Part 52

The notary himself, by courtesy, was appointed executor. To him Pons left a picture of price, such a thing as the law permits a notary to receive. Trognon went out and came upon Mme. Cibot in the salon.

“Well, sir, did M. Pons remember me?”

“You do not expect a notary to betray secrets confided to him, my dear,” returned M. Trognon. “I can only tell you this--there will be many disappointments, and some that are anxious after the money will be foiled. M. Pons has made a good and very sensible will, a patriotic will, which I highly approve.”

La Cibot’s curiosity, kindled by such words, reached an unimaginable pitch. She went downstairs and spent the night at Cibot’s bedside, inwardly resolving that Mlle. Remonencq should take her place towards two or three in the morning, when she would go up and have a look at the document.

Mlle. Brisetout’s visit towards half-past ten that night seemed natural enough to La Cibot; but in her terror lest the ballet-girl should mention Gaudissart’s gift of a thousand francs, she went upstairs with her, lavishing polite speeches and flattery as if Mlle. Heloise had been a queen.

“Ah! my dear, you are much nicer here on your own ground than at the theatre,” Heloise remarked. “I advise you to keep to your employment.”

Heloise was splendidly dressed. Bixiou, her lover, had brought her in his carriage on the way to an evening party at Mariette’s. It so fell out that the first-floor lodger, M. Chapoulot, a retired braid manufacturer from the Rue Saint-Denis, returning from the Ambigu-Comique with his wife and daughter, was dazzled by a vision of such a costume and such a charming woman upon their staircase.

“Who is that, Mme. Cibot?” asked Mme. Chapoulot.

“A no-better-than-she-should-be, a light-skirts that you may see half-naked any evening for a couple of francs,” La Cibot answered in an undertone for Mme. Chapoulot’s ear.

“Victorine!” called the braid manufacturer’s wife, “let the lady pass, child.”

The matron’s alarm signal was not lost upon Heloise.

“Your daughter must be more inflammable than tinder, madame, if you are afraid that she will catch fire by touching me,” she said.

M. Chapoulot waited on the landing. “She is uncommonly handsome off the stage,” he remarked. Whereupon Mme. Chapoulot pinched him sharply and drove him indoors.

“Here is a second-floor lodger that has a mind to set up for being on the fourth floor,” said Heloise as she continued to climb.

“But mademoiselle is accustomed to going higher and higher.”

“Well, old boy,” said Heloise, entering the bedroom and catching sight of the old musician’s white, wasted face. “Well, old boy, so we are not very well? Everybody at the theatre is asking after you; but though one’s heart may be in the right place, every one has his own affairs, you know, and cannot find time to go to see friends. Gaudissart talks of coming round every day, and every morning the tiresome management gets hold of him. Still, we are all of us fond of you--”

“Mme. Cibot,” said the patient, “be so kind as to leave us; we want to talk about the theatre and my post as conductor, with this lady. Schmucke, will you go to the door with Mme. Cibot?”

At a sign from Pons, Schmucke saw Mme. Cibot out at the door, and drew the bolts.

“Ah, that blackguard of a German! Is he spoiled, too?” La Cibot said to herself as she heard the significant sounds. “That is M. Pons’ doing; he taught him those disgusting tricks.... But you shall pay for this, my dears,” she thought as she went down stairs. “Pooh! if that tight-rope dancer tells him about the thousand francs, I shall say that it is a farce.”

She seated herself by Cibot’s pillow. Cibot complained of a burning sensation in the stomach. Remonencq had called in and given him a draught while his wife was upstairs.

As soon as Schmucke had dismissed La Cibot, Pons turned to the ballet-girl.

“Dear child, I can trust no one else to find me a notary, an honest man, and send him here to make my will to-morrow morning at half-past nine precisely. I want to leave all that I have to Schmucke. If he is persecuted, poor German that he is, I shall reckon upon the notary; the notary must defend him. And for that reason I must have a wealthy notary, highly thought of, a man above the temptations to which pettifogging lawyers yield. He must succor my poor friend. I cannot trust Berthier, Cardot’s successor. And you know so many people--”

“Oh! I have the very man for you,” Heloise broke in; “there is the notary that acts for Florine and the Comtesse du Bruel, Leopold Hannequin, a virtuous man that does not know what a lorette is! He is a sort of chance-come father--a good soul that will not let you play ducks and drakes with your earnings; I call him Le Pere aux Rats, because he instils economical notions into the minds of all my friends. In the first place, my dear fellow, he has a private income of sixty thousand francs; and he is a notary of the real old sort, a notary while he walks or sleeps; his children must be little notaries and notaresses. He is a heavy, pedantic creature, and that’s the truth; but on his own ground, he is not the man to flinch before any power in creation.... No woman ever got money out of him; he is a fossil pater-familias, his wife worships him, and does not deceive him, although she is a notary’s wife.--What more do you want? as a notary he has not his match in Paris. He is in the patriarchal style; not queer and amusing, as Cardot used to be with Malaga; but he will never decamp like little What’s-his-name that lived with Antonia. So I will send round my man to-morrow morning at eight o’clock.... You may sleep in peace. And I hope, in the first place, that you will get better, and make charming music for us again; and yet, after all, you see, life is very dreary--managers chisel you, and kings mizzle and ministers fizzle and rich fold economizzle.--Artists have nothing left here” (tapping her breast)--“it is a time to die in. Good-bye, old boy.”

“Heloise, of all things, I ask you to keep my counsel.”

“It is not a theatre affair,” she said; “it is sacred for an artist.”

“Who is your gentleman, child?”

“M. Baudoyer, the mayor of your arrondissement, a man as stupid as the late Crevel; Crevel once financed Gaudissart, you know, and a few days ago he died and left me nothing, not so much as a pot of pomatum. That made me say just now that this age of ours is something sickening.”

“What did he die of?”