Part 21

That particular store prides itself on its cheese department. It boasts that there one can get anything in cheese from the simple cottage variety to imposing mottled Stilton. There are cheeses from France, cheeses from Switzerland, cheeses from Holland. Brick and parmesan, Edam and limburger perfumed the atmosphere.

Behind the counters were big, full-fed men in white aprons, and coats. They flourished keen bright knives. As Jennie gazed, one of them, in a moment of idleness, cut a tiny wedge from a rich yellow Swiss cheese and stood nibbling it absently, his eyes wandering toward the blonde gelatine demonstrator. Jennie swayed, and caught the counter. She felt horribly faint and queer. She shut her eyes for a moment. When she opened them a woman--a fat, housewifely, comfortable looking woman--was standing before the cheese counter. She spoke to the cheese man. Once more his sharp knife descended and he was offering the possible customer a sample. She picked it off the knife's sharp tip, nibbled thoughtfully, shook her head, and passed on. A great, glorious world of hope opened out before Jennie.

Her cheeks grew hot, and her eyes felt dry and bright as she approached the cheese counter.

"A bit of that," she said, pointing. "It doesn't look just as I like it."

"Very fine, madam," the man assured her, and turned the knife point toward her, with the infinitesimal wedge of cheese reposing on its blade. Jennie tried to keep her hand steady as she delicately picked it off, nibbled as she had seen that other woman do it, her head on one side, before it shook a slow negative. The effort necessary to keep from cramming the entire piece into her mouth at once left her weak and trembling. She passed on as the other woman had done, around the corner, and into a world of sausages. Great rosy mounds of them filled counters and cases. Sausage! Sneer, you pate de foies grasers! But may you know the day when hunger will have you. And on that day may you run into linked temptation in the form of Braunschweiger Metwurst. May you know the longing that causes the eyes to glaze at the sight of Thuringer sausage, and the mouth to water at the scent of Cervelat wurst, and the fingers to tremble at the nearness of smoked liver.

Jennie stumbled on, through the smells and the sights. That nibble of cheese had been like a drop of human blood to a man-eating tiger. It made her bold, cunning, even while it maddened. She stopped at this counter and demanded a slice of summer sausage. It was paper-thin, but delicious beyond belief. At the next counter there was corned beef, streaked fat and lean. Jennie longed to bury her teeth in the succulent meat and get one great, soul-satisfying mouthful. She had to be content with her judicious nibbling. To pass the golden-brown, breaded pig's feet was torture. To look at the codfish balls was agony. And so Jennie went on, sampling, tasting, the scraps of food acting only as an aggravation. Up one aisle, and down the next she went. And then, just around the corner, she brought up before the grocery department's pride and boast, the Scotch bakery. It is the store's star vaudeville feature. All day long the gaping crowd stands before it, watching David the Scone Man, as with sleeves rolled high above his big arms, he kneads, and slaps, and molds, and thumps and shapes the dough into toothsome Scotch confections. There was a crowd around the white counters now, and the flat baking surface of the gas stove was just hot enough, and David the Scone Man (he called them Scuns) was whipping about here and there, turning the baking oat cakes, filling the shelf above the stove when they were done to a turn, rolling out fresh ones, waiting on customers. His nut-cracker face almost allowed itself a pleased expression--but not quite. David, the Scone Man, was Scotch (I was going to add, d'ye ken, but I will not).

Jennie wondered if she really saw those things. Mutton pies! Scones! Scotch short bread! Oat cakes! She edged closer, wriggling her way through the little crowd until she stood at the counter's edge. David, the Scone Man, his back to the crowd, was turning the last batch of oat cakes. Jennie felt strangely light-headed, and unsteady, and airy. She stared straight ahead, a half-smile on her lips, while a hand that she knew was her own, and that yet seemed no part of her, stole out, very, very slowly, and cunningly, and extracted a hot scone from the pile that lay in the tray on the counter. That hand began to steal back, more quickly now. But not quickly enough. Another hand grasped her wrist. A woman's high, shrill voice (why will women do these things to each other?) said, excitedly:

"Say, Scone Man! Scone Man! This girl is stealing something!"

A buzz of exclamations from the crowd--a closing in upon her--a whirl of faces, and counter, and trays, and gas stove. Jennie dropped with a crash, the warm scone still grasped in her fingers.

