“‘For a brief time that may be endured; and if within that period I cannot extricate myself, and fail of relief from my comrades, I can always die, and death is the most perfect freedom of all.’
There was a deep pause of some duration, which Quentin at length broke, by resuming his queries.
“‘Yours is a wandering race, unknown to the nations of Europe—Whence do they derive their origin?’
“‘I may not tell you,’ answered the Bohemian.
“‘When will they relieve this kingdom from their presence, and return to the land from whence they came?’ said the Scot.
“‘When the day of their pilgrimage shall be accomplished,’ replied his vagrant guide.
“‘Are you not sprung from those tribes of Israel which were carried into captivity beyond the great river Euphrates?’ said Quentin, who had not forgotten the lore which had been taught him at Aberbrothock.
“‘Had we been so,’ answered the Bohemian, ‘we had followed their faith, and practised their rites.’
“‘What is thine own name?’ said Durward.
“‘My proper name is only known to my brethren—The men beyond our tents call me Hayraddin Maugrabin, that is, Hayraddin the African Moor.’
“‘Thou speakest too well for one who hath lived always in thy filthy horde,’ said the Scot.
“‘I have learned some of the knowledge of this land,’ said Heyraddin.— ‘When I was a little boy, our tribe was chased by the hunters after human flesh. An arrow went through my mother’s head, and she died. I was entangled in the blanket on her shoulders, and was taken by the pursuers. A priest begged me from the Provost’s archers, and trained me up in Frankish learning for two or three years.’
“‘How came you to part with him?’ demanded Durward.
“‘I stole money from him—even the God which he worshipped,’ answered Hayraddin, with perfect composure; ‘he detected me, and beat me—I stabbed him with my knife, fled to the woods, and was again united to my people.’
“‘Wretch!’ said Durward, ‘did you murder your benefactor?’
“‘What had he to do to burden me with his benefits?—The Zingaro boy was no house-bred cur to dog the heels of his master and crouch beneath his blows, for scraps of food—He was the imprisoned wolf-whelp, which at the first opportunity broke his chain, rended his master, and returned to his wilderness.’
“There was another pause, when the young Scot, with a view of still farther investigating the character and purpose of this suspicious guide, asked Hayraddin, ‘Whether it was not true that his people, amid their ignorance, pretended to a knowledge of futurity, which was not given to the sages, philosophers, and divines, of more polished society?’
“‘We pretend to it,’ said Hayraddin, ‘and it is with justice.’
“‘How can it be that so high a gift is bestowed on so abject a race?’ said Quentin.
“‘Can I tell you?’ answered Hayraddin—‘Yes, I may indeed; but it is when you shall explain to me why the dog can trace the footsteps of a man, while man, the noble animal, hath no power to trace those of the dog. These powers, which seem to you so wonderful, are instinctive in our race. From the lines on the face and on the hand, we can tell the future fate of those who consult us, even as surely as you know from the blossom of the tree in spring, what fruit it will bear in the harvest.’”
JUGGLERS, THEIR ORIGIN, EXPLOITS, &c.
Those occupations which were of the most absolute necessity to the support of existence, were, doubtless, the earliest, and, in the infancy of society, the sole employments that engaged attention. But when the art and industry of a few were found sufficient for the maintenance of many, property began to accumulate in the hands of individuals, and as all could no longer be engaged in the productions of the necessaries of life, those who were excluded applied their ingenuity to those arts which, by contributing to the convenience of the former, might enable them to participate in the fruits of their labour; and several of these have acquired a pre-eminence over the more useful avocations. A taste for the wonderful seems to be natural to man in every stage of society, and at almost every period of life; we, therefore, cannot wonder that, from the earliest ages, persons have been found, who, more idle or more ingenious than others, have availed themselves of this propensity, to obtain an easy livelihood by levying contributions on the curiosity of the public. Whether this taste is to be considered as a proof of the weakness of our judgment, or of innate inquisitiveness, which stimulates us to enlarge the sphere of our knowledge, must be left to the decision of metaphysicians; it is sufficient for our present purpose to know that it gave rise to a numerous class of persons, whom, whether performers of sleight of hand, rope-dancers, mountebanks, teachers of animals to perform extraordinary tricks, or, in short, who delude the senses, and practice harmless deception on spectators, we include under the common title of Jugglers.
If these arts served no other purpose than that of mere amusement, they yet merit a certain degree of encouragement, as affording at once a cheap and innocent diversion: but Jugglers frequently exhibit instructive experiments in natural philosophy, chemistry, and mechanics; thus, the solar microscope was invented from an instrument to reflect shadows, with which a Savoyard amused a German populace; and the celebrated Sir Richard Arkwright is said to have conceived the idea of the spinning machines, which have so largely contributed to the prosperity of the cotton manufacture in this country, from a toy which he purchased for his child of an itinerant showman. These deceptions have, besides, acted as an agreeable and most powerful antidote to superstition, and to that popular belief in miracles, conjuration, sorcery, and witchcraft, which preyed upon the minds of our ancestors; and the effects of shadows, electricity, mirrors, and the magnet, once formidable instruments in the hands of interested persons for keeping the vulgar in awe, have been stripped of their terrors, and are no longer frightful in their most terrific forms.
