The spiritual significance of social decorum,—or, I might say, to borrow from the vocabulary of the “Philosophy of Clothes,” the spiritual discipline of which etiquette and ceremony are mere outward garments,—is out of all proportion to what their appearance warrants us in believing. I might follow the example of Mr. Spencer and trace in our ceremonial institutions their origins and the moral motives that gave rise to them; but that is not what I shall endeavor to do in this book. It is the moral training involved in strict observance of propriety, that I wish to emphasize.
I have said that etiquette was elaborated into the finest niceties, so much so that different schools advocating different systems, came into existence. But they all united in the ultimate essential, and this was put by a great exponent of the best known school of etiquette, the Ogasawara, in the following terms: “The end of all etiquette is to so cultivate your mind that even when you are quietly seated, not the roughest ruffian can dare make onset on your person.” It means, in other words, that by constant exercise in correct manners, one brings all the parts and faculties of his body into perfect order and into such harmony with itself and its environment as to express the mastery of spirit over the flesh. What a new and deep significance the French word biensèance comes thus to contain!
If the premise is true that gracefulness means economy of force, then it follows as a logical sequence that a constant practice of graceful deportment must bring with it a reserve and storage of force. Fine manners, therefore, mean power in repose. When the barbarian Gauls, during the sack of Rome, burst into the assembled Senate and dared pull the beards of the venerable Fathers, we think the old gentlemen were to blame, inasmuch as they lacked dignity and strength of manners. Is lofty spiritual attainment really possible through etiquette? Why not?—All roads lead to Rome!
As an example of how the simplest thing can be made into an art and then become spiritual culture, I may take Cha-no-yu, the tea ceremony. Tea-sipping as a fine art! Why should it not be? In the children drawing pictures on the sand, or in the savage carving on a rock, was the promise of a Raphael or a Michael Angelo. How much more is the drinking of a beverage, which began with the transcendental contemplation of a Hindoo anchorite, entitled to develop into a handmaid of Religion and Morality? That calmness of mind, that serenity of temper, that composure and quietness of demeanor, which are the first essentials of Cha-no-yu are without doubt the first conditions of right thinking and right feeling. The scrupulous cleanliness of the little room, shut off from sight and sound of the madding crowd, is in itself conducive to direct one’s thoughts from the world. The bare interior does not engross one’s attention like the innumerable pictures and bric-a-brac of a Western parlor; the presence of kakemono calls our attention more to grace of design than to beauty of color. The utmost refinement of taste is the object aimed at; whereas anything like display is banished with religious horror. The very fact that it was invented by a contemplative recluse, in a time when wars and the rumors of wars were incessant, is well calculated to show that this institution was more than a pastime. Before entering the quiet precincts of the tea-room, the company assembling to partake of the ceremony laid aside, together with their swords, the ferocity of the battle-field or the cares of government, there to find peace and friendship.
Cha-no-yu is more than a ceremony—it is a fine art; it is poetry, with articulate gestures for rhythm: it is a modus operandi of soul discipline. Its greatest value lies in this last phase. Not infrequently the other phases preponderated in the mind of its votaries, but that does not prove that its essence was not of a spiritual nature.
Politeness will be a great acquisition, if it does no more than impart grace to manners; but its function does not stop here. For propriety, springing as it does from motives of benevolence and modesty, and actuated by tender feelings toward the sensibilities of others, is ever a graceful expression of sympathy. Its requirement is that we should weep with those that weep and rejoice with those that rejoice. Such didactic requirement, when reduced into small every-day details of life, expresses itself in little acts scarcely noticeable, or, if noticed, is, as one missionary lady of twenty years’ residence once said to me, “awfully funny.” You are out in the hot glaring sun with no shade over you; a Japanese acquaintance passes by; you accost him, and instantly his hat is off—well, that is perfectly natural, but the “awfully funny” performance is, that all the while he talks with you his parasol is down and he stands in the glaring sun also. How foolish!—Yes, exactly so, provided the motive were less than this: “You are in the sun; I sympathize with you; I would willingly take you under my parasol if it were large enough, or if we were familiarly acquainted; as I cannot shade you, I will share your discomforts.” Little acts of this kind, equally or more amusing, are not mere gestures or conventionalities. They are the “bodying forth” of thoughtful feelings for the comfort of others.
