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Part 19

Alone · Norman Douglas — chapter 19 of 42 · ~3,242 words · public domain

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This stupid nightmare leaves me unrefreshed next morning, and often bears in its rear a trail of wistfulness which may endure a week. Only within the last few years has it dared to invade my slumbers. Before that period there was a series of other recurrent dreams. What will the next be? For I mean to oust this particular incubus. The monster annoys me, and even our mulish dream-consciousness can be taught to acquiesce in a fact, after a sufficient lapse of time.

There are dreams peculiar to every age of man. That celebrated one of flying, for instance--it fades away with manhood. I once indulged in a correspondence about it with a well-known psychologist, and would like to think, even now, that this dream is a reminiscence of leaping habits in our tree-haunting days; a ghost of the dim past, therefore, which revisits us at night when recent adjustments are cast aside and man takes on the credulity and savagery of his remotest forefathers; a ghost which comes in youth when these ancient etchings are easier to decypher, being not yet overscored by fresh personal experiences. What is human life but a never-ending palimpsest?

So I pondered, when my musings under that pine tree were interrupted by the arrival on the scene of a young snake. I cannot say with any degree of truthfulness which of us two was more surprised at the encounter. I picked him up, as I always do when they give me a chance, and began to make myself agreeable to him. He had those pretty juvenile markings which disappear with maturity. Snakes of this kind, when they become full-sized, are nearly always of a uniform shade, generally black. And when they are very, very old, they begin to grow ears and seek out solitary places. What is the origin of this belief? I have come across it all over the country. If you wish to go to any remote or inaccessible spot, be sure some peasant will say: "Ah! There you find the serpent with ears."

These snakes are not easy to catch with the hand, living as they do among stones and brushwood, and gliding off rapidly once their suspicions are aroused. This one, I should say, was bent on some youthful voyage of discovery or amorous exploit; he walked into the trap from inexperience. As a rule, your best chance for securing them is when they bask on the top of some bush or hedge in relative unconcern, knowing they are hard to detect in such places. They climb into these aerial situations after the lizards, which go there after the insects, which go there after the flowers, which go there after the sunshine, struggling upwards through the thick undergrowth. You must have a quick eye and ready hand to grasp them by the tail ere they have time to lash themselves round some stem where, once anchored, they will allow themselves to be pulled in pieces rather than yield to your efforts. If you fail to seize them, they trickle earthward through the tangle like a thread of running water.

He belonged to that common Italian kind which has no English name--Germans call them Zornnatter, in allusion to their choleric disposition. Most of them are quite ready to snap at the least provocation; maybe they find it pays, as it does with other folks, to assume the offensive and be first in the field, demanding your place in the sun with an air of wrathful determination. Some of the big fellows can draw blood with their teeth. Yet the jawbones are weak and one can force them asunder without much difficulty; whereas the bite of a full-grown emerald lizard, for instance, will provide quite a novel sensation. The mouth closes on you like a steel trap, tightly compressing the flesh and often refusing to relax its hold. In such cases, try a puff of tobacco. It works! Two puffs will daze them; a fragment of a cigar, laid in the mouth, stretches them out dead. And this is the beast which, they say, will gulp down prussic acid as if it were treacle.

But snakes vary in temperament as we do, and some of these Zamenis serpents are as gentle and amiable as their cousin the Aesculap snake. My friend of this afternoon could not be induced to bite. Perhaps he was naturally mild, perhaps drowsy from his winter sleep or ignorant of the ways of the world; perhaps he had not yet shed his milk teeth. I am disposed to think that he forgot about biting because I made a favourable impression on him from the first. He crawled up my arm. It was pleasantly warm, but a little too dark; soon he emerged again and glanced around, relieved to discover that the world was still in its old place. He was not clever at learning tricks. I tried to make him stand on his head, but he refused to stiffen out. Snakes have not much sense of humour.

Lizards are far more companionable. During two consecutive summers I had a close friendship with a wall-lizard who spent in my society certain of his leisure moments--which were not many, for he always had an astonishing number of other things on hand. He was a full-grown male, bejewelled with blue spots. A fierce fighter was Alfonso (such was his name), and conspicuous for a most impressive manner of stamping his front foot when impatient. Concerning his other virtues I know little, for I learnt no details of his private life save what I saw with my eyes, and they were not always worthy of imitation. He was a polygamist, or worse; obsessed, moreover, by a deplorable habit of biting off the tails of his own or other people's children. He went even further. For sometimes, without a word of warning, he would pounce upon some innocent youngster and carry him in his powerful jaws far away, over the wall, right out of my sight. What happened yonder I cannot guess. It was probably a little old-fashioned cannibalism.

Though my meals in those days were all out of doors, his attendance at dinner-time was rather uncertain; I suspect he retired early in order to spend the night, like other polygamists, in prayer and fasting. At the hours of breakfast and luncheon--he knew them as well as I did--he was generally free, and then quite monopolized my company, climbing up my leg on to the table, eating out of my hand, sipping sugar-water out of his own private bowl and, in fact, doing everything I suggested. I did not suggest impossibilities. A friendship should never be strained to breaking-point. Had I cared to risk such a calamity, I might have taught him to play skittles....

