Part 17

The puritans burned everything they found which bore the vestige of popish origin. We have on record many curious accounts of their pious depredations, of their maiming images and erasing pictures. The heroic expeditions of one Dowsing are journalised by himself: a fanatical Quixote, to whose intrepid arm many of our noseless saints, sculptured on our Cathedrals, owe their misfortunes.

The following are some details from the diary of this redoubtable Goth, during his rage for reformation. His entries are expressed with a laconic conciseness, and it would seem with a little dry humour. "At Sunbury, we brake down ten mighty great angels in glass. At Barham, brake down the twelve apostles in the chancel, and six superstitious pictures more there; and eight in the church, one a lamb with a cross (+) on the back; and digged down the steps and took up four superstitious inscriptions in brass," &c. "Lady Bruce's house, the chapel, a picture of God the Father, of the Trinity, of Christ, the Holy Ghost, and the cloven tongues, which we gave orders to take down, and the lady promised to do it." At another place they "brake six hundred superstitious pictures, eight Holy Ghosts, and three of the Son." And in this manner he and his deputies scoured one hundred and fifty parishes! It has been humorously conjectured, that from this ruthless devastator originated the phrase to give a Dowsing. Bishop Hall saved the windows of his chapel at Norwich from destruction, by taking out the heads of the figures; and this accounts for the many faces in church windows which we see supplied by white glass.

In the various civil wars in our country, numerous libraries have suffered both in MSS. and printed books. "I dare maintain," says Fuller, "that the wars betwixt York and Lancaster, which lasted sixty years, were not so destructive as our modern wars in six years." He alludes to the parliamentary feuds in the reign of Charles I. "For during the former their differences agreed in the same religion, impressing them with reverence to all allowed muniments! whilst our civil wars, founded in faction and variety of pretended religions, exposed all naked church records a prey to armed violence; a sad vacuum, which will be sensible in our English historie."

When it was proposed to the great Gustavus of Sweden to destroy the palace of the Dukes of Bavaria, that hero nobly refused; observing, "Let us not copy the example of our unlettered ancestors, who, by waging war against every production of genius, have rendered the name of GOTH universally proverbial of the rudest state of barbarity."

Even the civilisation of the eighteenth century could not preserve from the destructive fury of an infuriated mob, in the most polished city of Europe, the valuable MSS. of the great Earl of Mansfield, which were madly consigned to the flames during the riots of 1780; as those of Dr. Priestley were consumed by the mob at Birmingham.

In the year 1599, the Hall of the Stationers underwent as great a purgation as was carried on in Don Quixote's library. Warton gives a list of the best writers who were ordered for immediate conflagration by the prelates Whitgift and Bancroft, urged by the Puritanical and Calvinistic factions. Like thieves and outlaws, they were ordered to be taken wheresoever they may be found.--"It was also decreed that no satires or epigrams should be printed for the future. No plays were to be printed without the inspection and permission of the archbishop of Canterbury and the bishop of London; nor any English historyes, I suppose novels and romances, without the sanction of the privy council. Any pieces of this nature, unlicensed, or now at large and wandering abroad, were to be diligently sought, recalled, and delivered over to the ecclesiastical arm at London-house."

At a later period, and by an opposite party, among other extravagant motions made in parliament, one was to destroy the Records in the Tower, and to settle the nation on a new foundation! The very same principle was attempted to be acted on in the French Revolution by the "true sans-culottes." With us Sir Matthew Hale showed the weakness of the project, and while he drew on his side "all sober persons, stopped even the mouths of the frantic people themselves."

To descend to the losses incurred by individuals, whose names ought to have served as an amulet to charm away the demons of literary destruction. One of the most interesting is the fate of Aristotle's library; he who by a Greek term was first saluted as a collector of books! His works have come down to us accidentally, but not without irreparable injuries, and with no slight suspicion respecting their authenticity. The story is told by Strabo, in his thirteenth book. The books of Aristotle came from his scholar Theophrastus to Neleus, whose posterity, an illiterate race, kept them locked up without using them, buried in the earth! Apellion, a curious collector, purchased them, but finding the MSS. injured by age and moisture, conjecturally supplied their deficiencies. It is impossible to know how far Apellion has corrupted and obscured the text. But the mischief did not end here; when Sylla at the taking of Athens brought them to Rome, he consigned them to the care of Tyrannio, a grammarian, who employed scribes to copy them; he suffered them to pass through his hands without correction, and took great freedoms with them; the words of Strabo are strong: "Ibique Tyrannionem grammaticum iis usum atque (ut fama est) intercidisse, aut invertisse." He gives it indeed as a report; but the fact seems confirmed by the state in which we find these works: Averroes declared that he read Aristotle forty times over before he succeeded in perfectly understanding him; he pretends he did at the one-and-fortieth time! And to prove this, has published five folios of commentary!

