Part 6

Fishes, too, though they may have snouts, have not noses, because they breathe by gills. In truth, it seems that the nose was a very late and high acquisition, almost the finishing touch of the perfected animal form. And incidentally this leads us to notice what a great step was taken in evolution when the breathing holes were brought up to the region of the mouth. For the sense of taste is necessarily situated in the mouth, and the sense of smell is in close alliance with it. The mouth tastes food dissolved in the saliva during the process of mastication, and the primary use of the sense of smell is to detect and analyse beforehand the small particles given off by food and floating in the atmosphere.

A good many years ago, when the late Sally chimpanzee was the darling of the Zoological Gardens in Regent's Park, I watched her eating dates. She was an epicure, and always peeled each date delicately with her preposterous lips before eating it, and during the process she would apply the date to her nose every second to test its quality or enjoy its aroma. The action was indescribably comical, but what would it have been if her nostrils had been situated among her ribs? Imagine a mantis, for example, as he chews up a fly, lifting one of his wings and applying it to his flanks to see if it smells gamey. That is where some naturalists believe that the sense of smell is situated in insects. Others, however, think, with reason, that it is in the antennae or mouth. Nobody knows; the senses of the lower animals seem to be stuck about all parts of the body.

But, even if the sense of smell is at the mouth, how limited must its usefulness be when it can only deal with substances that are held to it! A new era dawned when the passages by which the breath of life unceasingly comes and goes were transferred to the region of the mouth also. The nerves of smell quickly spread themselves over the lining membrane of those passages and became warders of the gate, challenging every waft of air that entered the body and examining what it carried. Thenceforth this region comprising the mouth, nostrils and surrounding parts holds a new and high place in the economy of the body, for the headquarters of the intelligence department are located there, and all the faculties of the brain converge on that point. Of course, the eyes and ears claim a share, but they are not far off.

Now it is being recognised more and more clearly by medical and physiological science that when the mind is much directed to any part of the body it exercises an influence in some way not understood on the flow of blood to that part to a degree which may seriously affect its functions and even its growth. When a person is suffering from any nervous affection, from heart disease, or even from weakness of the eyes, it is of the utmost importance to keep him from knowing it if possible, for if he knows it he will think about it, and that will inevitably aggravate it. This principle is well recognised in systems of physical culture. And surely it is impossible that so much intelligence should pass through that one sensitive region of the body which we are considering without affecting its growth and structure. Every muscle in it becomes quick to respond to various sensations in different ways, till the very recollection of those sensations will excite the same response.

Nay, we may go further. The mental emotions excited by those sensations will be expressed in the same way. For example, the sense of smell is peculiarly effective in exciting disgust. Anything which does violence to the sense of hearing exasperates, but does not disgust. If a man practises the accordion all day in the next room you do not loathe him, you only want to kill him. But anything that stinks excites pure disgust. Here you have the key to the fact that disgust and all feelings akin to it, disdain, contempt and scorn, express themselves through the nose. Darwin says that when we think of anything base or vile in a man's character the expression of the face is the same "as if we smelled a bad smell." This is an example of the temporary expression of a passing emotion, and there are many others like it. But each of us has his prevailing and dominant emotions which constitute the habitual attitude of his mind. And by the habitual indulgence of any emotion the features will become habituated to the expression of it, and so the set of our features comes at last to express our prevailing and dominant emotions; in other words, our character.

But let us return to the evolution of the nose. In these days of universal "Nature study" nobody need be told that the practice of breathing through the nostrils was introduced by the amphibians and reptiles. The former (frogs and toads) take to it only when they come of age, but lizards, snakes and all other reptiles do it from infancy. But the nose is not yet. That is something too delicate to come out of a cold-blooded snout covered with hard scales. Birds, too, by having their mouth parts encased in a horny bill seem to be debarred from wearing noses. And yet there is one primeval fowl, most ancient of all the feathered families, which has come near it. I mean the apteryx, that eccentric, wingless recluse which hides itself in the scrub jungles of New Zealand. Its nostrils, unlike those of every other bird, are at the tip of its beak, which is swollen and sensitive; and Dr. Buller says that as it wanders about in the night it makes a continual sniffing and softly taps the walls of its cage with the point of its bill. But the apteryx is one of those odd geniuses which come into the world too soon, and perish ineffectual. Its kindred are all extinct, and so will it be ere long.

