Part 20

"O dolce Napoli," she mumbled between her toothless jaws, "O suol beato--"

The song ended in a burst of passionate grief. The old granny and the baby woke up at once. They were not in sunny Italy; not under southern, cloudless skies. They were in "The Bend," in Mulberry Street, and the wintry wind rattled the door as if it would say, in the language of their new home, the land of the free: "Less music! More work! Root, hog, or die!"

Around the corner the sunbeam danced with the wind into Mott Street, lifted the blouse of a Chinaman and made it play tag with his pigtail. It used him so roughly that he was glad to skip from it down a cellar-way that gave out fumes of opium strong enough to scare even the north wind from its purpose. The soles of his felt shoes showed as he disappeared down the ladder that passed for cellar steps. Down there, where daylight never came, a group of yellow, almond-eyed men were bending over a table playing fan-tan. Their very souls were in the game, every faculty of the mind bent on the issue and the stake. The one blouse that was indifferent to what went on was stretched on a mat in a corner. One end of a clumsy pipe was in his mouth, the other held over a little spirit-lamp on the divan on which he lay. Something fluttered in the flame with a pungent, unpleasant smell. The smoker took a long draught, inhaling the white smoke, then sank back on his couch in senseless content.

Upstairs tiptoed the noiseless felt shoes, bent on some house errand, to the "household" floors above, where young white girls from the tenements of The Bend and the East Side live in slavery worse, if not more galling, than any of the galley with ball and chain--the slavery of the pipe. Four, eight, sixteen, twenty odd such "homes" in this tenement, disgracing the very name of home and family, for marriage and troth are not in the bargain.

In one room, between the half-drawn curtains of which the sunbeam works its way in, three girls are lying on as many bunks, smoking all. They are very young, "under age," though each and every one would glibly swear in court to the satisfaction of the police that she is sixteen, and therefore free to make her own bad choice. Of these, one was brought up among the rugged hills of Maine; the other two are from the tenement crowds, hardly missed there. But their companion? She is twirling the sticky brown pill over the lamp, preparing to fill the bowl of her pipe with it. As she does so, the sunbeam dances across the bed, kisses the red spot on her cheek that betrays the secret her tyrant long has known,--though to her it is hidden yet,--that the pipe has claimed its victim and soon will pass it on to the Potter's Field.

"Nell," says one of her chums in the other bunk, something stirred within her by the flash, "Nell, did you hear from the old farm to home since you come here?"

Nell turns half around, with the toasting-stick in her hand, an ugly look on her wasted features, a vile oath on her lips.

"To hell with the old farm," she says, and putting the pipe to her mouth inhales it all, every bit, in one long breath, then falls back on her pillow in drunken stupor.

That is what the sun of a winter day saw and heard in Mott Street.

It had travelled far toward the west, searching many dark corners and vainly seeking entry to others; had gilded with equal impartiality the spires of five hundred churches and the tin cornices of thirty thousand tenements, with their million tenants and more; had smiled courage and cheer to patient mothers trying to make the most of life in the teeming crowds, that had too little sunshine by far; hope to toiling fathers striving early and late for bread to fill the many mouths clamoring to be fed.

The brief December day was far spent. Now its rays fell across the North River and lighted up the windows of the tenements in Hell's Kitchen and Poverty Gap. In the Gap especially they made a brave show; the windows of the crazy old frame-house under the big tree that sat back from the street looked as if they were made of beaten gold. But the glory did not cross the threshold. Within it was dark and dreary and cold. The room at the foot of the rickety, patched stairs was empty. The last tenant was beaten to death by her husband in his drunken fury. The sun's rays shunned the spot ever after, though it was long since it could have made out the red daub from the mould on the rotten floor.

Upstairs, in the cold attic, where the wind wailed mournfully through every open crack, a little girl sat sobbing as if her heart would break. She hugged an old doll to her breast. The paint was gone from its face; the yellow hair was in a tangle; its clothes hung in rags. But she only hugged it closer. It was her doll. They had been friends so long, shared hunger and hardship together, and now--

Her tears fell faster. One drop trembled upon the wan cheek of the doll. The last sunbeam shot athwart it and made it glisten like a priceless jewel. Its glory grew and filled the room. Gone were the black walls, the darkness, and the cold. There was warmth and light and joy. Merry voices and glad faces were all about. A flock of children danced with gleeful shouts about a great Christmas tree in the middle of the floor. Upon its branches hung drums and trumpets and toys, and countless candles gleamed like beautiful stars. Farthest up, at the very top, her doll, her very own, with arms outstretched, as if appealing to be taken down and hugged. She knew it, knew the mission-school that had seen her first and only real Christmas, knew the gentle face of her teacher, and the writing on the wall she had taught her to spell out: "In His name." His name, who, she had said, was all little children's friend. Was He also her dolly's friend, and would He know it among the strange people?

The light went out; the glory faded. The bare room, only colder and more cheerless than before, was left. The child shivered. Only that morning the doctor had told her mother that she must have medicine and food and warmth, or she must go to the great hospital where papa had gone before, when their money was all spent. Sorrow and want had laid the mother upon the bed he had barely left. Every stick of furniture, every stitch of clothing on which money could be borrowed, had gone to the pawnbroker. Last of all, she had carried mamma's wedding-ring to pay the druggist. Now there was no more left, and they had nothing to eat. In a little while mamma would wake up, hungry.

The little girl smothered a last sob and rose quickly. She wrapped the doll in a threadbare shawl as well as she could, tiptoed to the door, and listened a moment to the feeble breathing of the sick mother within. Then she went out, shutting the door softly behind her, lest she wake her.

