Part 4

All the world knew Chet-qua, and how he was born at Quang-chew-fu, in the fourth moon of the year twenty-eight; also how he was bred a face-maker, and had three wives, two of whom he caressed very much; the third but seldom, for she was a virago, and had large feet. He dressed well, often in thick sattin; wore nine whiskers and four long nails, with silk boots, callico breeches, and every other ornament that Mandarins are wont to wear; equalling therein the prime macarones, and scavoir vivres, not only of Quang-chew, but even of Kyang-ning, or Shun-tien-fu. Of his size; he was a well-spoken portly man, for a Chinese; a pretty general scholar; and, for a heathen, a very compleat gentleman. He composed a tieh-tse, or billet-doux, at pleasure; recited verses, either in Mantchou or Chinese, and sung love-songs in many languages. He likewise danced a fandango, after the newest taste of Macao, played divinely upon the bag-pipe, and made excellent remarks; which, when he lodged at Mr. Marr's, in the Strand, he would repeat to his friends over a pipe, as often as they pleased; for he was fond of smoaking, provided the tobacco was good; and, upon these occasions, was always vastly pleasant, and very communicative.

Amongst his favourite topics were painting, music, architecture and gardening; to the last of which he seemed most affected, often disserting thereon till he was tired, and the audience fast asleep; for the tone of his voice was like opium to the hearers; his method was diffuse, and the subject, though a good one, not generally interesting.

One day he launched out into a long description of the Eastern Gardens, especially those of his own country, to which he was exceedingly partial; and, in the conclusion, compared them to a splendid feast, at which there were pleasures for every sense, and food for every fancy; whilst our Gardens, he said, were like Spartan broth, which was disgustful to all but Spartan palates; or like the partial niggardly treats of the fable, adapted only to organs of a peculiar construction: he advanced many other odd positions, spoke very freely, as well of our Gardeners, as Gardens, and ended recommending the Chinese taste, in preference to all others.

We were diverted with the discourse, from its singularity, and the variety of new ideas in which it abounded; yet as it ran in direct opposition to the general opinion and usage of England, and recommended a system which appeared to us rather visionary than practicable, we animadverted upon all its parts with the utmost freedom; neither sparing the speech nor speaker in any particular.

The severity of our criticism at first disconcerted poor Chet-qua, who remained silent, and in apparent confusion; but, after a short pause, he reassumed his usual good humour, his countenance cleared up, he arose, bowed to the company, and stroking his nine whiskers, began the following discourse.

DISCOURSE, &c.

Tan lou ty tchan yue Ko ou, pou ko choue. Ou yun king tai pan Fou fou teou lo ty

If, in the hurry and warmth of speaking, Chet-qua has used expressions that seemed disrespectful, or inadvertently started notions that appeared extravagant, as you, Gentlemen, are pleased to assert, it is more than he intended; his sole aim at this meeting, has been to point out a style of Gardening preferable to your's; and to shew how much more may be done in that Art, than has hitherto been thought on, by your or any other European nation: to enumerate impossibilities, or amuse an audience with golden dreams and glittering shadows, would answer no useful purposes; and could, therefore, neither be the business nor intention of Chet-qua, who speaks not for the pleasure of speaking, nor with a desire of tickling the ear, but with the hope of being serviceable; he laments his want of perspicuity, to which alone your misapprehensions must be imputed; and begs leave to trespass on your patience a few moments longer, to explain himself more clearly, and endeavour to remove your prejudices against him.

He is sorry to have been under a necessity of censuring, even in a distant manner, what seemed to him imperfect amongst you; but whoever would be instrumental in the advancement of science, must declare his mind freely, and sometimes enforce his precepts by examples that exist: his observations have been as general as the subject would permit; for it is never his inclination to give offence; yet where truth is to be investigated, the truth must necessarily be told; else little or no progress can ever be made: where men play the sycophants, and tacitly suffer, or meanly applaud, what they do not approve; no amendment can ever be expected.

It is true, that dissentions in opinion, however well meant, will often bear an invidious aspect, and always must offend some interested individuals; yet, to the community, they are generally advantageous, and should always be favourably received, as they give birth to new discoveries, and ultimately point out the highest perfection: had no man ever ventured to dissent from his neighbour, our age would be as dark as were those of Fo-hii, Shing tong, or Whoang-tii; and I am firmly persuaded, that your English Gardening would now have been much more perfect, had any one ever dared to dispute its excellence: but to dissent, is an unthankful business; a dangerous talk, that few have spirits to undertake, particularly where party-rage is violent, at it now and then seems to be amongst you.--But I come to the point.

In China, our large Gardens are obtained at an almost incredible expence, and attended with many inconveniencys: amongst you, whose policy, whose manners are totally different from ours, they might often be had at a moderate charge, and without much trouble; for formidable as they may at first appear, it is certain that most of their scenery is easily executed, when proper opportunities occur, which is frequently the case in Europe, particularly in England; where your illustrious families have large domains; where agriculture is neater and more various than in other countries; and where the face of nature is in general more luxuriant; as well as better contrasted.

