Part 10

Further, from the great chamber are carried two ventilation-shafts, or air-passages, northwards and southwards, which open on the outer surface of the pyramid, and are respectively two hundred and thirty-three and one hundred and ninety-four feet long. These passages are square, or nearly so, and have a diameter varying between six and nine inches. They give a continual supply of pure air to the chamber, and keep it dry at all seasons.

The Great Gallery is also of curious construction. Extending for a distance of one hundred and fifty feet, and rising at an angle of 26° 18', it has a width of five feet at the base and a height of above thirty feet. The side walls are formed of seven layers of stone, each projecting a few inches over that below it. The gallery thus gradually contracts towards the top, which has a width of four feet only, and is covered in with stones that reach across it, and rest on the walls at either side. The exact object of so lofty a gallery has not been ascertained; but it must have helped to keep the air of the interior pure and sweet, by increasing the space through which it had to circulate.

The "Pyramid Builders," or kings who constructed the three monuments that have now been described, were, according to a unanimous tradition, three consecutive monarchs, whose native names are read as Khufu, Shafra, and Menkaura. These kings belonged to Manetho's fourth dynasty; and Khufu, the first of the three, seems to have been the immediate successor of Sneferu. Theorists have delighted to indulge in speculations as to the objects which the builders had in view when they raised such magnificent constructions. One holds that the Great Pyramid, at any rate, was built to embody cosmic discoveries, as the exact length of the earth's diameter and circumference, the length of an arc of the meridian, and the true unit of measure. Another believes the great work of Khufu to have been an observatory, and the ventilating passages to have been designed for "telescopes," through which observations were to be made upon the sun and stars; but it has not yet been shown that there is any valid foundation for these fancies, which have been spun with much art out of the delicate fabric of their propounders' brains. The one hard fact which rests upon abundant evidence is this--the pyramids were built for tombs, to contain the mummies of deceased Egyptians. The chambers in their interiors, at the time of their discovery, held within them sarcophagi, and in one instance the sarcophagus had within it a coffin. The coffin had an inscription upon it, which showed that it had once contained the body of a king. If anything more is necessary, we may add that every pyramid in Egypt--and there are, as he have said, more than sixty of them--was built for the same purpose, and that they all occupy sites in the great necropolis, or burial-ground opposite Memphis, where the inhabitants are known to have laid their dead.

The marvel is, how Khufu came suddenly to have so magnificent a thought as that of constructing an edifice double the height of any previously existing, covering five times the area, and containing ten times the mass. Architecture does not generally proceed by "leaps and bounds;" but here was a case of a sudden extraordinary advance, such as we shall find it difficult to parallel elsewhere. An attempt has been made to solve the mystery by the supposition that all pyramids were gradual accretions, and that their size marks simply the length of a king's reign, each monarch making his sepulchral chamber, with a small pyramid above it, in his first year, and as his reign went on, adding each year an outer coating; so that the number of these coatings tells the length of his reign, as the age of a tree is known from the number of its annual rings. In this case there would have been nothing ideally great in the conception of Khufu--he would simply have happened to erect the biggest pyramid because he happened to have the longest reign; but, except in the case of the "Third Pyramid," there is a unity of design in the structures which implies that the architect had conceived the whole structure in his mind from the first. The lengths of the several parts are proportioned one to another. In the "Great Pyramid," the main chamber would not have needed the five relieving chambers above it unless it was known that it would have to be pressed down by a superincumbent mass, such as actually lies upon it. Moreover, how is it possible to conceive that in the later years of a decrepid monarch, the whole of an enormous pyramid could be coated over with huge blocks--and the blocks are largest at the external surface--the work requiring to be pushed each year with more vigour, as becoming each year greater and more difficult? Again, what shall we say of the external finish? Each pyramid was finally smoothed down to a uniform sloping surface. This alone must have been a work of years. Did a pyramid builder leave it to his successor to finish his pyramid? It is at least doubtful whether any pyramid at all would ever have been finished had he done so.

