned them. And as nothing in the world, not even the truth, is so interesting as human genius, these incredible or obsolete religions and philosophies become delightful to us. The sting is gone out of their errors, which no longer threaten to delude us, and they have acquired a beauty invisible to the eye of their authors, because [Pg 155] of the very refraction which the truth suffered in that vital medium.

German philosophy is a work of genius. To be heathen is easy; to have an absolute will and a belief in chaos--or rather a blind battle with chance--is probably the lot of most animals; but to be condemned to be learned, industrious, moral, and Christian, and yet, through that veil of unavoidable phenomena and conventions, to pierce to absolute will and freedom, and to set them forth persuasively as the true reality, in spite of all the ordered appearances which do not cease to confront and to occupy us--that is a work of genius. It is a wonderful achievement, to have recovered atavistically the depths of the primitive soul, in the midst of its later sophistication. In this philosophy the ancestral ego, the soul perplexed and incredulous at being born into this world, returns to haunt us in broad day-light and to persuade us with its ghostly eloquence that not that ego but this world is the ghost.

The egotism which in German philosophy is justified by a theory in German genius is a form of experience. It turns everything it touches into a part of its own life, personal, spontaneous, sincere, original. It is young and self-sufficient; yet as a continual change of view is incompatible with art and learning, we see in Germany, even more than elsewhere, [Pg 156] a division of labour between genius and tradition; nowhere are the types of the young rebel and the tireless pedant so common and so extreme.

The notion that something that moves and lives, as genius does, can at the same time be absolute has some interesting implications. Such a genius and all its works must be unstable. As it has no external sources and no external objects, as its own past can exercise no control over it (for that would be the most lifeless of tyrannies), it is a sort of shooting star, with no guarantees for the future. This, for the complete egotist, has no terrors. A tragic end and a multitude of enemies may seem good to the absolute hero and necessary to his perfect heroism. In the same way, to be without a subject-matter or an audience may seem good to the absolute poet, who sings to himself as he goes, exclusively for the benefit of that glorious and fleeting moment. Genius could not be purer than that: although perhaps it might be hard to prove that it was genius.

A kindred implication, which perhaps might be less welcome to the egotist himself, is that an absolute genius is formless, and that the absolute freedom with which it thinks it takes on now this form and now that, is not really freedom at all, but subjection to unknown and perhaps ironical forces. Absolute Will, of which a perfectly free genius is an expression, [Pg 157] cannot say specifically what it craves, for essentially it should crave everything indiscriminately. In practice, however, it must seem to aim at this or that precise result. These specific aims are suggested to it by circumstances, foisted upon it in its replete innocence; for it is all expectation, all vague heartiness and zeal for it knows not what. The logic it proclaims at any time and calls eternal is but the fashionable rhetoric of that hour. Absolute Will is a great dupe on whom fortune forces card after card. Like Faust it is helpless before the most vulgar temptations. Why should it not fulfil itself now by the pursuit of magic, now by the seduction of a young girl, now by an archæological pose, now by a piratical or an engineering enterprise? True, there are limits to its gullibility; there are suggestions from which it recoils. The German ego, after swallowing Christianity whole, will in Luther stick at Indulgences. Faust sometimes turns on Mephistopheles, as the worm will turn: he says that he covets all experience, but in that he does himself a great injustice; there are experiences he scorns. After all this ego is not really absolute; it is specifically and pathetically human and directed upon a few natural ends. That is what saves it; for a mind can have no distinction and a soul no honour if its only maxim is to live on. It may take up with enthusiasm [Pg 158] whatever it takes up, but it will take up anything; and it may do mightily whatever it does, but it will not do it long.

