In the beginning, all the land was covered with water, and Old Man and all the animals were floating around on a large raft. One day Old Man told the beaver to dive and try to bring up a little mud. The beaver went down, and was gone a long time, but could not reach the bottom. Then the loon tried, and the otter, but the water was too deep for them. At last the muskrat dived, and he was gone so long that they thought he had drowned, but he finally came up, almost dead, and when they pulled him on to the raft, they found, in one of his paws, a little mud. With this, Old Man formed the world, and afterwards he made the people.
This myth, while often related by the Blackfoot tribe, is seldom heard among the Bloods or Piegans. It is uncertain whether all three tribes used to know it, but have forgotten it, or whether it has been learned in comparatively modern times by the Blackfeet from the Crees, with whom they have always had more frequent intercourse and a closer connection than the other two tribes.
There is also another version of the origin of death. When Old Man made the first people, he gave them very strong bodies, and for a long time no one was sick. At last, a little child fell ill. Each day it grew weaker and weaker, and at last it fainted. Then the mother went to Old Man, and prayed him to do something for it.
"This," said Old Man, "will be the first time it has happened to the people. You have seen the buffalo fall to the ground when struck with an arrow. Their hearts stop beating, they do not breathe, and soon their bodies become cold. They are then dead. Now, woman, it shall be for you to decide whether death shall come to the people as well as to the other animals, or whether they shall live forever. Come now with me to the river."
When they reached the water's edge, Old Man picked up from the ground a dry buffalo chip and a stone. "Now, woman," he said, "you will tell me which one of these to throw into the water. If what I throw floats, your child shall live; the people shall live forever. If it sinks, then your child shall die, and all the people shall die, each one when his time comes."
The woman stood still a long time, looking from the stone to the buffalo chip, and from the chip to the stone. At last she said, "Throw the stone." Then Old Man tossed it into the river, and it sank to the bottom. "Woman," he cried, "go home; your child is dead." Thus, on account of a foolish woman, we all must die.
The shadow of a person, the Blackfeet say, is his soul. Northeast of the Sweet Grass Hills, near the international boundary line, is a bleak, sandy country called the Sand Hills, and there all the shadows of the deceased good Blackfeet are congregated. The shadows of those who in this world led wicked lives are not allowed to go there. After death, these wicked persons take the shape of ghosts (Sta-au'), and are compelled ever after to remain near the place where they died. Unhappy themselves, they envy those who are happy, and continually prowl about the lodges of the living, seeking to do them some injury. Sometimes they tap on the lodge skins and whistle down the smoke hole, but if the fire is burning within they will not enter.
Outside in the dark they do much harm, especially the ghosts of enemies who have been killed in battle. These sometimes shoot invisible arrows into persons, causing sickness and death. They have hit people on the head, causing them to become crazy. They have paralyzed people's limbs, and drawn their faces out of shape, and done much other harm. Ghosts walk above the ground, not on it. An example of this peculiarity is seen in the case of the young man who visited the lodge of the starving family, in the story entitled Origin of the I-kun-uh'-kah-tsi.
Ghosts sometimes speak to people. An instance of this is the following, which occurred to my friend Young Bear Chief, and which he related to me. He said: "I once went to war, and took my wife with me. I went to Buffalo Lip Butte, east of the Cypress Mountains; a little creek runs by it. I took eighteen horses from an Assinaboine camp one night, when it was very foggy. I found sixteen horses feeding on the hills, and went into the camp and cut loose two more. Then we went off with the horses. When we started, it was so foggy that I could not see the stars, and I did not know which way to run. I kept travelling in what I supposed was the direction toward home, but I did not know where I was going. After we had gone a long way, I stopped and got off my horse to fix my belt. My wife did not dismount, but sat there waiting for me to mount and ride on.
"I spoke to my wife, and said to her, 'We don't know which way to go.' A voice spoke up right behind me and said: 'It is well; you go ahead. You are going right.' When I heard the voice, the top of my head seemed to lift up and felt as if a lot of needles were sticking into it. My wife, who was right in front of me, was so frightened that she fainted and fell off her horse, and it was a long time before she came to. When she got so she could ride, we went on, and when morning came I found that we were going straight, and were on the west side of the West Butte of the Sweet Grass Hills. We got home all right. This must have been a ghost."
