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Bygone Beliefs: Being a Series of Excursions in the Byways of Thought · H. Stanley Redgrove — chapter 8 of 19 · ~2,518 words · public domain

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(1) In this connection a rather surprising discovery made by Mr W. GORNOLD (see his A Manual of Occultism, 1911, pp. 7 and 8) must be mentioned. The ancient Chaldeans appear invariably to have enumerated the planets in the following order: Saturn, Jupiter, Mars, Sun, Venus, Mercury, Moon--which order was adopted by the mediaeval astrologers. Let us commence with the Sun in the above sequence, and write down every third planet; we then have-- Sun . . . . Sunday. Moon. . . . Monday. Mars. . . . Tuesday. Mercury. . . . Wednesday. Jupiter.. . . Thursday. Venus. . . . Friday. Saturn. . . . Saturday.

That is to say, we have the planets in the order in which they were supposed to rule over the days of the week. This is perhaps, not so surprising, because it seems probable that, each day being first divided into twenty-four hours, it was assumed that the planets ruled for one hour in turn, in the order first mentioned above. Each day was then named after the planet which ruled during its first hour. It will be found that if we start with the Sun and write down every twenty-fourth planet, the result is exactly the same as if we write down every third. But Mr OLD points out further, doing so by means of a diagram which seems to be rather cumbersome that if we start with Saturn in the first place, and write down every fifth planet, and then for each planet substitute the metal over which it was supposed to rule, we then have these metals arranged in descending order of atomic weights, thus:--

Saturn . . . Lead (=207). Mercury . . . Mercury (=200). Sun. . . . Gold (=197). Jupiter . . . Tin (=119). Moon. . . . Silver (=108). Venus . . Copper (=64). Mars. . . . Iron (=56).

Similarly we can, starting from any one of these orders, pass to the other two. The fact is a very surprising one, because the ancients could not possibly have been acquainted with the atomic weights of the metals, and, it is important to note, the order of the densities of these metals, which might possibly have been known to them, is by no means the same as the order of their atomic weights. Whether the fact indicates a real relationship between the planets and the metals, or whether there is some other explanation, I am not prepared to say. Certainly some explanation is needed: to say that the fact is mere coincidence is unsatisfactory, seeing that the odds against, not merely this, but any such regularity occurring by chance--as calculated by the mathematical theory of probability--are 119 to 1.

All the instruments employed in the art had to be specially prepared and consecrated. Special robes had to be worn, perfumes and incense burnt, and invocations, conjurations, etc., recited, all of which depended on the planet ruling the operation. A description of a few typical talismans in detail will not here be out of place.

In The Key of Solomon the King (translated by S. L. M. MATHERS, 1889)(1) are described five, six, or seven talismans for each planet. Each of these was supposed to have its own peculiar virtues, and many of them are stated to be of use in the evocation of spirits. The majority of them consist of a central design encircled by a verse of Hebrew Scripture. The central designs are of a varied character, generally geometrical figures and Hebrew letters or words, or magical characters. Five of these talismans are here portrayed, the first three described differing from the above. The translations of the Hebrew verses, etc., given below are due to Mr MATHERS.

(1) The Clavicula Salomonis, or Key of Solomon the King, consists mainly of an elaborate ritual for the evocation of the various planetary spirits, in which process the use of talismans or pentacles plays a prominent part. It is claimed to be a work of white magic, but, inasmuch as it, like other old books making the same claim, gives descriptions of a pentacle for causing ruin, destruction, and death, and another for causing earthquakes--to give only two examples,--the distinction between black and white magic, which we shall no doubt encounter again in later excursions, appears to be somewhat arbitrary.

Regarding the authorship of the work, Mr MATHERS, translator and editor of the first printed copy of the book, says, "I see no reason to doubt the tradition which assigns the authorship of the 'Key' to King Solomon." If this view be accepted, however, it is abundantly evident that the Key as it stands at present (in which we find S. JOHN quoted, and mention made of SS. PETER and PAUL) must have received some considerable alterations and additions at the hands of later editors. But even if we are compelled to assign the Clavicula Salomonis in its present form to the fourteenth or fifteenth century, we must, I think, allow that it was based upon traditions of the past, and, of course, the possibility remains that it might have been based upon some earlier work. With regard to the antiquity of the planetary sigils, Mr MATHERS notes "that, among the Gnostic talismans in the British Museum, there is a ring of copper with the sigils of Venus, which are exactly the same as those given by mediaeval writers on magic."

