“It is a terrible thing to say, my dear sir,” said she; “but I am afraid we shall lose him, though we are as careful of him as of the apple of our eyes. And, at the same time, I came to say that you must not count on M. Schmucke, worthy man, for he is going to sit up with him at night. One cannot help doing as if there was hope still left, and trying one’s best to snatch the dear, good soul from death. But the doctor has given him up----”
“What is the matter with him?”
“He is dying of grief, jaundice, and liver complaint, with a lot of family affairs to complicate matters.”
“And a doctor as well,” said Gaudissart. “He ought to have had Lebrun, our doctor; it would have cost him nothing.”
“M. Pons’ doctor is a Providence on earth. But what can a doctor do, no matter how clever he is, with such complications?”
“I wanted the good pair of nutcrackers badly for the accompaniment of my new fairy piece.”
“Is there anything that I can do for them?” asked La Cibot, and her expression would have done credit to a Jocrisse.
Gaudissart burst out laughing.
“I am their housekeeper, sir, and do many things for my gentlemen--” She did not finish her speech, for in the middle of Gaudissart’s roar of laughter a woman’s voice exclaimed, “If you are laughing, old man, one may come in,” and the leading lady of the ballet rushed into the room and flung herself upon the only sofa. The newcomer was Heloise Brisetout, with a splendid algerienne, such as scarves used to be called, about her shoulders.
“Who is amusing you? Is it this lady? What post does she want?” asked this nymph, giving the manager such a glance as artist gives artist, a glance that would make a subject for a picture.
Heloise, a young woman of exceedingly literary tastes, was on intimate terms with great and famous artists in Bohemia. Elegant, accomplished, and graceful, she was more intelligent than dancers usually are. As she put her question, she sniffed at a scent-bottle full of some aromatic perfume.
“One fine woman is as good as another, madame; and if I don’t sniff the pestilence out of a scent-bottle, nor daub brickdust on my cheeks--”
“That would be a sinful waste, child, when Nature put it on for you to begin with,” said Heloise, with a side glance at her manager.
“I am an honest woman--”
“So much the worse for you. It is not every one by a long chalk that can find some one to keep them, and kept I am, and in slap-up style, madame.”
“So much the worse! What do you mean? Oh, you may toss your head and go about in scarves, you will never have as many declarations as I have had, missus. You will never match the Belle Ecaillere of the Cadran Bleu.”
Heloise Brisetout rose at once to her feet, stood at attention, and made a military salute, like a soldier who meets his general.
“What?” asked Gaudissart, “are you really La Belle Ecaillere of whom my father used to talk?”
“In that case the cachucha and the polka were after your time; and madame has passed her fiftieth year,” remarked Heloise, and striking an attitude, she declaimed, “‘Cinna, let us be friends.’”
“Come, Heloise, the lady is not up to this; let her alone.”
“Madame is perhaps the New Heloise,” suggested La Cibot, with sly innocence.
“Not bad, old lady!” cried Gaudissart.
“It is a venerable joke,” said the dancer, “a grizzled pun; find us another old lady--or take a cigarette.”
“I beg your pardon, madame, I feel too unhappy to answer you; my two gentlemen are very ill; and to buy nourishment for them and to spare them trouble, I have pawned everything down to my husband’s clothes that I pledged this morning. Here is the ticket!”
“Oh! here, the affair is becoming tragic,” cried the fair Heloise. “What is it all about?”
“Madame drops down upon us like--”
“Like a dancer,” said Heloise; “let me prompt you,--missus!”
“Come, I am busy,” said Gaudissart. “The joke has gone far enough. Heloise, this is M. Pons’ confidential servant; she had come to tell me that I must not count upon him; our poor conductor is not expected to live. I don’t know what to do.”
Cousin Pons · The Wunder Library — complete classics, free to read, with narration.