Part 22

Among the contributors to the Syndicate at that time was a picturesque European with a title and an apparently endless flow of gossip. He pretended to have been a member of the Court of Napoleon III and in the confidence of the Emperor. This relation accounted for his having been invited to join a strange secret party made up by the Emperor, who was worried over a rumor that the body of Napoleon I did not lie under the dome of the Invalides. It was not known who did lie there or what had become of Napoleon. To reassure himself the Emperor decided to go with a few chosen friends and open the tomb. They gathered in the dead of night. The tomb was opened. There lay Napoleon, unchanged. The Emperor’s mind was at rest. He swore the group to secrecy, but took affidavits to be used in case of political necessity. The fall of the Empire seems to have made the gentleman feel that his oath was no longer binding, and that he could cash in on his adventure.

I did not believe the story, but when I expressed my doubt all I could get out of Mr. McClure was a severe, “What a pity you do not know something about Napoleon!” No new idea to me, since it was the first thing I was thinking every morning when I went to work. What I did not know, as I worried over the possible publication of what I believed a fake, was that in spite of his quick and enthusiastic acceptance of a good story, S. S. McClure cared above all for the soundness, the truthfulness of the magazine. Good stories—yes. But they must hold water, stand the scrutiny of those who knew. Moreover, he knew what I did not as yet, that he could go the limit in his enthusiasms since he had at his side a partner on whom he counted more, I think, than he then realized to balance his excitements.

This happened now. The story was in type, scheduled. Mr. McClure was going to Europe. “While you’re over there, Sam,” said his partner quietly, “you better verify that Napoleon story. We’ll hold it until we hear from you.”

A few weeks later came a laconic postal card. “Don’t publish the story of the opening of Napoleon’s tomb. It wasn’t opened.”

I never heard the matter referred to after that. By the time he returned he had forgotten what to me was a near tragedy, to him a joyful bit of editorial adventure.

I came later to feel that this quick kindling of the imagination, this untiring curiosity, this determination to run down every clue until you had it there on the table, its worth or worthlessness in full view, was one of Mr. McClure’s greatest assets; but it was an asset that would have landed him frequently in hot water if it had not been for the partner who had saved him from the Napoleon hoax, John S. Phillips—J. S. P. as he was known in the office.

Living in Washington as I had been doing, I had seen little of Mr. Phillips, only heard of him, for his name was the one oftenest on Mr. McClure’s tongue. His calm and tactful handling of the “General,” as the office called Mr. McClure, in the ticklish Napoleon story delighted me.

“Here’s a man,” I told myself, “who has a nose for humbugs as well as one who knows the power of patience when dealing with the impatient.”

At her desk in the McClure’s office, 1898 ]

As time went on and I spent more and more of it in New York, finally settling there at the end of the decade, I had better opportunities to watch Mr. Phillips in action. I was not long in learning that he was the focus of every essential factor in the making of the magazine: circulation, finance, editing. Into the pigeonhole of his old-fashioned roll-top desk went daily reports of bank balances, subscriptions received, advertising contracts to be signed, books sold. I doubt if he ever went home at night without having a digest of those reports in his head. He knew their relation to the difficult problem of putting the undertaking on its feet.

It was largely Mr. Phillips’ love of fine printing and his habit of keeping track of the advances in printing processes that led McClure’s late in the nineties to set up its own plant. It included all of the new miraculous self-feeding machines, automatic presses, folders, binders, stitchers.

It was the first magazine plant of the kind in the country and had many visitors. Among them was Mark Twain. Mr. Phillips tells an amusing story of his visit. As they stood watching the press perform, a sheet went awry on the bed. The press at once stopped and rang a bell calling for the pressman, who immediately came and helped the big automat out of its plight.

“My God, man!” cried Mark Twain, “That thing ought to vote.”

It did more than cast votes for McClure’s. It saved the money which finally balanced the budget—and then some.

To those of us on the inside it was always a marvel that John Phillips found time to be an editor, as well as a focusing center for everything that went on. At the bottom of his constant editorial supervision was, I think, a passion for the profession. He was unmistakably the most intellectual, as well as the best intellectually trained, person in the office. After graduating at Knox College in Illinois he had taken a degree at Harvard and later spent two years studying literature and philosophy in the University of Leipzig. When he came to the magazine he put all his training into the professional problem.

He was an invaluable aid to the group of staff writers the magazine was building up. He was no easy editor. He never wheedled, never flattered, but rigidly tried to get out of you what he conceived to be your best, taking it for granted that you wanted to make the most of your piece and it was his business to help you. I never had an editor who so quickly and unerringly spotted weaknesses, particularly in construction. He had a fine feeling, too, for the right word, took the trouble to search for it, often bringing in a penciled memo of suggestions long after you had decided to let it go as it was. He knew the supreme value of naturalness, detested fake style. “A kind of disease,” I have heard him say, quoting somebody.

