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The firecrest (Regulus ignicapillus), which closely resembles the species just described, is an accidental visitor from the continent of Europe.
Chiffchaff.
Phylloscopus rufus.
Upper plumage olive-green tinged with yellow; above the eye a faint yellowish white streak; under parts yellowish white; feathers of the leg greyish white. Length, four inches and three-quarters.
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The chiffchaff, although his song is so simple--the simplest song of all--and after a time is apt to become wearisome from incessant repetition, is, nevertheless, one of the most welcome visitors of the early spring; for this small bird, in spite of its smallness and frailty, is the first of the migratory warblers to make its appearance on our coasts. Shortly after the middle of March, and even earlier in some years, the well-remembered, familiar sound, full of promise of the beautiful budding season, begins to be heard here and there in the more sheltered and sunny spots in woods and copses, and by the first week in April it is one of the most familiar sounds in the country. It is not, however, so general as the strain of the willow-wren, this species being more local in its distribution.
It is this early appearance of the chiffchaff, coming ‘before the swallow dares,’ that endears it to the lover of Nature and of bird life. Mr. Warde Fowler, in his ‘Year with the Birds,’ has well expressed the feeling which so many have for this small warbler. ‘No one,’ he says, ‘who hails the approach of spring as the real beginning of a new life for men and plants and animals, can fail to be grateful to this little brown bird for putting on it the stamp and sanction of his clear, resonant voice. We grow tired of his two notes--he never gets beyond two--for he sings almost the whole summer through; ... but not even the first twitter of the swallow, or the earliest song of the nightingale, has the same hopeful story to tell me as this delicate traveller who dares the east wind and the frost.’
The two notes, which vary as slightly in tone as two taps of a hammer on an anvil delivered with equal force on the same spot, are emitted with great vigour and spirit, as if the little creature’s whole heart was in the performance, and repeated several times without a pause. This is the whole song, and, when not engaged in uttering it, the singer is incessantly moving about in pursuit of small insects and their larvæ, now searching for them in the small twigs and buds, after the manner of the titmice, and at times capturing them on the wing. Meanwhile the song is repeated at frequent intervals from morning until dark. It is not suspended, as in the case of most of the warblers, after the young have been hatched, but continues throughout the summer and autumn, when it degenerates somewhat in character, the sound losing the little musical quality it originally possessed.
The nest is made in the ground, a hedgebank being the situation preferred, and is round and domed, with an opening at the side. Dry grass, leaves, and moss are the materials used in its construction, the cavity being plentifully lined with feathers. The eggs are six, pure white, spotted and speckled with brown and brownish purple.
Willow-Wren.
Phylloscopus trochilus.
Upper plumage bright olive-green; a narrow streak of yellow over the eye; under parts yellowish white, palest in the middle; feathers of the legs yellow. Length, nearly five inches.
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The willow-wren, or willow-warbler, is one of the earliest of our summer songsters to arrive, usually following the chiffchaff--which it resembles in size and general appearance--by a few days. During the last week of March, if the weather be not too cold, its delicate strain may be heard in sheltered situations in the southern parts of England, and by the second week in April it is one of the most frequently heard songs throughout the length and breadth of the land. Not only is this species very much more generally diffused than its two nearest relations--the chiffchaff and wood-wren--but it is met with in a much greater variety of situations--on commons, in hedgerows, gardens, woods, and plantations. Yet, in spite of its abundance and wide distribution, it is nowhere a familiar bird to the country people; the small, delicate voice does not compel attention and is well-nigh lost in the summer concert that has so many loud, jubilant strains in it.
