Part 46

"I think you ought to investigate the Veiled Lady of Nixon Cottage," said Harry Squires, lowering his voice and glancing over his shoulder. "You can't tell what she's up to, Anderson. It wouldn't surprise me if she's a woman with a past. She may be using that veil as a disguise. What's more, there may be a price on her head. The country is full of these female spies, working tooth and nail for Germany. Suppose she should turn out to be that society woman the New York papers say the Secret Service men are chasing all over the country and can't find--the Baroness von Slipernitz."

"What fer kind of a dog is that you got, Ed?" inquired Mr. Crow, calmly ignoring the suggestion.

Mr. Higgins' new dog was enjoying a short nap in the middle of the sidewalk, after an apparently fatiguing effort to dislodge something in the neighbourhood of his left ear.

"Well," began Ed, eyeing the dog doubtfully, "all I know about him is that he's a black dog. My wife has been sizin' him up for a day or two, figgerin' on having him clipped here and there to see if he can't be made to look as respectable as that dog of Mrs. Smith. Hetty Adams has clipped that Newfoundland dog of hers. Changed him something terrible. When I come across them on the street today, I declare I only recognized half of him--an' I wouldn't have recognized that much if he hadn't wagged it at me. It beats all what women will do to keep up with the styles."

"I seen him today," said Mr. Spratt, "an' I never in all my life see a dog that looked so mortified. I says to Hetty, says I: 'In the name o' Heaven, Hetty,' says I, 'what you been doin' to Shep?' An' she says: 'I'd thank you, Newt Spratt, not to call my dog Shep. His name is Edgar.' So I says to Shep: 'Come here, Edgar--that's a good dog.' An' he never moved. Then I says: 'Hyah, Shep!' an' he almost jumped out of his hide, he was so happy to find somebody that knowed who he was. 'Edgar, your granny!' says I to Hetty. 'What's the use of ruinin' a good dog by calling him Edgar?' An' Hetty says: 'Come here, Edgar! Come here, I say!' But Edgar, he never paid any attention to her. He just kep' on tryin' to lick my hand, an' so she hit him a clip with her parysol an' says: 'Edgar, must I speak to you again? Come here, I say! Behave like a gentleman!' 'There ain't no dog livin' that's goin' to behave like a gentleman if you call him names like that,' says I. 'It ain't human nature,' says I. An' just to prove it to her, I turned an' says to Shep: 'Ain't that so, Shep, old sport?' An' what do you think that poor old dog done? He got right up on his hind legs and tried to kiss me."

"No wonder she wants to call him Edgar," said Harry Squires. "That's just the kind of thing an Edgar sort of dog would do."

"I was just going to say," said Mr. Crow, twisting his whiskers reflectively, "that maybe she does it because she's had smallpox, or been terribly scalded, or is cross-eyed, or something like that."

Mr. Squires inwardly rejoiced. He knew that the seed had been planted in the Marshal's fertile brain, that it would thrive in the night and sprout on the morrow. He saw delectable operations ahead; he was fond of the old man, but nothing afforded him greater entertainment than the futile but vainglorious efforts of Anderson Crow to achieve renown as a detective.

The reporter was a constant thorn in the side of Crow, who both loved and feared him. The Banner seldom appeared without some sarcastic advice to the Marshal of Tinkletown, but an adjoining column invariably contained something of a complimentary character, the one so adroitly offsetting the other that Mr. Crow never knew whether he was "afoot or horseback," to quote him in his perplexity.

Harry Squires had worked on a New York morning paper in his early days. His health failing him, he was compelled to abandon what might have become a really brilliant career as a journalist. Lean, sick and disheartened, he came to Bramble County to spend the winter with an old aunt, who lived among the pine-covered hills above the village of Tinkletown. That was twenty years ago. For nineteen years he had filled the high-sounding post of city editor on the Banner. He always maintained that the most excruciating thing he had ever written was the line at the top of the first column of the so-called editorial page, which said: "City Editor--Harry Sylvester Squires." Nothing, he claimed, could be more provocative of hilarity than that.

In his capacity as city editor, he wrote advertisements, personals, editorials, news-items, death-notices, locals and practically everything else in the paper except the poetry sent in by Miss Sue Becker. He even wrote the cable and telegraph matter, always ascribing it to a "Special Correspondent of the Banner." In addition to all this, he "made-up" the forms, corrected proof, wrote "heads," stood over the boy who ran the press and stood over him when he wasn't running the press, took all the blame and none of the credit for things that appeared in the paper, and once a week accepted currency to the amount of fifteen dollars as an honorarium.