For the rest, it is not very amusing to be either a lizard or a snake in Italy. Lizards are caught in nooses and then tied by one leg and made to run on the remaining three; or secured by a cord round the neck and swung about in the air--mighty good sport, this; or deprived of their tails and given to the baby or cat to play with; or dragged along at the end of a string, like a reluctant pig that is led to market. There are quite a number of ways of making lizards feel at home.

With snakes the procedure is simple. They are killed; treated to that self-same system to which they used to treat us in our arboreal days when the glassy eye of the serpent, gleaming through the branches, will have caused our fur to stand on end with horror. No beast provokes human hatred like that old coiling serpent. Long and cruel must have been his reign for the memory to have lingered--how many years? Let us say, in order to be on the safe side, a million. Here, then, is another ghost of the past, a daylight ghost.

And look around you; the world is full of them. We live amid a legion of ancestral terrors which creep from their limbo and peer in upon our weaker moments, ready to make us their prey. A man whose wits are not firmly rooted in earth, in warm friends and warm food, might well live a life of ceaseless trepidation. Many do. They brood over their immortal soul--a ghost. Others there are, whose dreams have altogether devoured their realities. These live, for the most part, in asylums.

There flits, along this very shore, a ghost of another kind--that of Shelley. Maybe the spot where they burnt his body can still be pointed out. I have forgotten all I ever read on that subject. An Italian enthusiast, the librarian of the Laurentian Library in Florence, garnered certain information from ancient fishermen of Viareggio in regard to this occurrence and set it down in a little book, a book with white covers which I possessed during my Shelley period. They have erected a memorial to the English poet in one of the public squares here. The features of the bust do not strike me as remarkably etherial, but the inscription is a good specimen of Italian adapted to lapidary uses--it avoids those insipid verbal terminations which weaken the language and sometimes render it almost ridiculous.

Smollet lies yonder, at Livorno; and Ouida hard by, at Bagni di Lucca. She died in one of these same featureless streets of Viareggio, alone, half blind, and in poverty....

I know Suffolk, that ripe old county of hers, with its pink villages nestling among drowsy elms and cornfields; I know their "Spread Eagles" and "Angels" and "White Horses" and other taverns suggestive--sure sign of antiquity--of zoological gardens; I know their goodly ale and old brown sherries. Her birthplace, despite those venerable green mounds, is comparatively dull--I would not care to live at Bury; give me Lavenham or Melford or some place of that kind. While looking one day at the house where she was born, I was sorely tempted to crave permission to view the interior, but refrained; something of her own dislike of prying and meddlesomeness came over me. Thence down to that commemorative fountain among the drooping trees. The good animals for whose comfort it was built would have had some difficulty in slaking their thirst just then, its basin being chocked up with decayed leaves.

We corresponded for a good while and I still possess her letters somewhere; I see in memory that large and bold handwriting, often only two words to a line, on the high-class slate-coloured paper. The sums she spent on writing materials! It was one of her many ladylike traits.

I tried to induce her to stay with me in South Italy. She made three conditions: to be allowed to bring her dogs, to have a hot bath every day, and two litres of cream. Everything could be managed except the cream, which was unprocurable. Later on, while living in the Tyrolese mountains, I renewed the invitation; that third condition could now be fulfilled as easily as the other two. She was unwell, she replied, and could not move out of the house, having been poisoned by a cook. So we never met, though she wrote me much about herself and about "Helianthus," which was printed after her death. In return, I dedicated to her a book of short stories; they were published, thank God, under a pseudonym, and eight copies were sold.

She is now out of date. Why, yes. Those guardsmen who drenched their beards in scent and breakfasted off caviare and chocolate and sparkling Moselle--they certainly seem fantastic. They really were fantastic. They did drench their beards in scent. The language and habits of these martial heroes are authenticated in the records of their day; glance, for instance, into back numbers of Punch. The fact is, we were all rather ludicrous formerly. The characters of Dickens, to say nothing of Cruikshank's pictures of them: can such beings ever have walked the earth?

If her novels are somewhat faded, the same cannot be said of her letters and articles and critiques. To our rising generation of authors--the youngsters, I mean; those who have not yet sold themselves to the devil--I should say: read these things of Ouida's. Read them attentively, not for their matter, which is always of interest, nor yet for their vibrant and lucid style, which often rivals that of Huxley. Read them for their tone, their temper; for that pervasive good breeding, that shining honesty, that capacity of scorn. These are qualities which our present age lacks, and needs; they are conspicuous in Ouida. Abhorrence of meanness was her dominant trait. She was intelligent, fearless; as ready to praise without stint as to voice the warmest womanly indignation. She was courageous not only in matters of literature; courageous, and how right! Is it not satisfactory to be right, when others are wrong? How right about the Japanese, about Feminism and Conscription and German brutalitarianism! How she puts her finger on the spot when discussing Marion Crawford and D'Annunzio! Those local politicians--how she hits them off! Hers was a sure touch. Do we not all now agree with what she wrote at the time of Queen Victoria and Joseph Chamberlain? When she remarks of Tolstoy, in an age which adored him (I am quoting from memory), that "his morality and monogamy are against nature and common sense," adding that he is dangerous, because he is an "educated Christ"--out of date? When she says that the world is ruled by two enemies of all beauty, commerce and militarism--out of date? When she dismisses Oscar Wilde as a cabotin and yet thinks that the law should not have meddled with him--is not that the man and the situation in a nutshell?