Now and then among the Blackfeet, we find evidences of a belief that the soul of a dead person may take up its abode in the body of an animal. An example of this is seen in the story of E-k[=u]s'-kini, p. 90. Owls are thought to be the ghosts of medicine men.
The Blackfeet do not consider the Sand Hills a happy hunting ground. There the dead, who are themselves shadows, live in shadow lodges, hunt shadow buffalo, go to war against shadow enemies, and in every way lead an existence which is but a mimicry of this life. In this respect the Blackfeet are almost alone. I know of scarcely any other American tribe, certainly none east of the Rocky Mountains, who are wholly without a belief in a happy future state. The Blackfeet do not especially say that this future life is an unhappy one, but, from the way in which they speak of it, it is clear that for them it promises nothing desirable. It is a monotonous, never ending, and altogether unsatisfying existence,--a life as barren and desolate as the country which the ghosts inhabit. These people are as much attached to life as we are. Notwithstanding the unhappy days which have befallen them of late years,--days of privation and hunger,--they cling to life. Yet they seem to have no fear of death. When their time comes, they accept their fate without a murmur, and tranquilly, quietly pass away.
MEDICINE PIPES AND HEALING
The person whom the whites term "medicine man" is called by the Blackfeet Ni-namp'-skan. Mr. Schultz believes this word to be compounded of nin'nah, man, and namp'-ski, horned toad (Phrynosoma), and in this he is supported by Mr. Thomas Bird, a very intelligent half-breed, who has translated a part of the Bible into the Blackfoot language for the Rev. S. Trivett, a Church of England missionary. These gentlemen conclude that the word means "all-face man." The horned toad is called namp'-ski, all-face; and as the medicine man, with his hair done up in a huge topknot, bore a certain resemblance to this creature, he was so named. No one among the Blackfeet appears to have any idea as to what the word means.
The medicine pipes are really only pipe stems, very long, and beautifully decorated with bright-colored feathers and the fur of the weasel and other animals. It is claimed that these stems were given to the people long, long ago, by the Sun, and that those who own them are regarded by him with special favor.
Formerly these stems were valued at from fifteen to thirty head of horses, and were bought and sold like any other property. When not in use, they were kept rolled up in many thicknesses of fine tanned fur, and with them were invariably a quantity of tobacco, a sacred whistle, two sacred rattles, and some dried sweet grass, and sweet pine needles.
In the daytime, in pleasant weather, these sacred bundles were hung out of doors behind the owners' lodges, on tripods. At night they were suspended within, above the owners' seat It was said that if at any time a person should walk completely around the lodge of a medicine man, some bad luck would befall him. Inside the lodge, no one was allowed to pass between the fireplace and the pipe stem. No one but a medicine man and his head wife could move or unroll the bundle. The man and his wife were obliged always to keep their faces, hands, and clothing painted with nits'-i-san, a dull red paint, made by burning a certain clay found in the bad lands.
The Ni-namp'-skan appears to be a priest of the Sun, and prayers offered through him are thought to be specially favored. So the sacred stem is frequently unrolled for the benefit of the sick, for those who are about to undertake a dangerous expedition, such as a party departing to war, for prayers for the general health and prosperity of the people, and for a bountiful supply of food. At the present time these ancient ceremonies have largely fallen into disuse. In fact, since the disappearance of the buffalo, most of the old customs are dying out.
The thunder is believed to bring the rain in spring, and the rain makes the berries grow. It is a rule that after the first thunder is heard in the spring, every medicine man must give a feast and offer prayers for a large berry crop. I have never seen this ceremony, but Mr. Schultz was once permitted to attend one, and has given me the following account of it. He said: "When I entered the lodge with the other guests, the pipe stem had already been unrolled. Before the fire were two huge kettles of cooked sarvis berries, a large bowlful of which was soon set before each guest. Each one, before eating, took a few of the berries and rubbed them into the ground, saying, 'Take pity on us, all Above People, and give us good.'
"When all had finished eating, a large black stone pipe bowl was filled and fitted to the medicine stem, and the medicine man held it aloft and said: 'Listen, Sun! Listen, Thunder! Listen, Old Man! All Above Animals, all Above People, listen. Pity us! You will smoke. We fill the sacred pipe. Let us not starve. Give us rain during this summer. Make the berries large and sweet. Cover the bushes with them. Look down on us all and pity us. Look at the women and the little children; look at us all. Let us reach old age. Let our lives be complete. Let us destroy our enemies. Help the young men in battle. Man, woman, child, we all pray to you; pity us and give us good. Let us survive.'
