Part 8

THE PLAID

It is disconcerting to hear of the plaid in India. Our dyes, we know, they use in the silk mills of Bombay, with the deplorable result that their old clothes are dull and unintentionally falsified with infelicitous decay. The Hindus are a washing people; and the sun and water that do but dim, soften, and warm the native vegetable dyes to the last, do but burlesque the aniline. Magenta is bad enough when it is itself; but the worst of magenta is that it spoils but poorly. No bad modern forms and no bad modern colours spoil well. And spoiling is an important process. It is a test--one of the ironical tests that come too late with their proofs. London portico-houses will make some such ruins as do chemical dyes, which undergo no use but derides them, no accidents but caricature them. This is an old enough grievance. But the plaid!

The plaid is the Scotchman's contribution to the decorative art of the world. Scotland has no other indigenous decoration. In his most admirable lecture on "The Two Paths," Ruskin acknowledged, with a passing misgiving, that his Highlanders had little art. And the misgiving was but passing, because he considered how fatally wrong was the art of India--"it never represents a natural fact. It forms its compositions out of meaningless fragments of colour and flowings of line . . . It will not draw a man, but an eight-armed monster; it will not draw a flower, but only a spiral or a zig-zag." Because of this aversion from Nature the Hindu and his art tended to evil, we read. But of the Scot we are told, "You will find upon reflection that all the highest points of the Scottish character are connected with impressions derived straight from the natural scenery of their country."

What, then, about the plaid? Where is the natural fact there? If the Indian, by practising a non-natural art of spirals and zig-zags, cuts himself off "from all possible sources of healthy knowledge or natural delight," to what did the good and healthy Highlander condemn himself by practising the art of the plaid? A spiral may be found in the vine, and a zig-zag in the lightning, but where in nature is the plaid to be found? There is surely no curve or curl that can be drawn by a designing hand but is a play upon some infinitely various natural fact. The smoke of the cigarette, more sensitive in motion than breath or blood, has its waves so multitudinously inflected and reinflected, with such flights and such delays, it flows and bends upon currents of so subtle influence and impulse as to include the most active, impetuous, and lingering curls ever drawn by the finest Oriental hand--and that is not a Hindu hand, nor any hand of Aryan race. The Japanese has captured the curve of the section of a sea-wave--its flow, relaxation, and fall; but this is a single movement, whereas the line of cigarette-smoke in a still room fluctuates in twenty delicate directions. No, it is impossible to accept the saying that the poor spiral or scroll of a human design is anything but a participation in the innumerable curves and curls of nature.

Now the plaid is not only "cut off" from natural sources, as Ruskin says of Oriental design--the plaid is not only cut off from nature, and cut off from nature by the yard, for it is to be measured off in inorganic quantity; but it is even a kind of intentional contradiction of all natural or vital forms. And it is equally defiant of vital tone and of vital colour. Everywhere in nature tone is gradual, and between the fainting of a tone and the failing of a curve there is a charming analogy. But the tartan insists that its tone shall be invariable, and sharply defined by contrasts of dark and light. As to colour, it has colours, not colour.

But that plaid should now go so far afield as to decorate the noble garment of the Indies is ill news. True, Ruskin saw nothing but cruelty and corruption in Indian life or art; but let us hear an Indian maxim in regard to those who, in cruel places, are ready sufferers: "There," says the Mahabharata, "where women are treated with respect, the very gods are said to be filled with joy. Women deserve to be honoured. Serve ye them. Bend your will before them. By honouring women ye are sure to attain to the fruition of all things." And the rash teachers of our youth would have persuaded us that this generous lesson was first learnt in Teutonic forests!