We must hold, therefore, that Khufu did suddenly conceive a design without a parallel--did require his architect to construct him a tomb, which should put to shame all previous monuments, and should with difficulty be surpassed, or even equalled. He must have possessed much elevation of thought, and an intense ambition, together with inordinate selfishness, an overweening pride, and entire callousness to the sufferings of others, before he could have approved the plan which his master-builder set before him. That plan, including the employment of huge blocks of stone, their conveyance to the top of a hill a hundred feet high, and their emplacement, in some cases, at a further elevation of above 450 feet, involved, under the circumstances of the time, such an amount of human suffering, that no king who had any regard for the happiness of his subjects could have consented to it. Khufu must have forced his subjects to labour for a long term of years--twenty, according to Herodotus--at a servile work which was wholly unproductive, and was carried on amid their sighs and groans for no object but his own glorification, and the supposed safe custody of his remains. Shafra must have done nearly the same. Hence an evil repute attached to the pyramid builders, whose names were handed down to posterity as those of evil-minded and impious kings, who neglected the service of the gods to gratify their own vanity, and, so long as they could exalt themselves, did not care how much they oppressed their people. There was not even the poor apology for their conduct that their oppression fell on slaves, or foreigners, or prisoners of war. Egypt was not yet a conquering power; prisoners of war were few, slaves not very common. The labourers whom the pyramid builders employed were their own free subjects whom they impressed into the heavy service.

It is by a just Nemesis that the kings have in a great measure failed to secure the ends at which they aimed, and in hope of which they steeled their hearts against their subjects' cries. They have indeed handed down their names to a remote age: but it is as tyrants and oppressors. They are world-famous, or rather world-infamous. But that preservation of their corporeal frame which they especially sought, is exactly what they have missed attaining.

Let not a monument give you or me hopes, Since not a pinch of dust remains of Cheôps,

says the doggerel of the satiric Byron; and it is the absolute fact that while thousands of mummies buried in common graves remain untouched even to the present day, the very grandeur of the pyramid builders' tombs attracted attention to them, caused the monuments to be opened, the sarcophagi to be rifled, and the remains inclosed in them to be dispersed to the four winds of heaven.

Still, whatever gloomy associations attach to the pyramids in respect of the sufferings caused by their erection, as monuments they must always challenge a certain amount of admiration. A great authority declares: "No one can possibly examine the interior of the Great Pyramid without being struck with astonishment at the wonderful mechanical skill displayed in its construction. The immense blocks of granite brought from Syene, a distance of five hundred miles, polished like glass, and so fitted that the joints can scarcely be detected! Nothing can be more wonderful than the extraordinary amount of knowledge displayed in the construction of the discharging chambers over the roof of the principal apartment, in the alignment of the sloping galleries, in the provision of the ventilating shafts, and in all the wonderful contrivances of the structure. All these, too, are carried out with such precision that, notwithstanding the immense superincumbent weight, no settlement in any part can be detected to an appreciable fraction of an inch. Nothing more perfect mechanically has ever been erected since that time."

The architectural effect of the two greatest of the pyramids is certainly magnificent. They do not greatly impress the beholder at first sight, for a pyramid, by the very law of its formation, never looks as large as it is--it slopes away from the eye in every direction, and eludes rather than courts observation. But as the spectator gazes, as he prolongs his examination and inspection, the pyramids gain upon him, their impressiveness increases. By the vastness of their mass, by the impression of solidity and durability which they produce, partly also, perhaps, by the symmetry and harmony of their lines and their perfect simplicity and freedom from ornament, they convey to the beholder a sense of grandeur and majesty, they produce within him a feeling of astonishment and awe, such as is scarcely caused by any other of the erections of man. In all ages travellers have felt and expressed the warmest admiration for them. They impressed Herodotus as no works that he had seen elsewhere, except, perhaps, the Babylonian. They astonished Germanicus, familiar as he was with the great constructions of Rome. They furnished Napoleon with the telling phrase, "Soldiers, forty centuries look down upon you from the top of the pyramids." Greece and Rome reckoned them among the Seven Wonders of the world. Moderns have doubted whether they could really be the work of human hands. If they possess only one of the elements of architectural excellence, they possess that element to so great an extent that in respect of it they are unsurpassed, and probably unsurpassable.