In spite of the absurdity of its claims, viewed in the light of modern knowledge, the Clavicula Salomonis exercised a considerable influence in the past, and is to be regarded as one of the chief sources of mediaeval ceremonial magic. Historically speaking, therefore, it is a book of no little importance.

The First Pentacle of the Sun.--"The Countenance of Shaddai the Almighty, at Whose aspect all creatures obey, and the Angelic Spirits do reverence on bended knees." About the face is the name "El Shaddai". Around is written in Latin: "Behold His face and form by Whom all things were made, and Whom all creatures obey" (see fig. 21).

The Fifth Pentacle of Mars.--"Write thou this Pentacle upon virgin parchment or paper because it is terrible unto the Demons, and at its sight and aspect they will obey thee, for they cannot resist its presence." The design is a Scorpion,(1) around which the word Hvl is repeated. The Hebrew versicle is from Psalm xci. 13: "Thou shalt go upon the lion and adder, the young lion and the dragon shalt thou tread under thy feet" (see fig. 22).

(1) In astrology the zodiacal sign of the scorpion is the "night house" of the planet Mars.

The Third Pentacle of the Moon.--"This being duly borne with thee when upon a journey, if it be properly made, serveth against all attacks by night, and against every kind of danger and peril by Water." The design consists of a hand and sleeved forearm (this occurs on three other moon talismans), together with the Hebrew names Aub and Vevaphel. The versicle is from Psalm xl. 13: "Be pleased O IHVH to deliver me, O IHVH make haste to help me" (see fig 23)

The Third Pentacle of Venus.--"This, if it be only shown unto any person, serveth to attract love. Its Angel Monachiel should be invoked in the day and hour of Venus, at one o'clock or at eight." The design consists of two triangles joined at their apices, with the following names--IHVH, Adonai, Ruach, Achides, AEgalmiel, Monachiel, and Degaliel. The versicle is from Genesis i. 28: "And the Elohim blessed them, and the Elohim said unto them, Be ye fruitful, and multiply, and replenish the earth, and subdue it" (see fig. 24).

The Third Pentacle of Mercury.--"This serves to invoke the Spirits subject unto Mercury; and especially those who are written in this Pentacle." The design consists of crossed lines and magical characters of Mercury. Around are the names of the angels, Kokaviel, Ghedoriah, Savaniah, and Chokmahiel (see fig. 25).

CORNELIUS AGRIPPA, in his Three Books of Occult Philosophy, describes another interesting system of talismans. FRANCIS BARRETT'S Magus, or Celestial Intelligencer, a well-known occult work published in the first year of the nineteenth century, I may mention, copies AGRIPPA'S system of talismans, without acknowledgment, almost word for word. To each of the planets is assigned a magic square or table, i.e. a square composed of numbers so arranged that the sum of each row or column is always the same. For example, the table for Mars is as follows:--

11 24 7 20 3 4 12 25 8 16 17 5 13 21 9 10 18 1 14 22 23 6 19 2 15

It will be noticed that every number from 1 up to the highest possible occurs once, and that no number occurs twice. It will also be seen that the sum of each row and of each column is always 65. Similar squares can be constructed containing any square number of figures, and it is, indeed, by no means surprising that the remarkable properties of such "magic squares," before these were explained mathematically, gave rise to the belief that they had some occult significance and virtue. From the magic squares can be obtained certain numbers which are said to be the numbers of the planets; their orderliness, we are told, reflects the order of the heavens, and from a consideration of them the magical properties of the planets which they represent can be arrived at. For example, in the above table the number of rows of numbers is 5. The total number of numbers in the table is the square of this number, namely, 25, which is also the greatest number in the table. The sum of any row or column is 65. And, finally, the sum of all the numbers is the product of the number of rows (namely, 5) and the sum of any row (namely, 65), i.e. 325. These numbers, namely, 5, 25, 65, and 325, are the numbers of Mars. Sets of numbers for the other planets are obtained in exactly the same manner.(1)

(1) Readers acquainted with mathematics will notice that if n is the number of rows in such a "magic square," the other numbers derived as above will be n<2S>, 1/2n(n<2S> + 1), and 1/2n<2S>(n<2S> + 1). This can readily be proved by the laws of arithmetical progressions. Rather similar but more complicated and less uniform "magic squares" are attributed to PARACELSUS.

