Part 6

MANDEVILLE. I think he is calm.

THE FIRE-TENDER. How is it about the war-path and all that?

MANDEVILLE. Oh, these studiously calm and cultured people may have malice underneath. It takes them to give the most effective "little digs;" they know how to stick in the pine-splinters and set fire to them.

HERBERT. But there is more in Mandeville's idea. You bring a red man into a picture-gallery, or a city full of fine architecture, or into a drawing-room crowded with objects of art and beauty, and he is apparently insensible to them all. Now I have seen country people,--and by country people I don't mean people necessarily who live in the country, for everything is mixed in these days,--some of the best people in the world, intelligent, honest, sincere, who acted as the Indian would.

THE MISTRESS. Herbert, if I did n't know you were cynical, I should say you were snobbish.

HERBERT. Such people think it a point of breeding never to speak of anything in your house, nor to appear to notice it, however beautiful it may be; even to slyly glance around strains their notion of etiquette. They are like the countryman who confessed afterwards that he could hardly keep from laughing at one of Yankee Hill's entertainments.

THE YOUNG LADY. Do you remember those English people at our house in Flushing last summer, who pleased us all so much with their apparent delight in everything that was artistic or tasteful, who explored the rooms and looked at everything, and were so interested? I suppose that Herbert's country relations, many of whom live in the city, would have thought it very ill-bred.

MANDEVILLE. It's just as I said. The English, the best of them, have become so civilized that they express themselves, in speech and action, naturally, and are not afraid of their emotions.

THE PARSON. I wish Mandeville would travel more, or that he had stayed at home. It's wonderful what a fit of Atlantic sea-sickness will do for a man's judgment and cultivation. He is prepared to pronounce on art, manners, all kinds of culture. There is more nonsense talked about culture than about anything else.

HERBERT. The Parson reminds me of an American country minister I once met walking through the Vatican. You could n't impose upon him with any rubbish; he tested everything by the standards of his native place, and there was little that could bear the test. He had the sly air of a man who could not be deceived, and he went about with his mouth in a pucker of incredulity. There is nothing so placid as rustic conceit. There was something very enjoyable about his calm superiority to all the treasures of art.

MANDEVILLE. And the Parson reminds me of another American minister, a consul in an Italian city, who said he was going up to Rome to have a thorough talk with the Pope, and give him a piece of his mind. Ministers seem to think that is their business. They serve it in such small pieces in order to make it go round.

THE PARSON. Mandeville is an infidel. Come, let's have some music; nothing else will keep him in good humor till lunch-time.

THE MISTRESS. What shall it be?

THE PARSON. Give us the larghetto from Beethoven's second symphony.

The Young Lady puts aside her portfolio. Herbert looks at the young lady. The Parson composes himself for critical purposes. Mandeville settles himself in a chair and stretches his long legs nearly into the fire, remarking that music takes the tangles out of him.

After the piece is finished, lunch is announced. It is still snowing.

FOURTH STUDY

It is difficult to explain the attraction which the uncanny and even the horrible have for most minds. I have seen a delicate woman half fascinated, but wholly disgusted, by one of the most unseemly of reptiles, vulgarly known as the "blowing viper" of the Alleghanies. She would look at it, and turn away with irresistible shuddering and the utmost loathing, and yet turn to look at it again and again, only to experience the same spasm of disgust. In spite of her aversion, she must have relished the sort of electric mental shock that the sight gave her.

I can no more account for the fascination for us of the stories of ghosts and "appearances," and those weird tales in which the dead are the chief characters; nor tell why we should fall into converse about them when the winter evenings are far spent, the embers are glazing over on the hearth, and the listener begins to hear the eerie noises in the house. At such times one's dreams become of importance, and people like to tell them and dwell upon them, as if they were a link between the known and unknown, and could give us a clew to that ghostly region which in certain states of the mind we feel to be more real than that we see.

Recently, when we were, so to say, sitting around the borders of the supernatural late at night, MANDEVILLE related a dream of his which he assured us was true in every particular, and it interested us so much that we asked him to write it out. In doing so he has curtailed it, and to my mind shorn it of some of its more vivid and picturesque features. He might have worked it up with more art, and given it a finish which the narration now lacks, but I think best to insert it in its simplicity. It seems to me that it may properly be called,

A NEW "VISION OF SIN"

In the winter of 1850 I was a member of one of the leading colleges of this country. I was in moderate circumstances pecuniarily, though I was perhaps better furnished with less fleeting riches than many others. I was an incessant and indiscriminate reader of books. For the solid sciences I had no particular fancy, but with mental modes and habits, and especially with the eccentric and fantastic in the intellectual and spiritual operations, I was tolerably familiar. All the literature of the supernatural was as real to me as the laboratory of the chemist, where I saw the continual struggle of material substances to evolve themselves into more volatile, less palpable and coarse forms. My imagination, naturally vivid, stimulated by such repasts, nearly mastered me. At times I could scarcely tell where the material ceased and the immaterial began (if I may so express it); so that once and again I walked, as it seemed, from the solid earth onward upon an impalpable plain, where I heard the same voices, I think, that Joan of Arc heard call to her in the garden at Domremy. She was inspired, however, while I only lacked exercise. I do not mean this in any literal sense; I only describe a state of mind. I was at this time of spare habit, and nervous, excitable temperament. I was ambitious, proud, and extremely sensitive. I cannot deny that I had seen something of the world, and had contracted about the average bad habits of young men who have the sole care of themselves, and rather bungle the matter. It is necessary to this relation to admit that I had seen a trifle more of what is called life than a young man ought to see, but at this period I was not only sick of my experience, but my habits were as correct as those of any Pharisee in our college, and we had some very favorable specimens of that ancient sect.