These remarks apply especially to the first and second pyramids. The "Third" is not a work of any very extraordinary grandeur. The bulk is not greater than that of the chief pyramid of Saccarah, which has never attracted much attention; and the height did not greatly exceed that of the chief Mexican temple-mound. Moreover, the stones of which the pyramid was composed are not excessively massive. The monument aimed at being beautiful rather than grand. It was coated for half its height with blocks of pink granite from Syene, bevelled at the edges, which remain still in place on two sides of the structure. The entrance to it, on the north side, was conspicuous, and seems to have had a metal ornamentation let into the stone. The sepulchral chamber was beautifully lined and roofed, and the sarcophagus was exquisitively carved. Menkaura, the constructor, was not regarded as a tyrant, or an oppressor, but as a mild and religious monarch, whom the gods ill-used by giving him too short a reign. His religious temper is indicated by the inscription on the coffin which contained his remains: "O Osiris," it reads, "King of Upper and Lower Egypt, Menkaura, living eternally, engendered by the Heaven, born of Nut, substance of Seb, thy mother Nut stretches herself over thee in her name of the abyss of heaven. She renders thee divine by destroying all thy enemies, O King Menkaura, living eternally."

The fashion of burying in pyramids continued to the close of Manetho's sixth dynasty, but no later monarchs rivalled the great works of Khufu and Shafra. The tombs of their successors were monuments of a moderate size, involving no oppression of the people, but perhaps rather improving their condition by causing a rise in the rate of wages. Certainly, the native remains of the period give a cheerful representation of the condition of all classes. The nation for the most part enjoys peace, and applies itself to production. The wealth of the nobles increases, and the position of their dependents is improved. Slaves were few, and there was ample employment for the labouring classes. We do not see the stick at work upon the backs of the labourers in the sculptures of the time; they seem to accomplish their various tasks with alacrity and gaiety of heart. They plough, and hoe, and reap; drive cattle or asses; winnow and store corn; gather grapes and tread them, singing in chorus as they tread; cluster round the winepress or the threshingfloor, on which the animals tramp out the grain; gather lotuses; save cattle from the inundation; engage in fowling or fishing; and do all with an apparent readiness and cheerfulness which seems indicative of real content. There may have been a darker side to the picture, and undoubtedly was while Khufu and Shafra held the throne; but kings of a morose and cruel temper seem to have been the exception, rather than the rule, in Egypt; and the moral code, which required kindness to be shown to dependents, seems, at this period at any rate, to have had a hold upon the consciences, and to have influenced the conduct, of the mass of the people. "Happy the nation that has no history!" Egypt during this golden age was neither assailed by any aggressive power beyond her borders, nor had herself conceived the idea of distant conquest. An occasional raid upon the negroes of the South, or chastisement of the nomades of the East, secured her interests in those quarters, and prevented her warlike virtues from dying out through lack of use. But otherwise tranquillity was undisturbed, and the energies of the nation were directed to increasing its material prosperity, and to progress in the arts.

Among the marvels of Egypt perhaps the Sphinx is second to none. The mysterious being with the head of a man and the body of a lion is not at all uncommon in Egyptian architectural adornment, but the one placed before the Second Pyramid (the Pyramid of Shafra), and supposed to be contemporary with it, astonishes the observer by its gigantic proportions. It is known to the Arabs as Abul-hôl, the father of terror. It measures more than one hundred feet in length, and was partially carved from the rocks of the Lybian hills. Between its out-stretched feet there stands a chapel, uncovered in 1816, three walls of which are formed by tablets bearing inscriptions indicative of its use and origin.

A small temple behind the great Sphinx, probably also built by Shafra, is formed of great blocks of the hardest red granite, brought from the neighbourhood of Syene and fitted to each other with a nicety astonishing to modern architects, who are unable to imagine what tools could have proved equal to the difficult achievement. Mysterious passages pierce the great Sphinx and connect it with the Second Pyramid, three hundred feet west of it. In the face of this mystery all questions are vain, and yet every visitor adds new queries to those that others have asked before him.

Since what unnumbered year Hast thou kept watch and ward, And o'er the buried land of fear So grimly held thy guard? No faithless slumber snatching, Still couched in silence brave, Like some fierce hound, long watching Above her master's grave....