Up the street she went, the way she knew so well, one block and a turn round the saloon corner, the sunset glow kissing the track of her bare feet in the snow as she went, to a door that rang a noisy bell as she opened it and went in. A musty smell filled the close room. Packages, great and small, lay piled high on shelves behind the worn counter. A slovenly woman was haggling with the pawnbroker about the money for a skirt she had brought to pledge.

"Not a cent more than a quarter," he said, contemptuously, tossing the garment aside. "It's half worn out it is, dragging it back and forth over the counter these six months. Take it or leave it. Hallo! What have we here? Little Finnegan, eh? Your mother not dead yet? It's in the poorhouse ye will be if she lasts much longer. What the--"

He had taken the package from the trembling child's hand--the precious doll--and unrolled the shawl. A moment he stood staring in dumb amazement at its contents. Then he caught it up and flung it with an angry oath upon the floor, where it was shivered against the coal-box.

"Get out o' here, ye Finnegan brat," he shouted; "I'll tache ye to come a-guyin' o' me. I'll--"

The door closed with a bang upon the frightened child, alone in the cold night. The sun saw not its home-coming. It had hidden behind the night clouds, weary of the sight of man and his cruelty.

Evening had worn into night. The busy city slept. Down by the wharves, now deserted, a poor boy sat on the bulwark, hungry, foot-sore, and shivering with cold. He sat thinking of friends and home, thousands of miles away over the sea, whom he had left six months before to go among strangers. He had been alone ever since, but never more so than that night. His money gone, no work to be found, he had slept in the streets for nights. That day he had eaten nothing; he would rather die than beg, and one of the two he must do soon.

There was the dark river rushing at his feet; the swirl of the unseen waters whispered to him of rest and peace he had not known since--it was so cold--and who was there to care, he thought bitterly. No one would ever know. He moved a little nearer the edge, and listened more intently.

A low whine fell on his ear, and a cold, wet face was pressed against his. A little crippled dog that had been crouching silently beside him nestled in his lap. He had picked it up in the street, as forlorn and friendless as himself, and it had stayed by him. Its touch recalled him to himself. He got up hastily, and, taking the dog in his arms, went to the police station near by, and asked for shelter. It was the first time he had accepted even such charity, and as he lay down on his rough plank he hugged a little gold locket he wore around his neck, the last link with better days, and thought with a hard sob of home. In the middle of the night he awoke with a start. The locket was gone. One of the tramps who slept with him had stolen it. With bitter tears he went up and complained to the Sergeant at the desk, and the Sergeant ordered him to be kicked out into the street as a liar, if not a thief. How should a tramp boy have come honestly by a gold locket? The doorman put him out as he was bidden, and when the little dog showed its teeth, a policeman seized it and clubbed it to death on the step.

* * * * *

Far from the slumbering city the rising moon shines over a wide expanse of glistening water. It silvers the snow upon a barren heath between two shores, and shortens with each passing minute the shadows of countless headstones that bear no names, only numbers. The breakers that beat against the bluff wake not those who sleep there. In the deep trenches they lie, shoulder to shoulder, an army of brothers, homeless in life, but here at rest and at peace. A great cross stands upon the lonely shore. The moon sheds its rays upon it in silent benediction and floods the garden of the unknown, unmourned dead with its soft light. Out on the Sound the fishermen see it flashing white against the starlit sky, and bare their heads reverently as their boats speed by, borne upon the wings of the west wind.

MIDWINTER IN NEW YORK

The very earliest impression I received of America's metropolis was through a print in my child's picture-book that was entitled "Winter in New York." It showed a sleighing party, or half a dozen such, muffled to the ears in furs, and racing with grim determination for some place or another that lay beyond the page, wrapped in the mystery which so tickles the childish fancy. For it was clear to me that it was not accident that they were all going the same way. There was evidently some prize away off there in the waste of snow that beckoned them on. The text gave me no clew to what it was. It only confirmed the impression, which was strengthened by the introduction of a half-naked savage who shivered most wofully in the foreground, that New York was somewhere within the arctic circle and a perfect paradise for a healthy boy, who takes to snow as naturally as a duck takes to water. I do not know how the discovery that they were probably making for Gabe Case's and his bottle of champagne, which always awaited the first sleigh on the road, would have struck me in those days. Most likely as a grievous disappointment; for my fancy, busy ever with Uncas and Chingachgook and Natty Bumppo, had certainly a buffalo hunt, or an ambush, or, at the very least, a big fire, ready at the end of the road. But such is life. Its most cherished hopes have to be surrendered one by one to the prosy facts of every-day existence. I recall distinctly how it cut me to the heart when I first walked up Broadway, with an immense navy pistol strapped around my waist, to find it a paved street, actually paved, with no buffaloes in sight and not a red man or a beaver hut.

However, life has its compensations also. At fifty I am as willing to surrender the arctic circle as I was hopeful of it at ten, with the price of coal in the chronic plight of my little boy when he has a troublesome hitch in his trousers: "O dear me! my pants hang up and don't hang down." And Gabe Case's is a most welcome exchange to me for the ambush, since I have left out the pistol and the rest of the armament. I listen to the stories of the oldest inhabitant, of the winters when "the snow lay to the second-story windows in the Bowery," with the fervent wish that they may never come back, and secretly gloat over his wail that the seasons have changed and are not what they were. The man who exuberantly proclaims that New York is getting to have the finest winter-resort climate in the world is my friend, and I do not care if I never see another snowball. Alas, yes! though Deerslayer and I are still on the old terms, I fear the evidence is that I am growing old.