Consider, in this respect, the pathetic history of the German people. It conquered the Roman empire and it became Roman, or wished to become so. It had had a mythology and a morality of its own (very like in principle to those it has since rediscovered), yet it accepted Christianity with the docility of a child. It began to feel, after some centuries, how alien to its genius this religion was, but it could find relief only in a fresh draught from the same foreign sources, or others more remote. To cease to be Roman it tried to become Hebraic and Greek. In studying these models, however, it came upon a new scent. What passed for revelation or for classical perfection was of human national growth, stratified like the rocks, and not divine or authoritative at all. If you only made hypotheses enough, you could prove how it all arose according to necessary laws, logical, psychological, historical, economical, and æsthetical. Above all, you could prove how nobody had understood anything properly before, and how the key to it all was in your single hand.

Yet the triumphs of theory alone soon seemed unsatisfying. Wine, science, and song once seemed to make Germany happy, but if a prince imposed [Pg 159] military discipline, might not that be an even better thing? For a time wistfulness, longing, and the feeling of Titanic loneliness and of a world to be evoked and snuffed out like a dream, seemed to fill the cup of intense living, and the greatest and happiest of Germans could cry--

Nur wer die Sehnsucht kennt weiss, was ich leide, allein und abgetrennt von aller Freude.

But presently true intensity of life appeared to lie rather in being a victorious general, or an ironmaster, or a commercial traveller, or a reveller in the Friedrich-strasse, or a spy and conspirator anywhere in the world.

All these turbid and nondescript ambitions are in a sense artificial; the Germans accept them now as a thousand years ago they accepted Christianity, because such things are suddenly thrust upon them. By nature they are simple, honest, kindly, easily pleased. There is no latent irony or disbelief in their souls. The pleasures of sense, plain and copious, they enjoy hugely, long labour does not exasperate them, science fills them with satisfaction, music entrances them. There ought to be no happier or more innocent nation in this world. Unfortunately their very goodness and simplicity render them helpless; they are what they are dragooned to be. There is no social or intellectual disease to which, in spots, [Pg 160] they do not succumb, as to an epidemic: their philosophy itself is an example of this. They have the defects of the newly prosperous; they are far too proud of their possessions, esteeming them for being theirs, without knowing whether they are good of their kind. Culture is a thing seldom mentioned by those who have it. The real strength of the Germans lies not in those external achievements of which at this moment they make so much--for they may outgrow this new materialism of theirs--it lies rather in what they have always prized, their Gemüth and their music.

Perhaps these two things have a common root. Emotion is inarticulate, yet there is a mighty movement in it, and a great complexity of transitions and shades. This intrinsic movement of the feelings is ordinarily little noticed because people are too wide awake, or too imaginative. Everything is a fact or a picture to them, and their emotions seem to them little but obvious qualities of things. They roundly call things beautiful, painful, holy, or ridiculous; they do not speak of their Gemüth, although, of course, it is by virtue of their emotions that they pass such judgments. But when the occasions of our emotions, the objects that call them forth, are not so instantly focussed, when we know better what we feel than why we feel it, then we seem to have a richer and more massive sensibility. Our feelings [Pg 161] absorb our attention because they remain a thing apart: they seem to us wonderfully deep because we do not ground them in things external.

Now music is a means of giving form to our inner feelings without attaching them to events or objects in the world. Music is articulate, but articulate in a language which avoids, or at least veils the articulation of the world we live in; it is, therefore, the chosen art of a mind to whom the world is still foreign. If this seems in one way an incapacity, it is also a privilege. Not to be at home in the world, to prize it chiefly for echoes which it may have in the soul, to have a soul that can give forth echoes, or that can generate internal dramas of sound out of its own resources--may this not be a more enviable endowment than that of a mind all surface, a sensitive plate only able to photograph this not too beautiful earth? In any case, for better or for worse, inward sensibility, unabsorbed in worldly affairs, exists in some people; a life, as it were, still in the womb and not yet in contact with the air. But let these inspired musicians, masters in their own infinite realms, beware of the touch of matter. Let them not compose a system of the universe out of their Gemüth, as they might a symphony. Let them not raise their baton in the face of the stars or of the nations, and think to lead them like an orchestra.

EGOTISM IN PRACTICE