Part 14

(1) Commentary of HIEROCLES on the Golden Verses of PYTHAGORAS (trans. by N. ROWE, 1906), pp. 101 and 102.

In fine, as Dean INGE well says: "Religious Mysticism may be defined as the attempt to realise the presence of the living God in the soul and in nature, or, more generally, as the attempt to realise, in thought and feeling, the immanence of the temporal in the eternal, and of the eternal in the temporal."(2)

(2) WILLIAM RALPH INGE, M.A.: Christian Mysticism (the Bampton Lectures, 1899), p. 5.

Now, doctrines such as these were not only very prevalent during the Middle Ages, when alchemy so greatly flourished, but are of great antiquity, and were undoubtedly believed in by the learned class in Egypt and elsewhere in the East in those remote days when, as some think, alchemy originated, though the evidence, as will, I hope, become plain as we proceed, points to a later and post-Christian origin for the central theorem of alchemy. So far as we can judge from their writings, the more important alchemists were convinced of the truth of these doctrines, and it was with such beliefs in mind that they commenced their investigations of physical and chemical phenomena. Indeed, if we may judge by the esteem in which the Hermetic maxim, "What is above is as that which is below, what is below is as that which is above, to accomplish the miracles of the One Thing," was held by every alchemist, we are justified in asserting that the mystical theory of the spiritual significance of Nature--a theory with which, as we have seen, is closely connected the Neoplatonic and Kabalistic doctrine that all things emanate in series from the Divine Source of all Being--was at the very heart of alchemy. As writes one alchemist: "... the Sages have been taught of God that this natural world is only an image and material copy of a heavenly and spiritual pattern; that the very existence of this world is based upon the reality of its celestial archetype; and that God has created it in imitation of the spiritual and invisible universe, in order that men might be the better enabled to comprehend His heavenly teaching, and the wonders of His absolute and ineffable power and wisdom. Thus the sage sees heaven reflected in Nature as in a mirror; and he pursues this Art, not for the sake of gold or silver, but for the love of the knowledge which it reveals; he jealously conceals it from the sinner and the scornful, lest the mysteries of heaven should be laid bare to the vulgar gaze."(1)

(1) MICHAEL SENDIVOGIUS (?): The New Chemical Light, Pt. II., Concerning Sulphur. (See The Hermetic Museum, vol. ii. p. 138.)

The alchemists, I hold, convinced of the truth of this view of Nature, i.e. that principles true of one plane of being are true also of all other planes, adopted analogy as their guide in dealing with the facts of chemistry and physics known to them. They endeavoured to explain these facts by an application to them of the principles of mystical theology, their chief aim being to prove the truth of these principles as applied to the facts of the natural realm, and by studying natural phenomena to become instructed in spiritual truth. They did not proceed by the sure, but slow, method of modern science, i.e. the method of induction, which questions experience at every step in the construction of a theory; but they boldly allowed their imaginations to leap ahead and to formulate a complete theory of the Cosmos on the strength of but few facts. This led them into many fantastic errors, but I would not venture to deny them an intuitive perception of certain fundamental truths concerning the constitution of the Cosmos, even if they distorted these truths and dressed them in a fantastic garb.

Now, as I hope to make plain in the course of this excursion, the alchemists regarded the discovery of the Philosopher's Stone and the transmutation of "base" metals into gold as the consummation of the proof of the doctrines of mystical theology as applied to chemical phenomena, and it was as such that they so ardently sought to achieve the magnum opus, as this transmutation was called. Of course, it would be useless to deny that many, accepting the truth of the great alchemical theorem, sought for the Philosopher's Stone because of what was claimed for it in the way of material benefits. But, as I have already indicated, with the nobler alchemists this was not the case, and the desire for wealth, if present at all, was merely a secondary object.