Nor can I deny that at this period of my life I was in a peculiar mental condition. I well remember an illustration of it. I sat writing late one night, copying a prize essay,--a merely manual task, leaving my thoughts free. It was in June, a sultry night, and about midnight a wind arose, pouring in through the open windows, full of mournful reminiscence, not of this, but of other summers,--the same wind that De Quincey heard at noonday in midsummer blowing through the room where he stood, a mere boy, by the side of his dead sister,--a wind centuries old. As I wrote on mechanically, I became conscious of a presence in the room, though I did not lift my eyes from the paper on which I wrote. Gradually I came to know that my grandmother--dead so long ago that I laughed at the idea--was in the room. She stood beside her old-fashioned spinning-wheel, and quite near me. She wore a plain muslin cap with a high puff in the crown, a short woolen gown, a white and blue checked apron, and shoes with heels. She did not regard me, but stood facing the wheel, with the left hand near the spindle, holding lightly between the thumb and forefinger the white roll of wool which was being spun and twisted on it. In her right hand she held a small stick. I heard the sharp click of this against the spokes of the wheel, then the hum of the wheel, the buzz of the spindles as the twisting yarn was teased by the whirl of its point, then a step backwards, a pause, a step forward and the running of the yarn upon the spindle, and again a backward step, the drawing out of the roll and the droning and hum of the wheel, most mournfully hopeless sound that ever fell on mortal ear. Since childhood it has haunted me. All this time I wrote, and I could hear distinctly the scratching of the pen upon the paper. But she stood behind me (why I did not turn my head I never knew), pacing backward and forward by the spinning-wheel, just as I had a hundred times seen her in childhood in the old kitchen on drowsy summer afternoons. And I heard the step, the buzz and whirl of the spindle, and the monotonous and dreary hum of the mournful wheel. Whether her face was ashy pale and looked as if it might crumble at the touch, and the border of her white cap trembled in the June wind that blew, I cannot say, for I tell you I did NOT see her. But I know she was there, spinning yarn that had been knit into hose years and years ago by our fireside. For I was in full possession of my faculties, and never copied more neatly and legibly any manuscript than I did the one that night. And there the phantom (I use the word out of deference to a public prejudice on this subject) most persistently remained until my task was finished, and, closing the portfolio, I abruptly rose. Did I see anything? That is a silly and ignorant question. Could I see the wind which had now risen stronger, and drove a few cloud-scuds across the sky, filling the night, somehow, with a longing that was not altogether born of reminiscence?

In the winter following, in January, I made an effort to give up the use of tobacco,--a habit in which I was confirmed, and of which I have nothing more to say than this: that I should attribute to it almost all the sin and misery in the world, did I not remember that the old Romans attained a very considerable state of corruption without the assistance of the Virginia plant.

On the night of the third day of my abstinence, rendered more nervous and excitable than usual by the privation, I retired late, and later still I fell into an uneasy sleep, and thus into a dream, vivid, illuminated, more real than any event of my life. I was at home, and fell sick. The illness developed into a fever, and then a delirium set in, not an intellectual blank, but a misty and most delicious wandering in places of incomparable beauty. I learned subsequently that our regular physician was not certain to finish me, when a consultation was called, which did the business. I have the satisfaction of knowing that they were of the proper school. I lay sick for three days.

On the morning of the fourth, at sunrise, I died. The sensation was not unpleasant. It was not a sudden shock. I passed out of my body as one would walk from the door of his house. There the body lay,--a blank, so far as I was concerned, and only interesting to me as I was rather entertained with watching the respect paid to it. My friends stood about the bedside, regarding me (as they seemed to suppose), while I, in a different part of the room, could hardly repress a smile at their mistake, solemnized as they were, and I too, for that matter, by my recent demise. A sensation (the word you see is material and inappropriate) of etherealization and imponderability pervaded me, and I was not sorry to get rid of such a dull, slow mass as I now perceived myself to be, lying there on the bed. When I speak of my death, let me be understood to say that there was no change, except that I passed out of my body and floated to the top of a bookcase in the corner of the room, from which I looked down. For a moment I was interested to see my person from the outside, but thereafter I was quite indifferent to the body. I was now simply soul. I seemed to be a globe, impalpable, transparent, about six inches in diameter. I saw and heard everything as before. Of course, matter was no obstacle to me, and I went easily and quickly wherever I willed to go. There was none of that tedious process of communicating my wishes to the nerves, and from them to the muscles. I simply resolved to be at a particular place, and I was there. It was better than the telegraph.

It seemed to have been intimated to me at my death (birth I half incline to call it) that I could remain on this earth for four weeks after my decease, during which time I could amuse myself as I chose.

I chose, in the first place, to see myself decently buried, to stay by myself to the last, and attend my own funeral for once. As most of those referred to in this true narrative are still living, I am forbidden to indulge in personalities, nor shall I dare to say exactly how my death affected my friends, even the home circle. Whatever others did, I sat up with myself and kept awake. I saw the "pennies" used instead of the "quarters" which I should have preferred. I saw myself "laid out," a phrase that has come to have such a slang meaning that I smile as I write it. When the body was put into the coffin, I took my place on the lid.