We have lost much valuable literature by the illiberal or malignant descendants of learned and ingenious persons. Many of Lady Mary Wortley Montague's letters have been destroyed, I am informed, by her daughter, who imagined that the family honours were lowered by the addition of those of literature: some of her best letters, recently published, were found buried in an old trunk. It would have mortified her ladyship's daughter to have heard, that her mother was the Sévigné of Britain.

At the death of the learned Peiresc, a chamber in his house filled with letters from the most eminent scholars of the age was discovered: the learned in Europe had addressed Peiresc in their difficulties, who was hence called "the attorney-general of the republic of letters." The niggardly niece, although repeatedly entreated to permit them to be published, preferred to use these learned epistles occasionally to light her fires!

The MSS. of Leonardo da Vinci have equally suffered from his relatives. When a curious collector discovered some, he generously brought them to a descendant of the great painter, who coldly observed, that "he had a great deal more in the garret, which had lain there for many years, if the rats had not destroyed them!" Nothing which this great artist wrote but showed an inventive genius.

Menage observes on a friend having had his library destroyed by fire, in which several valuable MSS. had perished, that such a loss is one of the greatest misfortunes that can happen to a man of letters. This gentleman afterwards consoled himself by composing a little treatise De Bibliothecæ incendio. It must have been sufficiently curious. Even in the present day men of letters are subject to similar misfortunes; for though the fire-offices will insure books, they will not allow authors to value their own manuscripts.

A fire in the Cottonian library shrivelled and destroyed many Anglo-Saxon MSS.--a loss now irreparable. The antiquary is doomed to spell hard and hardly at the baked fragments that crumble in his hand.

Meninsky's famous Persian dictionary met with a sad fate. Its excessive rarity is owing to the siege of Vienna by the Turks: a bomb fell on the author's house, and consumed the principal part of his indefatigable labours. There are few sets of this high-priced work which do not bear evident proofs of the bomb; while many parts are stained with the water sent to quench the flames.

The sufferings of an author for the loss of his manuscripts strongly appear in the case of Anthony Urceus, a great scholar of the fifteenth century. The loss of his papers seems immediately to have been followed by madness. At Forli, he had an apartment in the palace, and had prepared an important work for publication. His room was dark, and he generally wrote by lamp-light. Having gone out, he left the lamp burning; the papers soon kindled, and his library was reduced to ashes. As soon as he heard the news, he ran furiously to the palace, and knocking his head violently against the gate, uttered this blasphemous language: "Jesus Christ, what great crime have I done! who of those who believed in you have I ever treated so cruelly? Hear what I am saying, for I am in earnest, and am resolved. If by chance I should be so weak as to address myself to you at the point of death, don't hear me, for I will not be with you, but prefer hell and its eternity of torments." To which, by the by, he gave little credit. Those who heard these ravings, vainly tried to console him. He quitted the town, and lived franticly, wandering about the woods!

Ben Jonson's Execration on Vulcan was composed on a like occasion; the fruits of twenty years' study were consumed in one short hour; our literature suffered, for among some works of imagination there were many philosophical collections, a commentary on the poetics, a complete critical grammar, a life of Henry V., his journey into Scotland, with all his adventures in that poetical pilgrimage, and a poem on the ladies of Great Britain. What a catalogue of losses!

Castelvetro, the Italian commentator on Aristotle, having heard that his house was on fire, ran through the streets exclaiming to the people, alla Poetica! alla Poetica! To the Poetic! To the Poetic! He was then writing his commentary on the Poetics of Aristotle.

Several men of letters have been known to have risen from their death-bed to destroy their MSS. So solicitous have they been not to venture their posthumous reputation in the hands of undiscerning friends. Colardeau, the elegant versifier of Pope's epistle of Eliosa to Abelard, had not yet destroyed what he had written of a translation of Tasso. At the approach of death, he recollected his unfinished labour; he knew that his friends would not have the courage to annihilate one of his works; this was reserved for him. Dying, he raised himself, and as if animated by an honourable action, he dragged himself along, and with trembling hands seized his papers, and consumed them in one sacrifice.--I recollect another instance of a man of letters, of our own country, who acted the same part. He had passed his life in constant study, and it was observed that he had written several folio volumes, which his modest fears would not permit him to expose to the eye even of his critical friends. He promised to leave his labours to posterity; and he seemed sometimes, with a glow on his countenance, to exult that they would not be unworthy of their acceptance. At his death his sensibility took the alarm; he had the folios brought to his bed; no one could open them, for they were closely locked. At the sight of his favourite and mysterious labours, he paused; he seemed disturbed in his mind, while he felt at every moment his strength decaying; suddenly he raised his feeble hands by an effort of firm resolve, burnt his papers, and smiled as the greedy Vulcan licked up every page. The task exhausted his remaining strength, and he soon afterwards expired. The late Mrs. Inchbald had written her life in several volumes; on her death-bed, from a motive perhaps of too much delicacy to admit of any argument, she requested a friend to cut them into pieces before her eyes--not having sufficient strength left herself to perform this funereal office. These are instances of what may be called the heroism of authors.