The idea expressed in DALTON'S atomic hypothesis (1802), and universally held during the nineteenth century, that the material world is made up of a certain limited number of elements unalterable in quantity, subject in themselves to no change or development, and inconvertible one into another, is quite alien to the views of the alchemists. The alchemists conceived the universe to be a unity; they believed that all material bodies had been developed from one seed; their elements are merely different forms of one matter and, therefore, convertible one into another. They were thoroughgoing evolutionists with regard to the things of the material world, and their theory concerning the evolution of the metals was, I believe, the direct outcome of a metallurgical application of the mystical doctrine of the soul's development and regeneration. The metals, they taught, all spring from the same seed in Nature's womb, but are not all equally matured and perfect; for, as they say, although Nature always intends to produce only gold, various impurities impede the process. In the metals the alchemists saw symbols of man in the various stages of his spiritual development. Gold, the most beautiful as well as the most untarnishable metal, keeping its beauty permanently, unaffected by sulphur, most acids, and fire--indeed, purified by such treatment,--gold, to the alchemist, was the symbol of regenerate man, and therefore he called it "a noble metal". Silver was also termed "noble"; but it was regarded as less mature than gold, for, although it is undoubtedly beautiful and withstands the action of fire, it is corroded by nitric acid and is blackened by sulphur; it was, therefore, considered to be analogous to the regenerate man at a lower stage of his development. Possibly we shall not be far wrong in using SWEDENBORG'S terms, "celestial" to describe the man of gold, "spiritual" to designate him of silver. Lead, on the other hand, the alchemists regarded as a very immature and impure metal: heavy and dull, corroded by sulphur and nitric acid, and converted into a calx by the action of fire,--lead, to the alchemists, was a symbol of man in a sinful and unregenerate condition.

The alchemists assumed the existence of three principles in the metals, their obvious reason for so doing being the mystical threefold division of man into body, soul (i.e. affections and will), and spirit (i.e. intelligence), though the principle corresponding to body was a comparatively late introduction in alchemical philosophy. This latter fact, however, is no argument against my thesis; because, of course, I do not maintain that the alchemists started out with their chemical philosophy ready made, but gradually worked it out, by incorporating in it further doctrines drawn from mystical theology. The three principles just referred to were called "mercury," "sulphur," and "salt"; and they must be distinguished from the common bodies so designated (though the alchemists themselves seem often guilty of confusing them). "Mercury" is the metallic principle par excellence, conferring on metals their brightness and fusibility, and corresponding to the spirit or intelligence in man.(1) "Sulphur," the principle of combustion and colour, is the analogue of the soul. Many alchemists postulated two sulphurs in the metals, an inward and an outward.(1b) The outward sulphur was thought to be the chief cause of metallic impurity, and the reason why all (known) metals, save gold and silver, were acted on by fire. The inward sulphur, on the other hand, was regarded as essential to the development of the metals: pure mercury, we are told, matured by a pure inward sulphur yields pure gold. Here again it is evident that the alchemists borrowed their theories from mystical theology; for, clearly, inward sulphur is nothing else than the equivalent to love of God; outward sulphur to love of self. Intelligence (mercury) matured by love to God (inward sulphur) exactly expresses the spiritual state of the regenerate man according to mystical theology. There is no reason, other than their belief in analogy, why the alchemists should have held such views concerning the metals. "Salt," the principle of solidity and resistance to fire, corresponding to the body in man, plays a comparatively unimportant part in alchemical theory, as does its prototype in mystical theology.

(1) The identification of the god MERCURY with THOTH, the Egyptian god of learning, is worth noticing in this connection.

(1b) Pseudo-GEBER, whose writings were highly esteemed, for instance. See R. RUSSEL'S translation of his works (1678), p. 160.