Another “awfully funny” custom is dictated by our canons of Politeness; but many superficial writers on Japan have dismissed it by simply attributing it to the general topsy-turvyness of the nation. Every foreigner who has observed it will confess the awkwardness he felt in making proper reply upon the occasion. In America, when you make a gift, you sing its praises to the recipient; in Japan we depreciate or slander it. The underlying idea with you is, “This is a nice gift: if it were not nice I would not dare give it to you; for it will be an insult to give you anything but what is nice.” In contrast to this, our logic runs: “You are a nice person, and no gift is nice enough for you. You will not accept anything I can lay at your feet except as a token of my good will; so accept this, not for its intrinsic value, but as a token. It will be an insult to your worth to call the best gift good enough for you.” Place the two ideas side by side; and we see that the ultimate idea is one and the same. Neither is “awfully funny.” The American speaks of the material which makes the gift; the Japanese speaks of the spirit which prompts the gift.
It is perverse reasoning to conclude, because our sense of propriety shows itself in all the smallest ramifications of our deportment, to take the least important of them and uphold it as the type, and pass judgment upon the principle itself. Which is more important, to eat or to observe rules of propriety about eating? A Chinese sage answers, “If you take a case where the eating is all-important, and the observing the rules of propriety is of little importance, and compare them together, why merely say that the eating is of the more importance?” “Metal is heavier than feathers,” but does that saying have reference to a single clasp of metal and a wagon-load of feathers? Take a piece of wood a foot thick and raise it above the pinnacle of a temple, none would call it taller than the temple. To the question, “Which is the more important, to tell the truth or to be polite?” the Japanese are said to give an answer diametrically opposite to what the American will say,—but I forbear any comment until I come to speak of
VERACITY OR TRUTHFULNESS,
without which Politeness is a farce and a show. “Propriety carried beyond right bounds,” says Masamuné, “becomes a lie.” An ancient poet has outdone Polonius in the advice he gives: “To thyself be faithful: if in thy heart thou strayest not from truth, without prayer of thine the Gods will keep thee whole.” The apotheosis of Sincerity to which Tsu-tsu gives expression in the Doctrine of the Mean, attributes to it transcendental powers, almost identifying them with the Divine. “Sincerity is the end and the beginning of all things; without Sincerity there would be nothing.” He then dwells with eloquence on its far-reaching and long enduring nature, its power to produce changes without movement and by its mere presence to accomplish its purpose without effort. From the Chinese ideogram for Sincerity, which is a combination of “Word” and “Perfect,” one is tempted to draw a parallel between it and the Neo-Platonic doctrine of Logos—to such height does the sage soar in his unwonted mystic flight.
Lying or equivocation were deemed equally cowardly. The bushi held that his high social position demanded a loftier standard of veracity than that of the tradesman and peasant. Bushi no ichi-gon—the word of a samurai or in exact German equivalent ein Ritterwort—was sufficient guaranty of the truthfulness of an assertion. His word carried such weight with it that promises were generally made and fulfilled without a written pledge, which would have been deemed quite beneath his dignity. Many thrilling anecdotes were told of those who atoned by death for ni-gon, a double tongue.
The regard for veracity was so high that, unlike the generality of Christians who persistently violate the plain commands of the Teacher not to swear, the best of samurai looked upon an oath as derogatory to their honor. I am well aware that they did swear by different deities or upon their swords; but never has swearing degenerated into wanton form and irreverent interjection. To emphasize our words a practice of literally sealing with blood was sometimes resorted to. For the explanation of such a practice, I need only refer my readers to Goethe’s Faust.
A recent American writer is responsible for this statement, that if you ask an ordinary Japanese which is better, to tell a falsehood or be impolite, he will not hesitate to answer “to tell a falsehood!” Dr. Peery is partly right and partly wrong; right in that an ordinary Japanese, even a samurai, may answer in the way ascribed to him, but wrong in attributing too much weight to the term he translates “falsehood.” This word (in Japanese uso) is employed to denote anything which is not a truth (makoto) or fact (honto). Lowell tells us that Wordsworth could not distinguish between truth and fact, and an ordinary Japanese is in this respect as good as Wordsworth. Ask a Japanese, or even an American of any refinement, to tell you whether he dislikes you or whether he is sick at his stomach, and he will not hesitate long to tell falsehoods and answer, “I like you much,” or, “I am quite well, thank you.” To sacrifice truth merely for the sake of politeness was regarded as an “empty form” (kyo-rei) and “deception by sweet words,” and was never justified.
I own I am speaking now of the Bushido idea of veracity; but it may not be amiss to devote a few words to our commercial integrity, of which I have heard much complaint in foreign books and journals. A loose business morality has indeed been the worst blot on our national reputation; but before abusing it or hastily condemning the whole race for it, let us calmly study it and we shall be rewarded with consolation for the future.
