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Chitra, a Play in One Act

by Rabindranath Tagore

By Rabindranath Tagore · Literature & Fiction · Public domain

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Chitra, a Play in One Act is a public-domain classic of literature and fiction by Rabindranath Tagore.

The complete text is on this page and the chapter pages below — all 10 chapters, about 6,398 words (~32 minutes of reading), free to read online with no signup.

Chitra, a Play in One Act at a glance

Author
Rabindranath Tagore
Length
6,398 words · about 32 min to read
Chapters
10
Price
Free — public domain

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Read Chitra, a Play in One Act online — full text

Part 1

Produced by Elliot S. Wheeler

CHITRA

RABINDRANATH TAGORE

A PLAY IN ONE ACT

New York THE MACMILLAN COMPANY 1926

All rights reserved

Copyright 1914

by THE MACMILLAN COMPANY

Set up and electrotyped Published February, 1914 Reprinted March, twice, June, 1914; October, 1914; February, June, 1915; March, October, 1916; March, 1917; December, 1926.

PRINTED IN THE UNITED STATES OF AMERICA BY

THE BERWICK & SMITH CO.

MRS. WILLIAM VAUGHN MOODY

PREFACE

THIS lyrical drama was written about twenty-five years ago. It is based on the following story from the Mahabharata.

In the course of his wanderings, in fulfilment of a vow of penance, Arjuna came to Manipur. There he saw Chitrangada, the beautiful daughter of Chitravahana, the king of the country. Smitten with her charms, he asked the king for the hand of his daughter in marriage. Chitravahana asked him who he was, and learning that he was Arjuna the Pandara, told him that Prabhanjana, one of his ancestors in the kingly line of Manipur, had long been childless. In order to obtain an heir, he performed severe penances. Pleased with these austerities, the god Shiva gave him this boon, that he and his successors should each have one child. It so happened that the promised child had invariably been a son. He, Chitravahana, was the first to have only a daughter Chitrangada to perpetuate the race. He had, therefore, always treated her as a son and had made her his heir.

Continuing, the king said:

"The one son that will be born to her must be the perpetuator of my race. That son will be the price that I shall demand for this marriage. You can take her, if you like, on this condition."

Arjuna promised and took Chitrangada to wife, and lived in her father's capital for three years. When a son was born to them, he embraced her with affection, and taking leave of her and her father, set out again on his travels.

CHITRA

THE CHARACTERS

GODS: MADANA (Eros). VASANTA (Lycoris).

MORTALS: CHITRA, daughter of the King of Manipur. ARJUNA, a prince of the house of the Kurus. He is of the Kshatriya or "warrior caste," and during the action is living as a Hermit retired in the forest.

VILLAGERS from an outlying district of Manipur.

NOTE.--The dramatic poem "Chitra" has been performed in India without scenery--the actors being surrounded by the audience. Proposals for its production here having been made to him, he went through this translation and provided stage directions, but wished these omitted if it were printed as a book.

SCENE I

Chitra

ART thou the god with the five darts, the Lord of Love?

Madana

Part 2

I am he who was the first born in the heart of the Creator. I bind in bonds of pain and bliss the lives of men and women!

Chitra

I know, I know what that pain is and those bonds.--And who art thou, my lord?

Vasanta

I am his friend--Vasanta--the King of the Seasons. Death and decrepitude would wear the world to the bone but that I follow them and constantly attack them. I am Eternal Youth.

Chitra

I bow to thee, Lord Vasanta.

Madana

But what stern vow is thine, fair stranger? Why dost thou wither thy fresh youth with penance and mortification? Such a sacrifice is not fit for the worship of love. Who art thou and what is thy prayer?

Chitra

I am Chitra, the daughter of the kingly house of Manipur. With godlike grace Lord Shiva promised to my royal grandsire an unbroken line of male descent. Nevertheless, the divine word proved powerless to change the spark of life in my mother's womb --so invincible was my nature, woman though I be.

Madana

I know, that is why thy father brings thee up as his son. He has taught thee the use of the bow and all the duties of a king.

Chitra

Yes, that is why I am dressed in man's attire and have left the seclusion of a woman's chamber. I know no feminine wiles for winning hearts. My hands are strong to bend the bow, but I have never learnt Cupid's archery, the play of eyes.