Now, as I have pointed out already, the central theorem of mystical theology is, in Christian terminology, that of the regeneration of the soul by the Spirit of CHRIST. The corresponding process in alchemy is that of the transmutation of the "base" metals into silver and gold by the agency of the Philosopher's Stone. Merely to remove the evil sulphur of the "base" metals, thought the alchemists, though necessary, is not sufficient to transmute them into "noble" metals; a maturing process is essential, similar to that which they supposed was effected in Nature's womb. Mystical theology teaches that the powers and life of the soul are not inherent in it, but are given by the free grace of God. Neither, according to the alchemists, are the powers and life of nature in herself, but in that immanent spirit, the Soul of the World, that animates her. As writes the famous alchemist who adopted the pleasing pseudonym of "BASIL VALENTINE" (c. 1600), "the power of growth... is imparted not by the earth, but by the life-giving spirit that is in it. If the earth were deserted by this spirit, it would be dead, and no longer able to afford nourishment to anything. For its sulphur or richness would lack the quickening spirit without which there can be neither life nor growth."(1a) To perfect the metals, therefore, the alchemists argued, from analogy with mystical theology, which teaches that men can be regenerated only by the power of CHRIST within the soul, that it is necessary to subject them to the action of this world-spirit, this one essence underlying all the varied powers of nature, this One Thing from which "all things were produced... by adaption, and which is the cause of all perfection throughout the whole world."(2a) "This," writes one alchemist, "is the Spirit of Truth, which the world cannot comprehend without the interposition of the Holy Ghost, or without the instruction of those who know it. The same is of a mysterious nature, wondrous strength, boundless power.... By Avicenna this Spirit is named the Soul of the World. For, as the Soul moves all the limbs of the Body, so also does this Spirit move all bodies. And as the Soul is in all the limbs of the Body, so also is this Spirit in all elementary created things. It is sought by many and found by few. It is beheld from afar and found near; for it exists in every thing, in every place, and at all times. It has the powers of all creatures; its action is found in all elements, and the qualities of all things are therein, even in the highest perfection... it heals all dead and living bodies without other medicine... converts all metallic bodies into gold, and there is nothing like unto it under Heaven."(1b) It was this Spirit, concentrated in all its potency in a suitable material form, which the alchemists sought under the name of "the Philosopher's Stone". Now, mystical theology teaches that the Spirit of CHRIST, by which alone the soul of man can be tinctured and transmuted into the likeness of God, is Goodness itself; consequently, the alchemists argued that the Philosopher's Stone must be, so to speak, Gold itself, or the very essence of Gold: it was to them, as CHRIST is of the soul's perfection, at once the pattern and the means of metallic perfection. "The Philosopher's Stone," declares "EIRENAEUS PHILALETHES" (nat. c. 1623), "is a certain heavenly, spiritual, penetrative, and fixed substance, which brings all metals to the perfection of gold or silver (according to the quality of the Medicine), and that by natural methods, which yet in their effects transcend Nature.... Know, then, that it is called a stone, not because it is like a stone, but only because, by virtue of its fixed nature, it resists the action of fire as successfully as any stone. In species it is gold, more pure than the purest; it is fixed and incombustible like a stone (i.e. it contains no outward sulphur, but only inward, fixed sulphur), but its appearance is that of a very fine powder, impalpable to the touch, sweet to the taste, fragrant to the smell, in potency a most penetrative spirit, apparently dry and yet unctuous, and easily capable of tingeing a plate of metal.... If we say that its nature is spiritual, it would be no more than the truth; if we described it as corporeal the expression would be equally correct; for it is subtle, penetrative, glorified, spiritual gold. It is the noblest of all created things after the rational soul, and has virtue to repair all defects both in animal and metallic bodies, by restoring them to the most exact and perfect temper; wherefore is it a spirit or 'quintessence.'"(1c)

(1a) BASIL VALENTINE: The Twelve Keys. (See The Hermetic Museum, vol. i. pp. 333 and 334.)

(2a) From the "Smaragdine Table," attributed to HERMES TRISMEGISTOS (ie. MERCURY or THOTH).

(1b) The Book of the Revelation of HERMES, interpreted by THEOPHRASTUS PARACELSUS, concerning the Supreme Secret of the World. (See BENEDICTUS FIGULUS, A Golden and Blessed Casket of Nature's Marvels, trans. by A. E. WAITE, 1893, pp. 36, 37, and 41.)

(1c) EIRENAEUS PHILALETHES: A Brief Guide to the Celestial Ruby. (See The Hermetic Museum, vol. ii. pp. 246 and 249.)

