Part 27

The Boston Gazette of April 20, 1741, thus advertised:

"To be seen at the Greyhound Tavern in Roxbury a wild creature which was caught in the woods about 80 miles to the Westward of this place called a Cattamount. It has a tail like a Lyon, its legs are like Bears, its Claws like an Eagle, its Eyes like a Tyger. He is exceedingly ravenous and devours all sorts of Creatures that he can come near. Its agility is surprising. It will leap 30 feet at one jump notwithstanding it is but 3 months old. Whoever wishes to see this creature may come to the place aforesaid paying one shilling each shall be welcome for their money."

Salem had the pleasure of viewing a "Sapient Dog" who could light lamps, spell, read print or writing, tell the time of day, or day of the month. He could distinguish colors, was a good arithmetician, could discharge a loaded cannon, tell a hidden card in a pack, and jump through a hoop, all for twenty-five cents. About the same time Mr. Pinchbeck exhibited in the same town a "Pig of Knowledge" who had precisely the same accomplishments.

In 1789 a pair of camels went the rounds--"19 hands high, with 4 joints in their hind legs." A mermaid also was exhibited--defunct, I presume--and a living cassowary five feet high, that swallowed stones as large as an egg. A white sea bear appeared in the port of Pollard's Tavern and could be seen for half a pistareen. A forlorn moose was held in bondage at Major King's tavern and shown for nine pence, while to view the "leapord strongly chayned" cost a quarter. The big hog, being a home production, could be seen cheaply--for four pence. It is indeed curious to find a rabbit among "curious wild beasts." The Winthrops had tried to breed rabbits in 1633 and again in 1683, and if they had not succeeded were the only souls known to fail in that facile endeavor. To their shame be it told, Salem folk announced in 1809 a bull-fight at the Half-Way House on the new turnpike, and after the bull-fight a fox-chase. In 1735 John Burlesson had some strange animals to show, and was not always allowed to exhibit them either: "the Lyon, the Black and Whight bare and the Lanechtskipt were shown by me that had their limbs as long as they pleased."

There were also exhibitions of legerdemain--a "Posture Master Boy who performed most surprizing Postures, Transforming Himself into Various Shapes;" performers on the "tort rope;" solar microscopes; "Italian Matcheans or Moving Pictures wherein are to be seen Windmills and Watermills moving around Ships sayling in the Seas, and various curious figures;" electrical machines; "prospects of London" or of "Royall Pallaces;" but, to their credit and good taste be it recorded, I find no notices of monstrosities either in shape of man or beast. Exhibitions of wax figures were given and museums were formed. Gentlemen sailing for foreign ports were begged to collect for museums and collections of curiosities, and did so in a thoroughly public-spirited manner.

Shortly after the invention of balloons came their advent as popular shows into New England towns. In Hartford they appeared under the pompous title of "Archimedial Phaetons, Vertical Aerial Coaches, or Patent Fderal Balloons," and the public was notified that "persons of timid nature might enter with full assurance of safety." These fderal balloons not only served to amuse New Englanders, but were strongly recommended to "Invaletudinarians" as hygienic and medicinal factors, in that through their employment as carriers they caused "sudden revulsion of the blood and humours" to the benefit of the aeronautic travellers.

The first stepping-in of theatrical performances was to the lively-tunes of jigs and corams on a stage. In 1713 permission was asked to act a play in the Council House in Boston. Judge Sewall's grief and amazement at this suggestion of "Dances and Scenical Divertessiments" within those solemn walls can well be imagined. Ere long little plays called drolls were exhibited; puppet shows such as "Pickle Herring," or the "Taylor ryding to Brentford," or "Harlequinn and Scaramouch." About 1750 two young English strollers produced Otway's "Orphans" in a Boston coffee-house. Prompt and strict measures by Boston magistrates nipped in the bud this feeble dramatic plant, and Boston had no more plays for many years.

Many ingenious ruses were invented to avoid the legal obstructions placed in the way of play-acting. "Histrionic academies" tried to sneak in on the stage; and in 1762 a clever manager gave an entertainment whose playbill I present as the most amusing example of specious and sanctimonious truckling extant.

KINGS ARMS TAVERN--NEWPORT RHODE ISLAND.

On Monday, June 10th, at the Public Room of the above Inn will be delivered a series of

MORAL DIALOGUES in Five Parts

Depicting the evil effects of jealousy and other bad passions and Proving that happiness can only spring from the pursuit of Virtue.

Mr Douglass--Will represent a noble and magnanimous Moor called Othello, who loves a young lady named Desdemona, and after he marries her, harbours (as in too many cases) the dreadful passion of jealousy.

Of jealousy, our beings bane, Mark the small cause, and the most dreadful pain.

Mr Allyn--Will depict the character of a specious villain, in the regiment of Othello, who is so base as to hate his commander on mere suspicion, and to impose on his best friend. Of such characters, it is to be feared, there are thousands in the world, and the one in question may present to us a salutary warning.

The man that wrongs his master and his friend, What can he come to but a shameful end?

Mr Hallam--Will delineate a young and thoughtless officer who is traduced by Mr. Allyn, and, getting drunk, loses his situation and his generals esteem. All young men whatsoever, take example from Cassio.

The ill effects of drinking would you see Be warned and fly from evil company.

Mr Morris--Will represent an old gentleman, the father of Desdemona, who is not cruel or covetous, but is foolish enough to dislike the noble Moor, his son-in-law, because his face is not white, forgetting that we all spring from one root. Such prejudices are very numerous and very wrong.

Fathers, beware what sense and love ye lack, 'Tis crime, not colour, makes the being black.

Mr Quelch--Will depict a fool who wishes to become a knave, and trusting to one, gets killed by one. Such is the friendship of rogues. Take heed!

Where fools would knaves become, how often you'll Perceive the knave not wiser than the fool.

Mrs Morris--Will represent a young and virtuous wife, who, being wrongfully suspected, gets smothered (in an Adjoining room) by her husband.

Reader, attend, and ere thou goest hence, Let fall a tear to hapless innocence.

Mrs Douglass--Will be her faithful attendant, who will hold out a good example to all servants, male and female, and to all people in subjection.

Obedience and gratitude, Are things as rare as they are good.

Various other Dialogues, too numerous to mention here, will be delivered at night, all adapted to the improvement of the mind and manners. The whole will be repeated on Wednesday and on Saturday. Tickets, six shillings each; to be had within. Commencement at 7. Conclusion at half past 10; in order that every spectator may go home at a sober hour, and reflect upon what he has seen, before he retires to rest.

God save the King, And long may he sway, East, north and south And fair America.