When we come to the beasts we find the right conditions at last for the growth of the nose. Take the horse for an example of the average beast without idiosyncrasy. Its profile is nearly a straight line from the crown to the nostrils, beyond which it slopes downwards to the lips. The skin of this part is soft and smooth, without hair, and the horse dearly loves to have it fondled. The sense of touch is evidently uppermost. At this stage there was what to the eye of fancy looks like a bold attempt to grow a nose in the case of a tapir, but it miscarried. These hoofed beasts are all very hard up for something in the way of a hand to bring their food to their mouths. The camel employs its lips and the cow its tongue; the muntjae or barking deer of India has attained a tongue of such length that it uses it for a handkerchief to wipe its eyes. So the tapir could not resist the temptation to misapply its nose to the purpose of gathering fodder, and the ultimate result was the elephant, whose nose is a wonderful hand and a bucket and other things. The pig, being a swine, debased its nose in a worse way, making a grubbing tool of it.

There has been another attempt to misuse and pervert this part of the face which I scarcely dare to touch upon, for it is so utterly fantastic and mystical that I fear the charge of heresy if I give words to my thoughts. It occurs among bats, a tribe of obscure creatures about which common knowledge amounts to this, that they fly about after sunset, are uncanny, and fond of getting entangled in the hair of ladies, and should be killed. But there are certain families of bats, named horseshoe bats, leaf-nosed bats and vampires about which common knowledge is nil, and the knowledge possessed by naturalists very little, so I will tell what I know of them. They are larger than common bats, their wings are broad, soft and silent, like those of the owl, they sleep in caves, tombs and ruins, they do not flutter in the open air, but swiftly traverse gloomy avenues and shady glades, their prey is not gnats and midges, but the "droning beetle," the death's head moth, the cockchafer, croaking frogs, sleeping birds and human blood. The books will tell you that these bats are distinguished by "complicated nasal appendages consisting of foliaceous skin processes around the nostrils," which is quite true and utterly futile. It may do for a dried skin or a specimen in spirits of wine. I have had the foul fiend in a cage and looked him in the face. His whole countenance, from lips to brow and from cheek to cheek, is covered and hidden by a hideous design of

Spells and signs, Symbolic letters, circles, lines,

sculptured in living, quivering skin. It is a sight to make the flesh creep. The books suggest that these foliaceous appendages are the organs of some special sense akin to touch. Futile again! There are things in Nature still which prompt the naturalist who has not atrophied his inner eye and starved his imagination to cry out:

Science ... Why preyest thou thus upon the poet's heart, Vulture, whose wings are dull realities?

Supposing there should be in the unseen universe an evil spirit, an imp of malice and mischief, not Milton's Satan, but the Deil of Burns:

Whyles ranging, like a roaring lion, For prey, a' holes an' corners tryin; Whyles on the strong-winged tempest flyin, Tirlin the kirks; Whyles in the human bosom pryin,

and supposing him to crave possession of a body through which he might get into touch with this material world and express himself in outward forms and motions; then oh! how fitly were this bat explained.

But let us go back to firm ground. If you compare a dog's profile with that of a horse you will note at once that the nostrils are in advance of the lips, and have a kind of portal to themselves. This is a distinct advance. The sense of smell has come to the front and pushed aside the lower sense of touch. You will observe, too, that with the growth of the brain the brain-pan has elevated itself above the level of the nose. Through the cat to the monkeys the process proceeds, the forehead advancing, the jaws retreating, and the nostrils leaving the lips, until they finally settle in a detached villa midway between the eyes and the mouth. This is the nose. I do not know the use of it. I cannot fathom the meaning of it. It is a solemn mystery. See the face of an orang-outang. It is a countenance, a signboard with three distinct lines of writing on it, the eyes, the nose and the mouth. You may not think much of this particular nose. Neither do I. I think it is situated rather too near the eyes and too far from the mouth. It is a little too small also, and wants style. But you must not judge a first attempt too critically. I have seen human noses of a pattern not unlike this, but they are not considered aristocratic: perhaps they indicate a reversion to the ancestral type.

But the noses even of monkeys are not all like this. In fact, there is a good deal of variety, and two in particular have struck me as quite remarkable. One is that of the long-nosed monkey (Semnopithecus nasalis). I think it must have suggested Sterne's stranger on a mule, who had travelled to the promontory of noses and threw all Strassburg into a ferment. I have often contemplated this nose in mute wonderment, and longed to see that monkey in life, if so be I might arrive at some understanding of it; for the taxidermist cannot rise above his own level, and the man who would mount S. nasalis would need to be a Henry Irving. Then there is the sub-nosed monkey, labelled rhinopithecus, of which there is an expressive specimen at the South Kensington Museum. Who can consider that nose seriously and continue to believe in a recipe made up of struggle for existence, adaptation to environment, and natural selection quantum suf.? If I could dine with that monkey, ask it to drink a glass of wine with me, offer it a pinch of snuff and so on, I might come in time to feel, if not to comprehend, the import of its nose.