The republic of letters has suffered irreparable losses by shipwrecks. Guarino Veronese, one of those learned Italians who travelled through Greece for the recovery of MSS., had his perseverance repaid by the acquisition of many valuable works. On his return to Italy he was shipwrecked, and lost his treasures! So poignant was his grief on this occasion that, according to the relation of one of his countrymen, his hair turned suddenly white.

About the year 1700, Hudde, an opulent burgomaster of Middleburgh, animated solely by literary curiosity, went to China to instruct himself in the language, and in whatever was remarkable in this singular people. He acquired the skill of a mandarine in that difficult language; nor did the form of his Dutch face undeceive the physiognomists of China. He succeeded to the dignity of a mandarine; he travelled through the provinces under this character, and returned to Europe with a collection of observations, the cherished labour of thirty years, and all these were sunk in the bottomless sea.

The great Pinellian library, after the death of its illustrious possessor, filled three vessels to be conveyed to Naples. Pursued by corsairs, one of the vessels was taken; but the pirates finding nothing on board but books, they threw them all into the sea: such was the fate of a great portion of this famous library. National libraries have often perished at sea, from the circumstance of conquerors transporting them into their own kingdoms.

FOOTNOTES:

SOME NOTICES OF LOST WORKS.

Although it is the opinion of some critics that our literary losses do not amount to the extent which others imagine, they are however much greater than they allow. Our severest losses are felt in the historical province, and particularly in the earliest records, which might not have been the least interesting to philosophical curiosity.

The history of Phoenicia by Sanchoniathon, supposed to be a contemporary with Solomon, now consists of only a few valuable fragments preserved by Eusebius. The same ill fortune attends Manetho's history of Egypt, and Berosu's history of Chaldea. The histories of these most ancient nations, however veiled in fables, would have presented to the philosopher singular objects of contemplation.

Of the history of Polybios, which once contained forty books, we have now only five; of the historical library of Diodorus Siculus fifteen books only remain out of forty; and half of the Roman antiquities of Dionysius Helicarnassensis has perished. Of the eighty books of the history of Dion Cassius, twenty-five only remain. The present opening book of Ammianus Marcellinus is entitled the fourteenth. Livy's history consisted of one hundred and forty books, and we only possess thirty-five of that pleasing historian. What a treasure has been lost in the thirty books of Tacitus! little more than four remain. Murphy elegantly observes, that "the reign of Titus, the delight of human kind, is totally lost, and Domitian has escaped the vengeance of the historian's pen." Yet Tacitus in fragments is still the colossal torso of history. Velleius Paterculas, of whom a fragment only has reached us, we owe to a single copy: no other having ever been discovered, and which has occasioned the text of this historian to remain incurably corrupt. Taste and criticism have certainly incurred an irreparable loss in that Treatise on the Causes of the Corruption of Eloquence, by Quintilian; which he has himself noticed with so much satisfaction in his "Institutes." Petrarch declares, that in his youth he had seen the works of Varro, and the second Decad of Livy; but all his endeavours to recover them were fruitless.

These are only some of the most known losses; but in reading contemporary writers we are perpetually discovering many important ones. We have lost two precious works in ancient biography: Varro wrote the lives of seven hundred illustrious Romans; and Atticus, the friend of Cicero, composed another, on the acts of the great men among the Romans. When we consider that these writers lived familiarly with the finest geniuses of their times, and were opulent, hospitable, and lovers of the fine arts, their biography and their portraits, which are said to have accompanied them, are felt as an irreparable loss to literature. I suspect likewise we have had great losses of which we are not always aware; for in that curious letter in which the younger Pliny describes in so interesting a manner the sublime industry, for it seems sublime by its magnitude, of his Uncle, it appears that his Natural History, that vast register of the wisdom and the credulity of the ancients, was not his only great labour; for among his other works was a history in twenty books, which has entirely perished. We discover also the works of writers, which, by the accounts of them, appear to have equalled in genius those which have descended to us. Pliny has feelingly described a poet of whom he tells us, "his works are never out of my hands; and whether I sit down to write anything myself, or to revise what I have already wrote, or am in a disposition to amuse myself, I constantly take up this agreeable author; and as often as I do so, he is still new." He had before compared this poet to Catullus; and in a critic of so fine a taste as Pliny, to have cherished so constant an intercourse with the writings of this author, indicates high powers. Instances of this kind frequently occur. Who does not regret the loss of the Anticato of Cæsar?

The losses which the poetical world has sustained are sufficiently known by those who are conversant with the few invaluable fragments of Menander, who might have interested us perhaps more than Homer: for he was evidently the domestic poet, and the lyre he touched was formed of the strings of the human heart. He was the painter of passions, and the historian of the manners. The opinion of Quintilian is confirmed by the golden fragments preserved for the English reader in the elegant versions of Cumberland. Even of Æschylus, Sophocles, and Euripides, who each wrote about one hundred dramas, seven only have been preserved of Æschylus and of Sophocles, and nineteen of Euripides. Of the one hundred and thirty comedies of Plautus, we only inherit twenty imperfect ones. The remainder of Ovid's Fasti has never been recovered.