The willow-wren is a pretty little bird, although without any bright colour in its plumage, which at a short distance looks of a soft greenish yellow tint. He is best seen when the trees are opening their buds, before the thickening foliage hides his tiny, restless, flitting form from sight. He is the least shy of the warblers, his trustfulness being in strong contrast to the suspicious manner and love of concealment of the blackcap and whitethroat. He will unconcernedly continue his hunt for minute insects, and utter his melody at intervals, within a few feet of a person, sitting or standing, quietly observing him. The song, although a small one, both as to duration and power, has a singular charm: not merely the charm of association experienced in a voice long absent and heard once more--a voice of the spring, that comes before the loud call of the cuckoo and the familiar, joyous twitter of the swallow; it is in itself a beautiful sound, one of the sweetest bird-songs heard in our country. ‘A song which is unique among British birds,’ says Mr. Warde Fowler, whose description of it is, perhaps, the most perfect which we have. ‘Beginning with a high and tolerably full note, he drops it both in force and pitch in a cadence short and sweet, as though he were getting exhausted with the effort.... This cadence is often perfect; by which I mean that it descends gradually, not, of course, on the notes of our musical scale, ... but through fractions of one, or perhaps two, of our tones, and without returning upward at the end; but still more often, and especially, as I fancy, after they have been here a few weeks, they take to finishing with a note nearly as high in pitch as that with which they began.’
After this it is interesting to read Mr. J. Burroughs’s impressions of the willow-wren’s song. He writes: ‘The most melodious strain I heard, and the only one that exhibited to the full the best qualities of the American songsters, proceeded from a bird quite unknown to fame--in the British Islands, at least. I refer to the willow-warbler.... White says it has a “sweet, plaintive note,” which is but half the truth. It has a long, tender, delicious warble, not wanting in strength and volume, but eminently pure and sweet--the song of the chaffinch refined and idealised.... The song is, perhaps, in the minor key, feminine and not masculine, but it touches the heart.
‘That strain again; it had a dying fall.’
‘The song of the willow-warbler has a dying fall; no other bird-song is so touching in this respect. It mounts up round and full, then runs down the scale, and expires upon the air in a gentle murmur.’
The willow-wren breeds early, making a circular domed nest on the ground, among the long grass and weeds, under a hedge or beneath a bramble bush on a bank, and occasionally at a distance from sheltering bushes in the grass of a field. It is made of dry grass, and lined with rootlets and horsehair, and, lastly, with feathers. The eggs are six or seven in number, pure white, the yolk showing through the frail shell, and giving it a faint yellow tinge; they are blotched and spotted with reddish brown. When the nest is approached the parent birds display the greatest anxiety, hopping and flitting about close to the intruder, and uttering low, plaintive notes.
The willow-wren stays longer with us than any migratory warbler except the chiffchaff, and its song is, without exception, the most persistent. From the time of its arrival in March, or early in April, it sings without ceasing until July; then for a few weeks its song is heard only in the early morning, and it ceases at the end of August, during the moult, but is renewed a little later, and is then continued until the bird’s departure at the end of September.
Wood-Wren.
Phylloscopus sibilatrix.
Upper plumage olive-green tinged with sulphur-yellow; a broad streak of sulphur-yellow over the eye; sides of head, throat, and insertion of the wings and throat bright yellow; rest of under plumage pure white. Length, nearly six inches.
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This warbler arrives in England at the end of April, being later by many days than its two nearest relations, the chiffchaff and willow-wren. As its name implies, it is a bird of the woods, with a preference for such as are composed wholly or in part of oak and beech trees. It is not easily discerned, on account of its restless disposition; also because it chiefly frequents the uppermost parts of the trees it inhabits. Its instinct appears to be to live and hunt for the small insects it preys on among the green leaves at the greatest possible height from the earth; this may account for its love of the beech, which is the tallest of our forest trees. But if difficult to see as it flits lightly from place to place among the higher foliage, it is easy to hear, and its frequently uttered song sounds very loud in the woodland silence, and is strangely unlike that of any other songster. It may be said to possess two distinct songs: of these, the most frequently uttered and unmistakable begins with notes clear, sweet, and distinct, but following more and more rapidly until they run together in a resonant trill, and finally end in a long, tremulous note, somewhat thin and reedy in sound. At longer intervals it utters its other song, or call, a loud, clear note, slightly modulated, and somewhat plaintive, repeated without variation three or four times.
The wood-wren, although so great a lover of the tall tree-tops, breeds on the ground, like the two species described before it, and, like them, builds an oval-shaped domed nest. It is placed among the herbage, and is composed of moss, dry leaves, and grasses, lined with fine grass and horsehair. Feathers are never used in the nest-lining, and in this the wood-wren differs from the two preceding species. Six eggs are laid, transparent white, spotted and speckled with dark brown, purple and grey.
The wood-wren differs from most of the warblers in being exclusively an insect-eater.
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