That this superstitious dread led to the persecution of many innocent beings, who were supposed to be guilty of witchcraft, is too well known to require illustration: our own statute books are loaded with penalties against sorcery; at no very distant period our courts of law have been disgraced by criminal trials of that nature; and judges who are still cited as models of legal knowledge and discernment, not only permitted such cases to go to a jury, but allowed sentences to be recorded which consigned reputed wizards to capital punishment. In Poland, even so late as the year 1739, a Juggler was exposed to the torture, until a confession was extracted from him that he was a sorcerer, upon which, without further proof, he was immediately hanged; and instances in other countries might be multiplied without end. But this, although it exceeds in atrocity, does not equal in absurdity, the infatuation of the tribunal of the inquisition in Portugal, which actually condemned to the flames, as being possessed with the devil, a horse belonging to an Englishman, who had taught it to perform some uncommon tricks; and the poor animal is confidently said to have been publicly burned at Lisbon, in conformity with his sentence, in the year 1601.
The only parts of Europe in which the arts of sorcery now obtain any credit, is Lapland; where, indeed, supposed wizards still practise incantations, by which they pretend to obtain the knowledge of future events, and in which the credulity of the people induces them to place the most implicit confidence. On such occasions a magic drum is usually employed. This instrument is formed of a piece of wood of a semi-oval form, hollow on the flat side, and there covered with a skin, in which various uncouth figures are depicted; among which, since the introduction of Christianity into that country, an attempt is usually made to represent the acts of our Saviour and the Apostles. On this covering several brass rings of different sizes are laid, while the attendants dispose themselves in many antic postures, in order to facilitate the charm; the drum is then beat with the horn of a rein-deer, which occasioning the skin to vibrate, puts the rings in motion round the figures, and, according to the positions which they occupy, the officiating seer pronounces his prediction.
It is unfortunate that of all the books (and there were several) which treated of the arts of conjuration, as they were practised among the ancients, not one is now extant, and all that we know upon the subject is collected from isolated facts which have been incidentally mentioned in other writings. From these it would, however, appear, that many of the deceptions which still continue to excite astonishment, were then common.
A century and a half before our æra, during the revolt of the slaves in Sicily, a Syrian of their number, named Eunus, a man of considerable talent, who after having witnessed many vicissitudes, was reduced to that state, became the leader of his companions by pretending to an inspiration from the gods; and in order to confirm the divinity of his mission by miracles, he used to breath flames from his mouth when addressing his followers. By this art the Rabbi Barchschebas also made the credulous Jews believe that he was the Messiah, during the sedition which he excited among them in the reign of Adrian; and, two centuries afterwards, the Emperor Constantius was impressed with great dread, when informed that one of the body-guards had been seen to breathe out fire. Historians tell us that these deceptions were performed by putting inflammable substances into a nut-shell pierced at both ends, which was then secretly conveyed into the mouth and breathed through. Our own fire-eaters content themselves with rolling a little flax, so as to form a small ball, which is suffered to burn until nearly consumed; more flax is then tightly rolled round it, and the fire will thus remain within for a long time, and sparks may be blown from it without injury, provided the air be inspired, not by the mouth but through the nostrils. The ancients also performed some curious experiments with that inflammable mineral oil called Naphtha, which kindles on merely exposing near a fire. Allusion is supposed to have been made to this in the story of the dress of Herculus, when it is said to have been dipped in the blood of Nessus. Many assert that it was with this substance Medea destroyed Creusa, by sending to her a dress impregnated with it, which burst into flames when she drew near the fire of the altar; and there can be no doubt that it was used by the priests on those occasions when the sacrificial offerings took fire imperceptibly.
The trial by Ordeal, in the middle ages, in which persons accused of certain crimes were forced to prove their innocence by walking blindfold among burning ploughshares, or by holding heated iron in their hands, was probably little else than a juggling trick, which the priests conducted as best suited their views. The accused was committed to their care during three entire days previous to the trial, and remained in their custody for the same space after it was over; the Ordeal took place in the church under their own immediate inspection; they not only consecrated, but heated, the iron themselves; mass was then said, and various ceremonies were performed, all calculated to divert the attention of the spectators; and when the operation was over, the part which had been exposed to the fire was carefully bound up and sealed, not to be opened until the end of the third day; doubtless, therefore, the time before the trial was occupied in preparing the skin to resist the effects of the heat, and that afterwards in obliterating the marks of any injury it might have sustained. That such was the fact has, indeed, been acknowledged in the works of Albertus Magnus, a Dominican friar, who, after the trial by Ordeal had been abolished, published the secret of the art, which, if his account be correct, consisted in nothing more than covering the hands and feet at repeated intervals with a paste made of the sap of certain herbs mixed together with the white of an egg.
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