No wonder straightforward sentiments like these do not appeal to our age of neutral tints and compromise, to our vegetarian world-reformers who are as incapable of enthusiasm as they are of contempt, because their blood-temperature is invariably two degrees below the normal. Ouida's critical and social opinions are infernally out of date--quite inconveniently modern, in fact. There is the milk of humanity in them, glowing conviction and sincerity; they are written from a standpoint altogether too European, too womanly, too personally-poignant for present-day needs; and in a language, moreover, whose picturesque and vigorous independence comes as a positive shock after the colourless Grub-street brand of to-day.

They come as a shock, these writings, because in the brief interval since they were published our view of life and letters has shifted. A swarm of mystics and pragmatists has replaced the lonely giants of Ouida's era. It is an epoch of closed pores, of constriction. The novel has changed. Pick up the average one and ask yourself whether this crafty and malodorous sex-problem be not a deliberately commercial speculation--a frenzied attempt to "sell" by scandalizing our unscandalizable, because hermaphroditic, middle classes? Ouida was not one of these professional hacks, but a personality of refined instincts who wrote, when she cared to write at all, to please her equals; a rationalistic anti-vulgarian; a woman of wide horizons who fought for generous issues and despised all shams; the last, almost the last, of lady-authors. What has such a genial creature in common with our anaemic and woolly generation? "The Massarenes" may have faults, but how many of our actual woman-scribes, for all their monkey-tricks of cleverness, could have written it? The haunting charm of "In Maremma": why ask our public to taste such stuff? You might as well invite a bilious nut-fooder to a Lord Mayor's banquet.

The mention of banquets reminds me that she was blamed for preferring the society of duchesses and diplomats to that of the Florentine literati, as if there were something reprehensible in Ouida's fondness for decent food and amusing talk when she could have revelled in Ceylon tea and dough-nuts and listened to babble concerning Quattro-Cento glazes in any of the fifty squabbling art-coteries of that City of Misunderstandings. It was one of her several failings, chiefest among them being this: that she had no reverence for money. She was unable to hoard--an unpardonable sin. Envied in prosperity, she was smugly pitied in her distress. Such is the fate of those who stand apart from the crowd, among a nation of canting shopkeepers. To die penniless, after being the friend of duchesses, is distinctly bad form--a slur on society. True, she might have bettered her state by accepting a lucrative proposal to write her autobiography, but she considered such literature a "degrading form of vanity" and refused the offer. She preferred to remain ladylike to the last, in this and other little trifles--in her lack of humour, her redundancies, her love of expensive clothes and genuinely humble people, of hot baths and latinisms and flowers and pet dogs and sealing-wax. All through life she made no attempt to hide her woman's nature, her preference for male over female company; she was even guilty of saying that disease serves the world better than war, because it kills more women than men. Out of date, with a vengeance!

There recurs to me a sentence in a printed letter written by a celebrated novelist of the artificial school, a sentence I wish I could forget, describing Ouida as "a little terrible and finally pathetic grotesque." Does not a phrase like this reveal, even better than his own romances, the essentially non-human fibre of the writer's mind? Whether this derivative intellectualist spiderishly spinning his own plots and phrases and calling Ouida a "grotesque"--whether this echo ever tried to grasp the bearing of her essays on Shelley or Blind Guides or Alma Veniesia or The Quality of Mercy--tried to sense her burning words of pity for those that suffer, her hatred of hypocrisy and oppression and betrayal of friendship, her so righteous pleadings, coined out of the heart's red blood, for all that makes life worthy to be lived? He may have tried. He never could succeed. He lacked the sympathy, the sex. He lacked the sex. Ah, well--Schwamm drueber, as the Norwegians say. Ouida, for all her femininity, was more than this feline and gelatinous New Englander.

Rome

The railway station at Rome has put on a new face. Blown to the winds is that old dignity and sense of leisure. Bustle everywhere; soldiers in line, officers strutting about; feverish scurryings for tickets. A young baggage employé, who allowed me to effect a change of raiment in the inner recesses of his department, alone seemed to keep up the traditions of former days. He was unruffled and polite; he told me, incidentally, that he came from ----. That was odd, I said; I had often met persons born at ----, and never yet encountered one who was not civil beyond the common measure. His native place must be worthy of a visit.

"It is," he replied. "There are also certain fountains...."

That restaurant, for example--one of those few for which a man in olden days of peace would desert his own tavern in the town--how changed! The fare has deteriorated beyond recognition. Where are those succulent joints and ragouts, the aromatic wine, the snow-white macaroni, the cafe-au-lait with genuine butter and genuine honey?

War-time!

Conversed awhile with an Englishman at my side, who was gleefully devouring lumps of a particular something which I would not have liked to touch with tongs.

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