Now to each planet is assigned an Intelligence or good spirit, and an Evil Spirit or demon; and the names of these spirits are related to certain of the numbers of the planets. The other numbers are also connected with holy and magical Hebrew names. AGRIPPA, and BARRETT copying him, gives the following table of "names answering to the numbers of Mars":--

5. He, the letter of the holy name. <hb > 25. <hb __> 65. Adonai. <hb __> 325. Graphiel, the Intelligence of Mars. <hb _____> 325. Barzabel, the Spirit of Mars. <hb ______>

Similar tables are given for the other planets. The numbers can be derived from the names by regarding the Hebrew letters of which they are composed as numbers, in which case <hb > (Aleph) to <hb > (Teth) represent the units 1 to 9 in order, <hb > (Jod) to <hb > (Tzade) the tens 10 to 90 in order, <hb > (Koph) to <hb > (Tau) the hundreds 100 to 400, whilst the hundreds 500 to 900 are represented by special terminal forms of certain of the Hebrew letters.(2) It is evident that no little wasted ingenuity must have been employed in working all this out.

(2) It may be noticed that this makes <hb _______> equal to 326, one unit too much. Possibly an Alelph should be omitted.

Each planet has its own seal or signature, as well as the signature of its intelligence and the signature of its demon. These signatures were supposed to represent the characters of the planets' intelligences and demons respectively. The signature of Mars is shown in fig. 26, that of its intelligence in fig. 27, and that of its demon in fig. 28.

These various details were inscribed on the talismans each of which was supposed to confer its own peculiar benefits--as follows: On one side must be engraved the proper magic table and the astrological sign of the planet, together with the highest planetary number, the sacred names corresponding to the planet, and the name of the intelligence of the planet, but not the name of its demon. On the other side must be engraved the seals of the planet and of its intelligence, and also the astrological sign. BARRETT says, regarding the demons:(1) "It is to be understood that the intelligences are the presiding good angels that are set over the planets; but that the spirits or daemons, with their names, seals, or characters, are never inscribed upon any Talisman, except to execute any evil effect, and that they are subject to the intelligences, or good spirits; and again, when the spirits and their characters are used, it will be more conducive to the effect to add some divine name appropriate to that effect which we desire." Evil talismans can also be prepared, we are informed, by using a metal antagonistic to the signs engraved thereon. The complete talisman of Mars is shown in fig. 29.

(1) FRANCIS BARRETT: The Magus, or Celestial Intelligencer (1801), bk. i. p. 146.

ALPHONSE LOUIS CONSTANT,(1) a famous French occultist of the nineteenth century, who wrote under the name of "ELIPHAS LEVI," describes yet another system of talismans. He says: "The Pentagram must be always engraved on one side of the talisman, with a circle for the Sun, a crescent for the Moon, a winged caduceus for Mercury, a sword for Mars, a G for Venus, a crown for Jupiter, and a scythe for Saturn. The other side of the talisman should bear the sign of Solomon, that is, the six-pointed star formed by two interlaced triangles; in the centre there should be placed a human figure for the sun talismans, a cup for those of the Moon, a dog's head for those of Jupiter, a lion for those of Mars, a dove's for those of Venus, a bull's or goat's for those of Saturn. The names of the seven angels should be added either in Hebrew, Arabic, or magic characters similar to those of the alphabets of Trimethius. The two triangles of Solomon may be replaced by the double cross of Ezekiel's wheels, this being found on a great number of ancient pentacles. All objects of this nature, whether in metals or in precious stones, should be carefully wrapped in silk satchels of a colour analogous to the spirit of the planet, perfumed with the perfumes of the corresponding day, and preserved from all impure looks and touches."(2)

(1) For a biographical and critical account of this extraordinary personage and his views, see Mr A. E. WAITE'S The Mysteries of Magic: a Digest of the writings of ELIPHAS LEVI (1897).

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