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Part 3

Chamber Music · James Joyce — chapter 3 of 6 · ~673 words · public domain

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I would in that sweet bosom be (O sweet it is and fair it is!) Where no rude wind might visit me. Because of sad austerities I would in that sweet bosom be.

I would be ever in that heart (O soft I knock and soft entreat her!) Where only peace might be my part. Austerities were all the sweeter So I were ever in that heart.

VII

My love is in a light attire Among the apple-trees, Where the gay winds do most desire To run in companies.

There, where the gay winds stay to woo The young leaves as they pass, My love goes slowly, bending to Her shadow on the grass;

And where the sky’s a pale blue cup Over the laughing land, My love goes lightly, holding up Her dress with dainty hand.

VIII

Who goes amid the green wood With springtide all adorning her? Who goes amid the merry green wood To make it merrier?

Who passes in the sunlight By ways that know the light footfall? Who passes in the sweet sunlight With mien so virginal?

The ways of all the woodland Gleam with a soft and golden fire— For whom does all the sunny woodland Carry so brave attire?

O, it is for my true love The woods their rich apparel wear— O, it is for my own true love, That is so young and fair.

Winds of May, that dance on the sea, Dancing a ring-around in glee From furrow to furrow, while overhead The foam flies up to be garlanded, In silvery arches spanning the air, Saw you my true love anywhere? Welladay! Welladay! For the winds of May! Love is unhappy when love is away!

Bright cap and streamers, He sings in the hollow: Come follow, come follow, All you that love. Leave dreams to the dreamers That will not after, That song and laughter Do nothing move.

With ribbons streaming He sings the bolder; In troop at his shoulder The wild bees hum. And the time of dreaming Dreams is over— As lover to lover, Sweetheart, I come.

Bid adieu, adieu, adieu, Bid adieu to girlish days, Happy Love is come to woo Thee and woo thy girlish ways— The zone that doth become thee fair, The snood upon thy yellow hair,

When thou hast heard his name upon The bugles of the cherubim Begin thou softly to unzone Thy girlish bosom unto him And softly to undo the snood That is the sign of maidenhood.

XII

What counsel has the hooded moon Put in thy heart, my shyly sweet, Of Love in ancient plenilune, Glory and stars beneath his feet— A sage that is but kith and kin With the comedian Capuchin?

Believe me rather that am wise In disregard of the divine, A glory kindles in those eyes Trembles to starlight. Mine, O Mine! No more be tears in moon or mist For thee, sweet sentimentalist.

XIII

Go seek her out all courteously, And say I come, Wind of spices whose song is ever Epithalamium. O, hurry over the dark lands And run upon the sea For seas and lands shall not divide us, My love and me.

Now, wind, of your good courtesy I pray you go, And come into her little garden And sing at her window; Singing: The bridal wind is blowing For Love is at his noon; And soon will your true love be with you, Soon, O soon.

XIV

My dove, my beautiful one, Arise, arise! The night-dew lies Upon my lips and eyes.

The odorous winds are weaving A music of sighs: Arise, arise, My dove, my beautiful one!

I wait by the cedar tree, My sister, my love, White breast of the dove, My breast shall be your bed.

The pale dew lies Like a veil on my head. My fair one, my fair dove, Arise, arise!

From dewy dreams, my soul, arise, From love’s deep slumber and from death, For lo! the trees are full of sighs Whose leaves the morn admonisheth.

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