Regarding himself as permanently buried in this out-of-the-way spot on the earth's surface, he had the grim humour to write his own "obituary" and publish it in the columns of the Banner. He began it by saying that he was going to tell the truth, the whole truth and nothing but the truth about the "deceased." He had written hundreds of obituaries during his career as city editor, he said, and not once before had he been at liberty to tell the truth. In view of the fact that he had no relations to stop their subscriptions to the paper, he felt that for once in his life he could take advantage of an opportunity to write exactly as he felt about the deceased.

He left out such phrases as "highly esteemed citizen," "nobility of character," "loss to the community," "soul of integrity" and other stock expressions. At the end he begged to inform his friends that flowers might be deposited at the Banner office or at his room in Mrs. Camp's boarding-house, as he was buried in both places. Buttonhole bouquets could be pinned upon him any day by simply stopping his customary funeral procession about town. Such attentions should always be accompanied by gentle words or exclamations of satisfaction, as for example: "How natural you look!" or "You owed me ten dollars, but I forgive you," or "It's a pity your friends allowed you to to be laid away in a suit of clothes like that," or "I don't believe half the things people said about you," or "It's a perfect shame you don't feel like resting in peace," or "Did you leave anything worth mentioning?" He also suggested that he would rest much easier in his grave if a slight increase in salary attended the obsequies.

From this it may be gathered that Harry Squires was a man who made the most out of a very ordinary situation.

* * * * *

Marshal Crow's suggestion met with instant response. "On the other hand, Anderson, the lady may be as beautiful as the fabulous houri and as devilish as Delilah. I don't want to take any steps in the matter without giving you your chance." He spoke darkly.

Mr. Crow pricked up his ears. "What do you mean by that?"

"As a newspaper man, I am determined to clear up the mystery of the Veiled Lady. If you persist in sitting around twiddling your thumbs and looking like a primeval goat, I shall send to New York and engage a detective to work on the case exclusively for the Banner. The Banner is enterprising. We intend to give our subscribers the news, no matter what it costs. If you--"

The Marshal swallowed the bait, hook and all. He arose from his chair and faced Mr. Squires. "I'll thank you, Harry Squires, to keep out of this. I didn't mean to say a word about it to you or anybody else until I had gone a little further with my investigations, but now I've got to let the cat out of the bag. I've been working day and night on her case ever since she came to town. Never mind, Newt--don't ask me. I'll announce the result of my investigations at the proper time an' not a minute sooner. Now I guess I'll be moseyin' along. It's gettin' purty late, an' I've got a lot of work to do before midnight."

He started down the steps. Harry Squires leaned back in his chair and scratched a match on the leg of his trousers. By the time he raised the lighted match to the bowl of his pipe, the smile had left his lips.

* * * * *

An uneventful week passed. The Veiled Lady made her daily excursions in the big high-powered car, pursued her now well-known domestic habits, retained her offensive aloofness, played games with the astounding Snooks, suffered no ill effects whatsoever from the inimical glares of the natives; and above all, she continued to set the fashions in Tinkletown.

Mr. Crow stalked the streets early and late. He lurked behind the corners of buildings; he peered sharply from the off-side of telephone poles as the big limousine swept haughtily by. He patrolled the Nixon neighbourhood by day and haunted it by night. On occasion he might have been observed in the act of scrutinizing the tracks of the automobile over recently sprinkled streets.

One evening, just after dusk,--after a sharp encounter with Harry Squires, who bluntly accused him of loafing on the job,--he sauntered past the Nixon cottage. His soul was full of bitterness. He was baffled. Harry Squires was right; he had accomplished nothing--and what was worse, he wasn't likely to accomplish anything. He sauntered back, casting furtive glances into the spacious front-yard, and concluded to ease his restless legs by leaning against a tree and crossing them in an attitude of profound nonchalance. The tree happened to be almost directly in front of the Nixon gate. Not to seem actually employed in shadowing the house, he decided to pose with his back to the premises, facing down the street, twisting his whiskers in a most pensive manner.

Suddenly a low, musical voice said:

"Good evening!"

Mr. Crow looked up into the thick foliage of the elm, then to the right and left, and finally in the direction of the cottage, out of the corner of his eye, after a sudden twist of the neck that caused him to wonder whether he had sprained it.

The Veiled Lady was standing at the gate. In the gathering darkness her figure seemed abnormally tall.