Madana

That requires no schooling, fair one. The eye does its work untaught, and he knows how well, who is struck in the heart.

Chitra

One day in search of game I roved alone to the forest on the bank of the Purna river. Tying my horse to a tree trunk I entered a dense thicket on the track of a deer. I found a narrow sinuous path meandering through the dusk of the entangled boughs, the foliage vibrated with the chirping of crickets, when of a sudden I came upon a man lying on a bed of dried leaves, across my path. I asked him haughtily to move aside, but he heeded not. Then with the sharp end of my bow I pricked him in contempt. Instantly he leapt up with straight, tall limbs, like a sudden tongue of fire from a heap of ashes. An amused smile flickered round the corners of his mouth, perhaps at the sight of my boyish countenance. Then for the first time in my life I felt myself a woman, and knew that a man was before me.

Madana

At the auspicious hour I teach the man and the woman this supreme lesson to know themselves. What happened after that?

Chitra

With fear and wonder I asked him "Who are you?" "I am Arjuna," he said, "of the great Kuru clan." I stood petrified like a statue, and forgot to do him obeisance. Was this indeed Arjuna, the one great idol of my dreams! Yes, I had long ago heard how he had vowed a twelve-years' celibacy. Many a day my young ambition had spurred me on to break my lance with him, to challenge him in disguise to single combat, and prove my skill in arms against him. Ah, foolish heart, whither fled thy presumption? Could I but exchange my youth with all its aspirations for the clod of earth under his feet, I should deem it a most precious grace. I know not in what whirlpool of thought I was lost, when suddenly I saw him vanish through the trees. O foolish woman, neither didst thou greet him, nor speak a word, nor beg forgiveness, but stoodest like a barbarian boor while he contemptuously walked away! . . . Next morning I laid aside my man's clothing. I donned bracelets, anklets, waist-chain, and a gown of purple red silk. The unaccustomed dress clung about my shrinking shame; but I hastened on my quest, and found Arjuna in the forest temple of Shiva.

Madana

Tell me the story to the end. I am the heart-born god, and I understand the mystery of these impulses.

Chitra

Only vaguely can I remember what things I said, and what answer I got. Do not ask me to tell you all. Shame fell on me like a thunderbolt, yet could not break me to pieces, so utterly hard, so like a man am I. His last words as I walked home pricked my ears like red hot needles. "I have taken the vow of celibacy. I am not fit to be thy husband!" Oh, the vow of a man! Surely thou knowest, thou god of love, that unnumbered saints and sages have surrendered the merits of their life-long penance at the feet of a woman. I broke my bow in two and burnt my arrows in the fire. I hated my strong, lithe arm, scored by drawing the bowstring. O Love, god Love, thou hast laid low in the dust the vain pride of my manlike strength; and all my man's training lies crushed under thy feet. Now teach me thy lessons; give me the power of the weak and the weapon of the unarmed hand.

Madana

Part 3

I will be thy friend. I will bring the world-conquering Arjuna a captive before thee, to accept his rebellion's sentence at thy hand.

Chitra

Had I but the time needed, I could win his heart by slow degrees, and ask no help of the gods. I would stand by his side as a comrade, drive the fierce horses of his war-chariot, attend him in the pleasures of the chase, keep guard at night at the entrance of his tent, and help him in all the great duties of a Kshatriya, rescuing the weak, and meting out justice where it is due. Surely at last the day would have come for him to look at me and wonder, "What boy is this? Has one of my slaves in a former life followed me like my good deeds into this?" I am not the woman who nourishes her despair in lonely silence, feeding it with nightly tears and covering it with the daily patient smile, a widow from her birth. The flower of my desire shall never drop into the dust before it has ripened to fruit. But it is the labour of a life time to make one's true self known and honoured. Therefore I have come to thy door, thou world-vanquishing Love, and thou, Vasanta, youthful Lord of the Seasons, take from my young body this primal injustice, an unattractive plainness. For a single day make me superbly beautiful, even as beautiful as was the sudden blooming of love in my heart. Give me but one brief day of perfect beauty, and I will answer for the days that follow.

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Contents — all 10 chapters

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