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Part 60

Cornish Characters and Strange Events · S. (Sabine) Baring-Gould — chapter 60 of 242 · ~2,041 words · public domain

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Incledon sang with great feeling, and in "The Storm" he was able to throw his whole heart into the ballad, for not only had he encountered many a storm at sea, but he had been shipwrecked on a passage from Liverpool to Dublin, on the bar. Some of those on board were lost, but he saved himself and his wife by drawing her up to the round-top and lashing her and himself to it. From this perilous position, after a duration of several hours, they were rescued by some fishermen who saw the wreck from the shore.

Incledon belonged in town to "The Glee Club," composed of Shield, Bannister, Dignum, himself, and one or two others. It met on Sunday evenings during the season at the Garrick Coffee House, in Bow Street, once a fortnight. At one of these little gatherings Incledon was amusingly hoaxed. Though an admirable singer, he was a shockingly bad actor. When he came in one of the party informed him that an intended musical performance for a charitable purpose, in which he, Incledon, was to sing, had been abandoned, on account of the Bishop of London objecting to an actor performing in church. Incledon, who was an extremely irritable man, broke out in a violent strain, conceiving the word actor to have been employed as a term of reproach, and addressing himself to Bannister, said with great vehemence, "There, Charles, do you hear that?" "Why," said Bannister, "if I were you, I'd make his lordship prove his words."

Incledon one day was at Tattersall's, when Suett, the actor, also happened to be there, and asked him whether he had come to buy a horse. "Yes," said Charles, "I have. I must ride, it is good for my health. But why are you here, Dickey? Do you think that you know the difference between a horse and an ass?"

"Oh, yes," replied the comedian. "If you were among a thousand horses, I would know you immediately."

There was a public-house in Bow Street called "The Brown Bear," which was famous for a compound liquor, a mixture of beer, eggs, sugar, and brandy. Incledon and Jack Johnstone were partial to this, and frequently indulged themselves with it during the evening at the theatre, and, as a jest, occasionally obtained it in the following manner. When there happened to be several ladies of the theatre in the green-room, they took that opportunity to represent to them the hard case of the widow of a provincial actor, left with her children in great distress, and to solicit from them a few shillings to enable them to purchase some flannel during that inclement season. Having obtained contributions, they despatched the dresser to "The Brown Bear" for a quart of egg-hot, and had the modesty not to drink it all themselves, but to present a glass to each of the females who had subscribed, requesting them to drink to the health of the widow and the flannel. When Incledon and Johnstone had practised this trick several times, Quick, the comedian of the same theatre, bribed the dresser to infuse into the mixture a dose of ipecacuanha, and that brought the joke to an end. But the mixture thenceforth, without the last ingredient, was popularly called Flannel.

Incledon was a notoriously vain man. Vanity was his besetting sin. "In pronouncing his own name," says Mr. Matthews, "he believed he described all that was admirable in human nature. It would happen, however, that this perpetual veneration of self laid him open to many effects which, to any man less securely locked and bolted in his own conceit, would have opened the door to his understanding. But he had no room there for other than what it naturally contained; and the bump of content was all-sufficient to fill the otherwise aching void. Incledon called himself the 'English Ballad Singer' per se; a distinction he would not have exchanged for the highest in the realm of talent. Among many self-deceptions arising out of his one great foible, he was impressed with the belief that he was a reading man."

One day Matthews found him in his house deep in study. Incledon looked up at his visitor, and said, "My dear Matthews, I'm improving my mind. I'm reading a book that should be in the hands of every father and husband."

"What is it, Charles?" asked Matthews, and leaning over him saw that it was a volume of the Newgate Calendar!

It had become a habit, during a fagging run of a new opera at Covent Garden Theatre one season, for certain performers to club a batch or so of Madeira, of which they took a glass to their dressing-rooms. Incledon was continually finding fault with the quality, and praising up his own private stock of the same wine. At the close of the season, his brother actors had become weary of Incledon's grumbling over the Madeira, which they knew to be excellent. One night a fellow-actor, seeing a large key lying upon Incledon's dressing-table, labelled "Cellar," and Incledon happening at the time to be engaged on the stage till the end of the opera, despatched the dresser to Brompton Crescent with the key, with a request to Mrs. Incledon from her husband that she would send one dozen of his best Madeira by the bearer. Mrs. Incledon, wholly unsuspicious of any trick, did so. When Incledon left the stage, the confederates told him that they had got fresh and very first-rate Madeira now, as he had disliked what had been provided before. Incledon took a glass, made a wry face, took another, and said, "Beastly stuff! Never in my life tasted such cheap, vile stuff."

"Sorry, Incledon, you do not appreciate your own Madeira."