But one step further is required for the evolution of what we may call the human nose, and that is a solid foundation, a ridge of bone connecting it with the brow and separating the eyes from each other. I believe that the completeness of this is a fair index of the comparative advancement of different races of men. In the Greek ideal of a perfect face the profile forms a straight line from the top of the forehead to the tip of the nose. This is the type of face which painters have delighted to give to the Virgin Mary; and, when looking at their Madonnas, one cannot help wondering whether they forgot that Mary was a Jewess. According to the Hebrew ideal, a perfect nose was like "the tower of Lebanon which looketh toward Damascus" (Song of Solomon, vii. 4); but not even the ruins of that tower remain to help us to-day. The Romans, no doubt, accepted the ideal of the Greeks aesthetically, but their destiny had given them a very different nose, and they ruled the world.

Here is the nose of Julius Caesar as a coin has preserved it for us. I think that the outline is too straight for a typical Roman, but the deep dip under the brow and the downward point are characteristic. Now compare the nose of another race which rules an empire greater than that of the Caesars. Here is John Bull as Punch usually represents him. It belongs to the same genus as that of the Roman. The reason why this should be the nose of command is not easy to give with scientific precision, for we are dealing with the play of very subtle influences, so the man without imagination will no doubt scoff. But I will take shelter under Darwin. Dealing with the expression of pride he says, "A proud man exhibits his sense of superiority by holding his head and body erect. He is haughty (haut), or high, and makes himself appear as large as possible." Again, "The arrogant man looks down on others"; and yet again, "In some photographs of patients affected by a monomania of pride, sent me by Dr. Crichton-Browne, the head and body were held erect and the mouth firmly closed. This latter action, expressive of decision, follows, I presume, from the proud man feeling perfect self-confidence in himself."

Darwin says nothing about the nose, but I believe that, by physiological sympathy, it cannot but take part in the habitual downward look upon inferior beings. Darwin goes on to say that, "The whole expression of pride stands in direct antithesis to that of humility"; from which it follows, if my philosophy is sound, that the nose of Uriah Heep was turned upwards.

Of course, many emotions may share in the moulding of a nose, and the whole subject is too intricate and vast to be treated briefly. I have only given a few examples to illustrate my argument, and my conclusion is that the key to the peculiar significance and personal quality of the nose is to be found in its immobility. The eyes and lips are incessantly in motion, we can twitch and wrinkle the cheeks and forehead, and muscles to move the ears are there, though most men have lost control of them. But the nose stands out like some bold promontory on a level coast, or like the Sphinx in the Egyptian desert, with an ancient history, no doubt, and a mystery perhaps, but without response to any appeal. And for this very reason it is an index, not to that which is transient in the man, but to that which is permanent. He may knit his brows to seem thoughtful and profound, or compress his lips to persuade his friends and himself that he has a strong will, but he can play no trick with his nose. There it stands, an incorruptible witness, testifying to what he is, and not only to what he is, but to the rock whence he was hewn and to the pit whence he was digged. For his nose is a bequest from his ancestors, an entailed estate which he cannot alienate.

EARS

Men and women have ears, and so have jugs and pitchers. In the latter case they are useful: jugs and pitchers are lifted by them. And what is useful is fit, and fitness is the first condition of beauty. But human ears are put to no use, except sometimes when naughty little boys are lifted by them in the way of discipline; and I can see no beauty in them. It is only because they are so common that we do not notice how ridiculous they are. In the days of Charles I. men sometimes had their ears cut off for holding wrong opinions, which would have made them famous and popular in these enlightened days, but at that time it made all right-thinking people despise them, so the fashion of going without ears did not spread among us. If it had, then how differently we should all think of the matter now! If we were all accustomed to neat, round heads at drawing-rooms, levees and balls, how repulsive it Would be to see a well-dressed man with two ridiculous, wrinkled appendages sticking out from the sides of his face!