It always disturbed a few of us that nobody outside of the office knew what an important part in the making of McClure’s John Phillips played. He had that rare virtue—the willingness and ability to keep out of the picture if thereby he could make sure the picture was not spoiled in the making.

The one member of the staff besides Mr. McClure whom I knew, when I began to find myself so to speak absorbed, was already by virtue of his unusual gift for comradeship a friend as well as a species of boss—that was Auguste F. Jaccaci, a brilliant artist and art editor as well as one of the most versatile and iridescent personalities I have ever known. I first met Jac, as he was called by everybody, in Paris, when as an advance agent of the new magazine he was sounding out possibilities for writers and illustrators. He took me out to dinner and paid the addition. We talked until late, then he simply put me on my omnibus and let me go back to the Latin Quarter alone. Here was established the modus operandi for our frequent visiting in the future, in Paris, in New York, in Washington—with one revision. After that first dinner I paid my share of the check, save on special occasions when Jac, a knowing epicure, selected the dinner and treated me.

It was he who showed me the first copy of McClure’s, that of August, 1893, showed it to me at five-thirty in the morning, at a café across the square from the Gare Saint-Lazare where he had ordered me by cablegram from London to meet him. For nobody in the world excepting a member of my family should I have been willing at that hour to cross Paris. But I couldn’t afford to show a lack of interest. Moreover, I must confess that this preposterous order flattered me a little. It was taking me man to man, I said to myself. And so I was there. He had to bully the garçon to get a table out on the sidewalk and make us coffee.

All this was a good basis for a comradeship which lasted to his death. It lives in my memory as something quite apart in my relations with men. Jac had a certain superior appreciation and wisdom never quite put into words, but which you felt. I for my part was always straining to understand, never quite reaching it. Part of his charm was his confidence in his own superiority and his anxiety lest we didn’t quite realize it. And then there were his rages. They came and went like terrible summer thundershowers. He would roar down the corridor of the office while I sat and watched him enthralled. Those rages, whether directed at me or somebody else, never made any other impression on me than that of some unusual natural phenomenon.

Here then were the leaders in the crowd to which I had been admitted by virtue of a hasty sketch of Napoleon Bonaparte done on order.

Thank God I had sense enough to realize that here were three rare personalities, and that to miss such associations would be sheer stupidity. Also to know that I was an unusually lucky woman to be accepted.

Then there was the magazine they were making. There was something youthful, gay, natural about it which captivated me. Often, too, it achieved a most precious thing. Mr. Phillips called it a “lift.” To be youthful, gay, natural with a “lift”—that was an achievement.

And then I found the place so warmly and often ridiculously human. Mr. McClure was incapable of standing up before a hard-luck story, with the result that he brought into that overcrowded office a string of derelicts ranging from autocratic scrub ladies to indigent editors—brought them in and left them for J. S. P. to place. But J. S. P. was not far behind in his sympathy for those who were down and out. I watched him more than once rescue an author who perhaps out of sheer discouragement had taken to drink and landed in jail. Mr. Phillips saw that he was bailed out, his debts paid, work given him. I never ceased to wonder that these two men loaded with work and responsibility should seemingly consider it part of their daily job to rescue the wastrel and the disheartened.

There was reason enough for me to stay with McClure’s.

9 GOOD-BYE TO FRANCE

The Napoleon sketch had not been finished before Mr. McClure was urging me into a new job—not writing this time, but editing, editing according to his recipe. “Out with you—look, see, report.” Abraham Lincoln was the subject. My heart fell. “If you once get into American history,” I told myself, “you know well enough that will finish France. It will also finish your determination to solve the woman question and determine the nature of revolutions. They will go the way of the microscope and your search for God. Are you to spend your life running, now here, now there, never follow a path to its end?” Or was I taking my ambitions too seriously? It seemed probable. However, I was to have five thousand a year if I went along. There was no question in my mind but it was my duty to earn that money.

Lincoln was one of Mr. McClure’s steady enthusiasms. I once saw him, in puzzled efforts to find the reason for the continued life of a certain great American magazine, going through the file from the Civil War on, solely to find out what attention had been given to Lincoln. “Not a Lincoln article in this volume, nor in this,” he cried. “It is not a great magazine, it has overlooked the most vital factor in our life since the Civil War, the influence of the life and character of Abraham Lincoln.”