"I don't want you to pray. I want you to keep still. Don't make a sound--do you hear?"
"I've got a wife an' children--"
"Shut up! Look! She's put out the light. Keep your eyes skinned, old man! He must be near. Don't make a sound. My partner's in that rain-barrel at the corner of the house. If we can get him between us, he won't have any more chance than a snowball in--Look! There he is, sneaking across the yard! By golly, we've got him at last."
What happened in the next fifteen seconds was a revelation to the most recent addition to the forces of the International Society of Sleuths. He witnessed the quick, businesslike methods of two of the craftiest men in the craftiest organization in the world--the United States Secret Service.
Two words were spoken. They came, loud and imperative, from a point near the house.
"Hands up!"
The skulking figure in the yard stopped short, but only for a fraction of a second. Then he made a wild spring toward the front gate.
A shot rang out.
The man at Anderson's side leaped forward through the hedge. Mr. Crow was dimly conscious of a mishap to his erstwhile captor. He heard him curse as he went sprawling over a treacherous vine.
Mr. Crow did not waste a second's time. He leaped to his feet and started pellmell for home. With rare sagacity he avoided the highway and laid his course well inside the hedgerow. He knew where he could strike an open stretch of meadowland, and he headed for it through the brambles.
He heard shouts behind him, and the rush of feet. If he could only get clear of the cussed bushes! That was his thought as he plunged along.
Down he went with a crash!
* * * * *
As the marshal tried to rise, a huge object ploughed through the hedge beside him, and the next instant he was knocked flat and breathless by the impact of this hurtling body.
The next instant two swift, ruthless figures came plunging through the hedge, and he found himself embroiled in a seething mix-up of panting, struggling men.
Presently Crow sat up. The steady glare of a "dark-lantern" revealed a picture he was never to forget.
A single figure in a kneeling position, hands on high, was crying:
"Don't shoot! Don't shoot!"
Over him stood two men with pistols levelled at the white, terrified face.
Anderson, to his dying day, was to remember those bulging eyes, the flabby and unshaven face, the mouth that appeared to be grinning--but never had he seen such an unnatural grin!
"Stand up!" commanded one of the men, and the victim struggled to his feet. In less time than it takes to tell it, the fellow was searched and hand-cuffed. "Run back there, Pyke, and see that the woman don't take a crack at us with a shotgun. She'd do it in a minute." As his companion darted back into the roadway, the speaker turned to his captive. "Where's your gun?"
By this time Anderson Crow was on his feet. He was clutching something in his hand. He looked at it in stark astonishment. It was an automatic pistol. In raising himself from the ground his hand had fallen upon it.
"I don't know," said the captive sullenly. Then his gaze fell upon the gaunt figure of Anderson Crow. A frightful scowl transfigured his face. Mr. Crow involuntarily drew back a step and reversed the pistol in his hand, so that its muzzle was pointing at the enemy instead of at himself. Between imprecations the prisoner managed to convey the fact that he realized for the first time that it was a human being and not a log that had brought him to earth.
* * * * *
Mr. Crow found his voice and some of his wits at the same time.
"I'll learn you not to go rampagin' around these parts carryin' concealed weapons, you good-fer-nothin' scamp! I've got your gun, blast ye!" He turned triumphantly to the surprised secret-service man. "I took it away from him soon as I had him down, an'--"
"Holy mackerel!" gasped the operative. "Did--did you head him off and--and down him? You? Well, I'll be hanged!"
"I sorter knowed he'd strike about here, tryin' to make the woods up yonder, so I hustled down here to head him off while you fellers--"
Anderson Crow, Detective · The Wunder Library — complete classics, free to read, with narration.