Nothing but extreme lowliness can well reply, or would probably be suffered to reply, to this Hindu profession of reverence. Accordingly the woman so honoured makes an offering of cakes and oil to the souls of her mother-in-law, grandmother-in-law, and great-grandmother-in-law, in gratitude for their giving her a good husband. And to go back for a moment to Ruskin's contrast of the two races, it was assuredly under the stress of some too rash reasoning that he judged the lovely art of the East as a ministrant to superstition, cruelty, and pleasure, whether wrought upon the temple, the sword, or the girdle. The innocent art of innocent Hindu women for centuries decked their most modest heads, their dedicated and sequestered beauty, their child-loving breasts, and consecrated chambers.

TWO BURDENS

One is on the breast and clings there with arms, and one on the back and clings with thongs. The burden of the back bows the body, turns the face from the sky, narrows the lungs and flattens the foot; takes away the flight and the dance from the gait of man, and ties him towards the earth--not only in the way of nature, by means of his arched feet, but by a heavy lien upon his shoulders and his brows. It is the fardel that makes this vital figure to be subject visibly, and at several points, to that law of gravitation which, in a state of liberty, it uses to withstand, to countervail, to leap from, to walk with, making the universal tether elastic. Bend in two this supple spine that can lift itself, like a snake erect, with something better than mere balance--with life and the active will; bend the back, and at once gravitation takes hold of the loins and grasps the knees, and pulls upon the shoulders, and the neck feels the weight of an abject head.

Wherever women are told off to hard open-air labour, we shall find among them a lower class of their own kind--poorer where all are poor, and straining at their task where all are labouring--who walk the dust with burdens on their backs. Loads of field-labour are these, or of the labour in a fishing-port, and large in proportion to their weight; too large to be bound close and carried on the head, too wide to be borne on the shoulder, too unwieldy for the clasp of arms. Among American Indians, we are told, the women carry the tent so, and the gear of a demenagement, and the warrior himself, upon his goods, not seldom. In the agriculture of the European Continent the women carry the large loads thus, the refuse is laid upon them, and all that is bound up for burning; they are the gleaners, not of wheat but of tares. Or they carry fodder for the imprisoned cattle, disappearing as they walk, bowed, quenched, hooded, and hidden with hay.

Women who bear this load do not prosper. They have a downward look, albeit not as conspirators; and in them the earth carries a burden like their own, or but little more buoyant. Stones off the face of the stony fields, huge sheaves of stalks and husks after granaries are filled, fuel and forage--bent from the stature of women, those who bear those bundles go near the earth that gave them, and breathe her dust.

In Austria, where women carry the hod and climb the ladder; in the Rhineland, where a cart goes along the valley roads drawn by a woman harnessed with a cow--even here I think the hardship hardly so great as where the burden is laid upon the bent back of her whose arms are too small or too weak to grasp it; for after long use in such carrying, the figure is no longer fit for habitual erection. And the use is established with those women who are so loaded. It is not that all the labouring women of such a village or such a sea-port are burdened in their turn with the burden of the back; it is rather that a class is formed, a class of the burdened and the bent; and to that class belong all ages; child-bearing women are in that sisterhood. No stronger women can be seen than the upright women of Boulogne; to whom then, but the bent, are due the many cripples, the many dwarfs, the ill-boned stragglers of that vigorous population, the many children growing awry, the many old people shuffling towards misshapen graves?

There is manifestly another burden, familiar and accustomed to the figure of woman. This does not bend her back, nor withdraw her eyes from the distance, nor rank her with the haggard waste of fields. It is borne in front, and she breasts the world with it; shoulder-high, and it is her ballast. So loaded she stands like the Dresden Raphael, and there is no bearer of sword and buckler more erect.

It is, by the way, a curious sign of indignity of race--or, if not indignity, provincialism--in the more extremely Oriental people, that a Japanese woman carries her child on her back and not upon her arm. It is a charming infant, and the mother looks no more than a gentle child; with the little creature bound to her back she carries a soft lantern in a mild blue night. She is not of a classic race, and she shuffles on her subordinate way, an irresponsible creature, who must not proffer opinions except by way of quotation, and is scarcely of the inches that measure the landscape or of the aspect that fronts the sky.