It is natural enough for a stranger to be dazzled with the splendor of our Oriental plantations; upon a cursory inspection, to conclude them too vast, too magnificent, too expensive for European imitation; and that, in your part of the world, the greatest princes should not be indulged with such articles of luxury, calculated, as they seem, to exhaust their treasures, waste their lands, rob and oppress their subjects: but a more attentive examination will probably give birth to more favourable opinions, and serve to prove, that not only your princes, but even your private gentlemen, may emulate us in this particular very safely; and that our style of Gardening may be adopted amongst you, even in its whole extent, without being attended with any of the inconveniences just now recited.

It is not the fence that constitutes the Garden; Cobham, Stourton, Blenheim, would still be what they are, though the pales or walls by which they are enclosed were taken away: neither is privacy necessary to the essence of a Garden; for Richmond and Kew are surely the same, when open to all the world, as when they are only accessible to the Royal Family; nor is useful or profitable culture incompatible with the idea, either of our Chinese, or your English Gardening.

Any tract of land, therefore, whose characteristick expressions have been strengthened by art, and in which the spontaneous arrangements of nature have been corrected, improved and adorned by the hand of taste, ought to be considered as a Garden, though only fenced with common hedges, and although the roads or paths passing through it be publick, and the grounds of which it is composed cultivated to the utmost advantage.

There remains then no obstacle to your rivalling the Chinese, either in the grandeur or extent of their Gardens: in which, you seem to fix, the insuperable difficulties of the imitation; since you have parks, forests, manors and royalties, some even in private hands, more extensive than is necessary; and since these may be so improved, and converted into gardens upon the plan now mentioned, without waste of land, without invasion of property, without annoyance or seclusion of the public, and certainly with less damage or expence to the owner, than are usually incurred in the article of your common Gardening; as no chargeable keeping or fencing would be necessary, no grounds unprofitably employed, no considerable assistance from art wanted: for the features of real nature, being in themselves generally more perfect, as well as greater than the finest imitations, require very few helps; seldom any that are expensive.

Every artist, therefore, who has the fortune to meet with patrons of large possessions, and liberal sentiments, may give full scope to his imagination, and boldly apply whatever he has seen, heard, or his own fancy may have suggested, that is great, extraordinary, or surprising: instead of confining his views to a few acres, to form a trifling composition, scarcely superior to the desert at a festival; and which, insignificant as it would be, none but the healthful and vigorous could ever see; he may convert a whole province into a Garden; where the spectator, instead of toiling on foot, as usual, to see a few nothings, and performing more revolutions than a horse in a mill, may wander over a whole country at his ease, in ships or in barges, in carriages or on horse-back, feasting the sight with scenes of the boldest dimensions, and contemplating the luxuriant varied productions of Nature, improved and nobly enriched by Art.

And permit me to say, that Gardens of this sort, would not only be more magnificent, but also much more beautiful and perfect in every respect, than any even amongst the best of your artificial performances. In the great style of Gardening, neatness is not only superfluous, but destructive of the principal intent: the common roads, bridleways and paths, of a country, however wild, are always preferable to the stiff, formal, made walks of a Garden; they are, in themselves, grander, more natural, and may, with a very little assistance; a few accompanyments, be made as commodious, as rich, as varied, and as pleasant.

Fields covered with corn, turneps, beans, potatoes, hemp, or productions of a similar nature; meadows, pasture lands, hop grounds, orchards, and other parts of English culture; interwoven with common hedges, or blended with accidental plantations, require little, if any assistance from Art, to be more picturesque than lawns the most curiously dotted with clumps; and villages, country churches, farm-houses or cottages, when placed with judgement, and designed with taste, enrich and adorn a landscape as well as more expensive structures.

The rivers of Nature flow in forms that Art can never equal: their natural modifications, particularly in mountainous places, are sufficiently numerous; a little management heightens or diminishes all their expressions, varies their appearances, and adapts them to scenes of any character: their banks are soon adorned, even in the richest manner; for roses, a thousand other shrubs, and most perennial flowers, will grow as easily, and with as little culture, as primroses and briars do. A few of these, a little planting properly employed, and blended with rural buildings, bridges, ruins, monumental urns, and other trifling decorations, spread over the whole an appearance that equals, even surpasses the most elaborate cultivation.

In every large tract of land, there generally are some places abundantly supplied with water, which often flows through uncouth marshy bottoms of little use or value to the owner: by raising heads at their extremities, these are easily overflowed; and lakes of very considerable dimensions may thus be obtained, often without much trouble, always with great advantages, as well in point of profit as of pleasure; and wherever it may be necessary to dig, in order to give a proper depth to the water, the earth may be raised into islands of various shapes, which serve to complicate the forms, to enrich and beautify the scenery.