Of all the great occupations of life, none was farther removed from the profession of arms than commerce. The merchant was placed lowest in the category of vocations,—the knight, the tiller of the soil, the mechanic, the merchant. The samurai derived his income from land and could even indulge, if he had a mind to, in amateur farming; but the counter and abacus were abhorred. We knew the wisdom of this social arrangement. Montesquieu has made it clear that the debarring of the nobility from mercantile pursuits was an admirable social policy, in that it prevented wealth from accumulating in the hands of the powerful. The separation of power and riches kept the distribution of the latter more nearly equable. Professor Dill, the author of “Roman Society in the Last Century of the Western Empire,” has brought afresh to our mind that one cause of the decadence of the Roman Empire, was the permission given to the nobility to engage in trade, and the consequent monopoly of wealth and power by a minority of the senatorial families.
Commerce, therefore, in feudal Japan did not reach that degree of development which it would have attained under freer conditions. The obloquy attached to the calling naturally brought within its pale such as cared little for social repute. “Call one a thief and he will steal:” put a stigma on a calling and its followers adjust their morals to it, for it is natural that “the normal conscience,” as Hugh Black says, “rises to the demands made on it, and easily falls to the limit of the standard expected from it.” It is unnecessary to add that no business, commercial or otherwise, can be transacted without a code of morals. Our merchants of the feudal period had one among themselves, without which they could never have developed, as they did, such fundamental mercantile institutions as the guild, the bank, the bourse, insurance, checks, bills of exchange, etc.; but in their relations with people outside their vocation, the tradesmen lived too true to the reputation of their order.
This being the case, when the country was opened to foreign trade, only the most adventurous and unscrupulous rushed to the ports, while the respectable business houses declined for some time the repeated requests of the authorities to establish branch houses. Was Bushido powerless to stay the current of commercial dishonor? Let us see.
Those who are well acquainted with our history will remember that only a few years after our treaty ports were opened to foreign trade, feudalism was abolished, and when with it the samurai’s fiefs were taken and bonds issued to them in compensation, they were given liberty to invest them in mercantile transactions. Now you may ask, “Why could they not bring their much boasted veracity into their new business relations and so reform the old abuses?” Those who had eyes to see could not weep enough, those who had hearts to feel could not sympathize enough, with the fate of many a noble and honest samurai who signally and irrevocably failed in his new and unfamiliar field of trade and industry, through sheer lack of shrewdness in coping with his artful plebeian rival. When we know that eighty per cent. of the business houses fail in so industrial a country as America, is it any wonder that scarcely one among a hundred samurai who went into trade could succeed in his new vocation? It will be long before it will be recognized how many fortunes were wrecked in the attempt to apply Bushido ethics to business methods; but it was soon patent to every observing mind that the ways of wealth were not the ways of honor. In what respects, then, were they different?
Of the three incentives to Veracity that Lecky enumerates, viz: the industrial, the political, and the philosophical, the first was altogether lacking in Bushido. As to the second, it could develop little in a political community under a feudal system. It is in its philosophical, and as Lecky says, in its highest aspect, that Honesty attained elevated rank in our catalogue of virtues. With all my sincere regard for the high commercial integrity of the Anglo-Saxon race, when I ask for the ultimate ground, I am told that “Honesty is the best policy,” that it pays to be honest. Is not this virtue, then, its own reward? If it is followed because it brings in more cash than falsehood, I am afraid Bushido would rather indulge in lies!
If Bushido rejects a doctrine of quid pro quo rewards, the shrewder tradesman will readily accept it. Lecky has very truly remarked that Veracity owes its growth largely to commerce and manufacture; as Nietzsche puts it, “Honesty is the youngest of virtues”—in other words, it is the foster-child of industry, of modern industry. Without this mother, Veracity was like a blue-blood orphan whom only the most cultivated mind could adopt and nourish. Such minds were general among the samurai, but, for want of a more democratic and utilitarian foster-mother, the tender child failed to thrive. Industries advancing, Veracity will prove an easy, nay, a profitable, virtue to practice. Just think, as late as November 1880, Bismarck sent a circular to the professional consuls of the German Empire, warning them of “a lamentable lack of reliability with regard to German shipments inter alia, apparent both as to quality and quantity;” now-a-days we hear comparatively little of German carelessness and dishonesty in trade. In twenty years her merchants learned that in the end honesty pays. Already our merchants are finding that out. For the rest I recommend the reader to two recent writers for well-weighed judgment on this point. It is interesting to remark in this connection that integrity and honor were the surest guaranties which even a merchant debtor could present in the form of promissory notes. It was quite a usual thing to insert such clauses as these: “In default of the repayment of the sum lent to me, I shall say nothing against being ridiculed in public;” or, “In case I fail to pay you back, you may call me a fool,” and the like.
Often have I wondered whether the Veracity of Bushido had any motive higher than courage. In the absence of any positive commandment against bearing false witness, lying was not condemned as sin, but simply denounced as weakness, and, as such, highly dishonorable. As a matter of fact, the idea of honesty is so intimately blended, and its Latin and its German etymology so identified with
HONOR,
that it is high time I should pause a few moments for the consideration of this feature of the Precepts of Knighthood.
