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Captain Fracasse

by Théophile Gautier

By Théophile Gautier · Literature & Fiction · Public domain

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About this book

Captain Fracasse is a public-domain classic of literature and fiction by Théophile Gautier.

The complete text is on this page and the chapter pages below — all 22 chapters, about 158,940 words (~13 hours of reading), free to read online with no signup. Chapters include “CHAPTER I.. Castle Misery”, “CHAPTER II.. The Chariot of Thespis”, “CHAPTER III.. The Blue Sun Inn”, and more.

Captain Fracasse at a glance

Author
Théophile Gautier
Length
158,940 words · about 13 hours to read
Chapters
22
Price
Free — public domain

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CHAPTER I.. Castle Misery

CASTLE MISERY

Upon the southern slope of one of those barren hills that rise abruptly here and there in the desolate expanse of the Landes, in South-western France, stood, in the reign of Louis XIII, a gentleman’s residence, such as abound in Gascony, and which the country people dignify by the name of château.

Two tall towers, with extinguisher tops, mounted guard at the angles of the mansion, and gave it rather a feudal air. The deep grooves upon its facade betrayed the former existence of a draw-bridge, rendered unnecessary now by the filling up of the moat, while the towers were draped for more than half their height with a most luxuriant growth of ivy, whose deep, rich green contrasted happily with the ancient gray walls.

A traveller, seeing from afar the steep pointed roof and lofty towers standing out against the sky, above the furze and heather that crowned the hill-top, would have pronounced it a rather imposing château—the residence probably of some provincial magnate; but as he drew near would have quickly found reason to change his opinion. The road which led to it from the highway was entirely overgrown with moss and weeds, save a narrow pathway in the centre, though two deep ruts, full of water, and inhabited by a numerous family of frogs, bore mute witness to the fact that carriages had once passed that way.

The roof, of dark red tiles, was disfigured by many large, leprous-looking, yellow patches, while in some places the decayed rafters had given way, leaving formidable gaps. The numerous weather-cocks that surmounted the towers and chimneys were so rusted that they could no longer budge an inch, and pointed persistently in various directions. The high dormer windows were partially closed by old wooden shutters, warped, split, and in every stage of dilapidation; broken stones filled up the loop-holes and openings in the towers; of the twelve large windows in the front of the house, eight were boarded up; the remaining four had small diamond-shaped panes of thick, greenish glass, fitting so loosely in their leaden frames that they shook and rattled at every breath of wind; between these windows a great deal of the stucco had fallen off, leaving the rough wall exposed to view.

Above the grand old entrance door, whose massive stone frame and lintel retained traces of rich ornamentation, almost obliterated by time and neglect, was sculptured a coat of arms, now so defaced that the most accomplished adept in heraldry would not be able to decipher it. Only one leaf of the great double door was ever opened now, for not many guests were received or entertained at the château in these days of its decadence. Swallows had built their nests in every available nook about it, and but for a slender thread of smoke rising spirally from a chimney at the back of this dismal, half-ruined mansion, the traveller would have surely believed it to be uninhabited. This was the only sign of life visible about the whole place, like the little cloud upon the mirror from the breath of a dying man, which alone gives evidence that he still lives.

Upon pushing open the practicable leaf of the great worm-eaten door, which yielded reluctantly, and creaked dolefully as it turned upon its rusty hinges, the curious visitor entered a sort of portico, more ancient than the rest of the building, with fine, large columns of bluish granite, and a lofty vaulted roof. At the point of intersection of the arches was a stone shield, bearing the same coat of arms that was sculptured over the entrance without. This one was in somewhat better preservation than the other, and seemed to bear something resembling three golden storks (cigognes) on an azure field; though it was so much in shadow, and so faded and dingy, that it was impossible to make it out clearly. Fastened to the wall, at a convenient height from the ground, were great iron extinguishers, blackened by the smoke from torches in long by-gone years, and also iron rings, to which the guests’ horses were made fast in the olden times, when the castle was in its glory. The dust that lay thick upon them now showed that it was long since they had been made use of.