But whence is this now prevalent desire to slip the nobler and bear the ignobler burden? It is not long since an American woman wrote a book, Women and Economics, urging equal labour upon women, by the analogy of animals that know no distinction between a strong sex and a weak, nor between a free sex and one confined to the pen, or the lair, or the cover, by the care of little ones. The reply seems too obvious that the children of men are more helpless, and are helpless for a longer time, even in proportion to their longer life, than the off-spring of other living creatures. The children of men have to be carried. This author complains that women are economically dependent upon men; and she finds that the world has "misty ideas upon the subject." If those misty ideas are to the effect that a woman who keeps house for the service of herself, her husband, and the other inmates, gives her work in return for maintenance, and is not a dependent but a colleague, I must wish that ideas "mistily" held were often so just, and ideas vaguely believed were often so well founded. Those who charge the husband with "employing" his wife choose to neglect the fact that she is mistress and hostess, as well as "servant" or "housekeeper," ministering to herself and to the guests in whose company she has pleasure, and to whose respect she has a right. Our economic author proceeds: "We are the only animal species in which the sex relation is also an economic factor. . . We have not been accustomed to face this fact beyond our loose generalization that it was 'natural,' and that other animals did so too." Has anyone really been so rash as to aver "that other animals did so too"? The obvious truth is that other animals do otherwise, but that, whatever they do, they make no rule or example for man. Again: "Whatever the economic value of the domestic industry of women is, they do not get it. The women who do the most work get the least money." And yet but now they were charged with "getting it" too dependently, or rather, with having it "got" for them by man! Is this writer indeed misled by that mere word "money," which she here lets slip?

"He nearly persuades me to go on all fours," sighs Voltaire rising--rising erect reluctantly, one may almost say--from the reading of Rousseau.

THE UNREADY

It is rashly said that the senses of children are quick. They are, on the contrary, unwieldy in turning, unready in reporting, until advancing age teaches them agility. This is not lack of sensitiveness, but mere length of process. For instance, a child nearly newly born is cruelly startled by a sudden crash in the room--a child who has never learnt to fear, and is merely overcome by the shock of sound; nevertheless, that shock of sound does not reach the conscious hearing or the nerves but after some moments, nor before some moments more is the sense of the shock expressed. The sound travels to the remoteness and seclusion of the child's consciousness, as the roar of a gun travels to listeners half a mile away.

So it is, too, with pain, which has learnt to be so instant and eager with us of later age that no point of time is lost in its touches--direct as the unintercepted message of great and candid eyes, unhampered by trivialities; even so immediate is the communication of pain. But you could count five between the prick of a surgeon's instrument upon a baby's arm and the little whimper that answers it. The child is then too young, also, to refer the feeling of pain to the arm that suffers it. Even when pain has groped its way to his mind it hardly seems to bring local tidings thither. The baby does not turn his eyes in any degree towards his arm or towards the side that is so vexed with vaccination. He looks in any other direction at haphazard, and cries at random.

See, too, how slowly the unpractised apprehension of an older child trudges after the nimbleness of a conjurer. It is the greatest failure to take these little gobe-mouches to a good conjurer. His successes leave them cold, for they had not yet understood what it was the good man meant to surprise them withal. The amateur it is who really astonishes them. They cannot come up even with your amateur beginner, performing at close quarters; whereas the master of his craft on a platform runs quite away at the outset from the lagging senses of his honest audience.

You may rob a child of his dearest plate at table, almost from under his ingenuous eyes, send him off in chase of it, and have it in its place and off again ten times before the little breathless boy has begun to perceive in what direction his sweets have been snatched.

Teachers of young children should therefore teach themselves a habit of awaiting, should surround themselves with pauses of patience. The simple little processes of logic that arrange the grammar of a common sentence are too quick for these young blunderers, who cannot use two pronouns but they must confuse them. I never found that a young child--one of something under nine years--was able to say, "I send them my love" at the first attempt. It will be "I send me my love," "I send them their love," "They send me my love"; not, of course, through any confusion of understanding, but because of the tardy setting of words in order with the thoughts. The child visibly grapples with the difficulty, and is beaten.