Dost thou in anguish thus Still brood o'er Œdipus? And weave enigmas to mislead anew, And stultify the blind Dull heads of human-kind, And inly make thy moan, That, mid the hated crew, Whom thou so long couldst vex, Bewilder and perplex, Thou yet couldst find a subtler than thine own?

Even now; methinks that those Dark, heavy lips which close In such a stern repose, Seem burdened with some thought unsaid, And hoard within their portals dread Some fearful secret there, Which to the listening earth She may not whisper forth. Not even to the air!

Of awful wonders hid In yonder dread Pyramid, The home of magic fears; Of chambers vast and lonely, Watched by the Genii only, Who tend their masters' long-forgotten biers, And treasures that have shone On cavern walls alone, For thousand, thousand years.

Would she but tell. She knows Of the old Pharaohs; Could count the Ptolemies' long line; Each mighty myth's original hath seen, Apis, Anubis,--ghosts that haunt between The bestial and divine,-- (Such he that sleeps in Philæ,--he that stands In gloom unworshipped, 'neath his rock-hewn lane,-- And they who, sitting on Memnonian sands, Cast their long shadows o'er the desert plain:) Hath marked Nitocris pass, And Oxymandyas Deep-versed in many a dark Egyptian wile,-- The Hebrew boy hath eyed Cold to the master's bride; And that Medusan stare hath frozen the smile Of all her love and guile, For whom the Cæsar sighed, And the world-loser died,-- The darling of the Nile.

FOOTNOTES:

Fergusson, "History of Architecture," vol. i. pp. 91, 92.

THE RISE OF THEBES TO POWER, AND THE EARLY THEBAN KINGS.

Hitherto Egypt had been ruled from a site at the junction of the narrow Nile valley with the broad plain of the Delta--a site sufficiently represented by the modern Cairo. But now there was a shift of the seat of power. There is reason to believe that something like a disruption of Egypt into separate kingdoms took place, and that for a while several distinct dynasties bore sway in different parts of the country. Disruption was naturally accompanied by weakness and decline. The old order ceased, and opportunity was offered for some new order--some new power--to assert itself. The site on which it arose was one three hundred and fifty miles distant from the ancient capital, or four hundred and more by the river. Here, about lat. 26°, the usually narrow valley of the Nile opens into a sort of plain or basin. The mountains on either side of the river recede, as though by common consent, and leave between themselves and the river's bank a broad amphitheatre, which in each case is a rich green plain--an alluvium of the most productive character--dotted with dom and date palms, sometimes growing single, sometimes collected into clumps or groves. On the western side the Libyan range gathers itself up into a single considerable peak, which has an elevation of twelve hundred feet. On the east the desert-wall maintains its usual level character, but is pierced by valleys conducting to the coast of the Red Sea. The situation was one favourable for commerce. On the one side was the nearest route through the sandy desert to the Lesser Oasis, which commanded the trade of the African interior; on the other the way led through the valley of Hammamât, rich with breccia verde and other valuable and rare stones, to a district abounding in mines of gold, silver, and lead, and thence to the Red Sea coast, from which, even in very early times, there was communication with the opposite coast of Arabia, the region of gums and spices.

In this position there had existed, probably from the very beginnings of Egypt, a provincial city of some repute, called by its inhabitants Apé or Apiu, and, with the feminine article prefixed, Tapé, or Tapiu, which some interpret "The city of thrones". To the Greeks the name "Tapé" seemed to resemble their own well-known "Thebai", whence they transferred the familiar appellation from the Bæotian to the Mid-Egyptian town, which has thus come to be known to Englishmen and Anglo-Americans as "Thebes." Thebes had been from the first the capital of a "nome". It lay so far from the court that it acquired a character of its own--a special cast of religion, manners, speech, nomenclature, mode of writing, and the like--which helped to detach it from Lower or Northern Egypt more even than its isolation. Still, it was not until the northern kingdom sank into decay from internal weakness and exhaustion, and disintegration supervened in the Delta and elsewhere, that Thebes resolved to assert herself and claim independent sovereignty. Apparently, she achieved her purpose without having recourse to arms. The kingdoms of the north were content to let her go. They recognized their own weakness, and allowed the nascent power to develop itself unchecked and unhindered.

