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Part 11

Alonzo Fitz, and Other Stories · Mark Twain — chapter 11 of 22 · ~1,411 words · public domain

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J. H. Hackett, in his part of Falstaff, was an actor who gave Mr. Lincoln great delight. With his usual desire to signify to others his sense of obligation, Mr. Lincoln wrote a genial little note to the actor expressing his pleasure at witnessing his performance. Mr. Hackett, in reply, sent a book of some sort; perhaps it was one of his own authorship. He also wrote several notes to the President. One night, quite late, when the episode had passed out of my mind, I went to the White House in answer to a message. Passing into the President's office, I noticed, to my surprise, Hackett sitting in the anteroom as if waiting for an audience. The President asked me if any one was outside. On being told, he said, half sadly, “Oh, I can't see him, I can't see him; I was in hopes he had gone away.” Then he added, “Now this just illustrates the difficulty of having pleasant friends and acquaintances in this place. You know how I liked Hackett as an actor, and how I wrote to tell him so. He sent me that book, and there I thought the matter would end. He is a master of his place in the profession, I suppose, and well fixed in it; but just because we had a little friendly correspondence, such as any two men might have, he wants something. What do you suppose he wants?” I could not guess, and Mr. Lincoln added, “well, he wants to be consul to London. Oh, dear!”

I will observe, in conclusion, that the William Ferguson incident occurred, and within my personal knowledge--though I have changed the nature of the details, to keep William from recognizing himself in it.

All the readers of this article have in some sweet and gushing hour of their lives played the role of Magnanimous-Incident hero. I wish I knew how many there are among them who are willing to talk about that episode and like to be reminded of the consequences that flowed from it.

PUNCH, BROTHERS, PUNCH

Will the reader please to cast his eye over the following lines, and see if he can discover anything harmful in them?

Conductor, when you receive a fare, Punch in the presence of the passenjare! A blue trip slip for an eight-cent fare, A buff trip slip for a six-cent fare, A pink trip slip for a three-cent fare, Punch in the presence of the passenjare!

CHORUS

Punch, brothers! punch with care! Punch in the presence of the passenjare!

I came across these jingling rhymes in a newspaper, a little while ago, and read them a couple of times. They took instant and entire possession of me. All through breakfast they went waltzing through my brain; and when, at last, I rolled up my napkin, I could not tell whether I had eaten anything or not. I had carefully laid out my day's work the day before--thrilling tragedy in the novel which I am writing. I went to my den to begin my deed of blood. I took up my pen, but all I could get it to say was, “Punch in the presence of the passenjare.” I fought hard for an hour, but it was useless. My head kept humming, “A blue trip slip for an eight-cent fare, a buff trip slip for a six-cent fare,” and so on and so on, without peace or respite. The day's work was ruined--I could see that plainly enough. I gave up and drifted down-town, and presently discovered that my feet were keeping time to that relentless jingle. When I could stand it no longer I altered my step. But it did no good; those rhymes accommodated themselves to the new step and went on harassing me just as before. I returned home, and suffered all the afternoon; suffered all through an unconscious and unrefreshing dinner; suffered, and cried, and jingled all through the evening; went to bed and rolled, tossed, and jingled right along, the same as ever; got up at midnight frantic, and tried to read; but there was nothing visible upon the whirling page except “Punch! punch in the presence of the passenjare.” By sunrise I was out of my mind, and everybody marveled and was distressed at the idiotic burden of my ravings--“Punch! oh, punch! punch in the presence of the passenjare!”

Two days later, on Saturday morning, I arose, a tottering wreck, and went forth to fulfil an engagement with a valued friend, the Rev. Mr.------, to walk to the Talcott Tower, ten miles distant. He stared at me, but asked no questions. We started. Mr.------ talked, talked, talked as is his wont. I said nothing; I heard nothing. At the end of a mile, Mr.------ said “Mark, are you sick? I never saw a man look so haggard and worn and absent-minded. Say something, do!”

Drearily, without enthusiasm, I said: “Punch brothers, punch with care! Punch in the presence of the passenjare!”

My friend eyed me blankly, looked perplexed, then said:

“I do not think I get your drift, Mark. There does not seem to be any relevancy in what you have said, certainly nothing sad; and yet--maybe it was the way you said the words--I never heard anything that sounded so pathetic. What is--”

But I heard no more. I was already far away with my pitiless, heartbreaking “blue trip slip for an eight-cent fare, buff trip slip for a six-cent fare, pink trip slip for a three-cent fare; punch in the presence of the passenjare.” I do not know what occurred during the other nine miles. However, all of a sudden Mr.------ laid his hand on my shoulder and shouted:--

“Oh, wake up! wake up! wake up! Don't sleep all day! Here we are at the Tower, man! I have talked myself deaf and dumb and blind, and never got a response. Just look at this magnificent autumn landscape! Look at it! look at it! Feast your eye on it! You have traveled; you have seen boasted landscapes elsewhere. Come, now, deliver an honest opinion. What do you say to this?”

I sighed wearily; and murmured:--

“A buff trip slip for a six-cent fare, a pink trip slip for a three-cent fare, punch in the presence of the passenjare.”

Rev. Mr. ------ stood there, very grave, full of concern, apparently, and looked long at me; then he said:--

“Mark, there is something about this that I cannot understand. Those are about the same words you said before; there does not seem to be anything in them, and yet they nearly break my heart when you say them. Punch in the--how is it they go?”

I began at the beginning and repeated all the lines.

My friend's face lighted with interest. He said:--

“Why, what a captivating jingle it is! It is almost music. It flows along so nicely. I have nearly caught the rhymes myself. Say them over just once more, and then I'll have them, sure.”

I said them over. Then Mr. ------ said them. He made one little mistake, which I corrected. The next time and the next he got them right. Now a great burden seemed to tumble from my shoulders. That torturing jingle departed out of my brain, and a grateful sense of rest and peace descended upon me. I was light-hearted enough to sing; and I did sing for half an hour, straight along, as we went jogging homeward. Then my freed tongue found blessed speech again, and the pent talk of many a weary hour began to gush and flow. It flowed on and on, joyously, jubilantly, until the fountain was empty and dry. As I wrung my friend's hand at parting, I said:--

“Haven't we had a royal good time! But now I remember, you haven't said a word for two hours. Come, come, out with something!”

The Rev. Mr.------ turned a lack-lustre eye upon me, drew a deep sigh, and said, without animation, without apparent consciousness:

“Punch, brothers, punch with care! Punch in the presence of the passenjare!”

A pang shot through me as I said to myself, “Poor fellow, poor fellow! he has got it, now.”

I did not see Mr.------ for two or three days after that. Then, on Tuesday evening, he staggered into my presence and sank dejectedly into a seat. He was pale, worn; he was a wreck. He lifted his faded eyes to my face and said:--

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