It is no doubt this unreadiness that causes little children to like twice- told tales and foregone conclusions in their games. They are not eager, for a year or two yet to come, for surprises. If you hide and they cannot see you hiding, their joy in finding you is comparatively small; but let them know perfectly well what cupboard you are in, and they will find you with shouts of discovery. The better the hiding-place is understood between you the more lively the drama. They make a convention of art for their play. The younger the children the more dramatic; and when the house is filled with outcries of laughter from the breathless breast of a child, it is that he is pretending to be surprised at finding his mother where he bade her pretend to hide. This is the comedy that never tires. Let the elder who cannot understand its charm beware how he tries to put a more intelligible form of delight in the place of it; for, if not, he will find that children also have a manner of substitution, and that they will put half-hearted laughter in the place of their natural impetuous clamours. It is certain that very young children like to play upon their own imaginations, and enjoy their own short game.

There is something so purely childlike in the delays of a child that any exercise asking for the swift apprehension of later life, for the flashes of understanding and action, from the mind and members of childhood, is no pleasure to see. The piano, for instance, as experts understand it, and even as the moderately-trained may play it, claims all the immediate action, the instantaneousness, most unnatural to childhood. There may possibly be feats of skill to which young children could be trained without this specific violence directed upon the thing characteristic of their age--their unreadiness--but virtuosity at the piano cannot be one of them. It is no delight, indeed, to see the shyness of children, or anything that is theirs, conquered and beaten; but their poor little slowness is so distinctively their own, and must needs be physiologically so proper to their years, so much a natural condition of the age of their brain, that of all childishnesses it is the one that the world should have the patience to attend upon, the humanity to foster, and the intelligence to understand.

It is true that the movements of young children are quick, but a very little attention would prove how many apparent disconnexions there are between the lively motion and the first impulse; it is not the brain that is quick. If, on a voyage in space, electricity takes thus much time, and light thus much, and sound thus much, there is one little jogging traveller that would arrive after the others had forgotten their journey, and this is the perception of a child. Surely our own memories might serve to remind us how in our childhood we inevitably missed the principal point in any procession or pageant intended by our elders to furnish us with a historical remembrance for the future. It was not our mere vagueness of understanding, it was the unwieldiness of our senses, of our reply to the suddenness of the grown up. We lived through the important moments of the passing of an Emperor at a different rate from theirs; we stared long in the wake of his Majesty, and of anything else of interest; every flash of movement, that got telegraphic answers from our parents' eyes, left us stragglers. We fell out of all ranks. Among the sights proposed for our instruction, that which befitted us best was an eclipse of the moon, done at leisure. In good time we found the moon in the sky, in good time the eclipse set in and made reasonable progress; we kept up with everything.

It is too often required of children that they should adjust themselves to the world, practised and alert. But it would be more to the purpose that the world should adjust itself to children in all its dealings with them. Those who run and keep together have to run at the pace of the tardiest. But we are apt to command instant obedience, stripped of the little pauses that a child, while very young, cannot act without. It is not a child of ten or twelve that needs them so; it is the young creature who has but lately ceased to be a baby, slow to be startled.

We have but to consider all that it implies of the loitering of senses and of an unprepared consciousness--this capacity for receiving a great shock from a noise and this perception of the shock after two or three appreciable moments--if we would know anything of the moments of a baby

Even as we must learn that our time, when it is long, is too long for children, so must we learn that our time, when it is short, is too short for them. When it is exceedingly short they cannot, without an unnatural effort, have any perception of it. When children do not see the jokes of the elderly, and disappoint expectation in other ways, only less intimate, the reason is almost always there. The child cannot turn in mid-career; he goes fast, but the impetus took place moments ago.