Part 5

“By no means, lady!” said the Prince. “The streets are rough, and here are no lamps. If a second accident were to happen, you would be helpless. Will you not allow me to protect you?”

She looked him in the face. In the dusky light, she saw not the peevish, weary features of the worldling, but only the imploring softness of his eyes, the full and perfect honesty of his present emotion. She made no further objection; perhaps she was glad that she could trust the elegant stranger.

Boris, never before at a loss for words, even in the presence of the Empress, was astonished to find how awkward were his attempts at conversation. She was presently the more self-possessed of the two, and nothing was ever so sweet to his ears as the few commonplace remarks she uttered. In spite of the darkness and the chilly air, the sled seemed to fly like lightning. Before he supposed they had made half the way, she gave a sign to the istvostchik, and they drew up before a plain house of squared logs.

The two lower windows were lighted, and the dark figure of an old man, with a skull-cap upon his head, was framed in one of them. It vanished as the sled stopped; the door was thrown open and the man came forth hurriedly, followed by a Russian nurse with a lantern.

“Helena, my child, art thou come at last? What has befallen thee?”

He would evidently have said more, but the sight of Prince Boris caused him to pause, while a quick shade of suspicion and alarm passed over his face. The Prince stepped forward, instantly relieved of his unaccustomed timidity, and rapidly described the accident. The old nurse Katinka, had meanwhile assisted the lovely Helena into the house.

The old man turned to follow, shivering in the night-air. Suddenly recollecting himself, he begged the Prince to enter and take some refreshments, but with the air and tone of a man who hopes that his invitation will not be accepted. If such was really his hope, he was disappointed; for Boris instantly commanded the istvostchik to wait for him, and entered the humble dwelling.

The apartment into which he was ushered was spacious, and plainly, yet not shabbily furnished. A violoncello and clavichord, with several portfolios of music, and scattered sheets of ruled paper, proclaimed the profession or the taste of the occupant. Having excused himself a moment to look after his daughter's condition, the old man, on his return, found Boris turning over the leaves of a musical work.

“You see my profession,” he said. “I teach music?”

“Do you not compose?” asked the Prince.

“That was once my ambition. I was a pupil of Sebastian Bach. But--circumstances--necessity--brought me here. Other lives changed the direction of mine. It was right!”

“You mean your daughter's?” the Prince gently suggested.

“Hers and her mother's. Our story was well known in St. Petersburg twenty years ago, but I suppose no one recollects it now. My wife was the daughter of a Baron von Plauen, and loved music and myself better than her home and a titled bridegroom. She escaped, we united our lives, suffered and were happy together,--and she died. That is all.”

Further conversation was interrupted by the entrance of Helena, with steaming glasses of tea. She was even lovelier than before. Her close-fitting dress revealed the symmetry of her form, and the quiet, unstudied grace of her movements. Although her garments were of well-worn material, the lace which covered her bosom was genuine point d'Alencon, of an old and rare pattern. Boris felt that her air and manner were thoroughly noble; he rose and saluted her with the profoundest respect.

In spite of the singular delight which her presence occasioned him, he was careful not to prolong his visit beyond the limits of strict etiquette. His name, Boris Alexeivitch, only revealed to his guests the name of his father, without his rank; and when he stated that he was employed in one of the Departments, (which was true in a measure, for he was a staff officer,) they could only look upon him as being, at best, a member of some family whose recent elevation to the nobility did not release them from the necessity of Government service. Of course he employed the usual pretext of wishing to study music, and either by that or some other stratagem managed to leave matters in such a shape that a second visit could not occasion surprise.

As the sled glided homewards over the crackling snow, he was obliged to confess the existence of a new and powerful excitement. Was it the chance of an adventure, such as certain of his comrades were continually seeking? He thought not; no, decidedly not. Was it--could it be--love? He really could not tell; he had not the slightset idea what love was like.

VI.