"He then danced the pipe dance, to be described further on. At this time, another storm had come up, and the thunder crashed directly over our heads.
"'Listen,' said the medicine man. 'It hears us. We are not doing this uselessly'; and he raised his face, animated with enthusiasm, toward the sky, his whole body trembling with excitement; and, holding the pipe aloft, repeated his prayer. All the rest of the people were excited, and repeatedly clasped their arms over their breasts, saying: 'Pity us; good give us; good give us. Let us survive.'
"After this, the pipe was handed to a man on the right of the semi-circle. Another warrior took a lighted brand from the fire, and counted four coups, at the end of each coup touching the pipe bowl with the brand. When he had counted the fourth coup, the pipe was lighted. It was then smoked in turn around the circle, each one, as he received it, repeating a short prayer before he put the stem to his lips. When it was smoked out, a hole was dug in the ground, the ashes were knocked into it and carefully covered over, and the thunder ceremony was ended."
In the year 1885, I was present at the unwrapping of the medicine pipe by Red Eagle, an aged Ni-namp'-skan since dead. On this occasion prayers were made for the success of a party of Piegans who had started in pursuit of some Crows who had taken a large band of horses from the Piegans the day before. The ceremony was a very impressive one, and prayers were offered not only for the success of this war party, but also for the general good, as well as for the welfare of special individuals, who were mentioned by name. The concluding words of the general prayer were as follows: "May all people have full life. Give to all heavy bodies. Let the young people grow; increase their flesh. Let all men, women, and children have full life. Harden the bodies of the old people so that they may reach great age."
In 1879, Mr. Schultz saw a sacred pipe unwrapped for the benefit of a sick woman, and on various occasions since he has been present at this ceremony. All accounts of what takes place agree so closely with what I saw that I give only one of them. Mr. Schultz wrote me of the first occasion: "When I entered the lodge, it was already well filled with men who had been invited to participate in the ceremony. The medicine man was aged and gray-headed, and his feeble limbs could scarcely support his body. Between him and his wife was the bundle which contained the medicine pipe, as yet unwrapped, lying on a carefully folded buffalo robe. Plates of food were placed before each guest, and after all had finished eating, and a common pipe had been lighted to be smoked around the circle, the ceremony began.
"With wooden tongs, the woman took a large coal from the fire, and laid it on the ground in front of the sacred stem. Then, while every one joined in singing a chant, a song of the buffalo (without words), she took a bunch of dried sweet grass, and, raising and lowering her hand in time to the music, finally placed the grass on the burning coals. As the thin column of perfumed smoke rose from the burning herb, both she and the medicine man grasped handfuls of it and rubbed it over their persons, to purify themselves before touching the sacred roll. They also took each a small piece of some root from a little pouch, and ate it, signifying that they purified themselves without and within.
"The man and woman now faced each other and again began the buffalo song, keeping time by touching with the clenched hands--the right and left alternately--the wrappings of the pipe, occasionally making the sign for buffalo. Now, too, one could occasionally hear the word Nai-ai' in the song. After singing this song for about ten minutes, it was changed to the antelope song, and, instead of touching the roll with the clenched hands, which represented the heavy tread of buffalo, they closed the hands, leaving the index finger extended and the thumbs partly open, and in time to the music, as in the previous song, alternately touched the wrappers with the tips of the left and right forefinger, the motions being quick and firm, and occasionally brought the hands to the side of the head, making the sign for antelope, and at the same time uttering a loud 'Kuh' to represent the whistling or snorting of that animal.
"At the conclusion of this song, the woman put another bunch of sweet grass on a coal, and carefully undid the wrappings of the pipe, holding each one over the smoke to keep it pure. When the last wrapping was removed, the man gently grasped the stem and, every one beginning the pipe song, he raised and lowered it several times, shaking it as he did so, until every feather and bit of fur and scalp hung loose and could be plainly seen.
Blackfoot Lodge Tales: the Story of a Prairie People · The Wunder Library — complete classics, free to read, with narration.