The first known Theban monarch is a certain Antef or Enantef, whose coffin was discovered in the year 1827 by some Arabs near Qurnah, to the west of Thebes. The mummy bore the royal diadem, and the epigraph on the lid of the coffin declared the body which it contained to be that of "Antef, king of the two Egypts." The phrase implied a claim to dominion over the whole country, but a claim as purely nominal as that of the kings of England from Edward IV. to George III. to be monarchs of France and Navarre. Antef s rule may possibly have reached to Elephantine on the one hand, but is not likely to have extended much beyond Coptos on the other. He was a local chieftain posing as a great sovereign, but probably with no intention to deceive either his own contemporaries or posterity. His name appears in some of the later Egyptian dynastic lists; but no monument of his time has come down to us except the one that has been mentioned.

Antef I. is thought to have been succeeded by Mentu-hotep I., a monarch even more shadowy, known to us only from the "Table of Karnak." This prince, however, is followed by one who possesses a greater amount of substance--Antef-aa, or "Antef the Great," grandson, as it would seem, of the first Antef--a sort of Egyptian Nimrod, who delighted above all things in the chase. Antefaa's sepulchral monument shows him to us standing in the midst of his dogs, who wear collars, and have their names engraved over them. The dogs are four in number, and are of distinct types. The first, which is called Mahut or "Antelope," has drooping ears, and long but somewhat heavy legs; it resembles a foxhound, and was no doubt both swift and strong, though it can scarcely have been so swift as its namesake. The second was called Abakaru, a name of unknown meaning; it has pricked up, pointed ears, a pointed nose, and a curly tail. Some have compared it with the German spitz dog, but it seems rather to be the original dog of nature, a near congener of the jackal, and the type to which all dogs revert when allowed to run wild and breed indiscriminately. The third, named Pahats or Kamu, i.e. "Blacky," is a heavy animal, not unlike a mastiff; it has a small, rounded, drooping ear, a square, blunt nose, a deep chest, and thick limbs. The late Dr. Birch supposed that it might have been employed by Antefaa in "the chase of the lion;" but we should rather regard it as a watch-dog, the terror of thieves, and we suspect that the artist gave it the sitting attitude to indicate that its business was not to hunt, but to keep watch and ward at its master's gate. The fourth dog, who bears the name of Tekal, and walks between his master's legs, has ears that seem to have been cropped. He has been said to resemble "the Dalmatian hound": but this is questionable. His peculiarities are not marked; but, on the whole, it seems most probable that he is "a pet house-dog" of the terrier class, the special favourite of his master. Antefaa's dogs had their appointed keeper, the master of his kennel, who is figured on the sepulchral tablet behind the monarch, and bears the name of Tekenru.

The hunter king was buried in a tomb marked only by a pyramid of unbaked brick, very humble in its character, but containing a mortuary chapel in which the monument above described was set up. An inscription on the tablet declared that it was erected to the memory of Antef the Great, Son of the Sun, King of Upper and Lower Egypt, in the fiftieth year of his reign.

Other Mentu-hoteps and other Antefs continued on the line of Theban kings, reigning quietly and ingloriously, and leaving no mark upon the scroll of time, yet probably advancing the material prosperity of their country, and preparing the way for that rise to greatness which gives Thebes, on the whole, the foremost place in Egyptian history. Useful projects occupied the attention of these monarchs. One of them sank wells in the valley of Hammamât, to provide water for the caravans which plied between Coptos and the Red Sea. Another established military posts in the valley to protect the traffic and the Egyptian quarrymen. Later on, a king called Sankh-ka-ra launched a fleet upon the Red Sea waters, and opened direct communications with the sacred land of Punt, the region of odoriferous gums and of strange animals, as giraffes, panthers, hunting leopards, cynocephalous apes, and long-tailed monkeys. There is some doubt whether "Punt" was Arabia Felix, or the Somauli country. In any case, it lay far down the Gulf, and could only be reached after a voyage of many days.