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Part 25

Buttered Side Down: Stories · Edna Ferber — chapter 25 of 34 · ~1,718 words · public domain

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"Dear lady," said the blue-eyed man, "it would make no difference to your own people. I know they would be happy to see you, hair and all. One's own people----"

"My folks? That's just it. If the Prodigal Son had been a daughter they'd probably have handed her one of her sister's mother hubbards, and put her to work washing dishes in the kitchen. You see, after Ma died my brother married, and I went to live with him and Lil. I was an ugly little mug, and it looked all to the Cinderella for me, with the coach, and four, and prince left out. Lil was the village beauty when my brother married her, and she kind of got into the habit of leaving the heavy role to me, and confining herself to thinking parts. One day I took twenty dollars and came to the city. Oh, I paid it back long ago, but I've never been home since. But say, do you know every time I get near a news stand like this I grab the home-town paper. I'll bet I've kept track every time my sister-in-law's sewing circle has met for the last ten years, and the spring the paper said they built a new porch I was just dying to write and ask'em what they did with the Virginia creeper that used to cover the whole front and sides of the old porch."

"Look here," said the man, very abruptly, "if it's money you need, why----"

"Me! Do I look like a touch? Now you----"

"Finest stock farm and ranch in seven counties. I come to Chicago once a year to sell. I've got just thirteen thousand nestling next to my left floating rib this minute."

The eyes of the woman with the green plume narrowed down to two glittering slits. A new look came into her face--a look that matched her hat, and heels and gloves and complexion and hair.

"Thirteen thousand! Thirteen thous---- Say, isn't it chilly on this corner, h'm? I know a kind of a restaurant just around the corner where----"

"It's no use," said the sandy-haired man, gently. "And I wouldn't have said that, if I were you. I was going back to-day on the 5:25, but I'm sick of it all. So are you, or you wouldn't have said what you just said. Listen. Let's go back home, you and I. The sight of a Navajo blanket nauseates me. The thought of those prairies makes my eyes ache. I know that if I have to eat one more meal cooked by that Chink of mine I'll hang him by his own pigtail. Those rangy western ponies aren't horseflesh, fit for a man to ride. Why, back home our stables were---- Look here. I want to see a silver tea-service, with a coat-of-arms on it. I want to dress for dinner, and take in a girl with a white gown and smooth white shoulders. My sister clips roses in the morning, before breakfast, in a pink ruffled dress and garden gloves. Would you believe that, here, on Clark Street, with a whiskey sign overhead, and the stock-yard smells undernose? O, hell! I'm going home."

"Home?" repeated the blonde lady. "Home?" The sagging lines about her flaccid chin took on a new look of firmness and resolve. The light of determination glowed in her eyes.

"I'll beat you to it," she said. "I'm going home, too. I'll be there to-morrow. I'm dead sick of this. Who cares whether I live or die? It's just one darned round of grease paint, and sky blue tights, and new boarding houses and humping over to the theater every night, going on, and humping back to the room again. I want to wash up some supper dishes with egg on 'em, and set some yeast for bread, and pop a dishpan full of corn, and put a shawl over my head and run over to Millie Krause's to get her kimono sleeve pattern. I'm sour on this dirt and noise. I want to spend the rest of my life in a place so that when I die they'll put a column in the paper, with a verse at the top, and all the neighbors'll come in and help bake up. Here--why, here I'd just be two lines on the want ad page, with fifty cents extra for 'Kewaskum paper please copy.'"

The man held out his hand. "Good-bye," he said, "and please excuse me if I say God bless you. I've never really wanted to say it before, so it's quite extraordinary. My name's Guy Peel."

The white glove, with its too-conspicuous black stitching, disappeared within his palm.

"Mine's Mercedes Meron, late of the Morning Glory Burlesquers, but from now on Sadie Hayes, of Kewaskum, Wisconsin. Good-bye and--well--God bless you, too. Say, I hope you don't think I'm in the habit of talking to strange gents like this."

"I am quite sure you are not," said Guy Peel, very gravely, and bowed slightly before he went south on Clark Street, and she went north.

Dear Reader, will you take my hand while I assist you to make a one year's leap. Whoop-la! There you are.