From this portico—whence a door on either side opened into the main building; one leading into a long suite of apartments on the ground floor, and the other into what had probably been a guard-room—the explorer passed into an interior court, dismal, damp, and bare. In the corners nettles and various rank weeds were growing riotously amid the great heaps of rubbish fallen from the crumbling cornice high above, and grass had sprung up everywhere in the crevices of the stone pavement. Opposite the entrance a flight of dilapidated, shaky steps, with a heavy stone balustrade, led down into a neglected garden, which was gradually becoming a perfect thicket. Excepting in one small bed, where a few cabbages were growing, there was no attempt at cultivation, and nature had reasserted her rights everywhere else in this abandoned spot, taking, apparently, a fierce delight in effacing all traces of man’s labour. The fruit trees threw out irregular branches without fear of the pruning knife; the box, intended to form a narrow border to the curiously shaped flower-beds and grass-plots, had grown up unchecked into huge, bushy shrubs, while a great variety of sturdy weeds had usurped the places formerly devoted to choice plants and beautiful, fragrant flowers. Brambles, bristling with sharp thorns, which had thrown their long, straggling arms across the paths, caught and tried to hold back any bold adventurer who attempted to penetrate into the mysterious depths of this desolate wilderness. Solitude is averse to being surprised in dishabille, and surrounds herself with all sorts of defensive obstacles.

However, the courageous explorer who persisted in following the ancient, overgrown alley, and was not to be daunted by formidable briers that tore his hands and clothing, nor low-hanging, closely interlaced branches that struck him smart blows in the face as he forced his way through them, would have reached at last a sort of rocky niche, fancifully arranged as a grotto. Besides the masses of ivy, iris and gladiolus, that had been carefully planted long ago in the interstices of the rock, it was draped with a profusion of graceful wild vines and feathery ferns, which half-veiled the marble statue, representing some mythological divinity, that still stood in this lonely retreat. It must have been intended for Flora or Pomona, but now there were tufts of repulsive, venomous-looking mushrooms in the pretty, graceful, little basket on her arm, instead of the sculptured fruit or flowers that should have filled it. Although her nose was broken, and her fair body disfigured by many dark stains, and overgrown in part with clinging mosses, it could still plainly be seen that she had once been very lovely. At her feet was a marble basin, shaped like a shell, half full of discoloured, stagnant water; the lion’s head just above it, now almost entirely concealed by a thick curtain of leaves, no longer poured forth the sparkling stream that used to fall into it with a musical murmur. This little grotto, with its fountain and statue, bore witness to former wealth; and also to the aesthetic taste of some long-dead owner of the domain. The marble goddess was in the Florentine style of the Renaissance, and probably the work of one of those Italian sculptors who followed in the train of del Rosso or Primaticcio, when they came to France at the bidding of that generous patron of the arts, Francis I; which time was also, apparently, the epoch of the greatest prosperity of this noble family, now so utterly fallen into decay.

Behind the grotto rose a high wall, built of stone, crumbling and mouldy now, but still bearing some broken remains of trellis-work, evidently intended to be covered with creepers that would entirely conceal the wall itself with a rich tapestry of verdure. This was the limit of the garden; beyond stretched the wide expanse of the sandy, barren Landes, flecked here and there with patches of scanty heather, and scattered groves of pine trees.

Turning back towards the château it became apparent that this side of it was even more neglected and ruinous than the one we have already described; the recent poverty-stricken owners having tried to keep up appearances as far as possible, and concentrated their efforts upon the front of their dilapidated abode. In the stable, where were stalls for twenty horses, a miserable, old, white pony stood at an empty manger, nibbling disconsolately at a scanty truss of hay, and frequently turning his sunken, lack-lustre eyes expectantly towards the door. In front of an extensive kennel, where the lord of the manor used to keep a whole pack of hounds, a single dog, pathetically thin, lay sleeping tranquilly and soundly, apparently so accustomed to the unbroken solitude of the place that he had abandoned all habits of watchfulness.

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Contents — all 22 chapters

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