In other accounts the Philosopher's Stone, or at least the materia prima of which it is compounded, is spoken of as a despised substance, reckoned to be of no value. Thus, according to one curious alchemistic work, "This matter, so precious by the excellent Gifts, wherewith Nature has enriched it, is truly mean, with regard to the Substances from whence it derives its Original. Their price is not above the Ability of the Poor. Ten Pence is more than sufficient to purchase the Matter of the Stone.... The matter therefore is mean, considering the Foundation of the Art because it costs very little; it is no less mean, if one considers exteriourly that which gives it Perfection, since in that regard it costs nothing at all, in as much as all the World has it in its Power... so that... it is a constant Truth, that the Stone is a Thing mean in one Sense, but that in another it is most precious, and that there are none but Fools that despise it, by a just Judgment of God."(1) And JACOB BOEHME (1575--1624) writes: "The philosopher's stone is a very dark, disesteemed stone, of a grey colour, but therein lieth the highest tincture."(2) In these passages there is probably some reference to the ubiquity of the Spirit of the World, already referred to in a former quotation. But this fact is not, in itself, sufficient to account for them. I suggest that their origin is to be found in the religious doctrine that God's Grace, the Spirit of CHRIST that is the means of the transmutation of man's soul into spiritual gold, is free to all; that it is, at once, the meanest and the most precious thing in the whole Universe. Indeed, I think it quite probable that the alchemists who penned the above-quoted passages had in mind the words of ISAIAH, "He was despised and we esteemed him not." And if further evidence is required that the alchemists believed in a correspondence between CHRIST--"the Stone which the builders rejected"--and the Philosopher's Stone, reference may be made to the alchemical work called The Sophic Hydrolith: or Water Stone of the Wise, a tract included in The Hermetic Museum, in which this supposed correspondence is explicitly asserted and dealt with in some detail.

(1) A Discourse between Eudoxus and Pyrophilus, upon the Ancient War of the Knights. See The Hermetical Triumph: or, the Victorious Philosophical Stone (1723), pp. 101 and 102.

(2) JACOB BOEHME: Epistles (trans. by J. E., 1649, reprinted 1886), Ep. iv., SE III.

Apart from the alchemists' belief in the analogy between natural and spiritual things, it is, I think, incredible that any such theories of the metals and the possibility of their transmutation or "regeneration" by such an extraordinary agent as the Philosopher's Stone would have occurred to the ancient investigators of Nature's secrets. When they had started to formulate these theories, facts(1) were discovered which appeared to support them; but it is, I suggest, practically impossible to suppose that any or all of these facts would, in themselves, have been sufficient to give rise to such wonderfully fantastic theories as these: it is only from the standpoint of the theory that alchemy was a direct offspring of mysticism that its origin seems to be capable of explanation.

(1) One of those facts, amongst many others, that appeared to confirm the alchemical doctrines, was the ease with which iron could apparently be transmuted into copper. It was early observed that iron vessels placed in contact with a solution of blue vitriol became converted (at least, so far as their surfaces were concerned) into copper. This we now know to be due to the fact that the copper originally contained in the vitriol is thrown out of solution, whilst the iron takes its place. And we know, also, that no more copper can be obtained in this way from the blue vitriol than is actually used up in preparing it; and, further, that all the iron which is apparently converted into copper can be got out of the residual solution by appropriate methods, if such be desired; so that the facts really support DALTON'S theory rather than the alchemical doctrines. But to the alchemist it looked like a real transmutation of iron into copper, confirmation of his fond belief that iron and other base metals could be transmuted into silver and gold by the aid of the Great Arcanum of Nature.

In all the alchemical doctrines mystical connections are evident, and mystical origins can generally be traced. I shall content myself here with giving a couple of further examples. Consider, in the first place, the alchemical doctrine of purification by putrefaction, that the metals must die before they can be resurrected and truly live, that through death alone are they purified--in the more prosaic language of modern chemistry, death becomes oxidation, and rebirth becomes reduction. In many alchemical books there are to be found pictorial symbols of the putrefaction and death of metals and their new birth in the state of silver or gold, or as the Stone itself, together with descriptions of these processes. The alchemists sought to kill or destroy the body or outward form of the metals, in the hope that they might get at and utilise the living essence they believed to be immanent within. As PARACELSUS put it: "Nothing of true value is located in the body of a substance, but in the virtue... the less there is of body, the more in proportion is the virtue." It seems to me quite obvious that in such ideas as these we have the application to metallurgy of the mystic doctrine of self-renunciation--that the soul must die to self before it can live to God; that the body must be sacrificed to the spirit, and the individual will bowed down utterly to the One Divine Will, before it can become one therewith.