Though woods, from various causes, are now more rare than heretofore amongst you, yet are there, in most parts, some still remaining; their natural beauties are many, and little more is left for art to do in them, than to form roads, to thin or thicken them occasionally; where it may be wanting, to intersperse, amongst the plantations, a few proper shrubs and flowers; to open recesses, and to decorate them with objects; this done, they will be infinitely superior, in every respect, to any of the gaudy trifling confused plantations with which all your English-made Gardens are so crouded.

England abounds with commons and wilds, dreary, barren, and serving only to give an uncultivated appearance to the country, particularly near the metropolis: to beautify these vast tracts of land, is next to an impossibility; but they may easily be framed into scenes of terror, converted into noble pictures of the sublimest cast, and, by an artful contrast, serve to enforce the effect of gayer and more luxuriant prospects.

On some of them are seen gibbets, with wretches hanging in terrorem upon them; on others, forges, collieries, mines, coal tracts, brick or lime kilns, glass-works, and different objects of the horrid kind: what little vegetation they have, is dismal; the animals that feed upon it, are half-famished to the artist's hands; and the cottagers, with the huts in which they dwell, want no additional touches, to indicate their misery: a few uncouth straggling trees, some ruins, caverns, rocks, torrents, abandoned villages, in part consumed by fire, solitary hermitages, and other similar objects, artfully introduced and blended with gloomy plantations, would compleat the aspect of desolation, and serve to fill the mind, where there was no possibility of gratifying the senses.

In prosecuting a plan of this extensive nature, many other opportunities would present themselves to the able artist, of dignifying nature, and of heightening his compositions with all the force of novelty and grandeur; stone quarries, chalk pits, mines, might as easily be framed into vast amphitheatres, rustic arcades and perystiles, extensive subterraneous habitations, grottos, vaulted roads, and passages, as into other shapes; hills might, without much difficulty, be transformed into stupendous rocks, by partial incrustations of stone, judiciously mixed with turf, fern, wild shrubs and forest trees; gravel pits, or other similar excavations, might be converted into the most romantic scenery imaginable, by the addition of some planting, intermixed with ruins, fragments of sculpture, inscriptions, or any other little embellishments; and, in short, there would be no deviation, however trifling, from the usual march of nature, but what would suggest, to a fruitful imagination, some extraordinary arrangement, something to disguise her vulgarity, to rouse the attention of the spectator, and to excite in his mind a succession of strong and opposite sensations.

It is thus that far the noblest part of our Chinese Gardens, and those which at first sight appear most impracticable, may be obtained even amongst the common dispositions of English nature; and the great might thus have pleasure-grounds, extensive and extraordinary as those of the East, without any very considerable expence: men of less note would naturally imitate their superiors, by embellishing their possessions in the same manner; and instead of spending large sums to fence and to lard a little field with twigs, to give it the name of a Garden, they would beautify their whole estate; which, by a proper attention to the conomical precepts of our Chinese Gardeners, might be done in such a manner as to encrease its value, as well as improve its appearance.

By these means this whole kingdom might soon become one magnificent vast Garden, bounded only by the sea; the many noble seats and villas with which it abounds, would give uncommon consequence to the scenery; and it might still be rendered more splendid, if, instead of disfiguring your churches with monuments, our Chinese manner of erecting mausoleums by the sides of the roads was introduced amongst you; and if all your public bridges were adorned with triumphal arches, rostral pillars, bas-reliefs, statues, and other indications of victory, and glorious atchievements in war: an empire transformed into a splendid Garden, with the imperial mansion towering on an eminence in the center, and the palaces of the nobles scattered like pleasure-pavilions amongst the plantations, infinitely surpasses any thing that even the Chinese ever attempted: yet vast as the design appears, the execution is certainly within your reach.

Such, as far as I am able to judge, continued our Orator, is the true application of nature to horticulture; perhaps the only one that can be attempted with success: wherever she is made in little, or introduced upon a confined plan, the effect is always trifling and bad, as will appear to any man of real taste, who inspects the artificial scenery even of your most approved gardens: Nature admits of no reduction in her dimensions; trees will not grow in miniature; nor are her bold movements to be expressed upon the surface of a few acres: and not to mention any of your performances, it is scarcely in the power of the most consummate art, to imitate nature perfectly; nor were it possible, could the most skilful arrangements acquire their true effect, till after the expiration of many years: our children may see the perfection of what we plant; we never can.

Our eastern artists, therefore, seldom attempt to create, but rather imitate the tonsor, the habit-maker, the posture-master, and all the other polishers of man; who dispose, decorate, cleanse, clip, and add grace to what is already formed to their hands: to make nature, they say, is tedious and difficult beyond conception; but she may soon be embellished, her redundancys suppressed, her faults corrected, her wants supplied, her beauties improved, and set to view.