The sense of honor, implying a vivid consciousness of personal dignity and worth, could not fail to characterize the samurai, born and bred to value the duties and privileges of their profession. Though the word ordinarily given now-a-days as the translation of Honor was not used freely, yet the idea was conveyed by such terms as na (name) men-moku (countenance), guai-bun (outside hearing), reminding us respectively of the biblical use of “name,” of the evolution of the term “personality” from the Greek mask, and of “fame.” A good name—one’s reputation, the immortal part of one’s self, what remains being bestial—assumed as a matter of course, any infringement upon its integrity was felt as shame, and the sense of shame (Ren-chi-shin) was one of the earliest to be cherished in juvenile education. “You will be laughed at,” “It will disgrace you,” “Are you not ashamed?” were the last appeal to correct behavior on the part of a youthful delinquent. Such a recourse to his honor touched the most sensitive spot in the child’s heart, as though it had been nursed on honor while it was in its mother’s womb; for most truly is honor a prenatal influence, being closely bound up with strong family consciousness. “In losing the solidarity of families,” says Balzac, “society has lost the fundamental force which Montesquieu named Honor.” Indeed, the sense of shame seems to me to be the earliest indication of the moral consciousness of our race. The first and worst punishment which befell humanity in consequence of tasting “the fruit of that forbidden tree” was, to my mind, not the sorrow of childbirth, nor the thorns and thistles, but the awakening of the sense of shame. Few incidents in history excel in pathos the scene of the first mother plying with heaving breast and tremulous fingers, her crude needle on the few fig leaves which her dejected husband plucked for her. This first fruit of disobedience clings to us with a tenacity that nothing else does. All the sartorial ingenuity of mankind has not yet succeeded in sewing an apron that will efficaciously hide our sense of shame. That samurai was right who refused to compromise his character by a slight humiliation in his youth; “because,” he said, “dishonor is like a scar on a tree, which time, instead of effacing, only helps to enlarge.”
Mencius had taught centuries before, in almost the identical phrase, what Carlyle has latterly expressed,—namely, that “Shame is the soil of all Virtue, of good manners and good morals.”
The fear of disgrace was so great that if our literature lacks such eloquence as Shakespeare puts into the mouth of Norfolk, it nevertheless hung like Damocles’ sword over the head of every samurai and often assumed a morbid character. In the name of Honor, deeds were perpetrated which can find no justification in the code of Bushido. At the slightest, nay, imaginary insult, the quick-tempered braggart took offense, resorted to the use of the sword, and many an unnecessary strife was raised and many an innocent life lost. The story of a well-meaning citizen who called the attention of a bushi to a flea jumping on his back, and who was forthwith cut in two, for the simple and questionable reason that inasmuch as fleas are parasites which feed on animals, it was an unpardonable insult to identify a noble warrior with a beast—I say, stories like these are too frivolous to believe. Yet, the circulation of such stories implies three things; (1) that they were invented to overawe common people; (2) that abuses were really made of the samurai’s profession of honor; and (3) that a very strong sense of shame was developed among them. It is plainly unfair to take an abnormal case to cast blame upon the Precepts, any more than to judge of the true teaching of Christ from the fruits of religious fanaticism and extravagance—inquisitions and hypocrisy. But, as in religious monomania there is something touchingly noble, as compared with the delirium tremens of a drunkard, so in that extreme sensitiveness of the samurai about their honor do we not recognize the substratum of a genuine virtue?
The morbid excess into which the delicate code of honor was inclined to run was strongly counterbalanced by preaching magnanimity and patience. To take offense at slight provocation was ridiculed as “short-tempered.” The popular adage said: “To bear what you think you cannot bear is really to bear.” The great Iyéyasu left to posterity a few maxims, among which are the following:—“The life of man is like going a long distance with a heavy load upon the shoulders. Haste not. * * * * Reproach none, but be forever watchful of thine own short-comings. * * * Forbearance is the basis of length of days.” He proved in his life what he preached. A literary wit put a characteristic epigram into the mouths of three well-known personages in our history: to Nobunaga he attributed, “I will kill her, if the nightingale sings not in time;” to Hidéyoshi, “I will force her to sing for me;” and to Iyéyasu, “I will wait till she opens her lips.”
Patience and long suffering were also highly commended by Mencius. In one place he writes to this effect: “Though you denude yourself and insult me, what is that to me? You cannot defile my soul by your outrage.” Elsewhere he teaches that anger at a petty offense is unworthy a superior man, but indignation for a great cause is righteous wrath.
Bushido, the Soul of Japan · The Wunder Library — complete classics, free to read, with narration.