A man and a woman approached Tony's news stand. You are quite right. But her willow plume was purple this time. A purple willow plume would make Mario Doro look sophisticated. The man was sandy-haired, raw-boned, with a loping gait, very blue eyes, very white teeth, and an objectionably apparent Adam's apple. He came from the north, and she from the south.

In story books, and on the stage, when two people meet unexpectedly after a long separation they always stop short, bring one hand up to their breast, and say: "You!" Sometimes, especially in the case where the heroine chances on the villain, they say, simultaneously: "You! Here!" I have seen people reunited under surprising circumstances, but they never said, "You!" They said something quite unmelodramatic, and commonplace, such as: "Well, look who's here!" or, "My land! If it ain't Ed! How's Ed?"

So it was that the Purple Willow Plume and the Adam's Apple stopped, shook hands, and viewed one another while the Plume said, "I kind of thought I'd bump into you. Felt it in my bones." And the Adam's Apple said:

"Then you're not living in Kewaskum--er--Wisconsin?"

"Not any," responded she, briskly. "How do you happen to be straying away from the tapestries, and the yew trees and the ghost, and the pink roses, and the garden gloves, and the silver tea-service with the coat-of-arms on it?"

A slow, grim smile overspread the features of the man. "You tell yours first," he said.

"Well," began she, "in the first place, my name's Mercedes Meron, of the Morning Glory Burlesquers, formerly Sadie Hayes of Kewaskum, Wisconsin. I went home next day, like I said I would. Say, Mr. Peel (you said Peel, didn't you? Guy Peel. Nice, neat name), to this day, when I eat lobster late at night, and have dreams, it's always about that visit home."

"How long did you stay?"

"I'm coming to that. Or maybe you can figure it out yourself when I tell you I've been back eleven months. I wired the folks I was coming, and then I came before they had a chance to answer. When the train reached Kewaskum I stepped off into the arms of a dowd in a home-made-made-over-year-before-last suit, and a hat that would have been funny if it hadn't been so pathetic. I grabbed her by the shoulders, and I held her off, and looked--looked at the wrinkles, and the sallow complexion, and the coat with the sleeves in wrong, and the mashed hat (I told you Lil used to be the village peach, didn't I?) and I says:

"'For Gawd's sakes, Lil, does your husband beat you?'

"'Steve!' she shrieks, 'beat me! You must be crazy!'

"'Well, if he don't, he ought to. Those clothes are grounds for divorce,' I says.

"Mr. Guy Peel, it took me just four weeks to get wise to the fact that the way to cure homesickness is to go home. I spent those four weeks trying to revolutionize my sister-in-law's house, dress, kids, husband, wall paper and parlor carpet. I took all the doilies from under the ornaments and spoke my mind on the subject of the hand-painted lamp, and Lil hates me for it yet, and will to her dying day. I fitted three dresses for her, and made her get some corsets that she'll never wear. They have roast pork for dinner on Sundays, and they never go to the theater, and they like bread pudding, and they're happy. I wasn't. They treated me fine, and it was home, all right, but not my home. It was the same, but I was different. Eleven years away from anything makes it shrink, if you know what I mean. I guess maybe you do. I remember that I used to think that the Grand View Hotel was a regular little oriental palace that was almost too luxurious to be respectable, and that the traveling men who stopped there were gods, and just to prance past the hotel after supper had the Atlantic City board walk looking like a back alley on a rainy night. Well, everything had sort of shriveled up just like that. The popcorn gave me indigestion, and I burned the skin off my nose popping it. Kneading bread gave me the backache, and the blamed stuff wouldn't raise right. I got so I was crazy to hear the roar of an L train, and the sound of a crossing policeman's whistle. I got to thinking how Michigan Avenue looks, downtown, with the lights shining down on the asphalt, and all those people eating in the swell hotels, and the autos, and the theater crowds and the windows, and--well, I'm back. Glad I went? You said it. Because it made me so darned glad to get back. I've found out one thing, and it's a great little lesson when you get it learned. Most of us are where we are because we belong there, and if we didn't, we wouldn't be. Say, that does sound mixed, don't it? But it's straight. Now you tell yours."

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