The church of England has not only undergone a change since the reformation, but wishes a greater.
We should suppose the puritan of 1583, and the dissenter of 1783, were the same: but although substance and shadow exactly resemble each other, no two things differ more.
When pride sends a man in quest of a religion, if he does not discover something new, he might as well stay at home: nothing near the present standard can take. Two requisites are necessary to found a religion, capacity, and singularity: no fool ever succeeded. If his talents are not above mediocrity, he will not be able to draw the crowd; and if his doctrines are not singular, the crowd will not be drawn--novelty pleases.
Having collected, and brightened up a set of doctrines, wide of every other church, he fixes at a distance from all. But time, and unavoidable intercourse with the world, promote a nearer approximation; and, mixing with men, we act like men. Thus the Quaker under George III. shews but little of the Quaker under George Fox.
In two congregations of the same profession, as in two twins of the same family, though there is a striking likeness, the curious observer will trace a considerable difference.
In a religion, as well as a man, there is a time to be born, and a time to die. They both vary in aspect, according to the length of their existence, carry the marks of decline, and sink into obscurity.
We are well informed how much the Romish religion has declined in this country: three hundred years ago Birmingham did not produce one person of another persuasion; but now, out of 50,000 people, we have not 300 of this.
The Roman Catholics formerly enjoyed a place for religious worship near St. Bartholomew's-chapel, still called Masshouse-lane; but the rude hands of irreligion destroyed it. There is now none nearer than Edgbaston, two miles distant; yet the congregation is chiefly supplied from Birmingham.
If the Roman Catholics are not so powerful as in the sixteenth century, they seem as quiet, and as little addicted to knowledge; perhaps they have not yet learned to see through any eyes but those of the priest.--There appears, however, as much devotion in their public worship, as among any denomination of christians.
JEWISH SYNAGOGUE.
We have also among us a remnant of Israel. A people who, when masters of their own country, were scarcely ever known to travel, and who are now seldom employed in any thing else. But, though they are ever moving, they are ever at home: who once lived the favourites of heaven, and fed upon the cream of the earth; but now are little regarded by either: whose society is entirely confined to themselves, except in the commercial line.
In the Synagogue, situated in the Froggery, they still preserve the faint resemblence of the ancient worship. Their whole apparatus being no more than the drooping ensigns of poverty. The place is rather small, but tolerably filled; where there appears less decorum than in the christian churches. The proverbial expression "as rich as a jew," is not altogether verified in Birmingham, but perhaps, time is transfering it to the Quakers.
It is rather singular, that the honesty of a jew, is seldom pleaded but by the jew himself.
THEATRES.
The practice of the Theatre is of great antiquity. We find it in great repute among the Greeks; we also find, the more a nation is civilized, the more they have supported the stage. It seems designed for two purposes, improvement and entertainment.
There are certain exuberances that naturally grow in religion, government, and private life which may with propriety be attacked by the poet and the comedian, but which can scarcely be reduced by any other power. While the stage therefore keeps this great end in view, it answers a valuable purpose to the community. The poet should use his pen to reform, not to indulge a corrupt age, as was the case in the days of Charles the Second, when indecency was brought on to raise the laugh.
Perhaps there is no period of time in which the stage was less polluted, owing to the inimitable Garrick, than the present: notwithstanding there is yet room for improvement.
Tragedy is to melt the heart, by exhibiting the unfortunate; satiate revenge, by punishing the unjust tyrant: To discard vice, and to keep undue passions within bounds.
Comedy holds up folly in a ridiculous light: Whatever conduct or character is found in the regions of absurdity, furnishes proper materials for the stage; and out of these, the pen of a master will draw many useful lessons.
The pulpit and the stage have nearly the same use, but not in the same line--That of improving the man.
The English stage opened about the conquest, and was wholly confined to religion; in whose service it continued, with very little intermission, to the extinction of the Plantagenets. The play-houses were the churches, the principal actors the priests, and the performances taken from scripture; such as the Fall of Man, the Story of Joseph, Sampson, Histories of the Saints, the Sufferings of Christ, Resurrection, Day of Judgment, &c.
Theatrical exhibition in Birmingham, is rather of a modern date. As far as memory can penetrate, the stroller occupied, occasionally, a shed of boards in the fields, now Temple-street: Here he acted the part of Distress, in a double capacity. The situation was afterwards changed, but not the eminence, and the Hinkleys dignified the performers booth!
In about 1730, the amusements of the stage rose in a superior stile of elegance, and entered something like a stable in Castle-street. Here the comedian strutted in painted rags, ornamented with tinsel: The audience raised a noisy laugh, half real and half forced, at three-pence a head.
In about 1740, a theatre was erected in Moor-street, which rather gave a spring to the amusement; in the day time the comedian beat up for volunteers for the night, delivered his bills of fare, and roared out an encomium on the excellence of the entertainment, which had not always the desired effect.
In 1751, a company arrived, which anounced themselves, "His Majesty's servants, from the theatres-royal in London; and hoped the public would excuse the ceremony of the drum, as beneath the dignity of a London company." The novelty had a surprising effect; the performers had merit; the house was continually crouded; the general conversation turned upon theatrical exhibition, and the town was converted into one vast theatre.
In 1752 it was found necessary to erect a larger theatre, that in King Street, and we multiplied into two London companies.
The pulpits took the alarm, and in turn, roared after their customers: But the pious teachers forgot it was only the fervour of a day, which would cool of itself; that the fiercer the fire burns, the sooner it will burn out.
This declaration of war, fortunately happening at the latter end of summer, the campaign was over, and the company retreated into winter quarters, without hostilities.
An History of Birmingham (1783) · The Wunder Library — complete classics, free to read, with narration.