There was only one thing to do, he decided: take advantage of any period of truce which their ancient enemy, the sea, had allowed in that desperate battle.
A sailor is prey to hazards and victim of the unexpected in the ever-changing moods of the ocean; he must needs be master of expedients and ready grappler of emergencies.
“Where are your tools--a saw--a chisel?” demanded Mayo. He was obliged to repeat that query several times. His companions appeared to be wholly absorbed in their personal woes.
At last Mr. Speed checked his groans long enough to state that the tools were in “the lazareet.”
The lazaret of a coaster is a storeroom under the quarter-deck--repository of general odds and ends and spare equipment.
“Any way to get at it except through the deck-hatch?”
“There's a door through, back of the companion ladder,” said Mr. Speed, with listless indifference.
Mayo crowded his way past the ladder after he had waded and stumbled here and there and had located it. He set his shoulders against the slope of the steps and pushed at the door with his feet. After he had forced it open he waded into the storeroom. It was blind business, hunting for anything in that place. He knew the general habits of the hit-or-miss coasting crews, and was sure that the tools had been thrown in among the rest of the clutter by the person who used them last. If they had been loose on the floor they would now be loose on the ceiling. He pushed his feet about, hoping to tread on something that felt like a saw or chisel.
“Ahoy, you men out there!” he called. “Don't you have any idea in what part of this lazaret the tools were?”
“Oh, they was probably just throwed in,” said Mr. Speed. “I wish you wouldn't bother me so much! I'm trying to compose my mind to pray.”
There were so much ruck and stuff under his feet that Mayo gave up searching after a time. He had held his breath and ducked his head under water so that he might investigate with his bare hands, but he found nothing which would help him, and his brain was dizzy after his efforts and his mouth was choked by the dirty water.
But when he groped his way back into the main cabin his hands came in contact with the inside of the lazaret door. In leather loops on the door he found saw, ax, chisel, and hammer. He was unable to keep back a few hearty and soul-satisfying oaths.
“Why didn't you tell me where the tools were? They're here on the door.”
“I had forgot about picking 'em tip. And my mind ain't on tools, anyway.”
“Your mind will be on 'em as soon as I can get forward there,” growled the incensed captain.
Mayo was not sure of what he needed or what he would be obliged to do, therefore he took all the tools, holding them above water. When he waded past Captain Can-dage he heard the old skipper trying to comfort the girl, his voice low and broken by sobs. She had recovered consciousness and Mayo was a bit sorry; in her swoon she had not realized their plight; he feared hysterics and other feminine demonstrations, and he knew that he needed all his nerve.
“We're going to die--we're going to die!” the girl kept moaning.
“Yes, my poor baby, and I have brought you to it,” blubbered her father.
“Please keep up your courage for a little while, Miss Candage,” Mayo pleaded, wistfully.
“But there's no hope!”
“There's hope just as long as we have a little air and a little grit,” he insisted. “Now, please!”
“I am afraid!” she whispered.
“So am I,” he confessed. “But we're all going to work the best we know how. Can't you encourage us like a brave, good girl?” He went stumbling on. “Now tell me, mate,” he commanded, briskly, “how thick is the bulkhead between the cabin, here, and the hold?”
“I can't bother to think,” returned Mr. Speed.
“It's only sheathing between the beams, sir,” stated Captain Candage.
“Mate, you and the cook lend a hand to help me.”
Oakum Otie broke off the prayer to which he had returned promptly. “What's the use?” he demanded, with anger which his fright made juvenile. “I tell you I'm trying to compose my soul, and I want this rampage-round stopped.”
“I say what's the use, too!” whined Dolph. “You can't row a biskit across a puddle of molasses with a couple of toothpicks,” he added, with cook's metaphor for the absolutely hopeless.
Blow the Man Down · The Wunder Library — complete classics, free to read, with narration.