In the second place, consider the directions as to the colours that must be obtained in the preparation of the Philosopher's Stone, if a successful issue to the Great Work is desired. Such directions are frequently given in considerable detail in alchemical works; and, without asserting any exact uniformity, I think that I may state that practically all the alchemists agree that three great colour-stages are necessary--(i.) an inky blackness, which is termed the "Crow's Head" and is indicative of putrefaction; (ii.) a white colour indicating that the Stone is now capable of converting "base" metals into silver; this passes through orange into (iii.) a red colour, which shows that the Stone is now perfect, and will transmute "base" metals into gold. Now, what was the reason for the belief in these three colour-stages, and for their occurrence in the above order? I suggest that no alchemist actually obtained these colours in this order in his chemical experiments, and that we must look for a speculative origin for the belief in them. We have, I think, only to turn to religious mysticism for this origin. For the exponents of religious mysticism unanimously agree to a threefold division of the life of the mystic. The first stage is called "the dark night of the soul," wherein it seems as if the soul were deserted by God, although He is very near. It is the time of trial, when self is sacrificed as a duty and not as a delight. Afterwards, however, comes the morning light of a new intelligence, which marks the commencement of that stage of the soul's upward progress that is called the "illuminative life". All the mental powers are now concentrated on God, and the struggle is transferred from without to the inner man, good works being now done, as it were, spontaneously. The disciple, in this stage, not only does unselfish deeds, but does them from unselfish motives, being guided by the light of Divine Truth. The third stage, which is the consummation of the process, is termed "the contemplative life". It is barely describable. The disciple is wrapped about with the Divine Love, and is united thereby with his Divine Source. It is the life of love, as the illuminative life is that of wisdom. I suggest that the alchemists, believing in this threefold division of the regenerative process, argued that there must be three similar stages in the preparation of the Stone, which was the pattern of all metallic perfection; and that they derived their beliefs concerning the colours, and other peculiarities of each stage in the supposed chemical process, from the characteristics of each stage in the psychological process according to mystical theology.

Moreover, in the course of the latter process many flitting thoughts and affections arise and deeds are half-wittingly done which are not of the soul's true character; and in entire agreement with this, we read of the alchemical process, in the highly esteemed "Canons" of D'ESPAGNET: "Besides these decretory signs (i.e. the black, white, orange, and red colours) which firmly inhere in the matter, and shew its essential mutations, almost infinite colours appear, and shew themselves in vapours, as the Rainbow in the clouds, which quickly pass away and are expelled by those that succeed, more affecting the air than the earth: the operator must have a gentle care of them, because they are not permanent, and proceed not from the intrinsic disposition of the matter, but from the fire painting and fashioning everything after its pleasure, or casually by heat in slight moisture."(1) That D'ESPAGNET is arguing, not so much from actual chemical experiments, as from analogy with psychological processes in man, is, I think, evident.

(1) JEAN D'ESPAGNET: Hermetic Arcanum, canon 65. (See Collectanea Hermetica, ed. by W. WYNN WESTCOTT, vol. i., 1893, pp. 28 and 29.)

As well as a metallic, the alchemists believed in a physiological, application of the fundamental doctrines of mysticism: their physiology was analogically connected with their metallurgy, the same principles holding good in each case. PARACELSUS, as we have seen, taught that man is a microcosm, a world in miniature; his spirit, the Divine Spark within, is from God; his soul is from the Stars, extracted from the Spirit of the World; and his body is from the earth, extracted from the elements of which all things material are made. This view of man was shared by many other alchemists. The Philosopher's Stone, therefore (or, rather, a solution of it in alcohol) was also regarded as the Elixir of Life; which, thought the alchemists, would not endow man with physical immortality, as is sometimes supposed, but restore him again to the flower of youth, "regenerating" him physiologically. Failing this, of course, they regarded gold in a potable form as the next most powerful medicine--a belief which probably led to injurious effects in some cases.

Such are the facts from which I think we are justified in concluding, as I have said, "that the alchemists constructed their chemical theories for the main part by means of a priori reasoning, and that the premises from which they started were (i.) the truth of mystical theology, especially the doctrine of the soul's regeneration, and (ii.) the truth of mystical philosophy, which asserts that the objects of nature are symbols of spiritual verities."(1)

(1) In the following excursion we will wander again in the alchemical bypaths of thought, and certain objections to this view of the origin and nature of alchemy will be dealt with and, I hope, satisfactorily answered.