Incledon drank pretty heavily, but did not get drunk. Here is a bill for a slight evening collation at the Orange Coffee House, for him and two friends:

£ s. d. Mr. Shield, Welsh Rabbit 0 1 0 " 2 glasses of Brandy and water 0 2 0 Mr. Parke, Welsh Rabbit 0 1 0 " 2 glasses of Brandy and water 0 2 0 Mr. Incledon, Welsh Rabbit 0 1 0 " 2 bottles of Madeira 1 4 0

Parke, in his Musical Memoirs, relates an instance of Incledon's selfishness. He says of him that he was a singular compound of contrarieties, amongst which frugality and extravagance were conspicuous. "Mr. Shield the composer, Incledon, and I, lived for many years a good deal together. On one occasion Shield and myself dined with Incledon at his house in Brompton in the month of February. When I had arrived there, Incledon said to me, 'Bill, do you like ducks?' Conceiving, from the snow lying on the ground, that he meant wild ones, I replied, 'Yes, I like a good wild duck very well.' 'D---- wild ducks!' said he: 'I mean tame ducks, my boy'; adding, 'I bought a couple in town for which I gave eighteen shillings.' Soon afterwards a letter arrived, announcing that Mr. Raymond, the stage-manager of Drury Lane Theatre, who was to have been of the party, could not come; in consequence of which, I presume, only one duck was placed on the dinner table, with some roast beef, etc. When Mrs. Incledon (who, as well as her husband, was fond of good living) had carved the duck, like a good wife she helped her husband to the breast part and to one of the wings, taking at the same time the other wing to herself, reserving for Shield and me the two legs and the back. Shield, who looked a little awkward at this specimen of selfishness and ill-manners, at first refused the limb offered to him, and I had declined taking the other: there appeared to be but a poor prospect of the legs walking off, till Shield relented and took one, and Incledon the other, so that they were speedily out of sight. The back, however, remained behind, and afforded a titbit for the servants."

On another occasion he was giving a dinner party, and a dish was brought to table heaped up, apparently, with fresh herrings. All the company, except Incledon and his wife, partook of these fish; some were helped a second time. When the herrings had been cleared away, there appeared beneath one fine white fish. "My dear," said Incledon, "what can that be?" "I believe it is a John Dory, Charles."

Some of the John Dory was offered to the company, but they had eaten enough fish, and so Incledon and his wife ate the John Dory between them.

Incledon, whilst very willing to hoax others, was easily taken in himself. As his dependence was entirely on his voice, he was very apprehensive of catching cold, which, in consequence, rendered him the occasional dupe of quackery.

During Mr. Kemble's management of Covent Garden Theatre, one of the wags among his fellow-actors informed him that a patent lozenge had just been invented and sold only at a jeweller's in Bond Street, which was an infallible cure for hoarseness. In order that he might the more readily take the bait, he was told that Kemble made frequent use of it. Incledon immediately inquired of the great actor, who very gravely answered, "Oh, yes, Charles; the patent lozenge is an admirable thing. I have derived the greatest benefit from it, when I kept it in my mouth all night."

Incledon accordingly went to Bond Street to purchase the valuable lozenge, and the man, who had been previously instructed, gave him a small pebble in a pill-box. Incledon arrived at the theatre next day with the stone in his mouth and spitting frequently. He was, of course, asked if the patent lozenge did him any good. "Yes," replied he, spitting; "I kept it in my mouth (spitting) all night, and (spitting again) it has this remarkable property, that it does not dissolve," and he spat again. The wag requested to see it, and the production of the pebble provoked a general laugh.

"Why, Charles," said Kemble, "this is a stone! I meant a patent lozenge. You should have gone to an apothecary's and not to a jeweller's for it."

Incledon, when he found that he was hoaxed, was full of wrath; his anger, however, soon subsided.

"Well," said he, "I can't grumble, for an apothecary who pretended to have supplied the jeweller with the lozenge, and who has received from me a letter belauding the nostrum, has undertaken in return to dispose of forty pounds' worth of tickets for my benefit."

On the occasion of this, or some other benefit, he could not refrain from going every morning to the box-office to see how many places were taken; and a week before the last, observing the names to be few besides those of his own private friends, he said to the box-keeper, Brandon, "D---- it, Jem, if the nobility don't come forward, I shall cut but a poor figure this time."

"Don't be afraid," said Brandon; "I dare say we shall do a good deal for you to-day."

"I hope so," replied Incledon, "and as I go home to dinner I will look in again."

Incledon, who was not very familiar with Debrett's Peerage, returning at five o'clock in the afternoon, hastened to the book, and read aloud the following fictitious names, which Brandon, by way of a joke, had put down in his absence: "The Marquis of Piccadilly," "The Duke of Windsor."

"Ah, ha!" exclaimed Incledon, "that must be one of the Royal Family."

"Lord Highgate"--"The Bishop of Gravesend." "Well," said he to Brandon, quite delighted, "if we get on as well to-morrow as we have to-day, I shall have a number of distinguished titles present."

Parke says of him: "Amongst other singularities, Incledon was restless, and could not stay long in a place. Having, with his wife, dined at my house, in the evening, whilst the party were engaged at cards, he absented himself for a considerable time; and, Mrs. Incledon noticing it particularly, I was induced to go and look for him. Tracing him by his voice, I found him in the kitchen, helping the maids to pick parsley, which was preparing for supper."

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