It was something at least, that the plastic and not un-virtuous nature of the young man was directed towards a definite object. The elements out of which he was made, although somewhat diluted, were active enough to make him uncomfortable, so long as they remained in a confused state. He had very little power of introversion, but he was sensible that his temperament was changing,--that he grew more cheerful and contented with life,--that a chasm somewhere was filling up,--just in proportion as his acquaintance with the old music-master and his daughter became more familiar. His visits were made so brief, were so adroitly timed and accounted for by circumstances, that by the close of Lent he could feel justified in making the Easter call of a friend, and claim its attendant privileges, without fear of being repulsed.

That Easter call was an era in his life. At the risk of his wealth and rank being suspected, he dressed himself in new and rich garments, and hurried away towards the Smolnoi. The old nurse, Katinka, in her scarlet gown, opened the door for him, and was the first to say, “Christ is arisen!” What could he do but give her the usual kiss? Formerly he had kissed hundreds of serfs, men and women, on the sacred anniversary, with a passive good-will. But Katinka's kiss seemed bitter, and he secretly rubbed his mouth after it. The music-master came next: grisly though he might be, he was the St. Peter who stood at the gate of heaven. Then entered Helena, in white, like an angel. He took her hand, pronounced the Easter greeting, and scarcely waited for the answer, “Truly he has arisen!” before his lips found the way to hers. For a second they warmly trembled and glowed together; and in another second some new and sweet and subtle relation seemed to be established between their natures.

That night Prince Boris wrote a long letter to his “chere maman,” in piquantly misspelt French, giving her the gossip of the court, and such family news as she usually craved. The purport of the letter, however, was only disclosed in the final paragraph, and then in so negative a way that it is doubtful whether the Princess Martha fully understood it.

“Poing de mariajes pour moix!” he wrote,--but we will drop the original,--“I don't think of such a thing yet. Pashkoff dropped a hint, the other day, but I kept my eyes shut. Perhaps you remember her?--fat, thick lips, and crooked teeth. Natalie D---- said to me, 'Have you ever been in love, Prince?” HAVE I, MAMAN? I did not know what answer to make. What is love? How does one feel, when one has it? They laugh at it here, and of course I should not wish to do what is laughable. Give me a hint: forewarned is forearmed, you know,'”--etc., etc.

Perhaps the Princess Martha DID suspect something; perhaps some word in her son's letter touched a secret spot far back in her memory, and renewed a dim, if not very intelligible, pain. She answered his question at length, in the style of the popular French romances of that day. She had much to say of dew and roses, turtledoves and the arrows of Cupid.

“Ask thyself,” she wrote, “whether felicity comes with her presence, and distraction with her absence,--whether her eyes make the morning brighter for thee, and her tears fall upon thy heart like molten lava,--whether heaven would be black and dismal without her company, and the flames of hell turn into roses under her feet.”

It was very evident that the good Princess Martha had never felt--nay, did not comprehend--a passion such as she described.

Prince Boris, however, whose veneration for his mother was unbounded, took her words literally, and applied the questions to himself. Although he found it difficult, in good faith and sincerity, to answer all of them affirmatively (he was puzzled, for instance, to know the sensation of molten lava falling upon the heart), yet the general conclusion was inevitable: Helena was necessary to his happiness.

Instead of returning to Kinesma for the summer, as had been arranged, he determined to remain in St. Petersburg, under the pretence of devoting himself to military studies. This change of plan occasioned more disappointment to the Princess Martha than vexation to Prince Alexis. The latter only growled at the prospect of being called upon to advance a further supply of rubles, slightly comforting himself with the muttered reflection,--

“Perhaps the brat will make a man of himself, after all.”

It was not many weeks, in fact, before the expected petition came to hand. The Princess Martha had also foreseen it, and instructed her son how to attack his father's weak side. The latter was furiously jealous of certain other noblemen of nearly equal wealth, who were with him at the court of Peter the Great, as their sons now were at that of Elizabeth. Boris compared the splendor of these young noblemen with his own moderate estate, fabled a few “adventures” and drinking-bouts, and announced his determination of doing honor to the name which Prince Alexis of Kinesma had left behind him in the capital.