Just before the ambulance came it was the blonde lady of the impossible gelatines who caught the murmur that came from Jennie's white lips. The blonde lady bent her head closer. Closer still. When she raised her face to those other faces crowded near, her eyes were round with surprise.

"'S far's I can make out, she says her name's Mamie, and she's from Cuba. Well, wouldn't that eat you! I always thought they was dark complected."

VIII

THE LEADING LADY

The leading lady lay on her bed and wept. Not as you have seen leading ladies weep, becomingly, with eyebrows pathetically V-shaped, mouth quivering, sequined bosom heaving. The leading lady lay on her bed in a red-and-blue-striped kimono and wept as a woman weeps, her head burrowing into the depths of the lumpy hotel pillow, her teeth biting the pillow-case to choke back the sounds so that the grouch in the next room might not hear.

Presently the leading lady's right hand began to grope about on the bedspread for her handkerchief. Failing to find it, she sat up wearily, raising herself on one elbow and pushing her hair back from her forehead--not as you have seen a leading lady pass a lily hand across her alabaster brow, but as a heart-sick woman does it. Her tears and sniffles had formed a little oasis of moisture on the pillow's white bosom so that the ugly stripe of the ticking showed through. She gazed down at the damp circle with smarting, swollen eyes, and another lump came up into her throat.

Then she sat up resolutely, and looked about her. The leading lady had a large and saving sense of humor. But there is nothing that blunts the sense of humor more quickly than a few months of one-night stands. Even O. Henry could have seen nothing funny about that room.

The bed was of green enamel, with fly-specked gold trimmings. It looked like a huge frog. The wall-paper was a crime. It represented an army of tan mustard plasters climbing up a chocolate-fudge wall. The leading lady was conscious of a feeling of nausea as she gazed at it. So she got up and walked to the window. The room faced west, and the hot afternoon sun smote full on her poor swollen eyes. Across the street the red brick walls of the engine-house caught the glare and sent it back. The firemen, in their blue shirt-sleeves, were seated in the shade before the door, their chairs tipped at an angle of sixty. The leading lady stared down into the sun-baked street, turned abruptly and made as though to fall upon the bed again, with a view to forming another little damp oasis on the pillow. But when she reached the center of the stifling little bedroom her eye chanced on the electric call-button near the door. Above the electric bell was tacked a printed placard giving information on the subjects of laundry, ice-water, bell-boys and dining-room hours.

The leading lady stood staring at it a moment thoughtfully. Then with a sudden swift movement she applied her forefinger to the button and held it there for a long half-minute. Then she sat down on the edge of the bed, her kimono folded about her, and waited.

She waited until a lank bell-boy, in a brown uniform that was some sizes too small for him, had ceased to take any interest in the game of chess which Bauer and Merkle, the champion firemen chess-players, were contesting on the walk before the open doorway of the engine-house. The proprietor of the Burke House had originally intended that the brown uniform be worn by a diminutive bell-boy, such as one sees in musical comedies. But the available supply of stage size bell-boys in our town is somewhat limited and was soon exhausted. There followed a succession of lank bell-boys, with arms and legs sticking ungracefully out of sleeves and trousers.

"Come!" called the leading lady quickly, in answer to the lank youth's footsteps, and before he had had time to knock.

"Ring?" asked the boy, stepping into the torrid little room.

The leading lady did not reply immediately. She swallowed something in her throat and pushed back the hair from her moist forehead again. The brown uniform repeated his question, a trifle irritably. Whereupon the leading lady spoke, desperately:

"Is there a woman around this place? I don't mean dining-room girls, or the person behind the cigar-counter."

Since falling heir to the brown uniform the lank youth had heard some strange requests. He had been interviewed by various ladies in varicolored kimonos relative to liquid refreshment, laundry and the cost of hiring a horse and rig for a couple of hours. One had even summoned him to ask if there was a Bible in the house. But this latest question was a new one. He stared, leaning against the door and thrusting one hand into the depths of his very tight breeches pocket.

"Why, there's Pearlie Schultz," he said at last, with a grin.

"Who's she?" The leading lady sat up expectantly.

"Steno."

The expectant figure drooped. "Blonde? And Irish crochet collar with a black velvet bow on her chest?"