In saying this I am not drawing on my fancy, but on my memory. I can recollect the time when no gentleman, still less any lady, would have owned a terrier with its ears on. And why go back so far? The same sentiment is prevalent in good society with respect to men's beards in this year of grace and smooth faces. Yet, if one chance to be looking at a Rembrandt instead of at society, what an infinitely handsomer adjunct to a noble face is a fine beard than a pair of ears!

When woman first looked at her face in a polished saucepan, she was at once struck with the comicality of those things, and bethought herself what to do with them. She decided to use them for pegs to hang ornaments on. The improvement excited the admiration of her husband and the envy of her rivals to such a degree that all other women of taste in her tribe did the same, and from that day to this, in almost every country in the world, it has been accounted a shame for any respectable woman to show her face in public in the hideousness of naked ears. This discovery of its capabilities gave a new value to the ear, and a large, roomy one became an asset in the marriage market. I have seen a pretty little damsel of Sind with fourteen jingling silver things hanging at regular intervals from the outside edge of each ear. If Nature had been niggardly, the lobe at least could be enlarged by boring it and thrusting in a small wooden peg, then a larger one, and so on until it could hold an ivory wheel as large as a quoit, and hung down to the shoulders.

But Nature surely did not intend the ear for this purpose. Then what did she intend? A popular error is that the ears are given to hear with, but the ears cannot hear. The hearing is done by a box of assorted instruments (malleus, incus, stapes, etc.) hidden in a burrow which has its entrance inside of the ear. If you argue that the ears are intended to catch sounds and direct them down to the hearing instrument, then explain their absurd shape. They are useless. A man who wants to hear distinctly puts his hand to his ear. And why do they not turn to meet the sounds that come from different quarters? They are absolutely immovable, and therefore also expressionless. A savage expresses his mind with all the rest of his face; he smiles and grins and pouts and frowns, but his ears stand like gravestones with the inscriptions effaced. How different is the case when you turn from man to the "irrational" animals! The eyes of a fawn are lustrous and beautiful, but they would be as meaningless as polished stones without the eloquent ears that stand behind them and tell her thoughts. Curiosity, suspicion, alarm, anger, submission, friendliness, every emotion that flits across her quick, sensitive mind speaks through them. They are in touch with her soul, and half the music of her life is played on them. And if you abstract yourself from individuals and look at that thing, the ear, in the wide field of life, what a great, living reality it is!--a spiritual unity under infinite diversity of material form and fashion. It is like the telegraph wire overhead, the commonest and plainest of material things, but charged with the silent and invisible currents of the life of the world.

"Let my heart be still a moment and this mystery explore."

Birds have no ears, nor have crocodiles, nor frogs, nor snakes. Ears seem to be for beasts only. And not for all beasts. Seals are divided by naturalists into two great families--those with ears, and those without. The common seal belongs to the latter class, and the sea-lion to the former. A common seal lives in the sea, and when it does wriggle up on the beach of an iceberg there is nothing to hear, I suppose, or perhaps when it wants to listen it raises a flipper to its ear. I never saw one doing so, but we do not see everything that happens in the world. The sea-lion, with its stouter limbs, can lift its forepart, raise its head and look about it, and even flop about the ice-fields at a respectable rate. And there is no doubt that one of these is as much above an earless seal as fifty years of Europe are better than a cycle of Cathay. When performing seals are exhibited at a circus sitting on chairs, catching balls on the points of their noses and playing diabolo with them, or balancing billiard cues on their snouts, and doing other miraculous things, they are always sea-lions, not common seals. Of course, I do not mean to insinuate that sea-lions invented the ear and stuck it on: that would be unscientific; but I mean that their general intelligence and interest in affairs created that demand for more distinct hearing which led to the development of an ear trumpet. This view is wholly scientific, though pedants may quarrel with my way of putting it.

The sea-lion's ears are very minute, mere apologies one might think; but don't be hasty. The finny prey of the sea-lion makes no sound as it skims through the water; and perhaps the padded foot of that stealthy garrotter, the Polar bear, makes as little on the smooth ice; for catching the one and not being caught by the other the sea-lion must trust to the keenness of its great goggle eyes. But it is a social beast, and it wants to catch the bellowing of its fellows far across the foggy waste of ice-floes; and that little leather scoop standing behind the ear-hole seems to be just the instrument required to catch and send down those sounds which would otherwise glance off the glossy fur and never find entrance to the tiny orifice at all. If it were any larger than is absolutely necessary it would be a serious impediment to a professional diver and swimmer like the sea-lion. This is the reason why otters have very small ears, and why whales and porpoises have none at all.